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THE STUDIO A Magazine of Fine and Applied Art FOUNDED IN 1893 VOLUME 94 NUMBER 412 JULY 1927 44 LEICESTER SQUARE LONDON $2^{\frac{s}{-}}_{\text{net}}$
Excerpt
First pages of the volume, freely accessible.
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THE STUDIO CONTENTS JULY, 1927 ALEXANDER IACOVLEFF'S MURAL PAINTINGS. By M. Valotaire ... 3 MR. HARRY VAN DER WEYDEN. By Herbert B. Grimsditch ... 10 MESSRS. WHYTOCK AND REID'S FURNITURE ... 16 GIOVANNI FATTORI ... 18 MODERN GERMAN SILVERWARE. By Dr. Wilhelm Lotz ... 25 HERBERT GURSCHNER OF TIROL. By Louis Golding ... 33 BON KEI: A JAPANESE ART. By Fred Lee Carter ... 38 NOTES: London, Manchester, Shipley (Yorks.), Glasgow, Leipzig, Paris, Prague, Bilbao, The Hague, Sourabaya (Dutch East Indies), Milan, Philadelphia, New York, Tokyo, Kyoto, Moscow ... 40 REVIEWS ... 75 SUPPLEMENTS ALEXANDER IACOVLEFF. Detail of Mural Decoration in a Concert-Room ... Frontispiece HARRY VAN DER WEYDEN. "Eze" ... 11 GIOVANNI FATTORI. "La Rotonda di Palmieri" ... 21 GIOVANNI FATTORI. "Tree and Woodpath" ... 27 HERBERT GURSCHNER. "Tirolese Lovers" ... 35 ALEX. KRAVTCHENKO. "Study" ... 73 EDITED BY GEOFFREY HOLME NOTICE TO CONTRIBUTORS.—The Editor will always be glad to consider illustrated articles and photographs of works of art which may be submitted to him for publication. Selection is made on merit alone, and no payment is expected or accepted for inclusion of any artist's work. Every effort will be made to return in due course rejected MSS., and all photographs, etc., rejected or accepted; but in no circumstances can the Editor hold himself responsible for the safe custody or return of such material. Artists and others are urged to submit photographs in the first instance, rather than originals. These should be addressed to "The Editor." Stamps for return should always be sent, and the name and address of the sender must be clearly written on every MS., photograph, etc. All notes and articles should be typewritten. Contributions and specimens of work submitted by hand must be left for consideration at "The Studio" Office for a day or two. The Editor and Editorial Staff CANNOT GIVE INTERVIEWS, except by appointment, for which some definite reason must be adduced. Callers are recommended to leave a concise statement of their business in writing. SUBSCRIPTION RATES Per Annum INLAND (United Kingdom, Channel Isles, etc.) ... 28/- BRITISH COLONIES, INDIA, Countries in Postal Union ... 30/- CANADA (Under the New Postal Union) 26/- AMERICA B. F. Stevens & Brown, 21 Pearl Street, New York, and 4 Trafalgar Square, London) ... $7 FRANCE (Henry Babou, 1 Rue Verniquet, Paris, XVIIe) ... Frs. 170 GERMANY AND AUSTRIA ... Mks. 26 GERMAN SWITZERLAND ... Mks. 28 (Deutsche Bauzeitung, G.m.b.H. Wilhelm Strasse No. 8, Berlin, S.W.48.) ITALY AND ITALIAN COLONIES (Galleria Pesaro, Via A. Manzoni, 12a Milano) ... L. 216 These sums include Postage, and are strictly net and payable in advance. Cheques, Money Orders, etc., should be made payable to THE STUDIO LTD., and crossed "Midland Bank, A/c Payee," except for America, Germany, Austria and German Switzerland and Italy, when they should be sent to the agents named. In addition to "THE STUDIO," the Publishers issue Special Publications dealing with many different phases of Art, and are Proprietors of the Monthly Magazines "Commercial Art" and "Drawing and Design." Particulars of these may be had from all booksellers, from the agents mentioned above, or direct from the Publishers at 44 Leicester Square. ADVERTISEMENT RATES The charge for Undisplayed Advertisements is 7/6 for 32 words (about 4 lines) or less, and is payable in advance. Additional words are charged at the rate of 1s. per line of eight words. IMPORTANT.—New Advertisements and alterations in current announcements should reach this office by the 5th of the month previous to publication; small announcements will be accepted for the MISCELLANEOUS columns up to the 8th day of the month previous to publication if accompanied by a remittance. NOTE.—Replies to "Miscellaneous" advertisements may be addressed to the Offices of "THE STUDIO," but in this case an extra charge of 1s. will be made to cover the cost of postage, etc. The address will be charged as part of the advertisement and will count as nine words. The Advertisement Manager cannot undertake to forward replies to anonymous Advertisements received later than one month from date of publication, nor can he be held responsible for loss of or damage to Drawings, etc., sent in reply to advertisements. PRICES OF DISPLAYED ADVERTISEMENTS ON APPLICATION
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THE STUDIO PUBLISHERS BY APPOINTMENT TO HIS MAJESTY THE KING ESTABLISHED 1760 P. & D. COLNAGHI & Co. NIGHT AT BAMBOROUGH FAIR By H. J. STUART BROWN Size 5×7 inches ORIGINAL Etching 50 PROOFS AT £2 12s. 6d. EACH Paintings and Drawings by Old and Modern Masters VALUATIONS. RESTORATION. FRAMING. MOUNTING. COLLECTIONS BOUGHT ‘en bloc’ 144, 145, 146 NEW BOND ST., LONDON, W.1 Telegrams: COLNAGHI, WESDO, LONDON. Telephone: MAYFAIR 6356 (3 lines) AD. I
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THE STUDIO ART EXHIBITIONS LONDON.—ABBEY GALLERY, 2 Victoria Street, W. 1. Water-colours by Dr. Eugen Milch and Cartoons by “Spy Junior.” Open till July 9. ARLINGTON GALLERY, 22 Old Bond Street, W. 1. Water-colours by the Rev. Claude Torry. Open till July 8. BEAUX ARTS GALLERY, 1 Bruton Place, W. 1. Water-colours by C. A. Hunt, Charles Ince, A. Reginald Smith and William Walcot. Open till July 2. Recent works by William Nicholson. Open till July 31. BURLINGTON FINE ARTS CLUB, 17 Savile Row, W. 1. Centenary Exhibition of works by William Blake. Open during July. BURLINGTON HOUSE, Piccadilly, W. 1. Royal Academy Exhibition. Open till August 6. CONNELL, JAMES & SONS, 47, Old Bond Street, W. 1. Exhibition of original etchings and water-colour drawings. During July. FINE ART SOCIETY, LTD., 148 New Bond Street, W. 1. Etchings by Modern Masters. Bronze statuettes by R. Tait Mackenzie. Open during July. GIEVES GALLERY, 22 Old Bond Street, W. 1. Oil paintings of racehorses, hunters, polo ponies, dogs and hounds, by Mrs. Harris Colmer. Open July 5. GOUPIL GALLERY, 5 Regent Street, S.W. 1. Paintings by French Impressionists and others. Open till July 8. HEAL & SONS, 196 Tottenham Court Road, W. 1. Modern Tendencies. Open July 8. Garden Furniture. Open during July. IMPERIAL GALLERY OF ART, IMPERIAL INSTITUTE, S.W. 7. First Exhibition of Imperial Art. Open till July 12. LEICESTER GALLERIES, Green Street, W.C. 2. Paintings and water-colours by Lucien Pissarro. Etchings by Alfred Hartley. Pottery figures by Gwendolen Parnell. Open till July 19. REDFERN GALLERY, 27 Old Bond Street, W. 1. Work by George Bissill. Etchings by John B. Souter. Open July 4 to 31. Summer Salon of water-colours. Open during August and September. REID, ALEX., AND LEFÈVRE, LTD., 1A King Street, St. James’s, S.W. 1. Paintings and drawings by Professor William Rothenstein. Open July 5 to 30. ST. GEORGE’S GALLERY, 32A George Street, Hanover Square, W. 1. Water-colours, drawings and caricatures by S. H. Sime. Open till July 6. Modern English Engraver Etchers. Open July 7 to mid-September. TWENTY-ONE GALLERY, 15 Mill Street, Conduit Street, W. 1. Water-colours and etchings by Robert Austin, A.R.E. Open till July 20. WALKER’S GALLERIES, 118 New Bond Street, W. 1. 23rd Annual Exhibition of Early English Water-colours. Open till autumn. Water-colours by Lady Hume-Williams, Mrs. St. John Mildmay and Mrs. Jebb. Open till July 9. CONWAY.—PLAS MAWR. Royal Cambrian Academy Exhibition. Open till October 1. EDINBURGH.—ROYAL SCOTTISH ACADEMY. The 101st Annual Exhibition. Open till August 27. LIVERPOOL.—WALKER ART GALLERY. Autumn Exhibition. Receiving days, August 15, 16 and 17. MANCHESTER.—CITY ART GALLERY. Old Italian Masters: The collection of Mr. and Mrs. R. H. Benson. Open till July 31. NEWLYN.—PASSMORE EDWARDS ART GALLERY. Exhibition of arts and crafts by the Newlyn Society of Artists and other professional artists. Open July 4 to September 17. SALFORD.—ROYAL MUSEUM AND ART GALLERIES. Modern French Paintings. Open during July. Work by students of the Salford School of Arts and Crafts. Open till July 17. SUNDERLAND.—STANSFIELD ART SOCIETY. Exhibition. Open till July 8. TURIN.—ESPOSIZIONE NAZIONALE QUADRENNALE. Open during July. PITTSBURGH.—CARNEGIE INSTITUTE. 26th International Exhibition of Modern Paintings in Oils. Open October 13 to December 4. COURSES OF STUDY.—ROYAL COLLEGE OF ART, LONDON, S.W. 7. Board of Education, Welsh Department. Short introductory course in “The Appreciation of the Crafts,” for teachers in Wales. August 2 to 16. LOCARNO.—World Conference on New Education. August 3 to 15. Particulars from 11 Tavistock Square, London, W.C. 2. PERUGIA.—Royal Italian University for Foreigners. Courses in higher culture and Italian language and literature. Academic term, July 3 to September 30. SALE.—MESSRS. KNIGHT, FRANK AND RUTLEY, of 20 Hanover Square, W. 1, have been instructed by the Duchy of Cornwall to find a purchaser for Gurney Court, West Harp-tree, one of the finest examples in Somerset of the domestic architecture of James the First’s reign. NOTE.—The Editor will be pleased to receive particulars of any Art Exhibitions, Competitions, Lectures and other announcements likely to be of interest to readers of the “Studio,” which should reach him by the 8th of the month preceding publication. AD. II
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THE STUDIO BY APPOINTMENT TO THEIR MAJESTIES THE KING AND QUEEN EXHIBITION OF FINE ETCHINGS By CAMERON, BONE, GRIGGS, McBEY, BRISCOE, HOYTON & BRANGWYN. REMBRANDT & DURER ETC. PAINTINGS By J. H. AMSHEWITZ INSPECTION CORDIALLY INVITED THE FINE ART SOCIETY LTD., 148, NEW BOND STREET, LONDON, W.1 BRONZES BY ALFRED GILBERT THE LATEST BOOK COLOUR BLOCK PRINT MAKING FROM LINOLEUM BLOCKS By HESKETH HUBBARD, R.O.I., R.B.A. Over 100 illustrations—some in colour. An exhaustive book on a fascinating craft. For amateur, student, artist and schools. Post free 13/- net. THE BREAMORE PRINTING FRAME (Reg. No. 724,343.) Enables one to print colour block prints in perfect register without an expensive press. Invaluable to students and schools. Price 21/- Postage 1/3 Lessons given in colour block print making by Mr. HESKETH HUBBARD in his New Forest studio. Particulars on application. Selections of colour prints on approval. The FOREST PRESS, Breamore, nr. Salisbury NEW DRYPOINT STROLLING PLAYERS Original Drypoint by Middleton Todd 60 Impressions £4 4 0 Size $6\frac{1}{2} \times 5\frac{7}{8}$ Published by JAMES CONNELL AND SONS, LTD., 47 OLD BOND STREET, LONDON, W.1 and at 75 St. Vincent Street, Glasgow. AD. III
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THE STUDIO THE LEICESTER GALLERIES, LEICESTER SQUARE, LONDON. EXHIBITION OF CONTEMPORARY FRENCH ART from DAGNAN-BOUVERET to DERAIN --- Approved “One-Man” Shows HELD AT LTD. The Brook Street Art Gallery, 14 BROOK STREET, W. (Four doors from New Bond Street) --- MAKER of PRINTS FROM ETCHED AND ENGRAVED PLATES S. R. WILSON GERRARD 2311 33 STRAND (3 Doors from Villiers St.) LONDON, W.C.2 --- LEARN TO WRITE ADVERTISEMENTS and design them, too, at the powerful Dixon Institute of Advertising. The great successes achieved by our students prove the superiority of our training. £3 3s. od. Bonus is offered to those who write at once for our free book “Advertising as a Career.” Address: DIXON INSTITUTE OF ADVERTISING, Dept. 50, 195 Oxford St., London, W.I. --- THE BEAUX ARTS GALLERY Bruton Place, Bruton Street, W. --- IMPORTANT EXHIBITION OF PAINTINGS by WILLIAM NICHOLSON July 1st–31st --- THE LITTLE LONDON GALLERY, English directorate, establishing business as publishers and distributors of fine etchings, particularly by younger British artists, desire to hear from etchers interested not thoroughly represented in America. Send proofs. THE LITTLE LONDON GALLERY, 116 WEST 40th STREET, SUITE 1601, NEW YORK CITY. --- Etchings by Modern Masters Brockhurst, Briscoe, Rosenberg, Tunnicliffe, Walcot, Gray, etc. ERNEST T. H. BENNETT 9, Blomfield Street, London, E.C.2. Tel.: London Wall 5974. --- With 141 Illustrations. Crown 4to. 12s. 6d. net. post gd. ANATOMY FOR ARTISTS Being an Explanation of Surface Form. By E. WOLFF, M.B., B.S., Lond. Demonstrator of Anatomy, University College, London. Illustrated from Original Drawings by G. CHARLTON. “ . . . complete yet concise.”—Studio. H. K. LEWIS & Co. Ltd., 136, Gower Street, W.C.1. --- “Welsh Bread.” Painting by Wm. Nicholson --- AD. IV
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THE STUDIO MESSRS. SOTHEBY Established 1744 34-35 New Bond Street, London, W.1 Will sell by Auction on MONDAY, JULY 4th, and following day, commencing each day at one o'clock precisely:— CHOICE MODERN ETCHINGS Comprising the property of Mrs. David Nathan, 59 Harley St., W., including fine impressions of a “Spanish Good” and “Conrad Listening to Music” by Muirhead Bone; “Still Waters” by Sir D. Y. Cameron, R.A.; “Penzance” by James McBey; “Piazzetta and the Garden” by J. A. McN. Whistler, and works by E. Blampied, R.E., Arthur Briscoe, G. L. Brockhurst, R.E., Francis Dodd, Joseph Gray, Sir F. Seymour Haden, P.R.E., Oliver Hall, A.R.A., Aug. E. John, A.R.A.; E. S. Lumsden, R.E., L. C. Rosenberg, A.R.E., H. Rushbury, A.R.A., R.E., Sir Frank Short, R.A., P.R.E., Walter Sickert, A.R.A., W. Walcot, R.E., Anders L. Zorn, also MODERN MEZZOTINTS the property of R. H. Campbell, Esq. 8 Sumner Place, S.W. 7 On view at least two days prior. Catalogues may be had. Printed lists of prices and buyers’ names may be purchased after each sale. Particulars on application. No price catalogues are issued. THIRD IMPRESSION NOW READY THE TECHNIQUE OF WATER-COLOUR PAINTING By LEONARD RICHMOND, R.O.I., R.B.A. and JOHN LITTLEJOHNS, R.B.A., A.R.B.C. Authors of “The Art of Painting in Pastel.” This book, in which two well-known artists explain the various materials and methods available for the water-colourist, has met with the unqualified praise of artists, art teachers, and students, as well as the Art Press. “The book is quite the best ‘guide’ that has so far appeared, and of equal value to the beginner as the mature student. The joint authors are to be congratulated on their success.”—Apollo. “. . . This delightful book by two enthusiastic craftsmen is a valuable work, and there are few water-colourists who could fail to benefit by reading it carefully.”—Artwork. “Besides its value to the student, the book is recommended to all lovers of landscape art, illustrated as it is by thirty colour plates, most of which are excellent reproductions of beautiful drawings.”—The Studio. The Authors’ works have been exhibited at the Royal Academy, Paris Salon, International Society, &c. With 31 full-page colour plates. Price 21/- net of Booksellers or direct from the Publishers. A detailed prospectus containing specimen plates will be sent free on request. SIR ISAAC PITMAN & SONS. LTD. PARKER STREET, KINGSWAY, LONDON For the “Special Occasions” which occur every day PLAYER’S Nº 3 Virginia Cigarettes 10 for 8d 20 for 1/4 50 for 3/3 100 for 6/6 WITH OR WITHOUT CORK TIPS (Cork of pure natural growth) Extra Quality Virginia 3P155. AD. V
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THE STUDIO --- Sketching at Holidaytime By Percy V. Bradshaw. Would you like to have drawn this little Chappie padding? The Pupil who drew him began Sketching just for the joy of it—he is now one of our leading Press Artists. Learning to sketch can be as happy for you as for him, with the same prospects of success as he had when he started Sketching. Read what a Cape Town pupil writes: > “When I enrolled, you said you could teach me to draw anything I chose. Now I feel that I shall be able to do so, despite my wretched first attempts. To my mind, your method of Teaching, from the commencement, is a sheer inspiration.” I am receiving letters from Pupils, daily, in similar strain. Many of these, I know, would previously have “given anything” to be able to draw . . . when all the time the ability was within them, just awaiting correct and sympathetic development. Send for my Prospectus and read what Pupils have to say about the training they have received. Many of these are now well-known Illustrators. If Sketching interests you, send for my Prospectus. It describes my Courses for Beginners and for Advanced Students and will convince you that Sketching is both joyous and profitable. ATTRACTIVE OFFER TO NEW PUPILS To encourage new Pupils to enrol, I am making a special inducive offer. A p.o. will bring full particulars of this, together with the Prospectus. Address: Percy V. Bradshaw, PRESS ART SCHOOL (Dept. S. 162), Tudor Hall, Forest Hill, S.E. 23 --- Royal Sovereign Pencils British Made Note their Distinctive Touch Works at NEASDEN LONDON, N.W. 10 TRY WOLFF’S CARBON PENCILS TOO! RECD. TRADE MARK --- MODERN MASTERS OF ETCHING 12 Beautiful Reproductions of Etchings THIS series has obtained a wonderful popularity, due to the quality of its plates, the authoritative information given by Mr. Malcolm C. Salaman and the low price. Each volume is bound in paper boards and contains, together with an introduction, 12 photogravure plates. Price $5\frac{1}{2}$ net each NEW VOLUMES 15 FRANCISCO DE GOYA (ready Aug. 31) 16 WILLIAM WALCOT, R.E. (ready Oct.) The following volumes have already appeared:— 1 FRANK BRANGWYN, R.A. --- 8 M. A. J. BAUER --- 2 JAMES McBEY --- 9 ALPHONSE LEGROS --- 3 ANDERS ZORN --- 10 EDMUND BLAMPIED --- 4 J. L. FORAIN --- 11 SIR F. SEYMOUR HADEN, P.R.E. --- 5 SIR FRANK SHORT, R.A., P.R.E. --- 12 F. L. GRIGGS, A.R.A., R.E. --- 6 FRANK W. BENSON --- 13 JAMES MCNEILL WHISTLER --- 7 SIR D. Y. CAMERON, R.A. --- 14 CHARLES MERYON --- THE STUDIO LTD., 44, LEICESTER SQUARE, W.C.2 AD. VI
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THE STUDIO Famous for more than a century and a half Making paper by hand at Springfield Mills. Whatman Genuine Hand Made Drawing Papers Manufactured at Maidstone, Kent, for over 150 years, these world-famous papers are universally accepted as representing the highest standard produced. Stocked in a great variety of sizes, weights and surfaces, there is a grade to suit every preference—equally satisfactory for water-colour, pencil or pen-and-ink drawing. Whatman Deed Parchment— Of great strength and durability, a splendid substitute for real parchment and vellum. For Illuminated Addresses, Certificates of Merit, Legal Documents, etc. Whatman Antique Laid Soft Sized Printing Paper— Ideal for Etchings, Editions “de luxe,” etc., where a softer surface is desired. Also supplied in Cream Laid and Cream Wove. THIS WATERMARK APPEARS IN EVERY GENUINE SHEET: J WHATMAN (VISIBLE BY HOLDING THE PAPER TO THE LIGHT) GENUINE HAND MADE DRAWING PAPERS Obtainable from all Artists’ Colourmen and Drawing Office Stationers at Standard Prices. Sample booklet and price list on application. Sole Manufacturers: W. & R. BALSTON, LTD., Maidstone, Kent. In case of difficulty in securing supplies or samples write the sole Sales Representatives: Telegrams: --- H. REEVE ANGEL & CO., LTD. --- Telephone: --- Papermen, Lud, London. --- 9 Bridewell Place, London, E.C.4. --- City 7413 (3 lines). --- AD. VII
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THE STUDIO L. BERNHEIMERANTIQUE GALLERIES --- MUNICH / LENBACHPLATZ 3 --- TAPESTRIESART FURNITURE --- EMBROIDERIESRARE OLD RUGS --- FOR WHOLESALE & EXPORT TRADE WE MAINTAIN AN EXTENSIVE AND WELL SELECTED SAMPLE COLLECTION OF ARTISTIC PRODUCTS OF QUALITY AND CRAFTSMANSHIP, AND A LARGE ASSORTMENT OF SMALL GIFT GOODS OF EXQUISITE TASTE KÜSTER, PERRY & CO. NFG MUNICH PROMENADE PLATZ 12 (opposite Hotel “Bayer.Hof”) --- GALERIE PAULUS Proprietor: Dr. Richard Paulus Munich Palais Leuchtenberg Fürstenstrasse 1 @ T. 22018 Important Old and Modern Masters --- MUNICH ART EXHIBITION, 1927 to be held in the GLASPALAST by Society of Munich Artists and Association of Munich “Secession” Artists. 1st June–3rd October Daily from 9–6 p.m. --- F. MAYER’S CHE KUNSTANSTALT (MAYER & CO.) STAINED GLASS WINDOWS ETC. LONDON NEW YORK MÜNCHEN STIGLMAIERPLATZ 1 UND SEIDLSTRASSE 25 --- BAYERISCHER KUNSTGEWERBE-VEREIN MUNICH: PFANDHAUSSTRASSE 7 PERMANENT EXHIBITION—RETAIL-SELLING EXPORTATION --- Instalment Payments CAN NOW BE ARRANGED IN GT. BRITAIN FOR ALL BOOKS — SECOND - HAND OR NEW. If unable to visit our Bookshops, write stating requirements; a quotation for instalment payments will then be sent. If you also outline your interests suitable catalogues (21 issued) will be included. Books sent on approval to any part of the world. Sell your Saleable Books to Foyle’s. FOYLES FOR BOOKS ON EVERY CONCEIVABLE SUBJECT W. & G. FOYLE LTD., 119-125, CHARING CROSS ROAD, LONDON, W.C.2. Phone: GERRARD 9310 --- Fine Glass and Hanging Mirrors HEINRICH SATTLER At the International Exhibition in MONZA, 1927 Also in GLASS PALACE, MUNICH --- IVORIES OF EVERY DESCRIPTION Execution of first-class Workmanship FRANZ RUISINGER Elfenbeinwerkstätten, Augustenstr. 87/4 MUNICH --- K. V. A. REPRODUCTIONS of all kinds of Religious Sculpture in Wood and Casts, Figures of Saints; Christmas Cribs from our own artistic designs. ELEGANT PRAYER-BOOK BINDINGS Katholische Volkskunstanstalten A. G., Munich, Forstenriederstr. 1 --- AD. VIII
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THE STUDIO BIRMINGHAM Harvey Nichols & Co., Ltd. of Knightsbridge for Furnishing Fabrics Speciality: Every kind of model, including ships, for collectors and museums. For many years connected with Deutsche Museum, Munich. H. & G. CRÄMER MÜNICH, 5' JÄGERSTR. RUSKIN GALLERIES Chamberlain Sq., Edmund St. (Opposite City Art Gallery) ANTIQUES & WORKS OF ART FINE ETCHINGS & WOOD- CUTS, ARTISTIC PICTURE FRAMING & GILDING Tel 1979 Central Propr John Gibbins Exclusive design in Jacobean Print on a Union Cloth (60% linen), 31 inches wide, 3/6 per yard. MODELS OF HISTORIC AND MODERN SHIPS Elegant Workmanship Studios of Applied Art JOS. NÄGELE Model Construction Dept: MASSMANNSTRASSE 4, MUNICH Ri co RITTER & CO MÜNCHEN • MODERNE BELEUCHTUNG • STOBERL. STR 15 Specialists in Electric Light Fittings and Artistic Metalwork Kgl. Erzgiesserei Ferd. v. Miller MUNICH—MUENCHEN Erzgiessereistr. 14. Established 1824. Real Bronzes—to any size. Small Sculptures by first-class artists NOMAD RUGS MADE BY THE WANDERING TRIBES OF PERSIA AND THE CAUCASUS RICH COLOURINGS SUITABLE FOR STUDIOS. FROM 4 GUINEAS A VISIT INVITED LIBERTY & CO REGENT ST. LONDON. W.I. A superfine genuine opaline Board of delightful appearance and great transparency. OLAMYNE BOARD Especially suitable for Lampshade drawings; “de luxe” work in Christmas Cards, Wedding Stationery, etc., and for all work where permanency is desired; unlike ordinary paper, it is not affected by age and retains its original character indefinitely. OLAMYNE OLAMYNE TRACING PAPER A natural tracing paper as transparent as oiled, with the added advantages that it retains its colour, does not become brittle and is non-odorous. OBTAINABLE FROM THE LEADING ARTISTS’ COLOURMEN AD. IX
