Extrait
Premières pages de l'ouvrage, en accès libre.
Page 1
AVEC TRADUCTION FRANÇAISE
THE STUDIO
An Illustrated Magazine of Fine & Applied Art
---
AUG. 15 '99
VOL. 17 No. 77
---
**5 Henrietta Street
Covent Garden
LONDON W.C**
Monthly $1\frac{1}{2}$
---
**BUREAU DU STUDIO PARIS:
LIBRAIRIE OLLENDORFF
50 CHAUSSEE D'ANTIN
PRIX : 1 FRANC 50c
ABONNEMENT : 20 FRANCS**
Page 2
THE STUDIO.
EDITED BY CHARLES HOLME.
Contents, August 15th, 1899.
SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF AN OIL PAINTING by EMILE CLAUS, entitled "FERME EN ZUID-BEVELAND;" A DRAWING, ENTITLED "EN FAMILLE," by EMILE CLAUS; a REPRODUCTION of a STUDY in GOLD by SIR EDWARD BURNE-JONES; and a REPRODUCTION in COLOURS of a MEMORIAL TABLET by GEORGE FRAMPTON, A.R.A.
THE WORK OF EMILE CLAUS. By GABRIEL MOUREY. Sixteen Illustrations ...
Page 3
Geo. Rowney & Co's
Registered SKETCHING CASE
Reg. No. 270111.
INCLUDING COLOURS, BRUSHES, & PENCIL,
Without Increase of Ordinary Thickness.
THIS Case, from its great convenience and portability, is particularly adapted to the use of Artists and Amateurs desirous of having the materials at hand for a hasty Sketch without being encumbered with the weight of an ordinary box.
MADE IN THE TWO FOLLOWING SIZES:
"8vo Impl." containing a 12-leaf Whatman Block, 10 in. by 7 in., and a Pocket for Loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Colours, viz.:—Permanent Yellow, Yellow Ochre, Raw Sienna, Vermilion, Light Red, Crimson Alizarin, Burnt Sienna, Burnt Umber, Madder Brown, Prussian Blue, French Ultramarine, and Hooker's Green No. 2.
Price 15s., Fitted Complete.
"16mo. Impl." containing a 12-leaf Whatman Block, 7 in. by 5 in. and a Pocket for Loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Colours, viz.:—Permanent Yellow, Yellow Ochre, Raw Sienna, Vermilion, Light Red, Crimson Alizarin, Burnt Umber, Prussian Blue, and Permanent Blue.
Price 10s. 6d., Fitted Complete.
A Japanned Tin Palette opens out when the Case is in Use, as shown in above Illustration.
Manufactured only by GEO. ROWNEY & CO., 64 Oxford St., London, W.
To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom.
ROBBINS & CO
Metal Craftsmen
Works: DUDLEY
Showrooms
292 REGENT STREET, LONDON
15 ETHEL STREET, BIRMINGHAM
(Quotations to the Trade only)
SOLE AGENTS, TONKS LTD
HOOKHAM'S PATENT PIANOPICTURE WIRE
N.S. 13 cent. col. 50 N.B. 12 cent. col. 12/
G. 10/100 10/100 20
7 10/100 10/100 55
W.H.P. 10/100 10/100 60
RED. 60 FEET.
THE GREATEST COMBINATION OF STRENGTH WITH NEATNESS.
500000 PICTURES HUNG WITH THIS LINE IN 1897.
REGISTERED
WHEN SHAPED
PLATED 9/8 PA
TREL 2/1
TO BE HAD OF ALL IRONMONCERS *
AD. I
Page 4
THE STUDIO INTERNATIONAL PRIZE COMPETITIONS
REVISED RULES
(1) All subscribers to THE STUDIO are eligible to compete.
(2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges.
(3) Drawings for competition must be legibly signed with pseudonym only. The Coupon, page AD. XIX. with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter.
(4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition or otherwise are of insufficient merit.
He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted.
(5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term “sufficient postage” has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated.
(6) All designs must be sent in packed flat, unless specially excepted in certain competitions.
(7) All designs and correspondence thereon to be addressed THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C., and marked “Prize Competitions,” with the number of the Competition, “A xix,” “B xii,” “C xi,” &c., on the outside of the package, or letter referring to it.
(8) An infringement of any of the above Rules will disqualify a Competitor.
---
CLASS A. INDUSTRIAL DESIGNS.
A. xl. DESIGN FOR A SET OF FIREIRONS.
The sketch design to consist of an “all over” pattern suitable for execution in stencil. The pattern to be light on dark ground. Two colours only. Size not to exceed a page of THE STUDIO. Competitors must state the material and colours to be employed in carrying out their designs.
FIRST PRIZE: Three Guineas; SECOND PRIZE: One Guinea.
Drawings, packed flat, to be received at the London Office of THE STUDIO by October 1.
---
CLASS B. DRAWINGS FOR BOOK ILLUSTRATIONS, ETC.
B. xxxix. SHAKESPERIAN ILLUSTRATION.
B. xl. DESIGN FOR THE COVER OF A CHRISTMAS CARD.
Drawings, which must be made suitable for reduction to 5 inches by 4 inches, to be executed in pen-and-ink or in monochrome wash, a space (either square or oval) being left for a photograph. The designs should be treated in such a manner as to allow of their being carried out by means of plain embossing or gold embossing.
PRIZE: Two Guineas.
The winning design to become the property of the donor of the prize, for whom the Editor reserves the right of purchasing any of the unsuccessful designs at Ten Shillings each.
---
CLASS C. SKETCHES FROM NATURE.
C. xxiv. WOODLAND SCENE.
Drawings to be executed in lead pencil or pen-and-ink. Size not to exceed a page of THE STUDIO.
---
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Drawings, packed flat, to be received at the London Office of THE STUDIO by September 1.
---
CLASS D. PHOTOGRAPHS FROM NATURE.
D. xxiii. STUDY OF POULTRY (LIVING).
All photographs should be sent in mounted upon firm card, without margin.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Photographs to be received at the London Office of THE STUDIO by September 1.
---
D. xxiv. A SET OF THREE PHOTOGRAPHS OF TERRIERS.
Sets of three half-plate photographs are required, each picture to show not less than two terriers. Preference, however, will be given to the sets each of whose pictures show three or more dogs. The kind of terrier selected is left to the option of the competitor.
PRIZE: Five Guineas.
The negatives and copyrights of the three prize photographs to become the property of the donor of the prize, for whom the Editor reserves the right to purchase any of the unsuccessful sets at One Guinea per set.
Photographs to be received at the London Office of THE STUDIO by October 1.
---
D. xxv. A SET OF THREE PHOTOGRAPHS OF KITTENS.
Sets of three half-plate photographs are required, each picture to show not less than two kittens. Preference, however, will be given to sets each of whose pictures show three or more.
PRIZE: Five Guineas.
The negatives and copyrights of the three prize photographs to become the property of the donor of the prize, for whom the Editor reserves the right to purchase any of the unsuccessful sets at One Guinea per set.
Photographs to be received at the London Office of THE STUDIO by October 1.
---
A PARISIAN STUDIO IN LONDON.
GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE.
DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION.
Black and White Drawing for Reproduction. Summer Sketching Class.
In the “Gilbert” Metropolitan Art Schools Competition, November 1898, the GROSVENOR STUDIO received the following awards:—1st Prize for Figure; 2nd Prize for Design; Hon. Mention for Landscape.
GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. {The Studio is five minutes’ walk from Vauxhall and five minutes’ tram from Victoria Station}
AD. II
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes Sept. 1.
Closes Oct. 1.
Closes
Page 5
Cameras for Artists.
THE CARTRIDGE KODAKS
No. 4 for Pictures 5 x 4 ins. £5 5s.
No. 5 for Pictures 7 x 5 ins. £7 7s.
High class instruments for hand or stand use. Complete with various movements. For daylight changing cartridge film and plates. For every description of photograph. Light, compact, and absolutely self contained.
Other Kodaks from £1 1s.
KODAK, Ltd., Successors to EASTMAN Photographic Materials Co., Ltd., 43 Clerkenwell Road, LONDON, E.C.
Retail Branches: 60 Cheapside, E.C.; 115 Oxford Street, W.; 171-173 Regent Street, W.
A. SANDERSON & SONS
Works: CHISWICK.
Nearest Railway St. TORNHAM GREEN.
DESIGNS FOR WALL-PAPERS should be posted for submitted at CHISWICK.
Longden & Co.
London Office
447 Oxford Street W.
Works
Phoenix Foundry Sheffield
Makers of
Grates
Fenders
Fireirons
Wrought-Iron Work
Ornamental Brass and Bronze Work
AD. III
Page 6
EXHIBITIONS
NOW OPEN
- L’Art Nouveau, Grafton Galleries, Grafton Street, W.
- Brighton Water Colour. (Bourlet & Sons.)
- Danish Ceramic Art, Danish House, 294 Regent St. W.
- Jno. Wilson’s Successors, Ltd., 159 New Bond St., W. Artistic Damasks and Curtains.
- Munich International Exhibition. (Dicksee & Co.)
- Munich Secessionists. (Dicksee & Co.)
- Berlin International Art Exhibition. (Dicksee & Co.)
- York City Art Gallery. (Bourlet & Sons.)
- Ghent Exhibition. (Dicksee & Co.)
- Exhibition of Art Embroideries, John Harris & Sons, Ltd., 25 Old Bond Street, W.
- Venice International Exhibition. (Dicksee & Co.)
FORTHCOMING
- Liverpool Walker Art Gallery. (Dicksee & Co. o. d. Sept. 4.)
- Manchester City Art Gallery. (Dicksee & Co.)
- Birmingham Royal Soc. of Artists. (Bourlet & Sons.)
- Bristol Academy of Fine Arts. (Bourlet & Sons.)
- Brighton (Oils Only). (Bourlet & Sons.)
- Dudley Art Gallery. (Bourlet & Sons.)
- Oldham Corporation. (R. D. Aug. 29–31 to Sept. 1.) (Bourlet & Sons.)
- Nottingham. (Bourlet & Sons.)
- Sheffield Mappin Art Gallery. (Bourlet & Sons.)
- Worcester Victoria Institute. (Bourlet & Sons.)
- Derby. (Bourlet & Sons.)
R. D.—Receiving Days. O. D.—Opening Days.
---
THOMAS HALL
DESIGNER DECORATOR
FURNISHER & ELECTRICIAN
27-25 G PORTLAND ST
LONDON.W.
TELEGRAMS:
“ARTIFELLA”, LONDON
“COLORING”, EDINBURGH
TELEPHONE:
LONDON 1880 GERARD
“EDINBURGH 197”
London Representative / at Day.
& AT 8 GEORGE ST
EDINBURGH
SPECIALITIES
PANELLING, MANTLES,
GRATES FITMENTS,
WALL PAPERS &
ANTIQUE FURNITURE
MEDALS FOR DECORATION
PHILADELPHIA . . . 1876. MELBOURNE 1881.
PARIS . . . . . . . 1878. LONDON 1884.
SYDNEY . . . . . 1879. EDINBURGH 1886
EDINBURGH . . 1890.
Telephone: 5158 Gerard.
---
THE STRAND ENGRAVING COMPANY, LTD.
146 Strand,
LONDON, W.C.
The Leading House of Engravers
ASSOCIATED WITH
The Art Photogravure Co., Ltd.
The Art Photogravure Co., Ltd., have laid down a special plant, and combined with their unrivalled Photogravure process, is now able to compete with all the leading Continental Houses for quality and delivery.
*
Large Plates a Specialty.
Extensive Branch Works at
Strode Road, Willesden Green, and
40 Rue de Paradis, Paris, and
Miksa Utza, 8, Budapest.
SEND FOR SAMPLES. PRICE MODERATE. QUALITY UNEXCELLED. PROMPT DELIVERY.
AD. IV
Page 7
James Bourlet & Sons,
17 & 18 NASSAU STREET,
11 & 12 UNION MEWS, LONDON, W.
Fine Art Packers and Exhibition Agents.
ESTABLISHED 60 YEARS.
Agents for the following Exhibitions:
Royal Society of Artists, Birmingham.
Royal Pavilion, Brighton.
Corporation Art Gallery, Derby.
Corporation Art Gallery, Dudley.
Albert Institute, Dundee.
Dublin Art Club.
Arts and Crafts, Dublin.
Royal Institute of the Fine Arts, Glasgow.
Storey Institute, Lancaster.
Corporation Art Gallery, Oldham.
Mappin Art Gallery, Sheffield.
Sheffield Art Society, Sheffield.
Fine Art Exhibition, Wolverhampton.
City Art Gallery, York.
Arts and Crafts, Evesham.
Corporation Exhibition, Victoria Institute, Worcester.
Royal Academy of Arts.
Royal Society of British Artists.
The Grafton Galleries.
Lady Artists.
New English Art Club.
Southwark and Lambeth Loan Exhibition.
Arts and Crafts, London.
Slade School, University College.
Hogarth Club.
Alpine Club.
Old and New Salons, Paris.
Architectural Exhib. T Square Club, Philadelphia, U.S.A.
Telegraphic Address: "TITIAN, LONDON."
Telephone No. 1871 Gerrard.
PICTURE FRAMING IN ALL ITS BRANCHES.
Deutsche Kunstausstellung der Berliner Secession,
BERLIN-CHARLOTTENBURG, KANTSTRASSE, 12
(Neben dem Theater des Westens).
Geöffnet täglich von 9 Uhr Morgens bis $7\frac{1}{2}$ Uhr Abends.
EINTRITTSPREIS M.I. DAUERKARTE, M.3.
THE DIRECTORS OF THE CRYSTAL PALACE COMPANY invite
DESIGNS for a BAND STAND
TO BE ERECTED AT THE
CRYSTAL PALACE.
Premiums of Thirty Guineas, Fifteen Guineas, and Seven Guineas will be awarded to the three Designs which the Directors, assisted by their professional assessor, may consider the best.
Particulars of the requirements can be obtained from the Secretary (free of charge), on written application, after July 1.
The Directors do not bind themselves to accept any design, and reserve the right to make what use of either of the premiated designs that they may think fit.
W. GARDINER, Secretary
CRYSTAL PALACE COMPANY, SYDENHAM, S.E.
N.B.—The date for sending in designs is extended to Aug. 8.
THE ROYAL COPENHAGEN PORCELAIN
Danish Ceramic Art
Vases • Figures • Plaques
BY EMINENT ARTISTS
SUITABLE FOR PRESENTATION PURPOSES
By Appointment to D.D., the King of Denmark
By Appointment to D.R.D., the Princess of Wales
Danish House, 294 Regent Street, London, W.
AD. V
Page 8
George F. Gascoyne & Son,
Designers & Craftsmen in Leaded Glazing,
SHAKESPEARE WORKS, NOTTINGHAM.
Mr. Gascoyne is in Town Tuesdays and Thursdays.
ALBERT EDWARD JAMRACH
(Late CHARLES JAMRACH),
NATURALIST,
180 ST. GEORGE STREET EAST.
Established a Century.
Wild Beasts, Antelopes, Gazelles, Grey Parrots, Cockatoos, Macaws, Parrakeets, and other Birds.
Waterfowl, Reptiles, Hungarian Partridges.
Also Implements of Savage Warfare, Japanese Curios, Netsukis, China, Pottery Ware, Swords, Horns, Shells, etc.
JUST PUBLISHED.
Monographs on Artists
Written by the Best Critics.
EDITED BY PROF. H. KNACKFUSS
AND TRANSLATED BY CAMPBELL DODGSON, M.A.
Vol. I.—RAPHAEL.
132 pages, and 128 Illustrations. 4s. net.
Vol. II.—HOLBEIN.
160 pages, and 151 Illustrations. 4s. net.
To be followed Shortly by REMBRANDT and VAN DYCK.
"This series is one which deserves to have a hearty welcome by reason of its beauty, cheapness, and its educative value."—Scotsman.
"Unique in the daintiness of their appearance."—Daily Graphic.
LONDON:
H. GREVEL & CO., 33 KING ST., COVENT GARDEN, W.C.
HENRY H. SPEE & SONS LTD
METAL CASEMENTS & LEADED LIGHTS
55 LIONEL STREET & BIRMINGHAM
PHOTOGRAPHING for ARTISTS and DESIGNERS.
Pictures, Drawings, Statuary, and all other Works of Art Photographed at Studios, Galleries, &c., for Reproduction and Reference.
Sitters and Models Photographed for Artists' Guides.
WILLIAM E. GRAY, 92 Queen's Road, Bayswater, W.
ESTABLISHED 1857.
BIRKBECK BANK.
SOUTHAMPTON BUILDINGS, CHANCERY LANE, LONDON, W.C.
INVESTED FUNDS . . £8,000,000. Number of Accounts, 75,061.
TWO-AND-A-HALF per CENT INTEREST allowed on DEPOSITS, repayable on demand.
TWO per CENT on CURRENT ACCOUNTS, on the minimum monthly balances, when not drawn below £100.
STOCKS, SHARES, and ANNUITIES purchased and sold for customers.
Savings Department.—Small Deposits received, and Interest allowed monthly on each completed £1.
Telephone No. 5 HOLBORN. The BIRKBECK ALMANACK, with full particulars, post free.
Telegraphic Address: "BIRKBECK, LONDON."
FRANCIS RAVENSCROFT, Manager.
AD. VI
Page 9
JUST PUBLISHED
A GRATUITOUS COPY OF THIS BOOK WILL BE SENT POST FREE ON APPLICATION
SIMPLE BEDROOM FURNITURE
Illustrated by woodcuts from original DESIGNS made by HEAL & SON
An essay by the late MR Gleeson White on Simplicity of Design is reprinted at the end of this book.
TOTTENHAM COURT RD. LONDON
TO ALL ARCHITECTS & OTHERS INTERESTED IN FURNITURE DESIGN & CRAFTSMANSHIP
Although this furniture is of a totally different stamp to the usual trade productions our prices will be found to be at purely commercial rates
HEAL & SON
TOTTENHAM COURT RD. LONDON, W.
AD. VII
Page 10
ARTISTIC DAMASKS
from Designs by WALTER CRANE, LEWIS F. DAY, ANNING BELL, &c.
Quality irreproachable. Prices within the reach of all. Catalogue with 60 Designs free
FINE CAMBRIC HANDKERCHIEFS
EXQUISITE TEA CLOTHS
ENDURING SHEETING & LINENS
REASONABLE PRICES
159 NEW BOND STREET
THE POCKET DIMINISHING GLASS
Is for the use of Artists, that they may be enabled to estimate the changes produced in a Drawing when reduced in size. It is indispensable to all who are employed in the Illustration of Books and Magazines.
THE ABOVE IS ALSO MADE WITH A SILVERED MIRROR, FOR USE IN CONJUNCTION WITH THE DIMINISHING LENS, ALSO A CLAUDE LORRAINE GLASS. IT THUS CONTAINS THREE GLASSES IN CASE, UNIFORM IN SIZE WITH ABOVE, BUT A LITTLE THICKER.
SEE "STUDIO," VOL. II., PAGE 182.
CARPENTER & WESTLEY, OPTICIANS, 24 REGENT ST., LONDON, S.W.
VAm. H. Ward & Co.
Limited
PRODUCE Half-tone on Copper, IVES Process, equal to the Best American Work, the Staff being trained by Mr. F. E. Ives personally.
Photogravure Plates engraved equal to the best work of Munich or Berlin. . A fire-proof room is provided for valuable works of art.
Half-Tone
Photogravure
Plate Printing
Photography
AD. VIII
FINE ART ENGRAVERS
Holbein House
119 Shaftesbury Avenue, London, W.C.
Isochromatic Photography.—Wm. H. Ward & Co. are enabled to give the true colour values in Monochrome when copying colour of all kinds. The work they have done for the Corporation of Birmingham, the Editors of THE STUDIO and Artist, and for artists generally is in evidence.
Managing Director:
Mr. Wm. H. Ward (Late Partner in Swan Electric Engraving Co., and formerly of Marcus Ward & Co.)
JNO. WILSON'S SUCCRS. LTD.
159 New Bond Street, W.
GRAPE & POMEGRANATE, WITH CHASED BORDER. By Walter Crane.
Hand Loom Double Damask Cloths from 19/-
Page 11
THE STUDIO
“THE STUDIO” HAS THE LARGEST CIRCULATION IN THE WORLD OF ANY MAGAZINE DEVOTED TO THE ARTS
***
Some Press Opinions
> “The best of all magazines of art.”
> Daily Mail.
> “The most successful art magazine in Europe.”
> Daily Chronicle.
> “The excellence of THE STUDIO is persistent. Month after month the pages of this magazine, so creditable to all concerned, and an irrefutable argument that art in England is not a mere name, offer a new surprise.”—The Academy.
> “No other magazine gives such a variety of lithographs, colour-prints, and various forms of original work as THE STUDIO.”—The Star.
> “For profusion of illustrations there is no art magazine that can compare with THE STUDIO.”
> Yorkshire Post.
> “Indispensable to every one who wishes to keep in touch with modern art movements.”—Globe.
***
Publisher’s Announcements.
Extra Winter Numbers of “THE STUDIO”
1894.
---
1896.
---
1897.
---
1898.
---
1894. CHRISTMAS CARDS AND THEIR CHIEF DESIGNERS
---
1896. INCLUDES AN ARTICLE BY ROBERT LOUIS STEVENSON
---
1897. CHILDREN’S BOOKS AND THEIR ILLUSTRATORS
---
1898. MODERN BOOK-PLATES AND THEIR DESIGNERS
---
The 1894, 1896, and 1897 Numbers may be had, post free, for rs. 4d. In 1895 there was no Winter Number. Cases with Title-pages for binding the Four Parts can be had, price 2s. each; post free, 2s. 4d.
The above four parts can now be supplied in volume form bound in Green Art Linen, gilt, 2rs. each, post free, rs. 4d. extra. Several copies only available.
---
A Course of Instruction in Wood-Carving according to the Japanese Method
By CHARLES HOLME
(Editor of “The Studio”)
With Seventy-Two Illustrations and Four Plates. Bound in cloth, sm. cr. 8vo.
Price 2s. 6d. net. Post Free 2s. 9d.
A few copies only remaining.
LONDON: 5 HENRIETTA STREET, COVENT GARDEN.
PARIS: 50 CHAUSSÉE D’ANTIN.
NEW YORK: 140 FIFTH AVENUE.
AD. IX