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THE STUDIO A Magazine of Fine and Applied Art Founded in 1893 VOLUME 89 NUMBER 385 APRIL 14TH 1925 44 LEICESTER SQUARE LONDON $2^{\frac{S}{-}}_{\text{net}}$
Excerpt
First pages of the volume, freely accessible.
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THE STUDIO EDITED BY GEOFFREY HOLME CONTENTS FOR APRIL 1925 Article --- PAGE --- D. FORRESTER WILSON, A.R.S.A. By E. A. Taylor --- SIR HERBERT HUGHES-STANTON’S WATER-COLOURS OF JAPAN. By Gonnoské Komai --- DR. FRANCISCO LLOBET’S COLLECTION, BUENOS AIRES --- RECENT WORK BY MR. GILBERT BAYES. By T. P. Bennett, F.R.I.B.A. --- THREE ETCHINGS AND A LITHOGRAPH BY LESLIE M. WARD --- WILL C. PENN, R.O.I. By Jessica Walker Stephens --- CINEMA SETTINGS: “THE THIEF OF BAGDAD” --- NOTES: London, Brighton, Manchester, Leeds, Leicester, Gloucester, Glasgow, Paris, Stuttgart, Budapest, Rumania, Melbourne, Tokyo, Charleston (U.S.A.) --- REVIEWS --- THE LAY FIGURE: An Introductory Letter --- SUPPLEMENTS Author/Title --- Frontispiece --- D. FORRESTER WILSON, A.R.S.A. “The Muse of Silence” --- D. FORRESTER WILSON, A.R.S.A. “Field Life” --- GILBERT BAYES. Fountain Figure in Glazed Ware --- WILL C. PENN, R.O.I. “Buddha and the Flowers” --- J. H. WILLIS. “Twixt Devon and Cornwall” --- JOHN PLATT. “The Jetty, Sennen Cove” --- NOTICE TO CONTRIBUTORS.—The Editor will always be glad to consider any articles, drawings, etc., that may be submitted to him for publication, and every effort will be made to return in due course rejected MSS., and all drawings, etc., rejected or accepted; but under no circumstances can he hold himself responsible for the safe custody or return thereof. Stamps for return should always be sent, and the name and address of the sender clearly written on every MS., drawing, etc. All notes and articles should be typewritten. --- SECOND IMPRESSION The Book of Kells With about Fifty Illustrations in Colours Price 30s. net THE BOOK OF KELLS has been described by Professor Westwood as “the most beautiful book in the world.” Those who have seen and studied the consummate beauty of this gem of Celtic manuscript, its rich and subtle colouring, its amazingly intricate and gorgeous designs, its quaint portraiture, and bold, legible text, are not likely to question this description. The last attempt to reproduce in colours pages of this unique and wonderful book was made nearly forty years ago. Since then photography and colour-reproduction have made such rapid advances towards accuracy that, with the permission of the Authorities of Trinity College, Dublin, the Editor of THE STUDIO has issued a volume in which the most beautiful and important pages and many of the wonderful initials of the Book of Kells have been reproduced in colours. For artists, and particularly for designers, the Book of Kells has proved a fruitful source of inspiration; indeed, to all interested in art in any form this masterpiece of illuminated manuscript is a household word. The letterpress by Sir Edward Sullivan, Bart., is of absorbing interest. Offices of THE STUDIO, 44 Leicester Sq., W.C.2
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THE STUDIO PUBLISHERS BY APPOINTMENT TO HIS MAJESTY THE KING ESTABLISHED 1760 P. & D. COLNAGHI & Co. NEW PUBLICATION UN MONSIEUR Edition of 24 Proofs ORIGINAL LITHOGRAPH BY ETHEL GABAIN Price £3 3s. 0d. each MOUNTED Paintings and Drawings by Old and Modern Masters VALUATIONS. RESTORATION. FRAMING. MOUNTING COLLECTIONS BOUGHT ‘en bloc’ The Grosvenor Galleries 144, 145, 146 NEW BOND ST., LONDON, W.1 Telegrams: COLNAGHI, WESDO, LONDON. Telephone: MAYFAIR 6356 (3 lines) AD. I
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THE STUDIO ART EXHIBITIONS LONDON. — THOS. AGNEW & SONS, 43 Old Bond Street, W. 1. Annual Exhibition of Water-colour Drawings. Open during April. ARLINGTON GALLERY, 22 Old Bond Street, W. 1. Paintings by Donald Wood. Open April 28 to May 8. Royal Society of Miniature Painters. Receiving Day, May 8. BOND STREET GALLERIES, 14 Clifford Street, W. 1. Oil Paintings, Water-colours and Pastels by Terrick Williams, R.A.; Cecil Hunt, A.R.W.S., Alfred Hayward; Graham Petrie, R.I., and Gerald Ackermann, R.I. Open during April. BRITISH MUSEUM. Japanese Colour Prints. Hokusai and his pupils. Open till Easter. JAMES CONNELL & SONS, 47 Old Bond Street, W. 1. Water-colours by nineteenth century Artists. Open during April. FINE ART SOCIETY, LTD., 148 New Bond Street, W. 1. Water-colours by D. Murray Smith, A.R.W.S. Impressions of Venice. By H. A. Trier. Open till Easter. FULHAM CENTRAL LIBRARY, 598 Fulham Road, S.W. 6. Designs for Underground Posters. Open from April 4 to May 2. GOUPII GALLERY (Messrs. W. Marchant and Co.), 5 Regent Street, S.W. 1. Spring Exhibition. Open during April. GROSVENOR GALLERIES, 144-6 New Bond Street, W. 1. Etchings by Albert Besnard. Open during April. LEICESTER GALLERIES, Green Street, W.C. 2. Caricatures by Max Beerbohm. Open during April. REDFERN GALLERY, 27 Old Bond Street, W. 1. Mining Drawings by George Bissill. Open during April. R.I.B.A. Conditions of the Competition for the Canadian National War Memorial may be obtained from the Secretary, R.I.B.A., 9 Conduit Street, W. 1. Lectures: “Metal Work” by R. L. Rathbone. April 21. “Mural Painting” by John D. Batten. April 30. ROYAL ACADEMY, Annual Exhibition. Open from May 4 to August 8. ROYAL INSTITUTE GALLERY, 195 Piccadilly, W. 1. Royal Institute of Painters in Water-colours. Open till May 28. ROYAL SOCIETY OF ARTS, John Street, Adelphi, W.C. 2. The Open Competition of Industrial Designs. Detailed particulars may be obtained from the Secretary. ROYAL SOCIETY OF PAINTERS IN WATER-COLOURS, 5A Pall Mall East, S.W. 184th Annual Exhibition. Open during April. SPRING GARDENS GALLERY, Trafalgar Square, S.W. 1. Australian Artists. Open till April 16. ST. GEORGE’S GALLERY, 32A George Street, Hanover Square, W.1. The Modern English Water-colour Society. Open till April 15. TWENTY - ONE GALLERY, Adelphi, W.C. 2. Senefelder Club, XVth Annual Exhibition. Open during April. VICTORIA AND ALBERT MUSEUM. Old English Drinking Vessels from the collection of Mr. H. H. Edmondson. On loan. WALKER’S GALLERIES, 118 New Bond Street, W. 1. Portraits and Pictures by Will C. Penn, M.C., R.O.I. Open till April 30. BIRMINGHAM. — ARCHITECTURAL ASSOCIATION. Open March 11 to March 21. Royal Society of Artists. Spring Exhibition. Open during April and May. CHELTENHAM. — ART GALLERY. Works by Cornish Artists. Open till May 16. CONWAY.—ROYAL CAMBRIAN ACADEMY. Annual Summer Exhibition. Receiving Days, May 6 and 7. DUBLIN. — ROYAL HIBERNIAN ACADEMY. Spring Exhibition. Open April 6 to May 30. GLASGOW. — ROYAL SCOTTISH ACADEMY. 99th Annual Exhibition. Open April 18 to August 29. GODALMING. — MARTINS, 81A High Street. English Water-colours. Open during April. HASTINGS. — EAST SUSSEX ARTS CLUB. Open from April 30 to May 14. LIVERPOOL.—WALKER ART GALLERY. Work done in Printing and Allied Trades. Open during April. Photographic Exhibition. Open till April 18. Liverpool Sketching Club. Open during April. WALTHAMSTOW (ESSEX). — GROSVENOR 26th Annual Art Club Exhibition. Open from May 9 to May 16. WORTHING. — SCHOOL OF ART. Annual Exhibition of Worthing Arts and Crafts. Open from April 22 to April 24. MILAN. — SECOND INTERNATIONAL EXHIBITION OF WATER-COLOURS. Open from March to May, at the Palazzo della Permanente, Via Principe Umberto N. 32. PARIS.—GALERIE DEVAMBEZ, 43 Boulevard Male-sherbes. Tavernier. Gabriel Feyre. Open April 15 to April 30. GALERIE DRUET, 20 rue Royal. Bussy, Zingg and others. Open during April. GALERIES PETIT, 8 rue de Sèze, DE LASSENCE and others. Open during April. FIRST SALON OF 1925. 30th Exhibition. Open from April 30 to June 28. NOTE.—The Editor will be pleased to receive particulars of any Art Exhibitions, Competitions, Lectures, and other announcements likely to be of interest to readers of the “Studio.” AO. II
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THE STUDIO EXHIBITION OF NEW CARICATURES BY MAX BEERBOHM THE LEICESTER GALLERIES, LEICESTER SQ., 10 TILL 6 DAILY EAST SUSSEX ARTS CLUB An Open EXHIBITION of Drawing, Painting, and Photographs will be held in HASTINGS, April 30th to May 14th Entry Forms and Particulars from: A. C. LEIGHTON, E.S.A.C., 5 St. Helen's Crescent, Hastings, not later than April 20th. Essex Grosvenor Art Club TWENTY-SIXTH ANNUAL EXHIBITION AT CENTRAL LIBRARY High St., WALTHAMSTOW MAY 9th - 16th 2-30 p.m. - 9 p.m. ADMISSION FREE RED ROSE GUILD of ARTWORKERS EXHIBITION & SALE OF APPLIED ART & CRAFTWORK AT THE HOULDSWORTH HALL, DEANSGATE MANCHESTER OCTOBER 14th to 21st, 1925 For particulars apply to the Hon. Secretary, MISS M. PILKINGTON 12 MOUNT STREET, MANCHESTER JAMES CONNELL & SONS, LIMITED, 47, OLD BOND ST., LONDON, W. And at 75, St. Vincent Street, GLASGOW. PUBLISHERS OF Etchings & Dry-Points by H. RUSHBURY S. TUSHINGHAM E. H. WHYDALE A. F. AFFLECK EUG BEGOT SYDNEY R. JONES N. SPARKS L. R. BRIGHTWELL &c., &c. The Hoop—S. Tushingham. PAINTINGS, DRAWINGS, ETCHINGS & DRY-POINTS ALWAYS ON VIEW The Three Shields Gallery 8, HOLLAND STREET, KENSINGTON, LONDON. W.8 Suitable for one man shows and special small exhibitions —white walls—very light. Special terms can also be arranged for the rent of wall spaces for short periods. HANDICRAFTS EXHIBITION PUBLIC HALLS, CROYDON 6th to 9th OCTOBER Competitions in posters, illustrations, draughtsmanship, books, photography, textiles, pottery, metals, precious metals, leatherwork, wood, needlework, knitting, crochet, models, basket work, toys, decorated articles, etc. £75 offered in cash prizes. STALL SPACE FOR HIRE Further Particulars: 1 ELDON HOUSE, CROYDON One Man and Group Shows arranged. Moderate Fees and Commissions. Early Bookings for Season 1925 necessary. THE CHESTER GALLERY 2, CHESTER TERRACE, EATON SQUARE, S.W.1 The Lady Magdalen Bulkeley, Tatton Winter, R.B.A., Clement Du Pontet (Water Colours), Boyd Morrison (The Ulster Artist). Oils. A few water colours by the late Claude Hayes, R.I., R.O.I., 1852-1922. Particulars from The Director, Mrs. Kate Wilcox, B.W.S. Open 10 to 5 Admission Free Closed at 1 o'clock Thursdays. AD. III
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THE STUDIO TELEPHONE: GERRARD 633 ROYAL COPENHAGEN PORCELAIN By Special Appointment to H.M. Queen Alexandra DANISH ART GALLERIES : 2, OLD BOND STREET, W.1 : GIRL FROM GREENLAND in her festive costume By Carl Martin Hansen --- TILO-LEUM GIVES THE EFFECT OF AN OLD-WORLD RED TILED FLOOR A SQUARE YARD 7/9 OBTAINABLE ONLY FROM LIBERTY&CO REGENT ST. LONDON. --- STOLEN from Wallraf-Richartz Museum, Cologne Panel (Oak) 12in, by 8in: Presented to the Museum by Dr. Dormagen Virgin with Child by the painter of the Bartholomaeus Altar, painted about 1500. Description.—Virgin is seen sitting before a brocaded carpet. She has fair red hair and is looking at the naked child in her arms. A brilliant blue mantle covers partly the stone balustrade on which a walnut is lying. The top of the picture represents a golden arch decorated with precious stones and Gothic ornaments. Any information which may lead to the recovery of this picture will be gratefully received by the Directors. AD. IV
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--- Motor Coats, Lounge and Sporting Suits --- “T”S the weather that counts at the ’chase or the race. Rain means spoil-sport and cold means “chill” unless the overwrap is an Aquascutum Weather-proof of pure new wool . . . light to wear, flat-folding and easy to pack. ’Scutums from 6 guineas. Field Coats $3\frac{1}{2}$ to 5 guineas. Agents everywhere. Mention “Studio” for catalogue. --- AQUASCUTUM, 100 Regent St., London
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THE STUDIO Made where the Air is Pure View in the ancient Forest of Epping, Essex, England, where the Cambridge Colours are prepared ARTISTS INTERESTED IN THE PERMANENCE OF THEIR PICTURES Now use the CAMBRIDGE COLOURS only Registered Trade Mark BECAUSE (1) They are prepared under PERFECT NATURAL CONDITIONS (2) Only Pigments of the HIGHEST ORDER OF PERMANENCE are included in the Cambridge Palette (3) All the Pigments, according to the usual authorities, may be SAFELY MIXED TOGETHER without danger of their acting injuriously on each other (4) All the Pigments are PURE and free from injurious impurities THE “CAMBRIDGE” COLOURS have been used by the leading artists throughout the world for the last thirty-three years --- TESTIMONIALS RECEIVED FROM Frank Bramley, R.A. Arnesby Brown, R.A. George Clausen, R.A. P. Vincent Duffy, R.H.A. Sir Alfred East, R.A. Sir Luke Fildes, R.A. Mark Fisher, R.A. Gerald Kelly, A.R.A. Sir David Murray, R.A. Briton Riviere, R.A. Charles Sims, R.A. and many others Price Lists will be sent post free on application to the Sole Makers MADDERTON & Co. Ltd., (A.P.O.) LOUGHTON, ESSEX, ENGLAND (Established 1891) AD. VI --- JOSEPH GILLOTT’S Lithographic Crow Quill (N°659) Gillott’s Famous 659 Card, Holder and 12 Pens 2½- Gillott’s 659 has won a world-wide reputation. Known in every Studio and can always be relied upon for first-class work. Supplied by Artists Colourmen, Stationers, etc., on card with 12 pens and holder for 2½-. If you cannot obtain “Gillott’s 659 Crow Quill,” do not accept any inferior substitute offered you, but write to Joseph Gillott & Sons, Victoria Works, Graham Street, Birmingham, stating your requirements, and the pens will be sent post free immediately. JOSEPH GILLOTT’S DRAWING PENS JOSEPH GILLOTT & SONS, Victoria Works, Graham Street, Birmingham. --- VENUS LEADS IN PENCIL SATISFACTION 17 Blacklead Graduations · 4° each · COPYING · 3° each
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THE STUDIO Famous for more than a century and a half --- Making paper by hand at Springfield Mills. --- Whatman Genuine Hand Made Drawing Papers For the Artist and the Architect— Some of the most beautiful buildings in the world first appeared on WHATMAN Drawing Paper. Surely this paper with its heritage of over a century and a half of paper-making genius, gave inspiration as well as usefulness to the architects who designed them. In a large variety of weights and surfaces, for Water-Colours, Pen-and-Ink and Pencil Drawing, there is a grade to suit every preference. Whatman Deed Parchment— Of great strength and durability, a splendid substitute for real parchment and vellum. For Illuminated Addresses, Certificates of Merit, etc. Whatman Antique Laid Soft Sized Printing Paper— Ideal for Etchings, Editions “de luxe” etc., where a softer surface is desired. --- J WHATMAN Genuine Hand Made DRAWING PAPERS Obtainable from all Artists’ Colourmen and Drawing Office Stationers at Standard Prices Sample booklet and price list on application. Sole Manufacturers : W. & R. BALSTON, LTD., Maidstone, Kent. In case of difficulty in securing supplies or samples write the sole Mill Representatives : H. REEVE ANGEL & CO., LTD. 9 Bridewell Place, London, E.C.4 AD. VII
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THE STUDIO --- The Pencils Artists can rely upon Artists, far more than any other pencil users, appreciate the unsurpassed virtues of A. W. Faber’s “Castell” Pencils. Artists know they can rely on these world-famous pencils for Quality, Smoothness, Finish, and Durability. They know they will sharpen to the finest point. They know that the 16 degrees of “Castell” Pencils are accurately graded. For the perfect communication of your ideas from brain to drawing board always use A. W. FABER “CASTELL” In 16 degrees from 6B to 8H. Price 6d. each, 5/3 per dozen. Sold by Artists’ Colourmen, Stationers, etc., the world over. If any difficulty in obtaining write: A. W. FABER, 13 and 14, Camomile Street, London, E.C.3 --- A. W. FABER “CASTELL” Polychromos Coloured Pencils in Cedar Wood The nearest approach to water-colours it has been possible to get. Unsurpassed for beauty and permanence of colours. Sixty different shades including all the leading colours usually required in the form of water-colours. --- RHIND’S LIQUID ETCHING GROUNDS USED BY MOST EMINENT ETCHERS COPPER & ZINC PLATES OF BEST QUALITY, COATED OR UNCOATED. MANUFACTURER OF ETCHING AND WOOD ENGRAVING MATERIALS AND TOOLS, ALL OF THE BEST ENGLISH MAKE W. Y. RHIND 69 GLOUCESTER ROAD, REGENT’S PARK LONDON, N.W. Nearest Tube Stations: Chalk Farm and Camden Town PRICE LIST FREE ON APPLICATION TELEPHONE: HAMPSTEAD 6167 AD. VIII --- ART PRICES CURRENT THE PICTURE BUYER’S GUIDE Volumes appearing during 1925 Now Ready --- Volume II --- Season 1922-23 --- August 1st --- Volume III --- Season 1923-24 --- December 1st --- Volume IV --- Season 1924-25 --- The published price of each of these volumes will be TWO GUINEAS NET ORDERS ARE NOW BEING BOOKED Have You Yet Realized THE ENORMOUS AMOUNT OF VALUABLE INFORMATION which this work offers you? Send for descriptive prospectus and specimen pages to the publisher: THE ART TRADE JOURNAL 13 BUCKINGHAM STREET, STRAND, LONDON, W.C. 2 ---
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THE STUDIO THE DUBLIN MAGAZINE Edited by SEUMAS O’SULLIVAN Written and Illustrated by the foremost Writers & Artists of the day. PUBLISHED MONTHLY 1/- Short Stories and Serials. Articles on Literature, Art, Music, Drama, etc. Short Plays. Translations from the Best Foreign Writers. Book Reviews, Book Notices, etc. Bibliographical Articles by Experts. The Subscription is $14\frac{1}{6}$ per year; $7\frac{3}{3}$ per half-year DUBLIN 9 Commercial Bldgs. LONDON The London Mercury --- ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE 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ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE ZAMBRENE
