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REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE·STUDIO An Illustrated Magazine of Fine & Applied Art JULY 15. 1907 VOL. 41 No. 172 44 Leicester Square LONDON·W·C Monthly BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSEE D'ANTIN PRIX: 1 FRANC 60c NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, July 15, 1907. SUPPLEMENTS:—A COLOURED REPRODUCTION OF A PAINTING BY CHARLES SIMS ENTITLED "SUNSHINE AND WIND"; A COLOURED REPRODUCTION OF A PASTEL DRAWING BY E. L. GILLOT ENTITLED "LE DEPART DU TRAIN DE MARINE"; A COLOURED REPRODUCTION OF A PAINTING BY TH. AXEN-TOWICZ ENTITLED "A RUTHENIAN PEASANT GIRL"; A COLOURED REPRODUCTION OF A WATER-COLOUR DRAWING BY EDITH HELENA ADIE ENTITLED "HERACEOUS BORDER AT KNOLE, KENT"; A TINTED REPRODUCTION OF A PAINTING BY J. B. C. COROT ENTITLED "THE QUIET RIVER"; A TINTED REPRODUCTION OF A CHALK DRAWING BY VITTORIO QUACCIMANNI. THE PAINTINGS OF MR. CHARLES SIMS. By A. LYS BALDRY. Eleven Illustrations . . . . . . 89 A PAINTER OF GARDENS: SANTIAGO RUSINOL. By VITTORIO PICA. Eleven Illustrations . . . . . . 98 LOUIS GILLOT, PAINTER AND ENGRAVER. By HENRI FRANTZ. Seven Illustrations . . . . . . 105 BITS OF OLD CHINA. By INGLIS SHELDON-WILLIAMS. Five Illustrations. 111 NOTES ON SOME POLISH ARTISTS OF TO-DAY. Sixteen Illustrations. 115 THE SALON OF THE SOCIÉTÉ NATIONALE DES BEAUX ARTS. Eight Illustrations. . . . . . 126 TALASHKINO: PRINCESS TENISHEF'S SCHOOL OF RUSSIAN APPLIED ART. By C. DE DANILOVICZ. Ten Illustrations . . . . . . 135 STUDIO-TALK (From our own Correspondents):— LONDON, Six Illus., 140; VIENNA, Fourteen Illus., 148; BERLIN, Five Illus., 155; DRESDEN, Five Illus., 158; PARIS, 160; STOCKHOLM, Three Illus., 161; FLORENCE, Three Illus., 163. REVIEWS AND NOTICES. . . . . . 167 THE LAY FIGURE: On Receiving Impressions . . . . . . 170 PRICES AT RECENT PICTURE SALES . . . . . . Advt.s. xxvi., xxvii. AWARDS IN "THE STUDIO" PRIZE COMPETITIONS. 10 Illustrations, The Editor will always be glad to consider any articles, drawings, etc., that may be submitted to him with a view to publication, and every effort will be made to return in due course rejected MSS., and all drawings, etc. rejected or accepted, but under no circumstances can he hold himself responsible for the safe custody or return thereof. Thanks for return should always be sent, and the name and address of the sender clearly written on every MS., drawing, etc. THE STUDIO is registered for transmission to Canada by Canadian Magazine Post. WILLIAM MORRIS AND COMPANY. RISKIN-HOUSE ROCHESTER ROW WESTMINSTER, S.W. LEADED LIGHTS AND METAL CASEMENTS. THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. RINE-GOLD-MEDALS JEFFREY & CO ARTISTIC WALL PAPERS. WEST-END-SHOW ROOMS THE WALL-PAPER GALLERY 31 MORTIMER-ST. REGENT STREET, W. FACTORY 64 ESSEX-RR OFFICES ISLINGTON N. Telephone No. 134 Dalston. THEIR LATEST WALL PAPERS ARE ALWAYS ON VIEW And are to be obtained of all Decorators and Wall Paper Merchants. THE UNDERSIGNED PUBLISHER OF THE MONTHLY ARCHITECTURAL MAGAZINE, "MODERNE BAUFORMEN," INVITES A COMPETITION OF COLOURED PERSPECTIVE DRAWINGS FOR INTERIORS OF A PRO-NOUNCED MODERN CHARACTER. THREE PRIZES OF £15, £10, AND £5 WILL BE PAID TO THE AUTHORS OF THE DESIGNS PLACED RESPECTIVELY FIRST, SECOND, AND THIRD IN ORDER OF MERIT. FURTHER DRAWINGS WILL VERY LIKELY BE BOUGHT FOR REPRODUCTION. LIST OF JURY AND FURTHER PARTICULARS MAY BE HAD ON APPLICATION. COMPETITORS ARE AT LIBERTY TO CHOOSE WHATEVER INTERIOR THEY LIKE BUT THE SIZE OF THE DRAWING SHOULD NOT EXCEED 40 INCHES BY 30 INCHES. DESIGNS TO WHICH PRIZES HAVE BEEN AWARDED BECOME THE PROPERTY OF THE PUBLISHER, THE OTHERS WILL BE RETURNED FREE OF CHARGE. ALL DRAWINGS MUST BE UNPUBLISHED AND DELIVERED CARRIAGE PAID, AND IN SUCH MANNER AS NOT TO DISCLOSE IDENTITY OF THE AUTHOR NOT LATER THAN SEPTEMBER 10, 1907, TO JULIUS HOFFMANN, PUBLISHER, SENEFELDER-STR. 25, STUTTGART, GERMANY.
ROWNEY'S Registered SKETCHING CASE Reg. No. 270111. THOUSANDS of this handy Invention are already IN USE. These Cases are not supplied without Colours, but any may be selected, and the difference in the price of the Colours from the usual arrangements charged or allowed for. MADE IN THE TWO FOLLOWING SIZES: - “8vo Impl.” containing a 12-leaf Whatman Block, 10 in. by 7 in., and a Pocket for Loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Artists’ Colours (usual arrangement). PRICE 15s., FITTED COMPLETE. - “16mo Impl.” containing a 12-leaf Whatman Block, 7 in. by 5 in., and a Pocket for Loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Artists’ Colours (usual arrangement). PRICE 10s. 6d., FITTED COMPLETE. A Japanned Tin Palette opens out when the Case is in Use, as shown in above illustration. Manufactured only by Geo. ROWNEY & Co., 61 Brompton Road, S.W. ARTISTS’ COLOURMEN and PENCIL MAKERS. To be obtained from all Artists’ Colourmen throughout the Kingdom. --- REEVES’ ARTISTS’ COLOURS ARE MANUFACTURED FOR ARTISTS (not Amateurs); THE PROCESSES ARE SUPERVISED BY CHEMISTS TRAINED SPECIALLY IN THE PREPARATION OF ARTISTS’ COLOURS; THE COLOURS ARE TESTED AND REPORTED UPON BY ARTISTS. THIS IS WHY REEVES’ ARTISTS’ COLOURS ARE SUPERIOR TO THOSE MADE PRINCIPALLY FOR AMATEUR USE—SUPERIOR IN STRENGTH, IN TONE, IN QUALITY, IN PERMANENCE. REEVES & SONS HAVE NO SECRETS FROM GENUINE ARTISTS, BUT GIVE FULL INFORMATION. AP. I
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise. (7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder. Closes Nov. 1 CLASS A. DECORATIVE ART. A XLVIII. DESIGN FOR A SIMPLE COTTAGE PORCH. Sept. 1 A XLIX. DESIGN FOR A MOTOR RACE TROPHY. Oct. 1 A L. DESIGN FOR A DINING-ROOM FIREPLACE AND OVERMANTEL. (Particulars of the above appeared in the April, May and June Numbers respectively.) Nov. 1 A LI. DESIGN FOR A SILVER DESSERT SPOON. Drawings to be full size. Several designs may be included on one sheet measuring not more than 12 inches by 18 inches. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat, are to reach the London office of THE STUDIO by Nov. 1. B XXXVIII. PEN-AND-INK DRAWING OF ROUGH SEA WITH BREAKERS. This subject may be treated either pictorially or decoratively. Drawings to be 18 inches in length and 12 inches high or smaller in the same proportion. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to reach the London office of THE STUDIO by Nov. 1. CLASS B. PICTORIAL ART. Aug. 1 B XXXV. DESIGN FOR A SHOW-CARD FOR "THE STUDIO." Sept. 1 B XXXVI. PEN-AND-INK DRAWING OF A BOOK ORNAMENT. Oct. 1 B XXXVII. LANDSCAPE STUDY IN LEAD PENCIL. (Particulars of the above appeared in the April, May and June Numbers respectively.) CLASS C. PHOTOGRAPHS FROM NATURE. C XXXV. AQUATIC PLANTS IN THEIR NATURAL HABITAT. Aug. 1 C XXXVI. A WOODLAND SCENE. Sept. 1 C XXXVII. A HARVEST SCENE. Oct. 1 C XXXVIII. A MARINE SUBJECT. Nov. 1 All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by August 1 for C XXXV, Sept. 1 for C XXXVI, Oct. 1 for C XXXVII and Nov. 1 for C XXXVIII. COMPETITION COUPON. To be cut off and forwarded in accordance with Rule 3. July 15, 1907.—This form can be used for any or all of the Competitions announced for the first time in this number. Pseudonym _______________________________ Competition No.: _________________________ Stamps enclosed: Full Name and Address _________________________ AD. 11
DRYAD CANE FURNITURE ARTISTIC STRONG LIGHT COMFORTABLE CATALOGUE FREE · H·H·PEACH 37 BELVOIR ST LEICESTER --- A SANDERSON SONS BRANCH OF THE WALL PAPER MANUF TRS LTD CHISWICK DESIGNS FOR WALL PAPERS FRIEZES ETC SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK --- Ter-Centenary Jubilee of MANNHEIM-ON-RHINE. From May 1 to October 20, 1907. INTERNATIONAL ART & GREAT HORTICULTURAL EXHIBITION. DECORATIVE ART Paintings, Water Colours, Sculpture, Architecture, Extensive Exhibition in all branches of HORTICULTURE Types of Artistic Gardens Palms :: Cacti :: Orchids :: Beautiful Rose Gardens :: INDUSTRIAL & SCIENTIFIC DEPARTMENTS Constantly varied Shows of :: Fruit and Flowers :: Hothouses with Tropical Plants Idyllic Black Forest Landscape With the Co-operation of the foremost living Artists. :: : Garden Architects, etc. :: : --- FAB·RI·KO·NA THE IDEAL WOMEN WALL COVERING DYRABLE·HYGIENSIC ARTISTIC USED BY ALL DECORATORS J.SPENCER TYRNER CO. B.JEWIN CRESCENT.E.C. AD. III
ART EXHIBITIONS—BRITISH & FOREIGN. LONDON.—Royal Academy. Burlington House, W. Summer Exhibition. Closes Aug. 5. New Gallery. Regent St. Summer Exhibition. Closes early in August. Royal Society of British Artists. Suffolk St., Pall Mall. Closes Aug. 3. Whitechapel Art Gallery. Country in Town Exhibition. Closes July 18. BANGOR.—Arts and Crafts Exhibition. To open early in Sept. Particulars of Miss F. A. Jones, Glan Menai, Port Dinorwic. BIRMINGHAM.—Royal Society of Artists. Autumn Exhibition. Sept. to Dec. BOLTON.—Art Gallery. Closes end of Aug. CONWAY.—Royal Cambrian Academy. Closes Sept. 28. DERBY.—Corporation Art Gallery. Summer Exhibition. Closes in August. DÜBLIN.—Irish International Exhibition. Closes in October. LIVERPOOL.—Walker Art Gallery. 37th Annual Exhibition of Modern Art. Sept. to Jan. Rec. days, Liverpool and London (Dicksee), Aug. 12–14. MANCHESTER.—City Art Gallery. 25th Annual Exhibition of Oil Paintings. Sept. to end of Nov. Rec. days, Aug. 12–17. BADEN-BADEN.—Städtische Kunstausstellung. Open till end of Nov. BERLIN.—Grosse Berliner Kunstausstellung. Open till Sept. 29. Verein “Berliner Secession.” Kurfürstendamm 208/9. Open till the Autumn. BRUSSELS.—Great Art Exhibition. Cinquartenaire Palace. Aug. 28—beg. of Nov. R.D. July 18–21. Secretary, 37 Rue de la Charité, Brussels. COLOGNE.—Kunst- und Kunstgewerbe-Ausstellung. Closes in Oct. Fine and Applied Art. DÜSSELDORF.—Deutsch-Nationale Kunstausstellung. Städtisches Kunstpalast. Open till Sept. 29. INNSBRUCK.—Tiroler Kunstlerbund. 4th Ann. Exh. June—Oct. Maria Theresienstr. 20. KLAGENFURT.—Kunstverein. July 15—Sept. 15. LUCERNE.—Kunstgesellschaft. Closes middle Oct. MANNHEIM.—Tercentenary Exhibition. (Art and Horticulture.) Closes Oct. 20. MUNICH.—Secession. 10th International Exh. Open till end of Oct. Secretary, 1 Königsplatz. PARIS.—Grand Palais. Exposition Internationale du Livre. July 20—Oct. 20. SALZBURG.—Künstlerhaus and Kunstverein. Open till end of Sept. VENICE.—Seventh International Art Exhibition. Open till Oct. 31. VIENNA.—Künstlerbund Hagen. Summer Exh. R.D. middle July; opens Aug. 1. Real Conversations. III. In the Ladies’ Life Class. They were pouring out their troubles, during the Model’s rest. “Yes, dear,” said one girl, gazing critically at a black-and-white drawing, “I feel that my work’s pretty good, but I can’t help seeing also that it’s not quite professional. The drawing is all right, but there’s no doubt the general treatment wants smartening up. It has, as one Editor candidly told me, ‘Art School!’ stamped all over it. Editors don’t want Students work—I can see that. They must have competent professional drawings, and it’s not a bit of good sending them ‘half-baked’ compositions. They’re not philanthropists, and they haven’t time to give drawing lessons—or even to point out where a drawing is wrong—so the work just comes back home for a long rest, accompanied by that tiresomely-puller rejection form. “What’s a girl to do? I don’t mind having my mistakes pointed out; I should love it. But where can one get thoroughly sound advice about black-and-white work of all kinds—the invaluable information which is gained by an illustrator during years of practical experience of working for the Press? The average Art Master certainly can’t give it, so here we are at a deadlock—we seem to possess the ability, but our hands are tied. “What do you think, Miss Jackson? I’ve noticed lately that your black-and-white work is getting very strong. Have you discovered a quicker way to success than we know of?” “Apparently,” answered the quiet girl, “I have. I recently joined The Press Art School, which teaches illustration very thoroughly and successfully by Post. “I’ve found their Course of Instruction just exactly what I wanted, and I’m sure it would be to the interest and advantage of you girls to write at once for particulars. If you send stamp for reply, they will forward their Illustrated Prospectus, which contains full information, specimens of students’ work, testimonials, and opinions of many leading papers and magazines who have thoroughly examined the system of instruction.” “You’re ever so kind. I’ll write to-day if you’ll let me have their address.” “With the greatest of pleasure. Send to— The Secretary, THE PRESS ART SCHOOL, 128 Drakefell Road, New Cross, S.E. AD. IV THE “QUETA” (TONK’S PATENT). ADJUSTABLE BED TABLE AND BOOK REST. STRONG! RIGID! EASILY ADJUSTED. The “QUETA” is specially designed for the comfort and accommodation of invalids. It is perfectly stable, can be adjusted with one hand by means of the patent action, and can be wheeled out of the way in a moment by lifting the pillar with one hand. Can be obtained from all ironmongers. TONKS, LIMITED, MOSELEY STREET, BIRMINGHAM.
A Holiday Without a Kodak is Only Half a Holiday. A splendid pastime itself, Kodak photography fits in with and completes the enjoyment of any other sport or occupation in which you may indulge, and is an ideal holiday companion. For such a small outlay as five shillings you can get a real and serviceable camera—the wonderful BROWNIE, which is loaded in daylight, just like the more expensive Kodaks. Or you can have one of the several sizes of FOLDING POCKET KODAKS which fold up into very small compass, and can be carried in your pocket or on a strap. An album of Kodak pictures makes a splendid record of your holiday. THE KODAK TANK DEVELOPS YOUR PICTURES IN DAYLIGHT. Write for a copy of the KODAK BOOK, mentioning this magazine. You will find in it full particulars of the Kodak system. KODAK, Ltd., 57-61 Clerkenwell Rd., London, E.C. Branches:—96 Bold St., Liverpool; 72-74 Buchanan St., Glasgow; 59 Brompton Rd., S.W.; 60 Cheapside, E.C.; 115 Oxford St., W.; 171-173 Regent St., W.; and 40 Strand, London, W.C.; and all dealers. --- The ROYAL COPENHAGEN PORCELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. 2 OLD BOND STREET, LONDON, W. AD. V
The AUTOTYPE CO. 74 NEW OXFORD STREET, LONDON, W.C. Monochrome Copies by the Permanent Autotype Carbon Process of Pictures by Old Masters ... From the Principal Collections of Note. NUMEROUS EXAMPLES OF WORKS BY MODERN ARTISTS. THE AUTOTYPE COMPANY'S Processes of Permanent Photographic Reproduction are extensively employed by the Trustees of the British Museum, the Local Government Board, many of the Learned Societies, and leading Publishers. Copies of Coins, Seals, Medals, MSS., Drawings, Engravings, Art Objects, Microscopic Work, etc. Inquiries are invited from those requiring Book Illustrations of the very highest quality. SPECIMENS AND ESTIMATES SUBMITTED THE AUTOTYPE FINE-ART CATALOGUE. ENLARGED EDITION. With Hundreds of Miniature Photographs and Tint-Blocks of Notable Autotypes. For convenience of reference the publications are arranged Alphabetically under Artists' Names. Post Free, One Shilling. A Visit of Inspection is invited to ... The Autotype Fine Art Gallery, 74 NEW OXFORD STREET, LONDON, W.C. J.S.HENRY'S WOODEN ELECTRIC LIGHT FITTINGS The most Artistic Form of Illumination yet conceived 287 - 291 OLD STREET LONDON G.C 22 St JAMES ST PALL MALL SW J.S.HENRY Ltd AD. VI A NEW BOOK ON ARTISTIC PHOTOGRAPHY. Large Post 8vo, 6s. net. ART AND THE CAMERA By ANTONY GUEST. With 49 Illustrations by Experts in Pictorial Photography. CONTENTS: OUTLINE—Is Photography an Art?—Special Attributes—Spirit of the Medium—Child Studies—Delicacy—Progress—Lesson from Painting—Latent Talent—The Dream City—The Poetical Aspect—Requirements of Art—Beauty and Fitness—How to Observe—The Means and the End—Study of Values—Aerial Perspective—Imagination—Moving Objects—The Sea—Fact and Fancy—Figure Subjects and Genre Work—Composition—Balance—Decorative Arrangement—Expressiveness in Nature and Art—Simplification—What to Leave Out—An Elusive Quality—Suggestion of Colour—Sunset—The Sky—'Frozen Music'—Portraiture—Character—Structure—Movement—Hands—Subjective Influence—Directness and Individuality—Appropriate Treatment—Picturing an Idea—The Use of Detail—A Separate Atmosphere—Analysis and Synthesis—The Restraining Influence—The Inner Meaning. This book is not intended as a manual of technical photography, but aims at showing the amateur how the camera may be made the medium for producing work of a higher order than the commonplace portraits and "faithful" reproductions of nature which satisfy the ordinary photographer. It is freely illustrated with examples of the best photographic artists of the day. Illustrated Prospectus sent post free on application. GEORGE BELL & SONS, PORTUGAL STREET, KINGSWAY, W.C
First-Class Designer. for Home Decoration Experienced Salesman wanted soon. :: :: :: If possible, with a knowledge of one or more foreign languages, especially French or German. Full description of applicant together with photograph, refer- ences and salary to . . PORTOIS & FIX III., 1927 Ungargasse 59-61, Vienna, AUSTRIA. LECHERTIER BARBE, LTD., Artists’ Colourmen (Late Regent Street, W.), 95 JERMYN ST., S.W. (Facing St. James’s Church). SOLE MAKERS of PAPIER-MACHE LAY - FIGURES. A new branch:— Chrysalide and Wolfite. Prospectus free on application. --- “Pelican” Colours. These Celebrated Artists’ Water- Colours blend most perfectly when mixed, may be most evenly applied for washes without showing the slightest trace of Granulation, and have and retain unequalled Brilliancy and Colouring. Their increasing popularity in the HOME and COLONIAL MARKETS Proves that they are appreciated as possessing the above good qualities to a more marked degree than other brands. Artists, Students, &c., are requested to write for Colour Card with actual tints, or descriptive Price List, to GUNTHER WAGNER Sole Manufacturer. 80 MILTON STREET LONDON E.C. --- HENRY HOPE & SONS L.P. 55, Lionel St. Birmingham METAL CASEMENTS & LEADED LIGHTS DECORATIVE LEADWORK DOOR FURNITURE Write for Catalogue No. 6 AD. VII
John WILSONS' Successors Ltd ESTABLISHED IN THE EIGHTEENTH CENTURY PURVEYORS OF FINE LINEN TO H.M. THE KING BY APPOINTMENT. TWO out of 50 Exclusive ARTISTIC DESIGNS by Walter Crane, Lewis Day, Anning Bell, etc., found in our Illustrated Catalogue. These are by Miss Wilson. The PERSIAN is our F quality, from 19/6 Cloth, 2 yds. square. The DEER & SWANS is in our G—a very fine quality—from 42/6 Cloth, ½ yds. square. OVER-A-CENTURY 188 REGENT ST., W. LONDON. LATE 159 NEW BOND ST. OVER-A-CENTURY BARTHOLOMEW & FLETCHER REPRODUCTIONS FROM FINE OLD MODELS. THE “IRETON” EASY CHAIR WITH READING ARM. ALL HAIR STUFFED IN TAPESTRY £5 ALL GOODS SENT CARRIAGE PAID. 217 & 218 Tottenham Court Road, London, W. AD. VIII
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This issue of The Studio, a monthly illustrated magazine of fine and applied art, features articles on the paintings of Charles Sims, Santiago Rusiñol, and Louis Gillot. It also includes sections on "Bits of Old China," "Notes on Some Polish Artists of To-Day," and "The Salon of the Société Nationale des Beaux-Arts." The magazine contains numerous illustrations and supplements, including colored reproductions of paintings and drawings.