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REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE·STUDIO An Illustrated Magazine of Fine & Applied Art JUNE 15, 1907 VOL. 41 No. 171 44 Leicester Square LONDON·W.C Monthly BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSÉE D’ANTIN PRIX: 1 FRANC 60¢ NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, June 15, 1907. SUPPLEMENTS:—A COLOURED REPRODUCTION OF AN OIL PAINTING BY E. A. HORNEL ENTITLED "WHAT'S O'CLOCK?"; A COLOURED REPRODUCTION OF A PASTEL STUDY FOR "VENETIAN SERENADERS," BY FRANK BRANGWYN, A.R.A.; TINTED REPRODUCTIONS OF SKETCHES FOR VENETIAN PANELS BY FRANK BRANGWYN, A.R.A.; COLOURED REPRODUCTIONS OF TWO STENCIL LANDSCAPES BY LUDWIJ JUNGNICKEL; A TINTED REPRODUCTION OF A SKETCH FOR PHYLLIS ("PHYLLIS AND DEMOPHOON") BY J. W. WATERHOUSE, R.A. MR. E. A. HORNEL'S PAINTINGS OF CHILDREN AND FLOWERS. By E. RIMBAULT DIBDIN. Seven Illustrations...
ROWNEY'S Registered SKETCHING CASE Reg. No. 270111. C. ROWNEY & CO. RD NO. 270111 THOUSANDS of this handy Invention are already IN USE. These Cases are not supplied without Colours, but any may be selected, and the difference in the price of the Colours from the usual arrangements charged or allowed for. MADE IN THE TWO FOLLOWING SIZES: - “8vo Impl.” containing a 12-leaf Whatman Block, 10 in. by 7 in., and a Pocket for Loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Artists’ Colours (usual arrangement). PRICE 15s., FITTED COMPLETE. - “16mo Impl.” containing a 12-leaf Whatman Block, 7 in. by 5 in., and a Pocket for Loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Artists’ Colours (usual arrangement). PRICE 10s. 6d., FITTED COMPLETE. A Japanned Tin Palette opens out when the Case is in Use, as shown in above illustration. Manufactured only by Geo. ROWNEY & Co., 61 Brompton Road, S.W. ARTISTS’ COLOURMEN and PENCIL MAKERS. To be obtained from all Artists’ Colourmen throughout the Kingdom. --- REEVES’ ARTISTS’ COLOURS ARE MANUFACTURED FOR ARTISTS (not Amateurs); THE PROCESSES ARE SUPERVISED BY CHEMISTS TRAINED SPECIALLY IN THE PREPARATION OF ARTISTS’ COLOURS; THE COLOURS ARE TESTED AND REPORTED UPON BY ARTISTS. THIS IS WHY REEVES’ ARTISTS’ COLOURS ARE SUPERIOR TO THOSE MADE PRINCIPALLY FOR AMATEUR USE—SUPERIOR IN STRENGTH, IN TONE, IN QUALITY, IN PERMANENCE. REEVES & SONS HAVE NO SECRETS FROM GENUINE ARTISTS, BUT GIVE FULL INFORMATION. AD. I
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise. (7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder. CLASS A. DECORATIVE ART. Closes July 1 A XLVII. DESIGN FOR THE FRONT COVER OF "SHORT STORIES." Aug. 1 A XLVIII. DESIGN FOR A SIMPLE COTTAGE PORCH. Sept. 1 A XLIX. DESIGN FOR A MOTOR RACE TROPHY. (Particulars of the above appeared in the April and May Numbers respectively.) Oct. 1 A L. DESIGN FOR A DINING-ROOM FIREPLACE AND OVERMANTEL. No conditions are stipulated as to materials to be employed or medium in which drawings are to be made, but the latter must not exceed 12 inches by 18 inches in size. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat, are to reach the London office of THE STUDIO by Oct. 1. CLASS B. PICTORIAL ART. July 1 B XXXIV. PORTRAIT STUDY IN LEAD PENCIL. Aug. 1 B XXXV. DESIGN FOR A SHOW-CARD FOR "THE STUDIO." Sept. 1 B XXXVI. PEN-ANDINK DRAWING OF A BOOK ORNAMENT. (Particulars of the above appeared in the March, April and May Numbers respectively. N.B.—In the announcement of B XXXIV the date for sending in was originally given as June 1; it should have been July 1.) B XXXVII. LANDSCAPE STUDY IN LEAD PENCIL. A little water-colour tinting may be given to the drawings, but this is optional, and the colour should if introduced be subservient to the line work. The term "Landscape" is used in its broad signification, and includes scenes with architecture, figures, etc.; but these motifs if introduced must form subordinate elements in the composition. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to reach the London office of THE STUDIO by Oct. 1. CLASS C. PHOTOGRAPHS FROM NATURE. C XXXIV. LANDSCAPE WITH SHEEP AND LAMBS. July 1 C XXXV. AQUATIC PLANTS IN THEIR NATURAL HABITAT. Aug. 1 C XXXVI. A WOODLAND SCENE. Sept. 1 C XXXVII. A HARVEST SCENE. Oct. 1 All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by July 1 for C XXXIV, August 1 for C XXXV, Sept. 1 for C XXXVI, and Oct. 1 for C XXXVII. COMPETITION COUPON. To be cut off and forwarded in accordance with Rule 3. June 15, 1907.—This form can be used for any or all of the Competitions announced for the first time in this number. Pseudonym _________________________ Competition No.: _________________________ Stamps enclosed: Full Name and Address _________________________ AD. II
J·S. HENRY'S WOODEN ELECTRIC LIGHT FITTINGS The most Artistic Form of Illumination yet conceived 287–291 OLD STREET LONDON C.C. J·S·HENRY Ltd 22 St JAMES ST PALL MALL JW --- A SANDERSON SONS BRANCH OF THE WALLPAPER MANUFACTORY LTD CHISWICK DESIGNS FOR WALL PAPERS FRIEZES ETC SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK --- Ter-Centenary Jubilee of MANNHEIM-ON-RHINE. From May 1 to October 20, 1907. INTERNATIONAL ART & GREAT HORTICULTURAL EXHIBITION. Paintings, Water Colours, Sculpture, Architecture, DECORATIVE ART Extensive Exhibition in all branches of HORTICULTURE Types of Artistic Gardens Palms :: Cacti :: Orchids :: Beautiful Rose Gardens :: INDUSTRIAL & SCIENTIFIC DEPARTMENTS Constantly varied Shows of :: Fruit and Flowers :: Hothouses with Tropical Plants Idyllic Black Forest Landscape With the Co-operation of the foremost living Artists, :: :: : Garden Architects, etc. :: :: :: --- FAB-RI-KO-N Woven Wall-coverings IN FIFTY DIFFERENT SHADES AD. III
ART EXHIBITIONS—BRITISH & FOREIGN. LONDON.—Royal Academy. Burlington House, W. Summer Exhibition. Closes Aug. 5. „ New Gallery. Regent St. Summer Exhibition. Closes early in August. „ Royal Society of Painters in Water-Colours. 5a Pall Mall East. Closes June 29. „ Royal Society of British Artists. Suffolk St., Pall Mall. Closes Aug. 3. „ New English Art Club. 67 New Bond St., W. „ The Paste Society. 195 Piccadilly, W. Closes July 12. „ Grafton Galleries. Entente Cordiale Society. Guildhall. Exh. of works by Danish artists. Closes July 13. „ Hampshire House Social Club. Hampshire Hog Lane, Hammersmith. Picture Exhibition (including works by British Pre-Raphaelite School). Open till July 6 (Weekdays, 11 till 10; Sundays, 2 till 6; free). BOLTON.—Art Gallery. Closes end of Aug. CONWAY.—Royal Cambrian Academy. Till Sept. 28. DERBY.—Corporation Art Gallery. Summer Exhibition. Closes in August. DUBLIN.—Irish International Exhibition. Open till October. BADEN-BADEN.—Städtische Kunstausstellung. Open till end of Nov. BARCELONA.—Fifth International Art Exhibition. Closes July 15. BERLIN.—Grosse Berliner Kunstausstellung. Open till Sept. 29. „ Verein “Berliner Secession.” Kurfürstendamm 208/9. Open till the Autumn. COLOGNE.—Kunst- und Kunstgewerbe - Ausstellung. Closes in Oct. Fine and Applied Art. DÜSSELDORF.—Deutsch - Nationale Kunstausstellung. Städtisches Kunstpalast. Open till Sept. 29. INNSBRUCK.—Tiro’er Künstlerbund. 4th Ann. Exh. June—Oct. Maria Theresienstr. 20. KLAGENFURT.—Künstverein. July 15—Sept. 15. LUCERNE.—Kunstgesellschaft. Closes middle Oct. MANNHEIM.—Tercentenary Exhibition. (Art and Horticulture.) Closes Oct. 20. MUNICH.—Secession. 10th International Exh. Open till end of Oct. Secretary, 1 Königsplatz. PARIS.—Société des Artistes Français (Salon). „ Société Nat. des Beaux. Arts (Salon). Open till June 30. SALZBURG.—Künstlerhaus and Kunstverein. June 15 —end of Sept. VENICE.—Seventh International Art Exhibition. Open till Oct. 31. VIENNA.—Künstlerbund Hagen. Summer Exh. R.D. middle July ; opens Aug. 1. --- Real Conversations. II. In the Art School. “What a ripping ske’ch, old man! Your Black-and White has improved tremendously during the last few weeks.” “Yes, I’m sure it has, for I sold my first work to the papers yesterday! You know how long I’ve been pegging away at illustrations, and what a nice collection of ‘refusals,’ I have in my den at home, so you can realise how glad I am to score a success at last.” “Heartiest congratulations! You certainly deserve the success, but—I can’t help envying you. How did you manage to pull your work together so quickly? You might let me into the secret, for I’m sick of tickling up Antiques and Figure Work for South Kensington, and my people are anxious to see me making a start on professional drawings. Of course, a chap can’t always be a student, and I’m beginning to tire of everlasting drawing from life—and seeing no practical result from it. I must really make a solid attempt to do Black-and-White, for there are evidently big opportunities.” “You’re right; there’s a tremendous field open. You’ve only to glance at the bookstalls to realize it, and there are not only the Magazines and Newspapers to consider, but Advertisers, and Publishers of Books, Show Cards, Posters, Price Lists and Catalogues—who are always glad to see bright work. But take my advice. Don’t dabble about helplessly for months, as I did. “You’ll save yourself a lot of valuable time and unnecessary worry if you join The Press Art School at once. They’ll pull your work together enormously, discuss every possible business and artistic difficulty with you, and thoroughly help you in both the production and sale of all classes of Black-and-White work. You can see that I’ve found the lessons and instructions valuable, for they’ve sold drawings for me after three lessons, and are hoping to get rid of some other work very shortly.” “Are the fees high?” “No, very reasonable; and you can settle them by instalments, if you like. Why, the sales of my first drawings have more than covered the cost of the entire course of training! Take my advice, write off to-day—enclosing stamp—for a Prospectus, to— The Secretary, THE PRESS ART SCHOOL, 128 Drakefell Road, New Cross, S.E. AD. IV --- TIMEPIECE in Satin Finished or Fitted with Pompeian Best Quality Bronze and Eight-Day Silver Movement. Plate. By TONKS LTD., Moseley Street, Birmingham.
KODAK METHODS Have Abolished all the Discomforts of Photography. KODAK PICTURE MAKING is a pastime anybody can indulge. No dark room is required and no experience is necessary. Five shillings will buy an excellent Kodak, and there are others ranging up to £8. The particular charm of a Kodak is that it goes easily into the pocket and is loaded in daylight, while films for dozens of pictures can be carried without inconvenience. THE KODAK DEVELOPING TANK is the latest feature of the Kodak system. It is manipulated in daylight and gives the best possible results, whether exposure is right or wrong. Full particulars in the KODAK BOOK, free. KODAK, LTD., 57-61 Clerkenwell Road, London, E.C. BRANCHES: 96 Bold Street, Liverpool; 72-74, Buchanan Street, Glasgow; 59 Brompton Road, S.W.; 60 Cheapside, E.C.; 115 Oxford Street, W.; 171-173 Regent Street, W.; 40 Strand, London, W.C.; and all Dealers. The ROYAL COPENHAGEN PORCELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. Vase, 20s. Porcelain Inkstand, 60s. Vase, 15s. 2 OLD BOND STREET, LONDON, W. AD. V
SELECTIONS FROM THE AUTOTYPE COMPANY'S PUBLICATIONS. (PERMANENT MONOCHROME CARBON.) THE OLD MASTERS. From the Principal National Collections, including the National Gallery, London; the Louvre, Dresden, Florence, etc. MODERN ART. A Numerous Collection of Reproductions from the Royal Academy, the Tate Gallery, the Walker Art Gallery, the Luxembourg, etc. G. F. WATTS, R.A. The Chief Works of this Artist are Copied in Permanent Autotype. ROSSETTI, BURNE-JONES. A Representative Series of Works by these Painters. ETCHINGS AND DRAWINGS by REMBRANDT, HOLBEIN, DURER, MERYON, etc. Prospectuses of above Issues will be sent free on application. FULL PARTICULARS OF ALL THE COMPANY'S PUBLICATIONS ARE GIVEN IN THE AUTOTYPE FINE ART CATALOGUE, ENLARGED EDITION, with hundreds of Miniature Photographs and Tint Blocks of Notable Autotypes. For convenience of reference the publications are arranged alphabetically under Artists' Names. Post free, ONE SHILLING. A Visit of Inspection is invited to— The AUTOTYPE FINE ART GALLERY, 74, NEW OXFORD STREET, LONDON, W.C. The Cheapest Furniture and the Best is GENUINE ANTIQUE FURNITURE I have a good and varied stock. Send for Price List. JAMES W. PARTRIDGE, Alvechurch, WORCESTERSHIRE. Please mention "The Studio." First-Class Designer . for Home Decoration Experienced Salesman wanted soon. :: :: :: If possible, with a knowledge of one or more foreign languages, especially French or German. Full description of applicant together with photograph, references and salary to . PORTOIS & FIX III., Ungargasse 59-61, Vienna, AUSTRIA. AD. VI BELL'S CATHEDRAL SERIES. Profusely Illustrated. Cloth, crown 8vo, 1s. 6d. net each. "For the purpose at which they aim they are admirably done, and there are few visitors to any of our noble shrines who will not enjoy their visit the better for being furnished with one of these delightful books." —Notes and Queries. NEW VOLUMES. BANGOR. By P. B. IRONSIDE BAX. LLANDAFF. By E. C. MORGAN WILLMOTT, A.R.I.B.A. ROMSEY ABBEY. By Rev. THOMAS PERKINS, M.A. Volumes are also issued on: ENGLISH CATHEDRALS Hereford. An Itinerary and Description. Lincoln. BRISTOL. MANCHESTER. CANTERBURY. NORWICH. CARLISLE. OXFORD. CHESTER. PETERBOROUGH. CHICHESTER. RIPON. DURHAM. ROCHESTER. ELY. ST. ALBANS. EXETER. ST. ASAPH. GLOUCESTER. St. DAVID'S. St. MARTIN'S CHURCH, CAN- TERBURY. TEWKESBURY ABBEY & DEER- BURLEY MINSTER. HURST PRIORY. WIMBORNE MINSTER & CHRIST- CHURCH PRIORY. BATH ABBEY, MALMESBURY WESTMINSTER ABBEY. ABBEY, AND BRADFORD-ON- AVON CHURCH. STRATFORD-ON-AVON. BELL'S HANDBOOKS TO CONTINENTAL CHURCHES. Profusely Illustrated. Crown 8vo, cloth, 2s. 6d. net each. "For compression, for taste and selection of material, good illustrations, accuracy of advice and description, and that larger quality which for want of a better word we usually call companionableness, we know few better or cheaper guides than these." —Pall Mall Gazette. CHARTRES. AMiens. MONT ST. MICHEL. ROUEN. PARIS (NOTRE DAME) BAYEUX. LONDON: GEORGE BELL & SONS, YORK HOUSE, PORTUGAL STREET, W.C. WILLIAMS BROS & Co. PEPPER & CO. Casements & Lead Lights. 81, Endell Street, Bloomsbury, W.C. and KALEYARDS WORKS, CHESTER. Lead Lights, Stained Glass and Casements. CATALOGUES, DESIGNS AND PRICES ON APPLICATION.
To ARTISTS, SCULPTORS, MUSICIANS, &c. WEATHERALL & GREEN will offer for SALE by AUCTION, at the Mart, Tokenhouse Yard, E.C., on Tuesday, June 25, at 2 o'clock (unless previously disposed of by private treaty), the FREEHOLD STUDIO RESIDENCE known as “Peel Street Studio,” Peel Street, Campden Hill, S.W., situate on Campden Hill, the highest part of Kensington, and most easy of access to all parts. It is detached and was erected a few years ago from designs by Norman Shaw, R.A., and formerly occupied by Frank Dicksee, R.A. The whole of the upper floor is devoted to the Studio (about 40 ft. by 24 ft.); capital living accommodation on the lower floor, with small garden; modern drainage on the most approved principles. The property is in perfect order and ready for immediate occupation. Particulars and conditions of sale may be obtained of the Solicitors, Messrs. Moon, Gilks & Moon, 15 Lincoln’s Inn Fields, W.C.; and of the Auctioneers, 22 Chancery Lane, W.C. LECHERTIER & BARBE, LTD., Artists’ Colourmen (Late Regent Street, W.). 95 JERMYN ST., S.W. (Facing St. James’s Church). SOLE MAKERS of PAPIER-MACHE LAY - FIGURES. A new branch:— Chrysalide and Wolfite. Prospectus free on application “Pelican” Colours These Celebrated Artists’ Water-Colours blend most perfectly when mixed, may be most evenly applied for washes without showing the slightest trace of Granulation, and have and retain unequalled Brilliancy and Colouring. Their increasing popularity in the HOME and COLONIAL MARKETS Proves that they are appreciated as possessing the above good qualities to a more marked degree than other brands. GÜNTER WAGNER Sole Manufacturer. 80 MILTON STREET LONDON.E.C. HENRY HOPE & SONS L.P. 55, Lionel St. Birmingham METAL CASEMENTS & LEADED LIGHTS DECORATIVE LEADWORK DOOR FURNITURE Write for Catalogue No. 6 AD. VII
John WILSONS' Successors 1d ESTABLISHED IN THE EIGHTEENTH CENTURY PURVEYORS OF FINE LINEN TO H.M. THE KING BY APPOINTMENT. TWO out of 50 Exclusive ARTISTIC DESIGNS by Walter Crane, Lewis Day, Anning Bell, etc., found in our Illustrated Catalogue. These are by Miss Wilson. The PERSIAN is our F quality, from 19/6 Cloth, 2 yds. square. The DEER & SWANS is in our G—a very fine quality—from 42/6 Cloth, ½ yds. square. OVER-A-CENTURY 188 REGENT ST., W. LONDON. LATE 159 NEW BOND ST. OVER-A-CENTURY BARTHOLOMEW & FLETCHER REPRODUCTIONS FROM FINE OLD MODELS AT MOST MODERATE PRICES. ALL GOODS SENT CARRIAGE PAID TO ANY RAILWAY STATION. COPY OF OLD JACOBEAN STYLE DRESSER. 6 ft. 6 in. ... £15 15s. 217 & 218 TOTTENHAM COURT ROAD, LONDON, W. AD. VIII
PERFECT FIREPLACES BOWES PATENT OVER 1000 DESIGNS NEW ILLUSTRATED CATALOGUE FREE ON APPLICATION SHOWING ALL STYLES. FROM 50/- FOR THE MANSION VILLA CLUB HOTEL OFFICE MORE HEAT LESS FUEL LESS LABOUR LIVERPOOL MANCHESTER EDINBURGH CLASGOW LEEDS DARLINGHAM SHORE ROOMS SHORE ROOMS SHORE ROOMS SHORE ROOMS PARADISE JOHN DALTON GEORGE HOPE SOUTH CATE STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET 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STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET STREET 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This issue of "The Studio" features reproductions of artworks by E. A. Hornel and Frank Brangwyn, alongside an article on Hornel's paintings of children and flowers. It also includes details on international art exhibitions and prize competitions for artists. Advertisements showcase art supplies, photographic equipment, and home decor items.