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REVUE MENSUELLE AVEC TRADUCTION FRANCAISE THE·STUDIO An Illustrated Magazine of Fine & Applied Art FEB. 15 1907 VOL. 40 No. 167 44 Leicester Square LONDON·W·C Monthly BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSEE D'ANTIN PRIX: 1 FRANC 60c NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, February 15, 1907. SUPPLEMENTS:—A COLOURED REPRODUCTION OF AN OIL-PAINTING BY A. MONTIGELLI, ENTITLED "THE MARRIAGE FEAST"; A TINTED REPRODUCTION OF A PAINTING BY H. HARPIGNIES, ENTITLED "THE OLD CHESTHUT"; A TINTED REPRODUCTION OF A PAINTING BY E. DECAMPS, ENTITLED "UNLOADING THE SHIP"; COLOURED REPRODUCTIONS OF TWO STUDIES BY GERALD MOIRA FOR MURAL PAINTINGS IN THE NEW CENTRAL CRIMINAL COURT, OLD BAILEY, ENTITLED RESPECTIVELY "MOSAIC LAW" AND "JUSTICE"; A COLOURED REPRODUCTION OF AN OIL-PAINTING BY JAMES CHARLES, ENTITLED "DISTURBING THE FISHES." PAGE THE COLLECTION OF MR. ALEXANDER YOUNG.—FIFTH AND CONCLUDING ARTICLE. By E.G. HALTON. Thirty-one Illustrations 3 PROFESSOR MOIRA'S RECENT MURAL DECORATIONS. By A. LYS BALDRY. Eleven Illustrations 24 AMERICAN SCULPTURE OF TO-DAY. By SELWYN BRINTON, M.A. Ten Illustrations 34 THE PAINTINGS OF JAMES CHARLES. By T. MARTIN WOOD. Seven Illustrations 43 JAPANESE STENCIL PLATES. Five Illustrations 50 SOME NEW PORCELAIN BY THE ROYAL SAXON FACTORY AT MEISSEN. By Prof. HANS W. SINGER. Six Illustrations 55 STUDIO-TALK (From our own Correspondents):— LONDON, Eleven Illus., 58; BRIGHTON, 65; EXETER, One Illus., 65; LIVERPOOL, Three Illus., 66; WEYBRIDGE, 66; FIVEMILETOWN, Co. Tyrone, Three Illus., 67; PARIS, Seven Illus., 68; BRUSSELS, 70; VIENNA, Five Illus., 71; STUTTGART, Two Illus., 74; MANNHEIM, 75; MUNICH, Two Illus., 77; BOSTON, Mass., Three Illus., 77; MELBOURNE, 79; SYDNEY, Two Illus., 79. REVIEWS AND NOTICES 81 THE LAY FIGURE: On the Rules and Canons of Art 84 "THE STUDIO" PRIZE COMPETITIONS. Thirteen Illustrations N.B.—In future numbers of "THE STUDIO" the Awards in the Prize Competitions, with the Illustrations belonging thereto, will be printed in a separate section appended to each number, so that these pages (which will have a separate pagination) may be bound up by themselves at the end of each volume. The Editor will always be glad to consider any articles, drawings, etc., that may be submitted to him with a view to publication, and every effort will be made to return in due course rejected MSS. and all drawings, etc., rejected or accepted, but under no circumstances can he hold himself responsible for the safe custody or return thereof. Stamps for return should always be sent, and the name and address of the sender clearly written on every MS., drawing, etc. THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS: NINE GOLD MEDALS JEFFREY & CO'S ARTISTIC WALL PAPERS. WEST-END-SHOW ROOMS THE WALL-PAPER GALLERY 31-MORTIMER-ST. REGENT STREET-W. FACTORY? 64 ESSEX-RP. & OFFICES: ISLINGTON N. TELEPHONE NO. 134 Dalston. THEIR LATEST WALL PAPERS ARE ALWAYS ON VIEW And are to be obtained of all Decorators and Wall Paper Merchants. LIBERTY AND CO DESIGNERS AND MAKERS OF ALL KINDS OF ARTISTIC EMBROIDERY SKETCHES FREE EMBROIDERY • DESIGNS • SILKS • AND • ALL • MATERIALS FOR • WORK • SUPPLIED • • A • BOOK • WITH • 60 • NEW TRANSFER • DESIGNS • POST • FREE • ON • APPLICATION NEEDLEWORK • DEPARTMENT • EAST • INDIA • HOUSE • REGENT • ST. • W.
GEO. ROWNEY & CO.'S ARTISTS' WATER COLOURS Are ground finer than other makers and flow more evenly without granulation. The colours go farther, and therefore are the most economical in the end. ASK FOR ROWNEY'S ARTISTS' COLOURS, and should you find any difficulty in obtaining them, write direct to the manufacturers GEO. ROWNEY & CO. 61 Brompton Road, LONDON, S.W. ROWNEY'S ARTISTS' ALMANAC for 1907 is NOW READY, and will be sent on application. --- REEVES' SLOW-DRYING WATER-COLOURS > "THERE ARE CONDITIONS UNDER WHICH SLOW-DRYING COLOURS MUST BE OF GREAT VALUE." > — SIR E. J. POYNTER, P.R.A. > "AS FOR THE QUALITY OF YOUR COLOURS, THERE IS NO QUESTION; THEY ARE SPLENDID." > — C. NAPIER HEMY, A.R.A. > "I HAVE FOUND THEM TO WORK FREELY, AND LIE SMOOTH AND EVEN, AND TO BE FULL OF TONE." > — J. R. WEQUELIN, R.W.S. > "YOUR SLOW-DRYING MOIST WATER-COLOURS STOOD THE SOUTH AFRICAN CLIMATE WELL." > — MORTIMER MENPES, R.I. > "WORK VERY FREELY AND REMAIN MOIST, IN FACT I MAY SAY THEY ARE THE BEST THAT I HAVE EVER USED." > — WALTER LANGLEY, R.I. > "THEY HAVE A GOOD WORKABLE CONSISTENCY WHICH I PARTICULARLY LIKE." > — CLAUDE HAYES, R.I. > "I FIND THEM EXCELLENT. I SHALL CERTAINLY ALWAYS USE THEM." > — BYAM SHAW, R.I. REEVES' COLOURS ARE PURER THAN OTHERS, THEREFORE STRONGER.—THEY ARE IN MANY CASES LOWER IN PRICES THAN OTHERS. PRICE LIST POST FREE. REEVES & SONS, Ltd., DALSTON, LONDON. AD. I
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise. (7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder. CLASS A. DECORATIVE ART. Closes Mar. 1 A xl. DESIGN FOR A WICKET GATE. April 1 A xli. DESIGN OF SUMMER-HOUSE FOR A SMALL GARDEN. May 1 A xlii. PLAN FOR A SMALL GARDEN. (Particulars of the above appeared in the November, December and January Numbers respectively.) June 1 A xliii. DESIGN OF FONT FOR A SMALL CHURCH. Drawings to be in pen-and-ink and to be 10 inches by 7 inches in size. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat, must reach the London office of THE STUDIO by June 1, 1907. CLASS B. PICTORIAL ART. Mar. 1 B xxx. A TWO-LETTER MONOGRAM IN PEN-AND-INK. April 1 B xxxi. EX-LIBRIS OR BOOK-PLATE. May 1 B xxxii. ILLUMINATED PAGE OF LETTERING. (Particulars of the above appeared in the November, December and January Numbers respectively.) COMPETITION COUPON. To be cut off and forwarded in accordance with Rule 3. Feb. 15, 1907.—This form can be used for any or all of the Competitions announced for the first time in this number—viz., A xliii, B xxxiii, C xxxiii. Pseudonym Competition No.: Stamps enclosed: Full Name and Address AD. II B xxxiii. STENCIL FRIEZE FOR A DRAWING-ROOM. Drawings to be in two or more colours and not exceed 16 inches by 12 inches. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to reach the London office of THE STUDIO by June 1, 1907. CLASS C. PHOTOGRAPHS FROM NATURE. C xxx. SCENE SHOWING REFLECTIONS OF HOUSES OR TREES ON WET PAVEMENTS OR ROADS. Mar. 1 C xxxi. A WINTER SCENE. April 1 C xxxii. SUNLIGHT ON SNOW. May 1 C xxxiii. LANDSCAPE IN STORMY WEATHER. June 1 All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by March 1 for C xxx, April 1 for C xxxi, May 1 for C xxxii, and June 1 for C xxxiii. Closes June 1
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ART EXHIBITIONS—BRITISH & FOREIGN. LONDON.—Royal Academy. Burlington House, Piccadilly, W. Winter Exh. closes Mar. 17. Summer Exh. May 6—Aug. 5. R.D. Mar. 28, Water-Colours; Mar. 31 and April 2, Oils; April 3, Sculpture. New Gallery. Regent St. May—July. R.D. Mar. 1 & 8. Royal Society of Painters in Water-Colours. 5a Pall Mall East. Spring Exh. April 15—June 29. (Members only.) International Society of Sculptors, Painters and Gravers. At New Gallery. Royal Society of British Artists. Suffolk St., Pall Mall. Spring Exh. R.D. Mar. 4. Modern Society of Portrait Painters. R.I. Galleries, 191 Piccadilly. Open till Feb. 28. Royal Society of Miniature Painters. Modern Gallery, 61 New Bond St. Open till Feb. 23. Guildhall. Exh. of Danish pictures. April onwards. BIRMINGHAM.—Royal Birmingham Society of Artists. Rec. Second week in March. DUBLIN.—Royal Hibernian Academy. Lower Abbey Street. DUNDEE.—Art Society. Spring Exh. Rec. Second week in March. EDINBURGH.—Royal Scottish Academy. Open till end of May. GLASGOW.—Institute of Fine Arts. Feb. 25—June 1. LEEDS.—City Art Gallery. Spring Exh. Feb. 26—June 1. LIVERPOOL.—Walker Art Gallery. Holman Hunt Exh. Open till Mar. 2,—Exh. of Art Students’ Work. Now open.—Historical Exh. of Liverpool Artists. May. MANCHESTER.—Academy of Fine Arts. Open till Mar. 9. ROCHDALE.—Art Gallery. Spring Exh. Feb.—May. SOUTHPORT.—Atkinson Art Gallery. 29th Spring Exh. Feb. 18—May 4. BARCELONA.—Fifth International Art Exhibition. April 23—July 15, 1907. R.D. Mar. 15-30. BRUSSELS.—Société Roy. des Beaux-Arts. Ann. Salon. Apr. 6—May 12 (will include special exh. of works by late Alfred Stevens). MANNHEIM.—Tercentenary Exh. May 1—Oct. 20. NICE.—Cercle L’Artistique. Exposition de Fragonard. Feb. 16—Mar. 11. PARIS.—Société Nat. des Beaux-Arts (Salon). Apr. 14—June 30. R.D. Mar. 8. Société des Artistes Français (Salon). May—June. R.D. Oils, Mar. 11–15; Water-Colours, Mar. 11–12; Sculpture & Medals, April 2–3, 13–15; Architecture, April 4–5; Engravings, April 2–3; Decorations, April 13–14. Galeries Georges Petit. 8 Rue de Sèze. Aquarellistes, Feb. 17—Mar. 10. VENICE.—Seventh International Art Exhibition, 1907. Apr. 22—Oct. 31. R.D. Mar. 10-25. VIENNA.—Künstlergenossenschaft. Ann. Exh. Opens Middle Mar. Secession. Ann. Exh. Middle Mar. Hagenbund. Ann. Exh. Beg. Mar. R.D.—Receiving day. EXHIBITION FRAMES A frame can make or mar a picture. The only way to suit a picture is to experiment with a number of frames. This can be done at the ROWLEY GALLERY SILVER ST.-KENSINGTON. Rolling Hill Gate Station (2 min.) A large collection of old and modern designs. Inexpensive reproductions of old carved frames. THE PRESS ART SCHOOL GIVES INSTRUCTION in ALL thorough BY POST branches of MAGAZINE & NEWSPAPER ILLUSTRATION. THROUGH the agency of this school Students are obtaining Press introductions and publication of their work in first-class periodicals. There are always excellent openings for clever drawings. Illustration is profitable as a hobby or profession. We teach you to produce... SALEABLE BLACK-&WHITE WORK. Send stamped envelope for illustrated prospectus to Secretary. THE PRESS ART SCHOOL, 128 Drakefell Rd., NEW CROSS, LONDON, S.E. AD IV
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This issue of The Studio features articles on the collection of Mr. Alexander Young, Professor Moira's recent mural decorations, and American sculpture of today. It also includes discussions on the paintings of James Charles, Japanese stencil plates, and new porcelain by the Royal Saxon Factory at Meissen. The magazine contains various illustrations and studio-talk from correspondents in different cities.