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Page 1
REVUE MENSUELLE
AVEC TRADUCTION FRANÇAISE
THE·STUDIO
An Illustrated Magazine
of Fine & Applied Art
DEC. 15, 1906
VOL. 39
No. 165
44 Leicester Square
LONDON·W.C
Monthly
BUREAU DU STUDIO
PARIS
LIBRAIRIE OLLENDORFF
50 CHAUSSEE D'ANTIN
PRIX: 1 FRANC 60¢ NET
Page 2
THE STUDIO.
EDITED AND PUBLISHED BY CHARLES HOLME.
Contents, December 15, 1906.
SUPPLEMENTS:—A COLOURED REPRODUCTION OF AN OIL-PAINTING BY CH. ROUSSEAU, ENTITLED "LA FORÊT DE FONTAINEBLEAU"; A TINTED REPRODUCTION OF AN OIL-PAINTING BY N. DIAZ, ENTITLED "FÈTE CHAMPÊTRE"; TINTED REPRODUCTIONS OF TWO PAINTINGS BY ALFRED STEVENS, ENTITLED "LE SPHINX PARISIEN" AND "UNE CONVERSATION À LA CAMPAGNE"; A TINTED REPRODUCTION OF A PANEL FOR THE ROYAL EXCHANGE, ENTITLED "MODERN COMMERCE," BY FRANK BRANGWYN, A.R.A.; A COLOURED REPRODUCTION OF A WATER-COLOUR BY O. WYNNE APPERLEY, ENTITLED "PIAZZA SAN MARCO, VENICE"; AN ORIGINAL ETCHING IN COLOURS BY HENRI BOUTET, ENTITLED "CANCALAISE."
THE COLLECTION OF MR. ALEXANDER YOUNG.—III. SOME BAR-BIZON PICTURES. By E. G. HALTON. Thirty Illustrations . . . . PAGE 193
THE ART OF THE LATE ALFRED STEVENS, BELGIAN PAINTER. By FERNAND KHNOFF. Ten Illustrations . . . . 211
OLD AUSTRO-HUNGARIAN PEASANT FURNITURE. By A. S. LEVETUS. Twenty-seven Illustrations . . . . 224
RECENT DESIGNS IN DOMESTIC ARCHITECTURE. Six Illus. . . . 235
MR. FRANK BRANGWYN'S NEW PANEL FOR THE ROYAL EXCHANGE. By A. S. COVEY. Six Illustrations . . . . 239
MODERN STAGE MOUNTING IN GERMANY.—I. MR. FANTO'S WORK AT DRESDEN. By Prof. Dr. HANS W. SINGER . . . . 244
STUDIO-TALK (From our own Correspondents):—
LONDON, Ten Illus., 247; LIVERPOOL, Three Illus., 255; NOTTINGHAM, Five Illus., 255; BRISTOL, One Illus., 256; GLASGOW, Four Illus., 256; PARIS, Four Illus., 260; GENEVA, Six Illus., 262; KARLSRUHE, 266; INNSBRUCK, Four Illus., 270; MILAN, Eight Illus., 272; SAN FRANCISCO, Three Illus., 274.
REVIEWS AND NOTICES . . . . 276
AWARDS IN "THE STUDIO" PRIZE COMPETITIONS. Five Illustrations . . . . 282
THE LAY FIGURE: On Missed Opportunities . . . . 284
The Editor will always be glad to consider any articles, drawings, etc., that may be submitted to him with a view to publication, and every effort will be made to return in due course rejected MSS., and old drawings, etc., rejected or accepted, but under no circumstances can he hold himself responsible for the safe custody or return thereof. Stamps for return should always be sent, and the name and address of the sender clearly written on every MS., drawing, etc.
THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS.
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Page 3
GEO. ROWNEY & CO.'S ARTISTS' OIL COLOURS.
C. NAPIER HEMY, A.R.A., writes:—
"I have been using the Oil Colours last sent, and they are really the best I have had sent from you, they are as satisfactory as any I have had in my life.
"The White is of that right quality that anyone would like."
NOTE NEW ADDRESS—
GEO. ROWNEY & CO., 61 BROMPTON ROAD, S.W.
Manufacturing Artists' Colourmen.
AND MAY BE OBTAINED FROM ALL ARTISTS' COLOURMEN.
REEVES' SLOW-DRYING WATER-COLOURS
"THERE ARE CONDITIONS UNDER WHICH SLOW-DRYING COLOURS MUST BE OF GREAT VALUE."
SIR E. J. POYNTER, P.R.A.
"AS FOR THE QUALITY OF YOUR COLOURS, THERE IS NO QUESTION; THEY ARE SPLENDID."
C. NAPIER HEMY, A.R.A.
"I HAVE FOUND THEM TO WORK FREELY, AND LIE SMOOTH AND EVEN, AND TO BE FULL OF TONE."
J. R. WEGUELIN, R.W.S.
"YOUR SLOW-DRYING MOIST WATER-COLOURS STOOD THE SOUTH AFRICAN CLIMATE WELL."
MORTIMER MENPES, R.I.
"WORK VERY FREELY AND REMAIN MOIST, IN FACT I MAY SAY THEY ARE THE BEST THAT I HAVE EVER USED."
WALTER LANGLEY, R.I.
"THEY HAVE A GOOD WORKABLE CONSISTENCY WHICH I PARTICULARLY LIKE."
CLAUDE HAYES, R.I.
"I FIND THEM EXCELLENT. I SHALL CERTAINLY ALWAYS USE THEM."
BYAM SHAW, R.I.
REEVES' COLOURS ARE PURER THAN OTHERS, THEREFORE STRONGER.—THEY ARE IN MANY CASES LOWER IN PRICES THAN OTHERS.
PRICE LIST POST FREE.
REEVES & SONS, Ltd., DALSTON, LONDON.
AD. I
Page 4
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS.
(For Rules see November Issue.)
CLASS A. DECORATIVE ART.
Closes Jan. 1
A xxxvii. DESIGN FOR A DINNER PLATE.
Mar. 1
A xl. DESIGN FOR A WICKET GATE.
(Particulars of the above appeared in the September and November Numbers respectively.)
April 1
A xli. DESIGN OF SUMMER-HOUSE FOR A SMALL GARDEN.
The materials in which the design is to be carried out are left to the discretion of the competitor. Drawings may be in pen-and-ink or wash, with or without colour, but should not exceed 16 inches by 12 inches in size for each design. Estimated cost of carrying out design may be given.
FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas.
Drawings, packed flat, must reach the London office of THE STUDIO by April 1, 1907.
---
CLASS B. PICTORIAL ART.
Jan. 1
B xxviii. PEN-AND-INK BOOK ILLUSTRATION.
Feb. 1
B xxix. STUDY OF TREES IN LEAD PENCIL.
Mar. 1
B xxx. A TWO-LETTER MONOGRAM IN PEN-AND-INK.
(Particulars of the above appeared in the September, October, and November Numbers respectively.)
B xxxi. EX-LIBRIS OR BOOK-PLATE.
Drawings to be in pen-and-ink, and not exceed 16 inches by 12 inches in size.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings, packed flat, to reach the London office of THE STUDIO by April 1, 1907.
---
CLASS C. PHOTOGRAPHS FROM NATURE.
C xxviii. AN AUTUMN LANDSCAPE.
Jan. 1
C xxix. A CLOUD EFFECT.
Feb. 1
C xxx. SCENE SHOWING REFLECTIONS OF HOUSES OR TREES ON WET PAVEMENTS OR ROADS.
Mar. 1
C xxxi. A WINTER SCENE.
April 1
All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Photographs to be received at the London office of THE STUDIO by Jan. 1, 1907, for C xxviii, Feb. 1 for C xxix, March 1 for C xxx, and APRIL 1 for C xxxi.
---
JOSEPH GILLOTT'S DRAWING PENS
LITHOGRAPHIC CROW QUILL
№ 659
FOR FINE WORK.
These pens are the best made. A card, as illustrated, of twelve pens will be sent for 2/1; a card of six for 1/1—both prices include postage. Our special card of twelve assorted drawing pens, twelve different points, is sent for 1/1.
Ask your Stationer, Colourman, etc., for these pens, or write direct to
JOSEPH GILLOTT & SONS,
(Dept. 37)
37 Gracechurch St., London, E.C.
(Also at Birmingham).
---
THE BUSHEY SCHOOL OF PORTRAITURE AND ILLUSTRATION.
Principal: MARMADUKE FLOWER (late Assistant Master to Professor Herkomer).
Black-and-White Class for Reproduction, CLEMENT FLOWER.
Term Commences January 7th, 1907.
For particulars apply: EBOR, BUSHEY, HERTS.
---
COMPETITION COUPON.
To be cut off and forwarded in accordance with Rule 3.
Dec. 15, 1906.—This form can be used for any or all of the Competitions announced for the first time in this number—viz., A xli, B xxxi, C xxxi.
Pseudonym _______________________________
Competition No.: _________________________
Stamps enclosed: ________________________
Full Name and Address
________________________________________
AD. II
Page 5
THE IDEAL CAMERA FOR ARTISTS.
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Write for illustrated list No. 10D free from THE STEREOSCOPIC COMPANY, 106 & 108 Regent Street, or 54 Cheapside, London, E.C.
A SANDERSON AND SONS BRANCH OF THE WALLPAPER MANUFACTURERS LTD.
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Page 6
LONDON.—Royal Society of Painters in Water-Colours. 5a Pall Mall East. Open till Dec. 26.
,, Royal Society of British Artists. Suffolk St., Pall Mall. Till Jan. 12.
,, Society of Portrait Painters (New Gallery). Closes Dec. 27.
,, Modern Society of Portrait Painters. R. I. Galleries, 191 Piccadilly. About Jan. 10—Feb. 28. Rec. day Jan. 1.
,, Royal Society of Miniature Painters. Modern Gallery, 61 New Bond St. Jan. 21—Feb. 23. Rec. day Jan. 11.
BIRMINGHAM.—Royal Birmingham Society of Artists. Open till Jan. 5.
BRADFORD.—Yorkshire Union of Artists. Cartwright Memorial Hall. Open till Jan. 5.
BRIGHTON.—Corporation Art Gallery. Autumn Exhibition. Open till Jan. 5.
DUBLIN.—Royal Hibernian Academy. Lower Abbey Street. Rec. day, London and Edinburgh, Dec. 22; Dublin, Jan. 5. Opening day, Feb. 4.
DERBY.—Corporation Art Gallery. Autumn Exhibition of Modern Pictures. Till Jan. 12.
EDINBURGH.—Royal Scottish Academy. Feb. 2 till end of May. Rec. day Jan. 14.
GLASGOW.—Institute of Fine Arts. Feb. 25—June 1. Rec. days, Glasgow, Jan. 24—25.
LEEDS.—City Art Gallery. Spring Exh. Feb. 26—June 1. Rec. days, London (Dicksee’s), Jan. 24—25; Leeds, Jan. 22—23.
LIVERPOOL.—Walker Art Gallery. 36th Ann. Exh. of Modern Art. Open till Jan. 5.
MANCHESTER.—City Art Gallery. Mosley St. Autumn Exhibition. Open till Jan. 5.—Holman Hunt Exhibition. Open till end of Jan.
PAISLEY.—Art Institute. Dec. 26—Feb. 2.
ROCHDALE.—Art Gallery. Spring Exh. Feb.—May. Rec. day Jan. 17.
SOUTHPORT.—Atkinson Art Gallery. 29th Spring Exh. Feb. 18—May 4. Rec. days Jan. 7–11.
BARCELONA.—Fifth International Art Exhibition. April 23—July 15, 1907. Rec. days March 15–30.
MUNICH.—Collective Exhibition of F. von Uhde’s Works. “Secession” Gallery, 1 Königsplatz. Jan. Owners of pictures by Uhde are invited to communicate with Sec.
PARIS.—Galeries Georges Petit. Société Internationale, Dec. 6–31. Femmes Artistes, Jan. 2–20. Miniaturistes, Jan. 21—Feb. 2. Société des Arts Réunis, Feb. 3–16.
VENICE.—Seventh International Art Exhibition, 1907. Apr. 22—Oct. 31. Duplicate notice by Jan. 1. Rec. days March 10–25. N.B. Regulations in English can be obtained from the Gen. Sec., A. Fradeletto.
VIENNA.—Genossenschaft bildender Künstler. Open till Christmas. Secretary, 5 Karlsplatz. „Künstlerbund Hagen, 6 Zedlitzgasse. Vereinigung bildender Künstler, “Secession.” Closes Dec. 30. Sec., 12 Friedrichsstrasse.
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AD. IV
Page 7
CARRON XVIIIth Century Design FIREGRATES.
CARRON XVIIIth Century Design Firegrates possess that distinctive individuality which stamps them as creations of skilled artists. They bespeak good taste and a noble conception of true architecture. Many are creations of eminent artists engaged at Carron over a century ago, and although their construction has necessarily received certain modifications to meet present-day requirements, the original designs and styles have been carefully preserved. Supplied in various sizes and styles to harmonise with any scheme of room decoration.
Write for No. 25 XVIIIth Century Design Firegrate Catalogue and address of nearest Merchant stocking "Carron" Manufactures.
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AD. V
Page 8
MESSRS. BELL'S GIFT BOOKS
Messrs. Bell's Illustrated Miniature Catalogue of Gift Books will be sent post free to any address on application.
In 5 Vols., 21s. net each; or in Half-Morocco, 31s. 6d. net each.
BRYAN'S DICTIONARY OF PAINTERS & ENGRAVERS.
A New Edition, Revised and Enlarged, under the supervision of G. C. WILLIAMSON, Litt.D., assisted by a Staff of Specialists. With about 500 Illustrations, including 40 Photogravure Plates. Illustrated Prospectus on application.
In this Edition upwards of 1,400 new biographies have been added, and nearly 6,000 corrections made in articles that have been allowed to stand. In addition to this, 750 lives have been partly rewritten.
"No one interested in the Fine Arts can afford to be without this comprehensive and indispensable dictionary."—Pall Mall Gazette.
"Will no doubt take rank among the standard publications of the twentieth century."—Studio.
Royal 8vo. 1ss. net.
THE PRINT COLLECTOR'S HANDBOOK. By ALFRED WHITMAN, of the Department of Prints and Drawings, British Museum. Third Edition. Revised. With 8o Illustrations.
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Imperial 8vo. 21s. net.
PEWTER PLATE. A Historical and Descriptive Handbook. By H. J. L. MASSE. With 100 Illustrations.
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With nearly 100 Illustrations. Small 4to. 10s. 6d. net.
RICHARD COSWAY, R.A. By GEORGE C. WILLIAMSON, Litt.D.
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Tablet.
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THE ART OF JAMES MCNEILL WHISTLER. An Appreciation. By T. R. WAY and G. R. DENNIS.
"If anything were needed to give the world a just view of one whom it so entirely misunderstood in life, it is supplied by the admirably complete, sympathetic, and richly illustrated study of Messrs. Way and Dennis."—Mr. A. G. GARDINER in The Daily News.
CHEAPER RE-ISSUE. Small 4to. With Photogravure Frontispiece and 52 other Illustrations. 6s. net.
JEAN FRANCOIS MILLET AND THE BARBI-ZON SCHOOL. By ARTHUR TOMSON.
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Small 4to. With 48 Illustrations. 10s. 6d. net.
WILLIAM BLAKE. A Study of his Life and Art Work. By IRENE LANGRIDGE.
"This is an excellent effort at giving in reasonable compass an account of the many-sided activity of William Blake."—Burlington Magazine.
Medium 8vo, with Title-page, End-papers, and Cover designed by the Author, and numerous Illustrations. 10s. 6d. net.
IDEALS IN ART: Papers Theoretical, Practical, Critical. By WALTER CRANE.
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BY THE SAME AUTHOR.
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THE BRITISH ARTISTS SERIES.
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LONDON: GEORGE BELL & SONS, YORK HOUSE, PORTUGAL STREET, W.C.
AD. VI
Page 9
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MR. MURRAY'S NEW BOOKS.
A SPECIAL BOOK FOR COLLECTORS.
THE TRIUMPHS OF PETRARCH.
Translated into English by HENRY BOYD. With an Introduction by Signor GUIDO BIAGI, Librarian of the Royal Medicean Laurentian Library in Florence. With 6 facsimiles in Photogravure of XVI. Cent. Etchings of the Triumphs. 4to. £8 8s. net.
A specially choice Edition has been printed on VELLUM, and is limited to 10 copies (for sale in this country), price 63 guineas.
This book constitutes an entirely new departure in artistic typography. The English edition is limited to 100 numbered copies, printed on Italian hand-made paper, and to printed on parchment. Every detail in the production of the book has been most scrupulously looked to; the type, especially made for this volume, has been shaped after the letters used by the most accomplished Scribes of the 15th Century. The initials are executed in raised gold by Attilio Formilli of Florence. The paper has been especially manufactured in Italy, after an old Italian formula, being the closest approach to the ancient hand-made paper yet found. The work is bound in leather, blind-stamped with a beautiful 14th Century design. The vellum copies, which will each contain a hand-illuminated page, also by Attilio Formilli of Florence, copied from a 15th Century original, may be regarded as one of the finest productions of the book-creator's art yet realised. Never before had Petrarch so fine a setting for his work.
THE SHORES OF THE ADRIATIC.
An Architectural and Archaeological Pilgrimage.—The Italian Side. By F. HAMILTON JACKSON. With numerous Illustrations from Drawings by the AUTHOR. Medium 8vo. £1 1s. net.
"It would be difficult to over-estimate the service which Mr. Jackson has rendered in conducting his readers from one to another of these rich treasuries of artistic and antiquarian interest, describing their natural features, recalling their ancient history and traditions, and providing the fullest and most informing accounts of their respective glories of architecture, antiquity and art. The illustrations, from the author's own admirable drawings and from photographs taken specially for the purpose, will undoubtedly assist the text of this very valuable work to stimulate in each of its readers 'a desire to see with his own eyes the beautiful things described and illustrated' in its absorbing pages."—World.
FIVE ITALIAN SHRINES.
With an Essay on Early Tuscan Sculptors. S. Augustine at Pavia—S. Domenic at Bologna—S. Peter Martyr at Milan —The Tabernacolo at Florence—S. Donato at Arezzo. By W. G. WATERS, Translator and Editor of Montaigne's "Travels in Italy," etc. With numerous Illustrations. Medium 8vo. 12s. net.
A HISTORY OF VENICE.
By POMPEO MOLMENTI. Translated by HORATIO F. BROWN. 3 Vols. (2 Parts each). 21s. net each vol. Vol. I. Venice in the Middle Ages.
JOHN MURRAY, ALBEMARLE STREET, W.
AD. VII
Page 10
FREDERICK WARNE & CHRISTMAS BOOKS
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GERALD THE SHERIFF.
By CHAS. W. WHISTLER.
Illustrated by LANCELOT SPEED.
A stirring tale in the days when William Rufus ruled over Sax. n and Norman, when civil war was rife in the land, and rebellion was crushed beneath the iron heel of oppression.
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KIDNAPPED BY PIRATES.
By S. WALKEY.
With numerous Illustrations by PAUL HARDY.
A stirring story for boys of pirates and hidden treasure on the Spanish Main. The hero is kidnapped by a band of desperadoes and carried off to their haunt, where he meets with most exciting adventures, from which, it is needless to say, he escapes unscathed.
Large crown 8vo, cloth gilt, 3s. 6d.
THE BOYS OF MONK'S HAROLD.
By M. B. MANWELL.
A tale of adventure, wherein a schoolboy and his chum are kidnapped and taken to New Zealand, where they meet with sundry accidents, and eventually are reunited to their friends.
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JOHN VILSONS' SUCC'RS LIMITED UNIQUE DAMASK & LINENS
COLLECTION of 50 TABLE DAMASK DESIGNS by WALTER CRANE, LEWIS F. DAY, R. ANNING BELL, etc. Stands alone. No firm competes with it. They weave them all on the Hand Loom—at Lurgan, Ireland—in six qualities of Double Damask, the two finest being superb. Their prices are not high, as only one profit is made. Illustrated Catalogue and Samples free on request. Other Special Departments are IRISH SHEETING and LINENS; LACE CURTAINS; HANDKERCHIEFS; REAL LACE; GLOVES; HOSE.
SPECIALISTS IN FINE LINEN FOR OVER A CENTURY
Late 159 BOND ST. 188 REGENT ST., LONDON, W.
AD. VIII
Page 11
THE "DEVON" FIRE
Reg No 487790
COSIEST AND BEST OF ALL
Important Tests of Open Domestic Grates
THE "DEVON" FIRE.
Report in "LANCET," May 19th, 1906.
"As a final result of the whole of the Tests, the Examiners find that of the grates submitted those of Messrs. CANDY & CO. and two other Firms are the best, showing practically equal results. The amount of coal consumed by these grates was found to be moderate in comparative proportion with temperature obtained; the fires were bright and clear."
Everyone knows that an excess of smoke means bad combustion and a waste of fuel, and the report quoted from above and the results here tabulated demonstrate the wonderful efficiency and economy of the "DEVON" FIRE.
But there is another point which need only be known to be appreciated. The glazed front and hearth not only add an artistic touch to a room, but nearly abolish servants' work—no blacking of grates, no polishing of fenders and whining of hearths; the fire is relaid and relighted in a moment.
HIGHEST AWARD and MEDAL at the 1906 (Bristol) Exhibition of the ROYAL SANITARY EXHIBITION.
carried out officially by the Smoke Abatement Society in conjunction with H.M. Office of Works, at the New Government Buildings, Parliament Street, London, May, 1906.
FIRST PLACE in TESTS
1. Coal Consumption. Thirty-six Competing Grates During 32 hrs. 27·92 lbs.
The "DEVON" Fire 20·43 lbs.
Saving 7·49 lbs., or more than 25%
2. Heat. Thirty-six Competing Grates 7·13° F.
The "DEVON" Fire 7·4° F.
Increase 27° F., or nearly 4%
3. Smoke Produced. Thirty-six Competing Grates 1·09
The "DEVON" Fire .79
Saving more than 25%.
A finely illustrated Catalogue, showing the simple operation of the "Devon" Fire, and pictures of the invention (price 40/- upwards) arranged with many and various styles of fitment, will be sent free on application to
CANDY & CO., Ltd.,
Works: HEATHFIELD STATION, NEWTON ABBOT, DEVON.
London Showroom: 87 Newman Street, Oxford Street, W.
AD. IX