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REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE STUDIO An Illustrated Magazine of Fine & Applied Art NOV. 15, 1904 VOL. 33 No. 140 44 Leicester Square LONDON BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF 50 CHAUSSÉE D’ANTIN PRIX: 1 FRANC 60¢ NET Monthly $1\frac{1}{2}$ Net
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, November 15, 1904. SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF "A STREET IN ROUEN," FROM THE WATER-COLOUR DRAWING BY R. P. BONINGTON; A REPRODUCTION IN COLOURS OF THE WATER-COLOUR DRAWING BY R. P. BONINGTON, ENTITLED "THE THREE KNIGHTS"; A FACSIMILE REPRODUCTION OF A PORTRAIT OF BONINGTON, FROM THE LITHOGRAPH BY COLIN; A REPRODUCTION IN PHOTOGRAPVURE OF THE OIL PAINTING BY VICTOR GILSOUL, ENTITLED "CANAL AU SOIR TOMBANT"; A REPRODUCTION IN COLOURS OF AN OIL PAINTING BY VICTOR GILSOUL, ENTITLED "A VILLAGE STREET"; A REPRODUCTION IN COLOURS OF AN EMBROIDERED HANDSCREEN BY FLORENCE LAVEROCK; A REPRODUCTION IN COLOURS OF "AUTUMN," BY YOSHIO MARKINO. THE ART OF RICHARD PARKES BONINGTON, PAGE 1801-1828. By HENRI FRANTZ. Ten Illustrations . 99 AN AUSTRIAN DECORATIVE ARTIST: KOLOMAN MOSER. By A. S. LEVETUS. Fifteen Illustrations . 111 THE ART OF VICTOR GILSOUL. By LENORE VAN DER VEER. Nine Illustrations . 118 SOME RECENT DESIGNS FOR DOMESTIC ARCHITECTURE. Five Illustrations . 128 PRIMITIVE ART AS EXEMPLIFIED IN TOBACCO PIPES. By RICHARD QUICK. Fifteen Illustrations . 133 MORE LEAVES FROM THE LONDON SKETCHBOOK OF VERNON HOWE BAILEY. Eight Illus. . 139 NEEDLEWORK AT THE LIVERPOOL SCHOOL OF ART. By EDWARD F. STRANGE. Six Illustrations . 147 STUDIO COMPETITION A LXII. DESIGNS FOR A ROW OF THREE LABOURERS' COTTAGES. Sixteen Illustrations . 150 STUDIO-TALK (From our own Correspondents):—LONDON, Thirteen Illus., 162; St. Ives, One Illus., 171; PARIS, Four Illus., 173; CONCARNEAU, Six Illus., 174; FLORENCE, 178; BRUSSELS, Two Illus., 179; MARSEILLES, One Illus., 180; LEIPZIG, 181; KLAGENFURT, Five Illus., 182; MELBOURNE, 183. . 184 REVIEWS . 189 AWARDS IN "THE STUDIO" PRIZE COMPETITIONS . 190 THE LAY FIGURE: On Popular Artists . 190 NOTICE TO CONTRIBUTORS. The Editor of THIS STUDIO cannot under any circumstances hold himself responsible for the return of manuscripts, sketches, etc., submitted to him. He will, however, always be glad to consider articles and drawings, and copy, effect will be made to return plate not accepted, provided that sufficient postage stamps for the purpose are enclosed with them. WINSOR & NEWTON'S FINELY PREPARED OIL COLOURS In Collapsible Tubes. Revised list of Oil-Colours will be sent post free on application. For the convenience of Artists using large quantities of Colour, all Messrs. Winsor & Newton's Oil Colours are supplied in "SMALL STUDIO" and "STUDIO" Tubes, containing respectively "FOUR TIMES" and "SIX TIMES" as much as an ordinary two-inch Tube, at considerably reduced prices. WINSOR & NEWTON, Ltd., Sole Agents for Great Britain, the British Colonies and the United States of America for RAFFAELLI'S SOLID OIL-COLOURS. Rathbone Place, LONDON, W. THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. NINE GOLD MEDALS JEFFREY & CO ARTISTIC WALL PAPERS. WEST-END SHOW ROOMS THE WALL-PAPER GALLERY 31-MORTIMER-ST. REGENT STREET-W. FACTORY? 64 ESSEX-RP. & OFFICES: ISLINGTON N. THEIR LATEST WALL PAPERS NOW ON EXHIBITION Telephone No. 134 Dalston. Are to be obtained of all Decorators and Wall Paper Merchants. WILLIAM MORRIS AND COMPANY. RVSKIN-HOUSE ROCHESTER ROW WESTMINSTER, S.W. LEADED LIGHTS AND METAL CASEMENTS.
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ARTISTS' PRICES, NET. ANTWERP BLUE IVORY BLACK BURNT SIENNA McGUILP BURNT UMBER LIGHT RED CHROME No. 1 (LEMON) PRUSSIAN BLUE CHROME No. 2 (YELLOW) RAW SIENNA CHROME No. 3. (ORANGE) RAW UMBER EMERALD GREEN TERRA VERT FLAKE WHITE TRANSPARENT GOLD OCHRE INDIAN RED VANDYKE BROWN INDIGO YELLOW OCHRE Studio, 9d. each; Half-Studio, 6d. each. CHROME No.4(ORANGE DEEP) NAPLES YELLOW No. 1 Studio, 1/- each; Half-Studio, 8d. CRIMSON LAKE PERMANENT BLUE FRENCH ULTRAMARINE Studio, 1/6 each; Half-Studio, 1ld. CRIMSON ALIZARIN SCARLET VERMILION MADDER BROWN VERMILION Studio, 2/- each; Half-Studio, 1/2. COBALT ROSE MADDER INDIAN YELLOW VIRIDIAN or VERONESE LEMON YELLOW GREEN Studio, 4/6 each; Half-Studio, 2/6. CADMIUM, PALE, YELLOW OR ORANGE Studio, 6/6 each; Half-Studio, 3/6. The "Half-Studio" size will be found most convenient for sketching. Manufactured by GEORGE ROWNEY & CO., 64, Oxford Street, W. And may be obtained from the Principal Dealers in Artists' Materials throughout the Kingdom. INSTRUCTIVE COMPARISONS. Artists' Oil Colours in Studio size tubes:— REEVES' LIST. --- Other Makers. --- Ochres; Earths; Terre Verte; Prussian Blue; Chromes, &c. --- -9 --- 1/- --- Alizarin Crimson, Greens and Yellow; Brown Madder --- 1/4 --- 2/8 to 3/- --- French Ultramarine; Mars Violet; Purple Madder --- 1/4 --- 4/6 to 6/- --- Lemon Yellows; Viridian and other Chromium Oxides --- 2/- --- 4/6 to 6/- --- Rose and Pink Madders; Cobalts --- 4/- --- 4/6 to 6/- --- Cadmiums --- 4/- --- 5/4 to 9/- --- REEVES' COLOURS ARE PURE. The low prices above are not due to adulteration, nor are they the result of using cheap oils or unskilled labour. The greatest possible care is taken in selecting the materials and in their preparation. REEVES employ modern scientific methods and are content with reasonable profits. REEVES & SONS, Ltd. Works: DALSTON, LONDON. AD. I
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. REVISED RULES. (1) All subscribers to THE STUDIO are eligible to compete. (2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings for competition must be legibly signed with pseudonym only. The Coupon given on p. xxii, with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition, or otherwise are of insufficient merit. He also reserves to himself the right to re-produce in THE STUDIO any of the designs submitted. All prize designs become the property of the Proprietor of THE STUDIO, unless otherwise specified. (5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term "sufficient postage" has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated. (6) All designs must be sent in packed flat, unless specially excepted in certain competitions. (7) All designs and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A vi," "B v," "C v," &c., on the outside of the package or letter referring to it. (8) An infringement of any of the above Rules will disqualify a Competitor. 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. NEW SERIES. CLASS A. DECORATIVE ART. A IV. DESIGN FOR A CARRIAGE GATE IN WOOD. (Particulars appeared in the August Number.) A VI. DESIGN FOR A WELL-COVERING. (Particulars appeared in the October Number.) A VII. DESIGN FOR HAND-PRINTED TABLE-COVERS AND BEDSPREADS. The designs to be made in colours. Not more than four colours to be used, and fewer than four would be preferable. The designs, which must show border and filling, to be made a quarter of 54 inches by 54 inches—that is to say, 27 inches by 27 inches—whilst the size of the repeat is to be shown $9\frac{1}{2}$ inches square. FIRST PRIZE: Ten Guineas; SECOND PRIZE: Five Guineas; THIRD PRIZE: Three Guineas; FOURTH PRIZE: Two Guineas. Drawings, packed flat or rolled, to be received at the London office of THE STUDIO by Feb. 1. A VIII. DESIGN FOR A COTTAGE PORCH. The material to be used for the construction of the porch is left to the option of the competitor. The design must be of a simple character and one that could be carried out without difficulty by village workmen. Drawings must not exceed in size a page of THE STUDIO. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat, to be received at the London office of THE STUDIO by March 1. ALBERT EDWARD JAMRACH (Late CHARLES JAMRACH), Naturalist, 180 ST. GEORGE STREET EAST. Established a Century. Wild Beasts, Antelopes, Gazelles, Grey Parrots . . . . Cockatoos, Macaws, Parakeets, and other Birds. Waterfowl, Reptiles, Hungarian Partridges. Also Implements of Savage Warfare, Japanese Curios, Netskis, China, Pottery Ware, Swords, Horns, Shells, etc. GRAND PRIZE. St. Louis Exhibition. RUSKIN POTTERY, TILES, and ENAMELS. W. HOWSON TAYLOR, 173 Oldbury Rd., West Smethwick, BIRMINGHAM. NEW SERIES. CLASS B. PICTORIAL ART. B III. SKETCH FROM NATURE. (Particulars appeared in the August Number.) B IV. DESIGN FOR AN EASTER CARD. B V. DESIGN FOR THE BACK OF PLAYING CARDS. (Particulars appeared in the October Number.) B VI. DRAWING OF A PICTURESQUE OLD COTTAGE. Drawings to be made in pen-and-ink on white cardboard. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings to be received, packed flat, at the London office of THE STUDIO by March 1, 1905. NEW SERIES. CLASS C. PHOTOGRAPHS FROM NATURE. C III. A PORTRAIT. C IV. CLOUD EFFECT: SUNSET. C V. WINTER LANDSCAPE. C VI. ARCHITECTURAL INTERIOR. All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE, Half-a-Guinea. Photographs to be received at the London office of THE STUDIO, 44 Leicester Square, W.C., by December 1 for C III, Jan. 1, 1905, for C IV, Feb. 1 for C V, and March 1 for C VI.
A SANDERSON AND SONS BRANCH OF THE WALLPAPER MANUFACTURERS LTD. DESIGNS FOR WALL PAPER SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK A Safe Modern Fire. Slow Combustion or Quick Combustion by lowering or raising the fire. A Purchaser writes: "Enclosed please find cheque for another BOSTEL GRATE, 12-in. "I am glad to be able to tell you that the 16-in. FIRE I had put in here is a very great success. It is very clean, economical, and gives out great heat, the room it is in being quite a different place since we put it in." THE BOSTEL FIRE FIRE RAISED FOR QUICK COMBUSTION COALBROOKDALE Co., Ltd., 141 Queen Victoria St., London, E.C. AD. III A LETTER from the Composer of "Peer Gynt." DURING the recent visit to Norway of one of our representatives, Dr. Edvard Grieg, the famous composer, whose "Peer Gynt" is known to everyone, heard the Metrostyle Pianola for the first time. The value of this instrument as an artistic exponent of music appealed to him immensely — so much so, indeed, that he has specially marked a number of his compositions for the Metrostyle Pianola, showing how he desires them to be interpreted. Further, he has sent us the following letter:— "I have heard the Metrostyle Pianola, and consider it most admirable and interesting. Before hearing the Metrostyle I had thought all such instruments were only machines; but it is indeed surprising what can be done with the Metrostyle in reproducing musical works, in the way of giving the intention of the composer. It is excellent. "EDVARD GRIEG." Coming from so eminent an authority, this endorsement carries great weight, and forms proof of the most substantial kind as to the musical value of the Pianola. You have only to call at the Æolian Hall, and the instrument will gladly be demonstrated to you. When writing for particulars please specify Catalogue R. The Orchestrelle Co., ÆOLIAN HALL, 135-6-7, NEW BOND STREET, LONDON, W.
EXHIBITIONS NOW OPEN. - Royal Society of British Artists. - Hull Corp. Art Gallery. - Sheffield Corp. Art Gallery. - Worcester Corp. Art Gallery. - Dudley Corp. Art Gallery. - Liverpool, Walker Art Gallery. - Birmingham, Royal Soc. of Artists. - Brighton Corp. Art Gallery. - Manchester City Gallery. - Derby City Gallery. - Society of Oil Painters. - Winchester Exhibition. - Portrait Painters. - Royal Society of Painters in Water-Colours. (Closes Dec. 26.) - New English Art Club. (Closes Dec. 24.) - Bedford Society of Artists. FORTHCOMING. - Royal Amateur Art Society, Sussex Branch, Brighton. (R. D. Nov. 30. O. D. Dec. 3. Closes Dec. 7.) - La Société des Aquarellistes, Brussels. (Dec.) - Royal Scottish Academy. (R. D. Jan. 9. O. D. Jan. 28.) - Women’s International Art Club Exhibition (Grafton Galleries). (R. D. Dec. 5th. O. D. Dec. 12th. Closes Dec. 24th.) (R. D. Receiving Date. O. D. Opening Date.) IMPORTANT NOTE:—In order that the above Monthly List of Exhibitions may be rendered a reliable source of information for Artists and others, the Advertisement Manager will be obliged if Secretaries will give him early notification of forthcoming events, together with the Receiving and Opening Dates. These should reach this office not later than the last day of the month prior to insertion. --- NOTICE TO ADVERTISERS. The Advertising Manager begs to call the attention of Advertisers to the fact that owing to the large increase in the circulation of “THE STUDIO,” he is unable to make alterations in current announcements unless instructions are received at this office, not later than the 28th day of the month preceding publication. --- NO MORE CROOKED PICTURES. Patent Hook. OF ALL DEALERS AND WHOLESALE: CRAWFORD HUGHES & CO., 2a Ryder Street, St. James’. --- WARINGS 118 DEANSGATE MANCHESTER 80 MANTELS ON EXHIBITION CATALOGUE POST FREE FUMED OAK MANTEL INCLUDING GRATE, BRICK BACK & TILES FOR SIDES AND HEARTH £ 4·40. COMPLETE CARRIAGE PAID 4½" HIGH AD. IV --- BENTON & STONE BIRMINGHAM.
An example of refinement and distinction in CHIMNEYPIECES at HAMPTONS The Chimneypiece is almost invariably the dominating fixture of a room—the feature upon which it seems natural that the note of the decorative scheme should be most in evidence. The more important the Apartment the more urgent becomes the necessity that the Chimney-piece shall be adequately treated, and the more certain it is that the concentration of additional decorative value upon it will prove to be an eminently judicious and satisfactory outlay. The adoption of one or other of the well-known variations of the style peculiar to the Tudor period has now become so frequent that there is an ever-increasing number of instances where the addition of such a Chimneypiece as the one here illustrated would be of welcome assistance in imparting to the room that quality of substantialness and dignity which invariably characterises the best Interiors of the Elizabethan period. Hamptons’ No. C1110 Chimneypiece in Fumed Oak £18 15 0 Width over Cornice, 6 ft. 6½ ins., Total height 6 ft. 3 ins. Wood opening, 52 ins. wide by 44 ins. high. Set of Rouge Royal Marble Slips … £1 10 0 Fine Cast-Iron Diaper Back, 22 ins. by 40 ins. … £2 15 0 Tiles for Cheeks and Hearth … £2 6 9 All Black Wrought-Iron Grate and Andirons … £10 7 6 If made in Armour Bright Iron, as shown … £11 10 0 Marble Kerb … From £2 15 0 Hamptons pay Carriage to any Railway Station in the United Kingdom. --- HAMPTON & SONS LTD Pall Mall · East · London · SW. --- The ROYAL COPENHAGEN PORCELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. 2 OLD BOND STREET, LONDON, W. AD. V
THE AUTOTYPE CO. 74 NEW OXFORD STREET, LONDON, W.C. Reproductions in Monochrome of Famous Works of Art by the Autotype Permanent Process. Amongst the numerous publications may be mentioned:— Selections from the National Gallery, London, the Wallace Collection, the Tate Gallery, the Walker Art Gallery (Liverpool). Drawings by Holbein from the Royal Collection, Windsor Castle. Selected Examples of Sacred Art from various Collections. Etchings by Rembrandt. Drawings by Albert Dürer. Pictures from the Louvre, Luxembourg, Paris. Prospectuses of above issues will be sent free on application. Full particulars of all the Company's publications are given in THE AUTOTYPE FINE ART CATALOGUE. Now ready. NEW EDITION. With upwards of 150 Miniature Photographs of Notable Autotypes, and Twenty-three Tint Block Illustrations. For convenience of reference the Publications are arranged alphabetically under Artists' Names. Post free, 1/- A Visit of Inspection is invited to The Autotype Fine Art Gallery, 74, NEW OXFORD STREET, LONDON, W.C. Messrs. BELL'S NEW BOOKS New Miniature Illustrated Catalogue post free on Application. WILLIAM BLAKE: A Study of His Life and Art Work. By IRENE LANGRIDGE. With 48 Illustrations. Small 4to, 10s. 6d. net. This handbook on the art of Blake, is the result of long and close study of the writings and works of the poet painter. In it an attempt is made to elucidate the hidden meanings of his works, and to appreciate his mysterious imagination. Its illustrations are all reproduced from photographs specially taken for the book. Post 8vo. 6s. net. HOW TO IDENTIFY PORTRAIT MINIATURES. By GEORGE C. WILLIAMSON, Litt.D. With Chapters on the Painting of Miniatures by ALYN WILLIAMS, R.B.A. With 40 Plates, illustrating upwards of 70 Miniatures. This volume is intended to serve as a guide to the young collector, and contains a brief history of the art of Miniature Painting with hints as to colouring, signatures, dates, and other means of identification, which will be appreciated by amateurs. The illustrations have been selected to show important works by the chief masters in each period. The chapters dealing with the practical side of the art, with special reference to lighting, posing, colours, materials, and methods of painting, will be found most useful by every amateur. THE TREATMENT OF DRAPERY IN ART. By G. WOOLLISCROFT RHEAD, R.E., A.R.C.A. Lond. With over 50 Diagrams and Drawings in line by the Author, and 32 Half-tone Illustrations. Post 8vo, 6s. net. British Artists Series. New Volume. Post 8vo. With 2 photogravure Plates and 96 other Illustrations, 7s. 6d. net. DANTE GABRIEL ROSSETTI. By H. C. MARILLIER. This is a revised and abridged edition of the author's larger volume on Rossetti. It contains a magnificent series of illustrations, including a large number which are not to be found elsewhere. LONDON: GEORGE BELL & SONS, York House, Portugal St., W.C. AD. VI Tempera Pereira. J. G. Müller & Co., 26 KANZLEISTRASSE, STUTTGART. Sole Manufacturers of the celebrated Pereira Tempera Colours, etc. "MUNICH, December, 1892. "We consider it our duty publicly to declare that Pereira's Tempera colours, and all the materials used with them, are of excellent quality surpassing by far everything as yet offered in this line. "Professor FRANZ VON LENBACH. "Professor RUDOLF SEITZ, FRANZ STUCK." EMBOSSED LEATHER WORK MADE UP BY SKILLED WORKMEN. Special Call, Cowhide, and Tools supplied. High-Class BOOKBINDING. VALUABLE BOOKS Bound in the Finest Morocco, &c., Made to open well, and Finished in any style. JOHN FAZAKERLEY, 88 & 40, PARADISE STREET, LIVERPOOL.
From Mr. MURRAY'S LIST. ON THE OLD ROAD THROUGH FRANCE TO FLORENCE. Reproductions in Colour of 48 Water-Colour Sketches, by A. H. Hallam Murray. Accompanied by H. W. Nevinson and Montgomery Carmichael. Medium 8vo. 21s. net. Also an Edition of 150 Copies on large paper, containing the Plates printed before those of the ordinary Edition, 42s. net. PART I.—Picardy and Normandy—Touraine—Some Tributaries of the Garonne—Bouches du Rhone—The Riviera. PART II.—San Remo—Albenga—The Genoa Lighthouse—Porto Venere and the Gulf of Svezia—Massa Carrara—Pietrasanta—Viareggio—The Burning of Shelley's Body—Camajore—Pisa—Florence and Vallombrosa. The Liverpool School of Painters. An Account of the Liverpool Academy from 1810 to 1867, with Memoirs of the Leading Artists. By H. C. Marillier, author of "Dante G. Rossetti: a Memorial," etc. With Illustrations. Square demy 8vo. 10s. 6d. net. [Just out.] Indian Art at Delhi, 1903. Being the Official Catalogue of the Delhi Exhibition, 1902-1903. By Sir George Watt, C.I.E., M.B., C.M., etc., Director. The Illustrative part by Percy Brown, A.R.C.A., Assistant-Director. Medium 8vo. 12s. net. [Just out.] A NEW EDITION OF Crowe & Cavalcaselle's History of Painting. With Editorial Notes by Langton Douglas, assisted by S. Arthur Strong. Six Vols. With upwards of 200 Illustrations. Square demy 8vo. 21s. net each Vol. Vol I.—Early Christian Art. Vol. II.—Giotto and the Giottesques. } Now Ready. "A work of the first importance, containing nothing but first-hand knowledge... The work of the authors and editors of these splendid volumes deserves the highest praise. No student can possibly afford to be without it, for there is scarcely a page that has not something notable and new. Nothing could have been better in its way than the manner in which the work has been edited." —The Outlook. The Ideals of the East. With Special Reference to the Art of Japan. By Kakasu Okakura. Crown 8vo. 5s. net. "... a work of extraordinary interest." —The Times. "This is a remarkable little book." —Daily Chronicle. JOHN MURRAY, ALBEMARLE STREET, W. Drawings by Great Masters. The Drawings in this new series are reproduced on a large scale on a page $ \frac{1}{2} $ ins. by $ \frac{3}{4} $ ins. The Volumes each contain Forty-eight Reproductions, many of them printed in tints, and of these four or five are mounted on a coloured paper in harmony with the tint in which the Illustration is printed. The volumes are bound in delicately tinted paper boards with vellum backs, with a beautiful Design printed in Three Colours. Quarto, 7s. 6d. net each. Burne-Jones. By T. Martin Wood. Holbein. By A. Lys Baldry. Albrecht Durer. By Dr. Hans Singer. Newnes' Library of the Applied Arts. A series of Volumes for those interested in the Applied Arts of the past, providing information of really practical value to collectors and students. Particular attention has been paid to the Illustrations, which will be both numerous and of the highest quality, and include both Monochromes and Subjects in Colour. Crown 8vo, cloth, gilt top, 7s. 6d. net. Dutch Pottery and Porcelain. By W. Pitcairn Knowles. Old English Furniture. By Frederick Fenn. Newnes' Art Library. A Series of Volumes illustrative of the Work of Great Artists. Each Volume contains about sixty-four full pages in monochrome, and a Frontispiece in photogravure. These are in many cases made from works which have not previously been reproduced. Each Volume also contains a list of the principal works of the Artist. Botticelli. By Richard Davey. Sir Joshua Reynolds. By A. L. Baldry. Constable's Sketches. By Sir James D. Linton, R.I. Velasquez. By A. L. Baldry. Gozzol & Hugh Stokes. Raphael. By Edgcombe Staley. Van Dyck. By Hugh Stokes. Titian. By Malcolm Bell. G. F. Watts. By Dr. R. Pantini. Tintoretto. By Mrs. Arthur Bell. Paolo Veronese. By Mrs. Arthur Bell. Burne-Jones. By Malcolm Bell. Puvis de Chavannes. By Arsène Alexandre. Arsène Alexandre. *Queen,—“It is a marvellous three-and-sixpence worth.” Irish Times.—“We could not over-praise the illustrations.” To-Day.—“Of the many series of art publications now on the market I cannot imagine one more pleasing or more satisfying to the artist than ‘Newnes’ Art Library.” GEORGE NEWNES, LIMITED, 3 to 12 Southampton St., Strand, London, W.C. Seeley & Co.'s New Books. NOW READY. Double crown folio, £5 5s. net. THE ETCHINGS OF REMBRANDT. By P. G. Hamerton. With 50 Facsimiles in Photogravure and an Annotated Catalogue of Rembrandt's Etchings by Campbell Dodgson, of the Department of Prints and Drawings, British Museum. The Edition is limited to 250 Copies. JUST PUBLISHED. PICTURES IN THE TATE GALLERY By C. Gasquoine Hartley. With 20 Collotype Plates. Demy, 4to, 12s. 6d. net. Also an Edition de Luxe on Dutch Hand-made Paper, with extra Plate, limited to 100 Copies, buckram, 25s. net. THE PORTFOLIO MONOGRAPH. New Number. THE PEEL COLLECTION and the DUTCH SCHOOL OF PRINTING. By Sir Walter Armstrong. With 4 Photogravures and many other Illustrations. Super Royal 8vo, 5s. net; or in cloth, gilt top, 7s. net. NEW EDITION, REVISED. THOMAS GAINSBOROUGH. By Sir Walter Armstrong. With 4 Photogravures and many other Illustrations. Super Royal 8vo, half-linen, 3s. 6d. net. REISSUE OF SOME OF THE PORTFOLIO MONOGRAPHS. Half-linen, super royal 8vo, each 3s. 6d. net. D. G. Rossetti. By F. G. Stephens. Antoine Watteau. By Claude Phillips. Dutch Etchers of the XVII. Century. By Laurence Binyon. Gerard David, Painter and Illuminator. By W. H. J. Weale. Italian Book Illustrations. By A. W. Pollard. * THE EARLY WORK OF RAPHAEL. By Mrs. Aby (Julia Cartwright). W. Q. Orchardson. By Sir W. Armstrong. Fredk. Walker. By Claude Phillips. Claude Lorrain. By George Graham. The Engravings of Albert Dürer. By Lionel Cust. Japanese Wood Engravings. By Professor Anderson. SEELEY & CO., Ltd., 38 Great Russell Street t. AD. VII
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HEAL & SON'S Reproductions of “Early Georgian” Bedroom Furniture. *A Modern Treatment of the Four-Post Bedstead, with light and pretty hangings of Printed Linen.* In the Specimen Rooms and Galleries devoted to this style we are now showing a good collection of Modern Four-Post Bedsteads, hygienically constructed, in which fine genuine old posts are used. 195 etc. TOTTENHAM COURT RD. W. AD. IX
This issue of The Studio features articles on the art of Richard Parkes Bonington and Victor Gilsoul, as well as an Austrian decorative artist, Koloman Moser. It also includes sections on recent designs for domestic architecture, primitive art in tobacco pipes, and needlework from the Liverpool School of Art. The magazine contains various illustrations and supplements, including color reproductions of artworks.