Excerpt
First pages of the volume, freely accessible.
Page 1
REVUE MENSUELLE
AVEC TRADUCTION FRANÇAISE
THE STUDIO
An Illustrated Magazine
of Fine & Applied Art
AUG. 15, 1904
VOL. 32
No. 137
44 Leicester Square
LONDON
Monthly
$\frac{1}{s}$ -Net
BUREAU DU STUDIO
PARIS:
LIBRAIRIE OLLENDORFF
50 CHAUSSEE D'ANTIN
PRIX : 1 FRANC 60¢ NET
Page 2
THE STUDIO.
EDITED AND PUBLISHED BY CHARLES HOLME.
Contents, August 15, 1904.
SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF THE WATER-COLOUR DRAWING, ENTITLED “ST. MARK’S BASIN, VENICE,” BY MOFFAT P. LINDNER; A REPRODUCTION IN COLOURS OF THE WATER-COLOUR DRAWING, ENTITLED “GIUDECCA CANAL, VENICE,” BY MOFFAT P. LINDNER; A TINTED REPRODUCTION OF THE PORTRAIT OF ELIZABETH OF AUSTRIA, BY FRANÇOIS CLOUET; A REPRODUCTION IN PHOTOGRAVURE OF THE PAINTING, “THE ORPHAN ASYLUM,” BY MAX LIEBERMANN; A TINTED REPRODUCTION OF THE PAINTING, “HOME FOR OLD MEN IN AMSTERDAM,” BY MAX LIEBERMANN; A TINTED REPRODUCTION OF THE WATER-COLOUR DRAWING, “THE SPANGLED COCK,” BY JOSEPH CRAWHALL; A TINTED REPRODUCTION OF THE PAINTING, “THE TWO SISTERS,” BY ARTHUR KAMPF.
MR. MOFFAT P. LINDNER’S WATER-COLOURS OF VENICE. By C. LEWIS HIND. Seven Illustrations 185
THE EXHIBITION OF THE FRENCH PRIMITIFS IN PARIS. By L. M. RICHTER. Five Illustrations... 191
A MODERN HOUSE AT SOUTHBOURNE. By P. H. EMERSON. Nine Illustrations... 197
THE WORK OF MAX LIEBERMANN. By A. E. LÜTTICKE. Seven Illustrations... 203
MR. CLEMENT HEATON AND HIS WORK. By ROBERT MOBBS. Ten Illustrations... 212
JOSEPH CRAWHALL, MASTER DRAUGHTSMAN. By PERCY BATE. Seven Illustrations... 219
SOME SKETCHES BY PAUL RENOUARD. By ALDER ANDERSON. Nine Illustrations... 225
THE FINE ARTS AND HORTICULTURAL EXHIBITION AT DÜSSELDORF. By PROFESSOR HANS W. SINGER. Twelve Illustrations... 230
STUDIO-TALK (From our own Correspondents):—
LONDON. Sixteen Illus. . 238 | DRESDEN. Two Illus. . 256
NOTTINGHAM. Five Illus. . 249 | MADRID. Four Illus. . 262
ROME. Six Illus. . 249 | CHICAGO. Two Illus. . 265
PARIS. Eight Illus. . 254 | MELBOURNE. . 266
REVIEWS.
AWARDS IN “THE STUDIO” PRIZE COMPETITIONS. Sixteen Illustrations . . . 271
THE LAY FIGURE: On the Chantrey Bequest . . . 276
THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS.
NINE GOLD MEDALS
JEFFREY & CO
ARTISTIC WALL PAPERS.
WEST-END SHOW ROOMS
THE WALL-PAPER GALLERY
31-MORTIMER-ST.
REGENT STREET-W.
FACTORY? 64 ESSEX-RE
& OFFICES ISLINGTON N.
THEIR LATEST WALL PAPERS NOW ON EXHIBITION
Are to be obtained of all Decorators and Wall Paper Merchants.
Telephone No. 134 Dalston.
WINSOR & NEWTON’S
FINELY PREPARED OIL COLOURS
In Collapsible Tubes.
Revised list of Oil-Colours will be sent post free on application.
For the convenience of Artists using large quantities of Colour, all Messrs. Winsor & Newton’s Oil Colours are supplied in “SMALL STUDIO” and “STUDIO” Tubes, containing respectively “FOUR TIMES” and “SIX TIMES” as much as an ordinary two-inch Tube, at considerably reduced prices.
WINSOR & NEWTON, Ltd.,
Sole Agents for Great Britain, the British Colonies and the United States of America for RAFFAËLLI’S SOLID OIL-COLOURS.
Rathbone Place, LONDON, W.
RSKIN:HOVE:
WILLIAM MORRIS
T.C. 252, FVLHAM ROAD, S.W.
LEADED LIGHTS AND METAL CASEMENTS.
Page 3
GEO. ROWNEY & Co.'s Registered Sketching Case.
(Rd. No. 270111.)
Including—Colours, Brushes, and Pencil.
Made in the two following Sizes:—
"8vo Impl.," containing a 12-leaf Whatman Block, 10 ins. by 7 ins., and a Pocket for loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Colours, viz.: Gamboge, Yellow Ochre, Raw Sienna, Vermilion, Light Red, Crimson Alizarin, Burnt Sienna, Burnt Umber, Madder Brown, Prussian Blue, French Ultramarine, and Hooker's Green No. 2.—Price 15/- fitted complete.
"16mo Impl.," containing a 12-leaf Whatman Block, 7 ins. by 5 ins., and a Pocket for loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Colours, viz.:—Gamboge, Yellow Ochre, Raw Sienna, Vermilion, Light Red, Crimson Alizarin, Burnt Umber, Prussian Blue, and Permanent Blue.—Price 10/6 fitted complete.
A Japanned Tin Palette opens out when the Case is in use, as shown in above illustration.
These Cases are not supplied without Colours, but any arrangement may be selected at small extra cost.
Manufactured only by GEO. ROWNEY & CO., 64 Oxford Street, London, W.
To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom.
CAMPBELL & CHRISTMAS.
LATE CAMPBELL, OR SMITH & CO
SPECIALISTS IN DECORATION & STAINED GLASS
LEADED LIGHTS AND THEIR METAL CASEMENTS STAINED PLATE GLASS MURAL PAINTINGS GLASS AND MARBLE MOSAICS PERMANENT DECORATIONS ON OPAL SLABS. CANVAS DECORATIONS.
ST OSWALD'S STUDIOS W. BROMPTON LON S.W.DON.
HOOKHAM'S WORLD
FAMED PATENT BIANO WIRE PICTURE LINE TO BE HAD OF ALL IRONMONGERS.
TRADE MARK TRADE MARK
COLLECTORS OF VALUABLE PICTURES WILL NO LONGER RESISTE WHEN THEY LEARN THAT OVER A MILLION ARE RUNS UPON THIS LINE EVERY YEAR.
NO. 6 7 8 9 10 11 FOR PICTURES WEIGHING UP TO 20 30 40 60 80 100 150 180 lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs. lbs.
Page 4
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS.
REVISED RULES.
(1) All subscribers to THE STUDIO are eligible to compete.
(2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges.
(3) Drawings for competition must be legibly signed with pseudonym only. The Coupon given on p. xvi, with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter.
(4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition, or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. All prize designs become the property of the Proprietor of THE STUDIO, unless otherwise specified.
(5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term "sufficient postage" has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated.
(6) All designs must be sent in packed flat, unless specially excepted in certain competitions.
(7) All designs and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A LXI," "B LV," "C XLIII," &c., on the outside of the package or letter referring to it.
(8) An infringement of any of the above Rules will disqualify a Competitor.
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS.
OLD SERIES.
CLASS A. DECORATIVE ART.
A I. DESIGN FOR A TERRA-COTTA VASE.
(Particulars appeared in the June Number.)
A II. DESIGN FOR A SHOOTING TROPHY.
(Particulars appeared in the July Number.)
A III. DESIGN FOR AN EMBROIDERED FALL FOR A CHURCH LECTERN.
(Particulars appeared in the July Number.)
A IV. DESIGN FOR A CARRIAGE GATE IN WOOD.
The design required is for a gate suitable for the approach to a house. Drawings, which may be in pen-and-ink or in monochrome wash, must not exceed in size a page of THE STUDIO.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings, packed flat, to be received at the London office of THE STUDIO by November 1.
OLD SERIES.
CLASS B. PICTORIAL ART.
B I. A SUMMER LANDSCAPE IN WATER-COLOURS.
B II. A PAGE FROM AN ARCHITECTURAL SKETCH-BOOK.
B III. SKETCH FROM NATURE.
Sketches to be made in lead-pencil.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings to be received, packed flat, at the London office of THE STUDIO by December 1.
AD. II
OLD SERIES.
CLASS C. PHOTOGRAPHS FROM NATURE.
C XLV. STUDY OF BOATS ON THE SEA.
NEW SERIES.
C I. A HARVEST SCENE.
C II. RUSTIC SCENE WITH FIGURES.
C III. A PORTRAIT.
All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth.
FIRST PRIZE: One Guinea; SECOND PRIZE, Half-a-Guinea.
Photographs to be received at the London office of THE STUDIO, 44 Leicester Square, W.C., by September 1 for C XLV, Oct. 1 for New Series, C I, Nov. 1 for New Series C II, and December 1 for C XLIV.
Special Photographic Competition.
ONE PRIZE OF £10,
ONE PRIZE OF £5, AND FIVE PRIZES OF £2 are offered for the best sets of Six photographs.
Each photograph of each set must appropriately illustrate a quotation to be found in "PICTURE TITLES FOR PAINTERS AND PHOTOGRAPHERS," and the quotations must be written upon the backs of the photographs.
The choice of quotations is left to the discretion of the competitor, who may devote all the six photographs to one section (Landscape, Figure, Marine, Sport and Animal Life, Architecture or Topographical), or sub-section (Gardens and Orchards, Atmospheric Effects, Fanciful, Domestic, Shipping, etc.), or each of the six may illustrate a different section or sub-section; but a different title must be used for each picture.
Every set of six photographs must be accompanied by the usual "STUDIO" coupon, properly filled in with the pseudonym, as well as the name and address of the competitor, and the pseudonym must also be written upon the back of each photograph, together with the quotation illustrated and "Picture Titles Competition."
The Editor of "THE STUDIO" reserves the right to illustrate, with the name of the photographer duly acknowledged, any or all the photographs sent in for this competition. The result will be announced in "THE STUDIO."
Photographs, which must be mounted on strong card with a margin not exceeding half an inch, to be received at the London office of "THE STUDIO," 44 Leicester Square, not later than the last day of August, 1904.
Parcels to be marked outside, in plain letters, "PICTURE TITLES COMPETITION."
Page 5
MACHINE-CARVED MOULDINGS . . .
NOT DISTINGUISHABLE FROM HAND-CARVING.
SEND FOR CATALOGUE.
CHARRIER & MARBUT CARVINGS, Ltd.,
8, CITY ROAD, LONDON, E.C.
FOR ARCHITECTS DECORATORS,
CABINET-MAKERS,
SHOP FITTERS,
PICTURE-FRAMERS,
CAR-BUILDERS,
ETC.
NOT PRESSED MOULDINGS.
CHIMNEY PIECE MANUFACTURERS
(Ofen Fabriken—Chemindes en faience, fabr. de.)
Ofenfabrik Köln Actiengesellschaft,
COLOGNE O. RHINE,
Brüsselerstr. 41.
The oldest special factory in this line.
Specialities: Artistically executed constructions of Chimney Pieces,
tile stoves, mantelpieces of embossed work, cosy corners, name plates in every kind of metal and sets of handmade fire irons, &c.
DESIGNS AS DESIRED.
JESSON, BIRKETT & Co. Ltd., late
The Faulkner Bronze Co. Ltd., Designers and Workers in Metals at St. Dunstan Works, St. Paul’s Square, Birmingham.
The Company have just acquired most of the designs and stock of R. L.I.B. Rathbone & Co., including Door and Cabinet Furniture, Electric Light, and other Fittings, a selection of which may be seen at the Company’s Show-rooms.
Wholesale only
London Showroom : 27, ELY PLACE,
HOLBORN CIRCUS, E.C.
A SANDERSON AND SONS
BRANCH OF THE WALLPAPER MANUFACTURERS LTD.
DESIGNS FOR WALL PAPER
SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK.
J.S.HENRY'S WOODEN ELECTRIC FITTINGS
OBTAINABLE FROM HIGH CLASS DECORATORS AND ELECTRICIANS.
WHOLESALE FROM THE MANUFACTURERS J.S.HENRY. LTD.
267-291 OLD ST LONDON. E.C.
AD III
Page 6
EXHIBITIONS
NOW OPEN.
- Antwerp, Salon Triennial.
- Llandudno Summer Ex. Pictures, Arts, and Crafts
- Royal Cambrian Academy of Arts.
- Munich Art Exhibition.
- Royal Scottish Academy.
- Paris, Soc. Nat. des Beaux Arts.
- Vienna Kunstlerhaus.
- Berliner Kunst-Ausstellung.
FORTHCOMING.
- Hul Corp. Art Gallery. (R. D. middle of Aug.)
- Sheffield Corp. Art Gallery. (R. D. middle of Aug.)
- Worcester Corp. Art Gallery. (R. D. Aug. 27.)
- Brighton Corp. Art Gallery. (R. D. first week in Sept.)
- Manchester City Gallery. (Opens in Sept.)
- Derby. (R. D. third week in Sept.)
- Liverpool, Walker Art Gallery.
- Birmingham, Royal Soc. of Artists. (R. D. Aug. 15 and 16.)
- Dudley Corp. Art Gallery. (R. D. Aug. 20 to 31.)
- Society of Oil Painters. (R. D. end of Sept.)
- Winchester Exhibition. (O. D. Oct.)
- Portrait Painters. (R. D. Oct. 22.)
(R. D. Receiving Date. O. D. Opening Date.)
IMPORTANT NOTE:—In order that the above Monthly List of Exhibitions may be rendered a reliable source of information for Artists and others, the Advertisement Manager will be obliged if Secretaries will give him early notification of forthcoming events, together with the Receiving and Opening Dates. These should reach this office not later than the last day of the month prior to insertion.
---
CITY & COUNTY BOROUGH OF BELFAST.
Municipal Technical Institute.
A MODELLING MASTER is required for the School of Art, Belfast. Salary, £160 per annum. Duties to commence on the 1st October, 1904.
Particulars of the Duties and Conditions of Appointment may be obtained from the undersigned, to whom applications, on the special form provided for the purpose, must be forwarded not later than noon on Monday, the 22nd August.
Canvassing will be held to disqualify a candidate.
FRAS. C. FORTH, Principal,
Municipal Technical Institute, BELFAST.
---
The Cheapest Furniture and the Best is
GENUINE ANTIQUE FURNITURE
I have a good and varied stock.
Send for Price List.
JAMES W. PARTRIDGE,
Alvechurch,
WORCESTERSHIRE:
Please mention “The Studio.”
---
A Safe Modern Fire.
Slow Combustion or Quick Combustion by lowering or raising the fire.
An Architect writes:
“April 25, 1904.
“I enclose cheque for Bostel Stove. It is a great success, and I shall certainly use them in future. It burns very little coal, and has the great advantage of making no dust and keeping the hearth perfectly clean.”
COALBROOKDALE Co., Ltd.,
141 Queen Victoria St., London, E.C.
---
Wa
---
IrterPea
---
J+rceLorised.
---
N GART-SIDE STIO NEWMAN...STAINED
---
MancST OXFORD IT...GLASS:
---
heiler.LONDON.W....LEADED
---
LIGHTS:MAGIC,DECORAROOM
---
VITREA PERMTION ASFRIEZE
---
URE-AMENTGRILL-TROCA
---
-DERO👑WhatothersE.P.C.
---
REST:👑we doallempn
---
LONDON👑to-daytom-m.n.w.
---
AD. IV
Page 7
A number of specially interesting old Grandfather Clocks and XVIIIth-Century Chairs are now on view at
HAMPTONS
B.
A.
For particulars of these and other Antique Chairs, see HAMPTON'S Booklet O 90, sent Free.
C.
HAMPTON & SONS, Ld., PALL MALL EAST, LONDON, S.W.
The ROYAL COPENHAGEN
PORGELAIN
BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA.
PLAQUE PORCELAIN, 15½-ins. diam.
2 OLD BOND STREET, LONDON, W.
AD. V
Page 8
THE AUTOTYPE COMPANY,
74 New Oxford Street, London, W.C.
PERMANENT PHOTOGRAPHIC COPIES OF FAMOUS WORKS OF ART BY THE AUTO-TYPE (CARBON) PROCESS.
Drawings, by Holbein, from the Royal Collection at Windsor Castle.
Etchings of Old Paris, by Meryon.
Selections from Turner's 'Liber Studiorum.'
Famous Pictures in the National Gallery, London; The Wallace Collection; and National Gallery of British Art.
Selected Works from the Great Continental Galleries, etc., etc.
THE AUTOTYPE FINE ART CATALOGUE. Now Ready. NEW EDITION, with upwards of 150 Miniature Photographs of Notable Autotypes, and 23 Tint-block Illustrations. For convenience of reference the Publications are arranged alphabetically under Artists' Names. Post Free, ONE SHILLING.
A Visit of Inspection is invited to the—AUTOTYPE FINE-ART GALLERY, 74 New Oxford Street, LONDON, W.C.
Messrs. BELL'S NEW BOOKS
Miniature Illustrated List Post Free on Application.
In 5 vols., 21s. net each; or in Half-Morocco, 31s. 6d. net each. To be published at Intervals of Three Months. VOLS. I, II, III, and IV. NOW READY.
Bryan's Dictionary of Painters and Engravers. A New Edition, Revised and Enlarged, under the supervision of G. C. WILLIAMSON, Litt.D., assisted by a Staff of Specialists. With about 450 Illustrations. Illustrated Prospectus on application.
"To over-estimate the value of this new edition of a work which has held its own for nearly a century would be impossible. From the first the Dictionary has maintained its position as one of the completest records in the English language of the lives and work of the great masters of painting and engraving of every nationality and period... When complete, the five volumes will no doubt take rank amongst the standard publications of the twentieth century."—Studio.
Small 4to, 10s. 6d. net.
Light and Water. An Essay on Reflection and Colour in River, Lake, and Sea. By Sir MONTAGU POLLOCK, Bart. With 39 Photographic Illustrations and numerous Diagrams.
"Should be in the hands of everyone who paints from nature."
ALFRED EAST, A.R.A.
"Will, in my opinion, be of great value to landscape painters and artists generally."—Sir E. A. WATERLOW, A.R.A.
Second Edition, with new Preface, 8vo, 6s. net.
Japanese Illustration. By EDWARD F. STRANGE, M.J.S. With 88 Illustrations and 8 Coloured Plates.
THE GREAT MASTERS IN PAINTING AND SCULPTURE.
Edited by G. C. WILLIAMSON, Litt.D.
Post 8vo, 5s. net each.
New Volume, with 4s Illustrations and Photogravure Frontispiece.
Leonardo Da Vinci. By EDWARD MCCURDY, M.A.
LONDON: GEORGE BELL & SONS, York House, Portugal St., W.C.
The London Stereoscopic Co.
Have an entirely New Range of HIGH CLASS CAMERAS For the present Season.
Write for particulars of the NEW "STANDARD" AND "TROPICAL" CAMERAS.
West End Agents for the celebrated GOERZ-AUSCHUTZ CAMERAS.
106 & 108 Regent St., W. and 54 CHEAPSIDE, E.C.
ALBERT EDWARD JAMRACH
(Late CHARLES JAMRACH), Naturalist,
180 ST. GEORGE STREET EAST.
Established a Century.
Wild Beasts, Antelopes, Gazelles, Grey Parrots . . .
Cockatoos, Macaws, Parakeets, and other Birds
Waterfowl, Reptiles, Hungarian Partridges.
Also Implements of Savage Warfare, Japanese Curios, Netsukis, China, Pottery Ware, Swords, Horns, Shells, etc.
AD. VI
NOTICE TO ADVERTISERS.
The Advertising Manager begs to call the attention of Advertisers to the fact that owing to the large increase in the circulation of "THE STUDIO," he is unable to make alterations in current announcements unless instructions are received at this office, not later than the 28th day of the month preceding publication.
BOOKS ON ART
MESSRS. METHUEN are publishing some of the most popular books in this branch of literature, and all who are interested in Art should write to them for details. Two new series are now in course of publication.
The Connoisseurs' Library. Edited by CYRIL DAVENPORT.
Wide Royal 8vo. 25s. net.
A series of 20 sumptuous volumes, each containing about 320 pages and 30 to 70 plates in photogravure or collotype or colour. The first volume is MEZZOTIN'S. By CYRIL DAVENPORT.
Little Books on Art.
With 30 to 50 Illustrations.
Demy 16mo. 2s. 6d. net each.
ROMNEY . By George Paston.
DUREE . By Jessie Allen.
GREEK ART By H. B. Walters.
REYNOLDS By J. Sime.
GREUZE and BOUCHER. By Eliza F. Pollard.
VANDYCK. By M. G. Smallwood.
BOOKPLATES By E. Almack.
TURNER . By F. Tyrrell-Gill.
WATTS . By R. E. D. Sketchley.
LEIGHTON . By Alice Corkman.
VELASQUEZ . By W. Wilberforce and A. R. Gilbert.
REMBRANDT. By E. A. Sharp.
METHUEN & CO., 36 ESSEX ST., LONDON, W.C.
Page 9
Kodaks for Artists.
The Folding Pocket Series are the most compact and convenient of all Cameras. They are carried in the pocket as a book, or slung across the shoulder like a race glass. They are opened or closed by one simple movement, and when folded are less than 1½ inches thick, some of them weighing less than 12 ounces. The price varies from 26/= to 90/=. They are daylight loading throughout, and with the aid of the KODAK DAYLIGHT DEVELOPING MACHINE no darkroom is necessary in any process. In buying your camera be sure that it is a genuine Kodak and that the film is Kodak N.C. Film. Success is then assured.
Ask your dealer for a Price List, or write direct for full particulars of the new photography to—
KODAK, Ltd., 41–43 Clerkenwell Road, LONDON, E.C., And Branches.
---
Arthur S. Wainwright,
97 Spencer Street, BIRMINGHAM.
Importer of Precious and Decorative Stones suitable for Artistic Jewellery and Metalwork.
PEARLS, BLISTER PEARLS, OPALS,
OPAL MATRIX, PERIDOTS, TOURMALINE,
TURQUOISE, TURQUOISE MATRIX
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Assortments sent on approval on receipt of satisfactory references. Special cutting carried out to instructions. ∂ ∂ ∂ ∂ ∂ ∂
---
J & W GUTHRIE
& ANDREW WELLS
257 WEST GEORGE ST. LIMITED
DECORATORS GLASGOW
& GLASS STAINERS
NATIONAL TELEPHONE № 40 ARGYLE • CORPORATION TELEPHONE № 5540 •
TELEGRAMS BOTTICELLI
AD. VII
Page 10
JEWELS
BY MODERN ARTISTS
---
PENDANT in 15 carat Gold, with Turquoise Matrix and Pearl Drop
BROOCH, conventionalized flower design with Lapis
BROOCH, hand chased, with Opal Matrix centre
BROOCH, hand chased of Celtic character
BROOCH, in 15 carat Gold with Opal Matrix centre and Blister Pearl Drop
BROOCH, hand chased, of Celtic character
---
These Designs are the Property of and are made up by
MURRLE, BENNETT & Co.
13 CHARTERHOUSE ST., LONDON, E.C.
WHOLESALE AND SHIPPING ONLY.
BRACELET, flexible, with four Matrix Turquoises and Matrix Turquoise Snap, mounted in 15 carat Gold
---
Obtainable only through high-class Jewellers.
AD VIII
Page 11
HEAL & SON'S
Exclusive Specialities for Casement Windows.
Casement Flax. "Natural" ... ... ... ... 1/3
Dyed Fast Colour ... ... ... ... 2/-
Printed with Simple Patterns... 1/10 — 2/9
Casement Cloth. All Wool, 52 ins. wide,
Dyed Fast Shades ... ... ... ... 2/6
Stencilled with Quaint Designs ... 3/3
Cream Mohair ... ... ... ... 2/3
Casement Cotton. Fast Dyes, 32 ins. wide ... ... ... -8
Printed ... ... ... ... from 1/-
Lotus Cloth, 52 ins. ... ... ... ... ... ... 2/6
Shell Cloth, 52 ins. ... ... ... ... ... ... 2/-
Pyramid Cotton, 36 ins. ... ... ... ... ... ... 1/6
Figured Flax, 36 ins. ... ... ... ... ... ... 1/8
Free Illustrated Booklet with small patterns, Post Free.
195 etc. TOTTENHAM COURT RD. W.
AD. IX