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ÉDITION SPÉCIALE AVEC TRADUCTION FRANÇAISE THE · STUDIO An Illustrated Magazine of Fine & Applied Art JULY 15. 1901 VOL. 23 No. 100 5 Henrietta Street Covent Garden LONDON W.C Monthly $1\frac{5}{1}$ BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF 50 CHAUSSEE D'ANTIN PRIX: 1 FRANC 50c ABONNEMENT: 20 FRANCS
THE STUDIO. EDITED BY CHARLES HOLME. Contents, July 15, 1901. SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF A STUDY FOR "THE FORGE," BY STANHOPE A. FORBES, A.R.A.; A REPRODUCTION IN COLOURS OF AN ENAMELLED PLAQUE, BY ALEXANDER FISHER, FROM A DRAWING BY DORA HOLME; PORTRAIT OF JAMES PRYDE, BY W. NICHOLSON; A REPRODUCTION IN COLOURS OF A DRAWING BY GEORGE POGGENBEEK, ENTITLED "A DUTCH FARM"; A TINTED REPRODUCTION OF A STUDY BY H. J. DRAPER; AND A REPRODUCTION OF A PENCIL DRAWING, ENTITLED "STUDY OF A SUMMER-HOUSE, SELBORNE VICARAGE, HANTS," BY FRANCIS D. BEDFORD. THE WORK OF STANHOPE A. FORBES, A.R.A. By NORMAN GARSTIN. Eight Illustrations . . . . 81 THE ART OF TRUE ENAMELLING UPON METAL.—Part II. By ALEXANDER FISHER. Nine Illustrations . . . . 88 LE TREPORT AS A SKETCHING GROUND. By FRANK L. EMANUEL. Seven Illustrations . . . . 96 SOME DRAWINGS BY JAMES PRYDE. By CHARLES HIATT. Five Illustrations . . . . 101 HOME ARTS AND INDUSTRIES EXHIBITION. By ESTHER WOOD. Eleven Illustrations . . . . 106 ON SOME DECORATIVE FLOWER AND PLANT STUDIES DRAWN BY MISS J. FOORD. Six Illustrations . . . . 110 STUDIO-TALK (from our own Correspondents):— LONDON. Eight Illus. . . . 114 DUBLIN . . . 122 BIRMINGHAM. Eleven Illus. . . . 125 NEWCASTLE-UPON-TYNE . . . 127 SWITZERLAND. Four Illus. . . . 128 COPENHAGEN. Four Illus. . . . 134 PARIS. One Illus. . . . 134 VIENNA. Three Illus. . . . 137 BRUSSELS. One Illus. . . . 138 ST.PETERSBURG. Four Illus. . . . 138 ANTWERP . . . 140 FRANKFORT. Three Illus. . . . 142 MELBOURNE. Three Illus. . . . 143 REVIEWS . . . 145 AWARDS IN "THE STUDIO" PRIZE COMPETITIONS Seven Illustrations . . . . 148 THE LAY FIGURE . . . 152 THE HIGHEST AWARDS, PARIS EXHIBITION, 1900. JEFFREY & CO'S TO BE VIAD OF ALL DECORATORS FREE FROM PARIS FACTORY SHOW ROOM 64 ESSEX RD. LONDON ARTISTIC WALLPAPERS TWO GOLD MEDALS. PARIS EXHIBITION, 1900. THE BOOKS OF NEW PATTERNS CONTAIN WALL PAPERS OF ALL CLASSES Suited for the Entire Decoration of a House. AND ARE NOW BEING EXHIBITED AT JEFFREY & CO.'S NEW SHOW ROOMS AT FACTORY, 64 ESSEX ROAD, IBLINGTON, LONDON, N. (Near Agricultural Hall.) TO ADVERTISERS. New Advertisements and Alterations in Current Announcements should reach the Advertising Manager of THE STUDIO not later than the last day of the month prior to publication. If proofs have to be submitted, instructions should be given a few days earlier. The charge for announcements in the "Studios to Let" and "Miscellaneous" columns is Five Shillings for 32 words, about four lines. ROTTMANN & C NEW SERIES OF WALL PAPERS & FRIEZES MAKERS OF RELIEF & DECORATIONS IN JAPANESE LEATHERS & TYNECASTLE TAPESTRY "SARRAS" MACHINE-BLOCK-STENCIL-WORKED AND PLAIN WALL MATERIALS ARE OBTAINABLE THROUGH ALL "UP TO DATE" DECORATORS & BUILDERS AND CAN BE INSPECTED AT THE CITY SHOW ROOMS PLAIN MATERIALS TINTED SILK FIBRES & GRANITES "SARCIA" CLOTH TAPESTRY CLOTH LINENS - £5 £15 25 & 26 CARLICK HILL TRADE MARK REG BEHIND MANSION HOUSE STATION QUEEN ST. VICTORIA LONDON E·C
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ANTWERP BLUE --- LIGHT RED --- BURNT SIENNA --- MCGUILP --- BURNT UMBER --- PERMANENT YELLOW --- CHROME No. 1 (LEMON) --- PRUSSIAN BLUE --- CHROME No. 2 (YELLOW) --- RAW SIENNA --- CHROME No. 3 (ORANGE) --- RAW UMBER --- EMERALD GREEN --- TERRA VERT --- FLAKE WHITE --- TRANSPARENT GOLD --- INDIAN RED --- OCHRE --- INDIGO --- VANDYKE BROWN --- IVORY BLACK --- YELLOW OCHRE --- ARTISTS’ PRICE 9d. Each Net, Containing 4 times the quantity of the ordinary tube. --- CHROME No. 4 (ORANGE DEEP) --- NAPLES YELLOW No. 1 --- ARTISTS’ PRICE, 1/- EACH NET, containing 7 times the quantity of the ordinary tube. --- CRIMSON LAKE FRENCH ULTRAMARINE --- PERMANENT BLUE --- ARTISTS’ PRICE, 1/6 EACH NET, containing 10 times the quantity of the ordinary tube. --- CRIMSON ALIZARIN MADDER BROWN --- SCARLET VERMILION VERMILION --- ARTISTS’ PRICE, 2/- EACH NET, containing 10 times the quantity of the ordinary tube. --- COBALT INDIAN YELLOW LEMON YELLOW --- ROSE MADDER VIRIDIAN or VERONESE GREEN --- ARTISTS’ PRICE, 4/6 EACH NET, containing 10 times the quantity of the ordinary tube. --- CADMIUM, PALE, YELLOW OR ORANGE --- ARTISTS’ PRICE, 6/6 EACH NET. --- These Colours are made of the Best Materials only. Manufactured by GEORGE ROWNEY & CO., 64 Oxford Street, London, W. And may be obtained from the Principal Dealers in Artists’ Materials throughout the Kingdom. The “STUDIO” Size. --- “ART, AND HOW TO STUDY IT.” By J. W. TOPHAM VINALL, A.R.C.A., ART MASTERS’ SOCIETY, ART SPECIALIST TO THE LONDON SCHOOL BOARD. “It should prove very useful to students.” Sir E. J. POYNTER. “Much information likely to be useful to students.” WALTER CRANE. “There are many original features in this desirable handbook.” MAGAZINE OF ART. “An undoubtedly useful volume.” THE ARTIST. CLOTH - 2s. 6d. STIFF PAPER - 1s. 6d. REEVES & SONS, LTD. OF ALL AGENTS AND DEALERS. --- SOLE AGENTS, TONKS LTD TRACK MARK A HOOKHAMS PATENT PIANO PICTURE WIRE No. 6 can sell 50 8-8 15 corrals for $ 7 23s 3d 10 $ 150 23 Ministry 35c/10 co. PERIOD FEET THE GREATEST COMBINATION OF STRENGTH WITH NEATNESS 500000 PICTURES HUNG WITH THIS LINE IN 1897 REGISTERED WIDE HIRPERS PLATED 7/8 PS STEEL 2/7 TO BE HAD OF ALL IRONMONCERS & AD. I --- GEO. ROWNEY & COS ARTISTS’ OIL COLOUR COBALT. Bleude Cobalt GOURMEN & PENCIL MAKERS LONDON W. ENGLAND ACTUAL SIZE OF TUBE.
THE STUDIO COMPETITIONS. NEW SERIES OF ORDINARY MONTHLY COMPETITIONS CLASS A. DECORATIVE ART. A x. DESIGN FOR A SUN-DIAL. (Particulars appeared in the June Number.) A xi. SCHEME FOR THE ENCOURAGEMENT OF ART IN ADVERTISING. The following group of four Competitions is set for the purpose of encouraging and improving art in advertising. The competitions are restricted to advertisements for the press as distinguished from poster advertising, and the drawings must therefore be made suitable for reproduction in black-and-white. Designs may be pictorial, or decorative, or allegorical, or they may consist of fancy or peculiar lettering. The lettering should be very clear and readable. The designs must be made suitable for reduction to any of three sizes—namely, 14 ins. by 10 ins., or 7 ins. by 10 ins., or 5 ins. by 7 ins. respectively—that is to say, a full-page, half-page, or quarter-page advertisement in the “Graphic.” SECTION 1.—Drawings suitable for advertising articles of general consumption, such as Cocoa, Tea, Coffee, Bread, Cakes, Jams, Biscuits, Oats, Meat Extracts, etc. Prize for the best Full-page Design ( $14 \times 10$ ), Twenty Guineas. Prize for the best Half-page Design ( $7 \times 10$ ), Ten Guineas. Prize for the best Quarter-page Design ( $5 \times 7$ ), Five Guineas. SECTION 2.—Drawings suitable for advertising articles of Toilet or Household use, such as Toilet Soaps, Scouring Soaps, Disinfectants, Embrocations, Perfumes, Hair Dyes, Bath Preparations, etc. Prize for the best Full-page Design ( $14 \times 10$ ), Twenty Guineas. Prize for the best Half-page Design ( $7 \times 10$ ), Ten Guineas. Prize for the best Quarter-page Design ( $5 \times 7$ ), Five Guineas. SECTION 3.—Drawings suitable for advertising Beverages of all kinds, such as Spirits, Wines, Beers, Lime Juice, Temperance Drinks, Mineral Waters, etc. Prize for the best Full-page Design ( $14 \times 10$ ), Twenty Guineas. Prize for the best Half-page Design ( $7 \times 10$ ), Ten Guineas. Prize for the best Quarter-page Design ( $5 \times 7$ ), Five Guineas. SECTION 4.—Drawings suitable for advertising Tobaccos, Cigars, Cigarettes, Pipes, Matches, etc. Prize for the best Full-page Design ( $14 \times 10$ ), Twenty Guineas. Prize for the best Half-page Design ( $7 \times 10$ ), Ten Guineas. Prize for the best Quarter-page Design ( $5 \times 7$ ), Five Guineas. N.B.—Drawings need not be made exactly $14 \times 10$ , $7 \times 10$ , and $5 \times 7$ , but they must be capable of being reduced to these dimensions. Each competitor may send in drawings for any or all the different sections, and for any or all the different sizes, provided that a separate design is submitted in each case. One Studio Coupon will suffice for all the drawings sent in for the various sections of Comp. A xi. The competitor’s pseudonym, and the section and size for which the design is intended, should be distinctly written upon the back of each drawing sent in; for instance, “Comp. A x’, Section 2, Full-page”; or “Comp. A xi, Section 4, Quarter-page.” The designs to which prizes are awarded will become the property of the donors of the prizes, for whom the Editor reserves the right of purchasing any of the unsuccessful designs at a price to be arranged hereafter. Drawings, packed flat, and with the number and section or sections of the competition distinctly written outside the parcel, to be received at the London office of THE STUDIO by October 1st. A xii. DESIGN FOR A FRONT-DOOR KNOCKER. Designs, which must be made in pen-and-ink or in monochrome wash, to be made suitable for carrying out in wrought iron. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by September 1. --- NEW SERIES OF ORDINARY MONTHLY COMPETITIONS CLASS B. PEN-AND-INK WORK. B x. DESIGN FOR A TITLE-PAGE. (Particulars appeared in the June Number.) [In consequence of the important series of Competitions included under A xi, no competition under Class B will be given this month.] --- NEW SERIES OF ORDINARY MONTHLY COMPETITIONS CLASS C. PHOTOGRAPHS FROM NATURE. C ix. STUDY OF A ROSE-TREE IN BLOOM. C x. A RIVER SCENE. All photographs should be sent in mounted upon firm cards, without margin. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by September 1, 1901. The exhibition of works submitted for the various sections of THE STUDIO International Competitions will be held at the Holland Fine Art Gallery, 14 Grafton Street, Bond Street, London, W., in October. Applications for entry forms should be sent to the Editor of THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C. See also announcement on Ad. page xx. --- A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. SUMMER SKETCHING CLASS IN NORMANDY. Black and White Drawings for Reproduction. Special Class for Modelling in Clay … … … Mr. CONRAD BÜHRER. GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. AD. 11 {The Studio is five minutes’ walk from Vauxhall and five minutes tram from Victoria Station.} Clo. Sep. Clo. Aug. Clo. Sep. Clo. Aug. Clo. Sep.
SOCIÉTÉ D'ÉDITIONS LITTÉRAIRES ET ARTISTIQUES Librairie PAUL OLLENDORFF 50, Chaussée-d’Antin. — PARIS JEAN DORNIS LA JOCE DE VIVRE Un vol. gr. in-18 jésus. Prix . . 3 fr. 50 --- LA PARISIENNE à consacré LES PIANOS PARIS ABORD 14e bis Boule POISSONNIERS Hors Concours — Membre du Jury Exposition Universelle 1900 --- Comptoir National d’Escompte de Paris SIÈGE SOCIAL : 14, rue Bergère Capital : 150 millions de francs SUCCURSALE : 2, place de l’Opéra Président : M. DENORMANDIS, ancien gouverneur de la Banque de France, vice-président de la Compagnie des chemins de fer Paris-Lyon-Méditerranée. Directeur-Général : M. Alexis ROSTAND, O. . OPÉRATIONS DU COMPTOIR : Bons à échéance fixe, Escompte et Recouvrements, Comptes de Chèques, Lettres de Crédit Ordres de Bourse, Avances sur Titres, Chèques, Traites, Envois de fonds en Province et à l’Etranger, Garde de Titres, Prêts hypothécaires Maritimes. Garantie contre les risques de remboursement ou pour Paiements de Coupons ; Para-Lyon-Méditerranés, Outre, Itérante, Est, Midi, Suez, Crédit Foncier, Ville de Paris, Fonds Helleniques, Russes, Tunisiens, etc.). BONS A ÉCHÉANCE FIXE Intérêts payés sur les sommes déposées De 6 m. jusqu. 1 an. 2 % | De 18 m. jusqu. 2 a. 3 % De 1 a. 1 1/8 m. 2 1/2 % | De 2a et au-delà 3 1/2 % Les Bons délivrés par le Comptoir NATIONAL aux taux d’intérêts ci-dessus sont à ordre ou au porteur, au choix du Déposant. Les intérêts sont représentés par des Bons d’intérêts également à ordre ou au porteur, payables semestriellement ou annuellement, suivant les convenances du Déposant. Les Bons de capital et d’intérêts peuvent être endossés et sont par conséquent négociables. LETTRES DE CRÉDIT POUR VOYAGES Le Comptoir National d’Escompte délivre des Lettres de Crédit circulaires payables dans le monde entier auprès de ses agences et correspondants. Garantie et sécurité absolues 21 Bureaux de quartier dans Paris. 5 Bureaux de Banlieue. 82 Agences en Province. 17 Agences à l’Etranger. VILLES D’EAUX, STATIONS BALNÉAIRES Le Comptoir National des agences dans les principales Villes d’Eaux : Nice, Cannes, Vichy, Dieppe, Trouville-Deauville, Dax, Roya Le Havre, La Bourhoulé, Le Mont-Dore, Bagnères-de-Luchon, etc.; ces agences traitent toutes les opérations, comme le siège social et les autres agences, de sorte que les Etrangers, les Touristes, les Baigneurs peuvent continuer à s’occuper d’affaires pendant leur villégiature. LOCATION DE COFFRES-FORTS Le Comptoir tient un service de coffres-forts à la disposition du public : 14, rue Bergère, 2, place de l’Opéra et dans les principales Agences. Une clef spéciale unique est remise à chaque locataire. — La combinaison est faite et changée à son gré par le locataire. — Le locataire peut seul ouvrir son coffre. Salons des Accrédités, Branch office 2, Place de l’Opéra Special department for travellers and letters of credit. Luggages stored. Letters of credit cashed and delivered throughout the world.— Exchange office. The Comptoir National receive and send on parcels addressed to them in the name of their sole clients or bearers of credit. Compartiments depuis 5 Fr. par mois • III •
EXHIBITIONS NOW OPEN - Royal Academy Summer Exhibition. - Nottingham Corporation. (Bourlet & Sons.) - Royal Soc. of British Artists. - The Holland Fine Art Gallery, 14 Grafton Street, Bond Street, W. Modern Dutch Pictures. (See advt.) - Bristol Academy. (Smith & Uppard.) - Royal Scottish Academy. - Oldham Art Gallery. (Bourlet & Sons.) - Royal Inst. of Painters in Water Colours. - Royal Birmingham Soc. of Artists. (Bourlet & Sons.) - Munich Secessionists. - Dresden International Exhibition. - New Gallery. Summer Exh. of Works of Living Artists. - Venice Inter. Exhibition. (Dicksee & Co.) - Derby Art Gallery. (Bourlet & Sons.) - Munich International Exhibition. (Dicksee & Co.) - Dudley Gallery Art Soc. FORTHCOMING - Bristol and Clifton Arts and Crafts Society. (In the Autumn.) - Walker Art Gallery, Liverpool. (R. D. August 12-14, Dicksee & Co) - Manchester Art Gallery. (R. D. August 7-10, Dicksee & Co.) - Carnegie Art Gallery, Pittsburg. (R. D. Sept. 9, Dicksee & Co.) - Royal Birmingham Soc. of Artists. (R. D. Aug. 8 & 9.) - Royal Soc. of British Artists. (1st week in October.) --- THE HOLLAND FINE ART GALLERY 14 GRAFTON STREET BOND STREET W. NOW ON VIEW EXHIBITION OF THE ORIGINAL DRAWINGS FOR THE ILLUSTRATED BIBLE INCLUDING WORKS BY SIR ALMA TADEMA, R.A. --- JOHN M. SWAN, A.R.A. --- FRANK DICKSEE, R.A. --- BENJAMIN CONSTANT. --- BRITON RIVIERE, R.A. --- EDWIN A. ABBEY, A.R.A. --- SIR EDWARD BURNE JONES. --- WALTER CRANE. --- And many other famous artists. OPEN DAILY, 10 to 6. A SPECIMEN COPY OF THE ILLUSTRATED BIBLE CAN BE SEEN AT THE HOLLAND GALLERY, WHERE SUBSCRIPTIONS WILL BE RECEIVED. PRICE, COMPLETE, FIFTEEN GUINEAS. --- EUG. BAGUÈS 31 rue des Francs Bourgeois, PARIS. ART BRONZES. GAS AND ELECTRIC LIGHT FITTINGS IN IRON AND BRONZE. Special Designs submitted upon application. AD. IV --- WILLIAMS BROS & CO Casements & Lead Lights. 18, Hart St., Bloomsbury, London, W.C. Works: KALEYARDS, CHESTER. Lead Lights, Stained Glass and Casements. CATALOGUES, DESIGNS AND PRICES ON APPLICATION.
SOCIÉTÉ D'ÉDITIONS LITTÉRAIRES ET ARTISTIQUES Librairie PAUL OLLENDORFF, 50, Chaussée-d’Antin. — PARIS Vient de paraître : JEAN LOMBARD BYZANCE Préface de Paul Margueritte Illustrations en noir et en couleurs de A. Leroux Un volume gr. in-16 jésus. Prix . . . . . 3 fr. 50 Il a été tiré à part : Vingt-cinq exemplaires sur papier de Chine Trente exemplaires sur velin couché NUMÉROTÉS $\mathcal{F}$ Du même Auteur : L’AGONIE Sous presse : Illustrations de A. Leroux Un volume gr. in-16 jésus. Prix . . . . . . . . . . 3 fr. 50 • v •
The AUTOTYPE FINE ART GALLERY 74 NEW OXFORD STREET, LONDON, W.C. OPEN FREE DAILY FROM 10 to 6. A Visit of Inspection is invited to the PERMANENT EXHIBITION of AUTOTYPE (Carbon) REPRODUCTIONS OF FAMOUS WORKS OF ART. PICTURES FOR PRESENTS. The Company has now on View a Collection of Selected Examples tastefully framed and at Moderate Prices. FRAMED AUTOTYPES possess distinctive Fine Art Character, and being eminently suitable for Home Adornment, prove acceptable Presents. ILLUSTRATED LEAFLET POST FREE. The AUTOTYPE Company, London. MESSRS. BELL'S BOOKS. Messrs. Bell's Miniature Illustrated Catalogue is now ready and will be sent on application. New Edition Revised, Crown 8vo, 6s. net. THE DECORATIVE ILLUSTRATION OF BOOKS OLD AND NEW. By WALTER CRANE. With 164 Reproductions. Medium 8vo, 12s. net. LINE AND FORM. By WALTER CRANE. With 157 Illustrations. This volume is uniform with the author's "Bases of Design," and contains a large number of drawings by Mr. Crane, as well as numerous other illustrations. "If I may be pardoned the comparative method of criticism—which, by the way, is never satisfying—I would say that this little book will give a more thorough knowledge of drawing and design to the intelligent young person than all the writings of Ruskin put together." —Pall Mall Gazette. Medium 8vo, 18s. net. THE BASES OF DESIGN. By WALTER CRANE. With 200 Illustrations. "This collection of lectures delivered by Mr. Crane to the Manchester School of Art will interest all who care for beauty of form or decoration, and will be of practical value to the art student or the apprentice in handicraft. It is a book that was wanted, for it occupies a place between the hard and fast catalogues of design, such as Owen Jones's 'Grammar of Ornament,' and such works as Ruskin's." Daily Chronicle. "This important work is destined to take its place among the few essential volumes for reference and study that a designer requires." —Studio. Post 8vo, 7s. 6d. net. A SHORT HISTORY OF RENAISSANCE ARCHITECTURE IN ENGLAND (1500-1800). By REGINALD BLOMFIELD, M.A., Exeter College, Oxford, Architect. With Drawings by the Author and other Illustrations. "We have nothing but praise' for this little volume. It is admirable from beginning to end.... We can only repeat what we stated in our previous notice—that this history is the most complete and thorough account of Renaissance architecture in England, and that the illustrations are worthy of the letterpress. Mr. Blomfield's skill as a draughtsman being of a very high order."—Manchester Guardian. London: GEORGE BELL & SONS, York Street, Covent Garden. AD. VI EMBOSSED LEATHER WORK MADE UP BY SKILLED WORKMEN. Special Calf, Cowhide, and Tools supplied. High-Class BOOKBINDING. VALUABLE BOOKS Bound in the Finest Morocco, &c., Made to open well, and Finished in any style. JOHN FAZAKERLEY, 38 & 40, PARADISE STREET, LIVERPOOL. AWARDS in PRIZE COMPETITION. MESSRS. NORMAN & STACEY, of 118, Queen Victoria Street, E.C., have awarded Three Prizes, namely: £3 3s. od., £2 2s. od., and £1 1s. od. respectively, to the successful Competitors in the Competition which was set in the pages of THE STUDIO in April last. First Prize:— GEO. SOMMERVILLE, Esq., Holly Lodge, Bolingbroke Grove, Wandsworth Common, S.W. Second Prize:— F. H. ROUSE, Esq., 33; Chesholm Road, Stoke Newington. Third Prize:— Miss A. M. SHEPHERD, 15, Fonthill Terrace, Aberdeen.
SOCIÉTÉ D'ÉDITIONS LITTÉRAIRES ET ARTISTIQUES Librairie Paul OLLENDORFF, 50, Chaussée-d’Antin, Paris Vient de Paraître : Numéro d’Été du “STUDIO” « L’architecture privée ET LA Décoration Moderne en Angleterre <<<<< Ce numéro, imprimé sur papier spécial, du même format que LE STUDIO, forme un véritable volume, orné d’un très grand nombre d’illustrations dans le texte, de cent cinquante illustrations en pleine page, et d’une quantité considérable de planches hors texte en couleurs. Prix : 6 fr. 50 --- Ém. TERQUEM, 19, rue Scribe (à l’angle du boulevard Haussmann) PARIS Bibliothèque tournante Terquem Marque déposée LE PLUS JOLI CADEAU UTILE A FAIRE LE MEUBLE le plus pratique à offrir pour le classement du livre, des dossiers et de la musique. L’album illustré est envoyé franco sur toute demande LA BIBLIOTHÈQUE TERQUEM se prête à toutes les combinaisons possibles. Elle se fait en modèles simples, bien exécutés et en modèles de grand luxe. L’album illustré est envoyé franco sur toute demande ARTICLES UTILES RECOMMANDÉS Bibliothèque tournante Terquem, Appui-Livres bois, Appui-Livres métal, Chevalets pour lecture, Porte-Estampes de tous genres, Classeurs à rideaux pour lettres, Nouveau classeur à coulisse, Porte-Dictionnaire. Et tous articles utiles à la manipulation du livre. Pour répondre de plus en plus aux besoins de sa nombreuse chentèle, la maison Terquem vient d’ajouter un vaste Rayon d’articles de grand luxe en papeterie, maroquinerie, articles de haute fantaisie. Téléphone 164-49. — Adresse télégraphique : Terquem-Paris • VII •
Awarded the Medal of the Royal Photographic Society .. THE .. PANORAM KODAK. The Panoram Kodak. THE PANORAM KODAK yields wide Panoramic views of such subjects as broad stretches of landscape and seascape, open spaces in cities, at the intersection of streets, etc. Large groups or assemblages of people, race meetings, reviews, regattas, etc., are all most vividly recorded by the Panoram. When used vertically, the Panoram Kodak yields charming upright views of such subjects as waterfalls, mountain scenery, etc. Loaded and Unloaded in Daylight. The No. 1 Panoram takes the ordinary No. 1 Folding Pocket Kodak Spool and gives pictures $7 \times 2\frac{1}{4}$ inches. Price, £2 10s. The No. 4 Panoram takes the ordinary No. 4 Bull’s Eye Spool and gives pictures $12 \times 3\frac{1}{2}$ inches. Price, £3 10s. Obtainable of all Dealers, or from KODAK, Ltd., 43, Clerkenwell Road, London, E.C. Retail Branches: 59, Brompton Road, S.W.; 60, Cheapside, E.C.; 115, Oxford Street, W.; 171-173, Regent Street, W. And at Paris, Berlin, Brussels, Vienna, St. Petersburg, Moscow, Melbourne, Milan, and Rochester, N.Y. --- ABSOLUTE L. & C. Hardtmuth’s & KOH-I-NOOR TRACING CLOTH. Like the KOH-I-NOOR pencils the finest ever produced and will be appreciated by every Architect and Draughtsman. PERFECTION. L. & C. Hardtmuth’s KOHI-NOOR PENCILS. Do Not Break off! Do Not Smear! Erase Easily! Outlast all Others! The Undoubted Best! In 17 Degrees, for all Purposes! Awarded GRAND PRIX at PARIS EXHIBITION. --- “THE STUDIO,” Vol. XXII., Now Ready. Price 6/- AD. VIII
LE STUDIO Sommaire, 15 juillet 1901. HORS TEXTE : Reproduction en couleurs d'une étude de STANHOPE A. FORBES, pour « La Forge »; Reproduction en couleurs d'un émail de ALEXANDER FISHER, d'après un dessin de DORA HOLME; Portrait en lithographie de JAMES PRYDE, par WILLIAM NICHOLSON; Reproduction en couleurs d'un dessin de GEORGE POGGENBEEK: « Ferme hollandaise »; Reproduction teintée d'une étude de H.J. DRAPER; Reproduction d'un dessin au crayon de FRANCIS D. BEDFORD. L'ART DE STANHOPE A. FORBES, par Norman Garstin. Huit illustrations. 81 LE VÉRITABLE ART DE L'ÉMAIL SUR MÉTAUX (deuxième partie), par Alexander Fisher. Neuf illustrations. 88 LE TRÉPORT, COMME SUJET DE CROQUIS, par FRANK L. EMANUEL. Sept illustrations. 96 QUELQUES DESSINS DE JAMES PRYDE, par CHARLES HIATT. Cinq illustrations. 101 L'EXPOSITION DES INDUSTRIES ET DES ARTS NATIONAUX, par ESTHER WOOD. Onze ill. 106 QUELQUES ÉTUDES DÉCORATIVES DE FLEURS ET DE PLANTES DE MISS J. FOORD. Six illustrations. 110 CORRESPONDANCES DE: Londres. Huit illustr. 114 PARIS. Une illustr. 134 Dublin . . . . . 122 VIENNE. Trois illustr. 137 BIRMINGHAM. Onze ill. 125 BRUXELLES. Une illust. 138 NEWCASTLE-SUR-TYNE. 127 SAINT PETERSBOURG. Suisse. Quatre illustr. 128 Quatre illustr. . . 138 COPENHAGUE. Quatre illustrations . . 130 FRANCFORT. Trois ill. 142 MELBOURNE. Trois ill. 143 BIBLIOGRAPHIE . . . . . . . . . . 145 CONCOURS DU STUDIO. Sept illustrations . . 148 LE MANNEQUIN. . . . . . . . . . 152 L'ART DE STANHOPE A. FORBES, A.R.A. PAR NORMAN GARSTIN. Les parents de M. Stanhope Forbes dirigeaient l'exploitation d'une voie ferrée; leur existence journalière était remplie par des combinaisons difficiles et des manœuvres exigeant une prévoyance extrême, une attention sans défaillance et l'obéissance absolue d'une armée de travailleurs. Sur leur domaine, ils commandaient aux hommes, maniaient des forces et de l'argent, et bien des petits princes leur auraient envié cette puissance. Ce n'est presque pas une métaphore de dire que M. Forbes a été nourri de vapeur et d'électricité, et que « le fer est entré dans son âme » d'une façon que ne prévoyait pas l'écrivain sacré. Ce n'est pas là simple rhétorique; nous sommes tous soumis à l'action des circonstances, encore que la multitude et la complexité de ces circonstances ne permettent guère de dire quel facteur dominant a formé notre caractère. Or M. Forbes — c'est là que je veux en venir — est issu d'une famille essentiellement imbue de la vie du xixe siècle, de son mouvement, de son inlassable activité. Le tempérament de cet artiste est un singulier composé d'enthousiasme et de scepticisme, d'opinions solides et de généreux respect pour les idées d'autrui, le tout fondu en un mélange heureux et sain, par un infaillible sentiment de l'esprit. C'est là un élixir de bon sens, dont une goutte, tombant dans quelque idée arrêtée ou dans quelque opinion exagérée, dissout toute sottise et tout parti pris, et purifie l'air de toute atmosphère étouffante et de toute obscurité nuageuse. Nul autant que M. Stanhope Forbes n'a contribué à maintenir la cohésion dans la petite cité de Newlyn. Son élégant logis est le centre de l'urbanité; c'est une maisonnette au milieu d'une propriété située sur une hauteur. Il mène là l'existence la plus idyllique que puissent mener des hommes à une époque si éloignée de l'Age d'or. M. Forbes possède au plus haut point le don d'apprécier la beauté des choses: les fleurs arrondies d'une rose trémie le pénètrent d'admiration; mais il éprouve le même sentiment devant la force irrésistible d'un cuirassé qui file, en fendant l'écume moutonneuse, sur les eaux bleues de la baie du Mont, au pied de sa maison. Il goûte de même un bon roman, un concert, ou une route unie se déployant sous les pneumatiques de son Dunlop. Tout cela nous aide à comprendre l'homme, car l'artiste n'est, après tout, qu'un marchand d'émotions agréables, reflétant à l'aide de procédés divers les impressions que font naître en lui les infinis aspects de la nature. Dans le caractère complexe de l'homme, chaque facette saisit quelque rayon lumineux et le réfléchit, pourvu que l'âme soit celle d'un artiste, non seulement pleine de la clarté qui l'illumine, mais capable d'exprimer aussi les impressions reçues par son clair miroir. Comme je l'ai dit plus haut, M. Forbes est essentiellement un homme du xixe siècle: pénétré de la réalité de la vie actuelle, il n'a pas de visions et ne fait pas de rêves; en revanche, il voit avec une clarté et une simplicité extraordinaires, et rend avec une égale clarté ce qu'il voit. On pourrait prétendre, comme on le fait parfois, qu'il manque de sentiment. Cette idée est due, je crois, à la confusion que l'esprit anglo-saxon établit Vol. XXIII. No 100. — Juillet 1901. — Supplément, No 34.
This issue of The Studio features articles on the work of Stanhope A. Forbes, A.R.A., and the art of enamelling on metal by Alexander Fisher. It also includes sections on Le Treport as a sketching ground, drawings by James Pryde, and the Home Arts and Industries Exhibition. The magazine contains various supplements, including color reproductions of artworks and portraits.