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ÉDITION SPÉCIALE AVEC TRADUCTION FRANÇAISE THE · STUDIO An Illustrated Magazine of Fine & Applied Art NOV. 15 '98 VOL. 15 No. 68 LE NUMERO DE NOEL DU STUDIO PARAITRA AVEC SA TRADUCTION FRANCAISE LE 21 NOVEMBRE 5 Henrietta Street Covent Garden LONDON W.C Monthly $ \frac{1}{2} $ BUREAU DU STUDIO À PARIS: LIBRAIRIE OLLENDORFF 28bis RUE DE RICHELIEU PRIX : 1 FRANC 50¢ ABONNEMENT: 20 FRANCS
THE STUDIO. EDITED BY CHARLES HOLME. Contents, November 15th, 1898. SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF A WATER- COLOUR DRAWING by NICO JUNGMANN, entitled “A Tulip- Farm in Holland”; A TINTED REPRODUCTION OF A BRONZE PANEL FOR A TOMB by F. W. POMEROY; A REPRODUCTION IN COLOURS OF AN ILLUSTRATION FOR “Clairs de Lune,” by HENRI RIVIÈRE; A REPRODUCTION IN COLOURS OF AN ILLUS- TRATION FOR THE “Marche à l’Étoile,” by HENRI RIVIÈRE; and a Drawing by MORTIMER MENPES entitled “A Brittany Peasant.” PAGE THE WORK OF F. W. POMEROY. By A. L. BALDRY. Eleven Illustrations ...
Geo. Rowney & Co's OIL COLOURS. Pale Raw Sienna. No. 1. Dark Raw Sienna. No. 2. 4-Inch Single Tubes, as Illustration, 4d. each. Double Tubes, 8d. each. G. Rowney and Co. have been fortunate enough to secure two exceptionally brilliant qualities of Raw Sienna, and now offer these to the Artistic World as Pale Raw Sienna and Dark Raw Sienna. They are ground in specially purified Poppy Oil, and being of great permanence, can be used with absolute confidence. Manufactured only by GEO. ROWNEY & CO., 64 Oxford St., London, W. To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom. SOL AGENTS, TONKS LTD HOOKHAM'S PATENT PIANO PICTURE WIRE N° 10 carry sols 3/6 N° 8 to carry sols 13/7 50- 95 9 80- 23 40- 85 10 150- 39 all is carry sols 60 PER 100 FEET THE GREATEST COMBINATION OF STRENGTH WITH NEATNESS 500000 PICTURES HUNG WITH THIS LINE IN 1897 REGISTERED TRADE SHIPPED PLATED 5/9 PA STEEL 2/10 BE HAD OF ALL IRONMONGERS ROBBINS & CO. METAL CRAFTSMEN, Works: DUDLEY. Showrooms: 291 REGENT STREET, LONDON. 15 ETHEL STREET, BIRMINGHAM. (Quotations to the Trade only.) AD. I
THE STUDIO INTERNATIONAL PRIZE COMPETITIONS FOR RULES, SEE PAGE AD. XXVIII. Closes Dec. 1. A. xxvi. DESIGN FOR THE DECORATION OF TEA-WARE. (Particulars appeared in the October Number.) A. xxvii. TWO DESIGNS FOR POSTERS. Both designs must be made suitable for enlargement, one to 160 inches wide by 120 inches high, the other 80 inches wide by 120 inches high, the following wording to be embodied in each design: "THE GREATER BRITAIN EXHIBITION, EARL'S COURT, London, 1899, May to October. Imre Kiralfy, Director-General." The words here printed in larger type must be made the most prominent. PRIZE: (in each case), Five Guineas. The two designs to which the prizes are awarded will become the property of the London Exhibitions, Limited. Designs to be received at the London office of THE STUDIO by December 31, 1898. Closes Jan. 21. A. xxviii. DESIGNS FOR WALL-PAPER OR FRIEZE. A prize of £20 is offered for the best design for a wall-paper or frieze. The design may consist of a wall-paper or frieze, or a wall-paper and frieze together. If a frieze is shown with the wall-paper, and approved by the judges, a further sum of £6 will be given. Competitors are allowed a free hand with regard to the treatment of the subject; but for the uninitiated the following practical suggestions are offered. Any number of colours, from 1 to 16, may be used, but a single-colour design will receive the same consideration as one in a larger number of colours. The "half-drop" on which most papers are designed may be briefly described as follows (but designs may, with every prospect of success, be also made to): If a tracing of the design is taken and cut into four quarters, as shown by the dotted lines, the top quarter AB, instead of matching across at CD, should drop half and be found to match exactly at DE, i.e., x should come to xx and o to oo. To make our meaning still more clear, imagine a design composed of one line and a flower, the latter falling on the side joining. When dropped half it would appear as here: Practically any sized design can be produced by the hand or machine process in paper staining, but any one beginning to design for wall-papers must fix 21 inches as the width, but the height should be $10\frac{1}{2}$ , 12, $13\frac{1}{2}$ , 14, 15, $16\frac{1}{2}$ , 18, 21, 24, 27, or 30 inches. On the same plan as before stated, a design can of course be made to drop half, no matter what the height. Also it must be remembered it may drop in any denomination of its width, say 7 or $10\frac{1}{2}$ inches; it only means cutting a design 7 or $10\frac{1}{2}$ inches in width in four quarters, and seeing that it matches when dropped. The prize designs will become the property of the donors of the prizes, who reserve the right to purchase any of the unsuccessful designs at a price to be agreed upon hereafter. Designs to be received at the London office of THE STUDIO by January 21. A. xxix. DESIGN FOR A CEILING PAPER. A prize of £8 is offered for the best design for a ceiling paper. Size of design to be 21 inches wide by 14 to 21 inches high. The winning design to become the property of the donors of the prize, who also reserve the right to purchase any of the unsuccessful designs at a price to be agreed upon hereafter. Designs, packed flat, to be received at the London office of THE STUDIO by January 21. B. xxiv. DESIGN FOR A BOOK-COVER. (Particulars appeared in the October Number.) B. xxv. DESIGN FOR THE BACK OF A BOOK-COVER. (Particulars appeared in the October Number.) B. xxvi. DESIGN FOR A MAGAZINE-COVER. (Particulars appeared in the October Number.) B. xxvii. DESIGN FOR A CATALOGUE-COVER. (Particulars appeared in the October Number.) B. xxviii. DESIGNS FOR AN ADVERTISEMENT. The designs are required for an advertisement in THE STUDIO, and must be of a size suitable for reduction, the first to $4\frac{1}{2}$ inches deep by 3 inches wide, and the second to 3 inches deep by 6 inches wide. They must incorporate the following words: "A. Sanderson & Sons, Works Chiswick, nearest Railway Station, Turnham Green, Designs for Wall-Papers should be posted to or submitted at Chiswick." PRIZES: Five Guineas and Three Guineas. No restrictions are imposed upon Competitors as regards style, but the designs should be either in black lines upon a white ground or in monotone, and the lettering should be bold and clear. The prize designs will become the property of the donors of the prizes, who also reserve to themselves the right of purchasing one or more of the unsuccessful drawings at £1 is. each. Designs, packed flat, to be received at the London Office of THE STUDIO by December 21. B. xxix. DESIGN FOR A MUSIC TITLE. The design to be suitable for a Song, Sacred Song, Piano Solo or Dance Music, size 13 inches by 9 inches. No lettering to be shown, but a space to be left for it, and also a place at foot for publisher's imprint. Designs to be executed in black and white, or in one or two colours on white or toned paper. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. The prize designs will become the property of the donor of the prizes, who is also open to purchase a certain number of the unsuccessful designs at prices to be decided upon hereafter. Drawings, packed flat, to be received at the London office of THE STUDIO by January 1, 1899. (Continued page AD. XII.) A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION. Black and White Drawing for Reproduction. Summer Sketching Class. GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. {The Studio is five minutes' walk from Vauxhall, and five minutes' tram from Victoria Station.} AD. II
THE CAMERAS FOR ARTISTS. KODAKS. Portable. Ever ready. For hand or tripod use. For film and glass plates. No dark room required for changing the films. The rolls of exposures can be readily posted to the Company or to any dealer for developing and printing. KODAKS from £1 1 to £7 7 Price Lists Free. EASTMAN Photographic Materials Company, Limited, Head Office: 43 Clerkenwell Rd., LONDON, E.C. Retail Branches: 60 Cheapside, E.C.; 115-117 Oxford Street, W.; and 171-173 Regent Street, W A.SANDERSON & SONS MANUFACTURERS OF HIGHEST CLASS WALL PAPERS DESIGNS SHOULD BE SUBMITTED AT CHISWICK WORKS CHISWICK NEAREST STATION. TURNHAM GREEN Longden & Co. London Office 447 Oxford Street W. Works Phoenix Foundry Sheffield Makers of Grates Fenders Fireirons Wrought-Iron Work Ornamental Brass and Bronze Work AD. III
EXHIBITIONS NOW OPEN The Society of Oil Painters. The New English Art Club. Birmingham Royal Soc. of Artists. (Bourlet & Sons.) Liverpool Walker Art Gallery, Autumn Exhibition. (Dicksee & Co.) Manchester City Art Gallery, Autumn Exhibition. (Dicksee & Co.) Derby Autumn. Water Colours Only. (Bourlet & Sons.) Nottingham Art Gallery. (Bourlet & Sons.) Dudley City Art Gallery. (Bourlet & Sons.) Worcester Corpor. Art Gallery. (Bourlet & Sons.) Carnegie Inst., Pittsburg, U.S.A. (Bourlet & Sons.) Brighton (Oils only). (Bourlet & Sons.) Permanent Gallery of Decorative Art, 9 Harrington Road, South Kensington. (Bourlet & Sons.) Bellman, Ivey & Carter's Sculpture Galleries, 157A New Bond Street, W. Danish Ceramic Art, Danish House, 294 Regent St. W. FORTHCOMING Glasgow Inst. of Fine Arts. (Jan. 1899. Bourlet & Sons.) Dover Municipal School of Art. (Dec. 28 to 31.) Loan Exhibition of Lithographs at South Kensington. (O.D. Nov. 21.) The Public will be admitted at all times when Museum is open. Grahamstown Art and Industrial Exhibition, South Africa. (Dicksee & Co. O. D. Dec. 15.) Art Gallery, Oldham. (R. D. Jan 10, 1899. Bourlet & Sons.) Art Gallery, Ayr. (R. D. Nov. 14. Bourlet & Sons.) N.B. The names in parentheses are those of the London Agents. R. D.—Receiving Days. O. D.—Opening Days. A RARE BARGAIN. Pennell's (Joseph) Pen Drawing and Pen Draughtsmen. Second Edition, thick 4to, pp. 500 and 366 Illustrations (many full-page), perfectly new Copies in Buckram. Published at Two Guineas net. Offered now at 16/- net. N.B.—Messrs. GAY & BIRD having purchased the few remaining copies from the publishers, invite early applications. They will be all sold within a week. Cheques Crossed "Union Bank of London," P.O.O. Payable Bedford Street. LONDON: GAY & BIRD, 22 BEDFORD ST., STRAND, W.C. To Artists. COLONEL ROBERT W. ROUTLEDGE, late Managing Director of George Routledge & Sons, Ltd., has opened a Register of Artists' Names and Addresses and of the kind of work they undertake, and will be pleased to receive Specimen Drawings with a view to bringing them to the notice of Editors and Publishers. Terms on application. 11 HENRIETTA STREET, COVENT GARDEN, W.C. THE SCULPTURE GALLERIES. TO HER MAJESTY. ARTISTIC PRESENTS SMALL BRONZES AND OBJETS D'ART. Nothing can be more suitable for a well-selected present than a genuine Work of Art in Marble or Bronze. In reading the lists of presents at most fashionable Marriages, one is struck by the quantity of Silver and Jewellery given, which in most cases is more than the recipients have any need of or use for. The majority of these presents suffer by comparison with others of the same kind given by those to whom money is no object, whereas a charming little Statuette or Bust is sure to attract universal notice and admiration without danger of being duplicated. MARBLE AND BRONZE GROUPS, BUSTS & STATUETTES. BEING ORIGINALS AND REPRODUCTIONS OF THE LATEST ROYAL ACADEMY AND SALON WORKS MARBLE AND BRONZE BY EMINENT SCULPTORS. BELLMAN, IVEY & CARTER, THE SCULPTURE GALLERIES, NEW BOND ST. LONDON, W. AD. IV SKIRT DANCER. SILVER-BRONZE STATUETTE. Copyright. BY RUTH CANTON. 9 inches high.
James Bourlet & Sons, 17 & 18 NASSAU STREET, 11 & 12 UNION MEWS, LONDON, W. Fine Art Packers and Exhibition Agents. ESTABLISHED 50 YEARS. Agents for the following Exhibitions: Royal Society of Artists, Birmingham. Royal Pavilion, Brighton. Corporation Art Gallery, Derby. Corporation Art Gallery, Dudley. Albert Institute, Dundee. Dublin Art Club. Arts and Crafts, Dublin. Royal Institute of the Fine Arts, Glasgow. Storey Institute, Lancaster. Corporation Art Gallery, Oldham. Mappin Art Gallery, Sheffield. Sheffield Art Society, Sheffield. Fine Art Exhibition, Wolverhampton. City Art Gallery, York. Arts and Crafts, Evesham. Corporation Exhibition, Victoria Institute, Worcester. Royal Academy of Arts. Royal Society of British Artists. The Grafton Galleries. Lady Artists. New English Art Club. Southwark and Lambeth Loan Exhibition. Arts and Crafts, London. Slade School, University College. Hogarth Club. Alpine Club. Old and New Salons, Paris. Architectural Exhib.T Square Club, Philadelphia, U.S.A. Telegraphic Address: "TITIAN, LONDON." Telephone No. 1871 Gerrard. PICTURE FRAMING IN ALL ITS BRANCHES. THE ROYAL COPENHAGEN PORCELAIN Danish Ceramic Art Vases Figures Plaques BY EMINENT ARTISTS SUITABLE FOR PRESENTATION PURPOSES By Appointment to D.R.D. the King of Denmark Danish House, 294 Regent Street, London, W. AD. V THE HOB BASKET GRATE, CONSTRUCTED ON SCIENTIFIC PRINCIPLES, QUAINT AND ARTISTIC IN APPEARANCE. ILLUSTRATED CATALOGUE ON APPLICATION. R. H. & J. PEARSON, Ltd. 141, 143 HIGH STREET, NOTTING HILL GATE, LONDON, W. By Appointment to D.R.D. the Princess of Wales
Educational Mr. HENRY BLACKBURN’S STUDIO Is Open five days a week for the Study and Practice of DRAWING FOR REPRODUCTION. PRIVATE INSTRUCTION AND BY CORRESPONDENCE. > “The course, commencing (when necessary) with drawing from the cast, life, &c., and ending by seeing ‘students’ own work reproduced in metal and printed at the type press.”—EDUCATIONAL REVIEW. 123 Victoria Street, Westminster (near Army and Navy Stores). --- SCHOOL OF ANIMAL PAINTING. 54 Baker Street, W. Principal—W. FRANK CALDERON. Live Models daily from 10 till 4. Anatomy on Saturdays, 10 till 1. Term Commenced on Monday, OCTOBER 10. --- . Technical Art . Correspondence College HOLLAND PARK ROAD, KENSINGTON, W. Principal: Mr. GIFFARD H. LENFESTEY (GOLD, SILVER, AND BRONZE MEDALLIST). POSTAL TUITION. GOVERNMENT EXAMINATIONS, 1899. Courses by Correspondence in Architecture, Historic Ornament, Principles of Ornament, Design, Anatomy, &c., in preparation for the above examinations. Commence on the first week in November. For all further particulars address the Principal. --- LAMBETH SCHOOL OF ART, St. Oswald’s Place, Upper Kennington Lane, S.E. LIFE SCHOOL. DAY AND EVENING CLASSES. MR. THOMAS McKEGGIE, Head Master. Life Classes for Women. --- Life Classes for Men. --- Head . . Mon. Wed. & Friday --- Head & Costume Model --- Costume Model --- Tuesday & Thursday --- Mon. Wed. & Friday --- Full Length Figure --- Full Length Figure --- Mon. Wed. & Friday --- Tuesday & Thursday --- Special Figure Class . Saturday --- Figure Composition, Book Decoration and Illustration, “Black and White” Drawing for Reproduction, Landscape, Still Life, and Flower Painting, and all the usual Preparatory Classes. Junior and Senior Sketch Clubs. Prospectus on Application. --- The St. Ives School of Landscape and Marine Painting Intended mainly for those adopting Painting as a Profession. CONDUCTED BY LOUIS GRIER MEDALLIST, PARIS SALON Address . . . THE FOC’SLE ST. IVES CORNWALL --- KOPS’ SCHOOL OF ART FOR LADIES LIFE SCHOOL FOR DRAWING & PAINTING IN OIL, WATER-COLOURS, DRESDEN AND PASTEL, WITH THE ASSISTANCE OF RENOWNED ARTISTS CLASSES FOR FIGURE, LANDSCAPE, MARINE, ANIMALS, STILL-LIFE, ETCHING, & MODELLING For Particulars, Address Guido Richter, Dresden, à Lüttichaustrasse, 26. --- THE YELLOW DOOR STUDIO Beckenham S.E. Half an hour from Charing X and Victoria --- THE "SPENLOVE" SCHOOL OF MODERN LANDSCAPE ART The process of painting from the “Sketch” to the “Finished” Picture - Special opportunities to Students who desire to take up Landscape ART professionally OUT-DOOR Classes — BLACK & WHITE for illustration [See prospectus] Special Private Lessons are given by Mr. Frank SPENLOVE-SPENLOVE, R.B.A., at his London Studio, Holland Park, W. AD. VI
Educational A Cornish School of Landscape and Sea Painting. Intended chiefly for those adopting Painting as a Profession. UNDER THE DIRECTION OF MR. JULIUS OLSSON. ASSISTED BY MR. A. M. TALMAGE. For Particulars, address JULIUS OLSSON, ST. IVES, CORNWALL. The Richmond School of Landscape Painting CARRINGTON LODGE, 33 Sheen Road, Richmond Principals: Mr. C. E. JOHNSON, R.I., & Mr. R. HUGHES Visitors Mr. W. Q. ORCHARDSON, R.A. Mr. COLIN HUNTER, R.A. Sir J. LINTON, P.R.I. Mr. J. MACWHIRTER, R.A. Mr. DAVID MURRAY, A.R.A. Mr. THORNE WAITE, R.W.S. And other distinguished Artists * Address: Mr. R. HUGHES. Clegg Wilkinson Life School. LIFE CLASSES HELD DAILY. An Evening Class (open to Professionals) has been formed. Students Prepared for Royal Academy Schools. N.B.—Mr. Clegg Wilkinson gives Instruction throughout the day. 2 EDWARDES SQUARE STUDIOS, KENSINGTON, W. School of Painting St. Ives, Cornwall Under the Direction of J. NOBLE BARLOW, R.B.A. Evening Life Classes for Ladies " " Gentlemen For Particulars, Address J. NOBLE BARLOW, ST. IVES, CORNWALL LANDSCAPE MARINE FIGURE, &c. Special advantages for Students adopting Art Professionally Students may join at any time and for any period Camden School of Art and Science Corporation, 4 DALMENY AVENUE, HOLLOWAY, N. Head Master: Mr. FRANCIS BLACK, R.B.A., A.R.C.A., assisted by specially qualified Masters. All kinds of DRAWING, PAINTING, DESIGN and MODELLING. LIFE.—Day and Evening for Male and Female Students. SPECIAL TECHNICAL CLASSES IN APPLIED ART.—Etching, Book Illustration, Surface Decoration (Panels, Paper Staining, &c.), Fresco, Gesso, Sgraffito, Wood-Carving, Repousse, Tapestry Painting, Embroidery, Art Needlework. £1000 worth of Scholarships are in hand. Over 2200 Awards have been received during the past six years from Government and the Technical Board. The latter's Inspector reported in July that "The Camden School of Art still maintains its position at the head of the London Art Schools, and its recent extensions allow of its work being carried on with increased efficiency." All applications should be made to the Hon. Sec., R. SEYMOUR, Esq., School Address. AD. VII
Educational SPAINA STUDIO 20 FITZROY STREET, W. Visitors—G. F. COOK, Esq. A. J. ELSLEY, Esq. CHAS. HOLROYD, Esq. CHAS. ROBINSON, Esq. T. H. ROBINSON, Esq. SOLOMON J. SOLOMON, Esq., A.R.A. --- LIFE CLASSES DAILY. EVENING BLACK AND WHITE CLASSES. SPECIAL INSTRUCTION FOR DRAWING FOR THE PRESS. --- KATHARINE RAYMENT, Designer and Craftswoman, 59 NEW BOND ST., W. Stencilled Wall and Ceiling Decorations, Stained Glass, Repoussé Metal Work, Gesso, Embroideries, Decorative Wall Hangings. --- PLASTICINE A PERFECT MODELLING PASTE SUPERIOR TO WAX OR CLAY Wholesale from WM. HARBUTT, Hartley House, BATH, who will forward specimen pound packet post free on receipt of 1s. 6d. --- The Patent COMPRESSED ART PANELS (The “J. M. MACINTOSH”) NEVER WARP. NEVER CRACK 7½ Cheapest and Best Panel in the Market E. M. WIMPERIS, R.I., says: “I have tried the little panel, and have found it has a very agreeable surface to work on. Its lightness ought to recommend it for outdoor sketching.” H. C. ELINDON, R.W.S., says: “The panels are simply to perfection.” Sample free on receipt of six stamps POLAK & CO. (Sole Agents) French Frame Makers 63 Wardour Street, London, W. --- NEWLYN & PENZANCE ART STUDENTS’ SOCIETY. Director—NORMAN GARSTIN. Lessons from the Life and Landscape. For Particulars, apply THE SECRETARY, Miss E. Borlase, The Coombe, Penzance. UNDER THE PATRONAGE OF ALMA TADEMA, Esq., R.A. Mons. ED. CHAPPEL has re-opened his Classes for Ladies, which comprise Figure, Animal Painting, and Still Life. Terms on Application. Evening Class. VILLA DES ARTS, 24 GUNTER GROVE, FULHAM RD., S.W. Hundreds of Testimonials from Artists, Sculptors, Art Masters, Teachers, and the Press. “I find your Plasticine EXCELLENT, the best I have ever used till now, it is perfectly equal to what you claim.”—ED. LANTERI, Royal College of Art. “It is the best Modelling Paste I have ever used. I recommend it to my students at the Westminster School of Art; I find it ADMIRABLE.”—F. E. E. SCHENCK, Pinlico. “Much SUPERIOR to the Foreign Modelling Pastes, my students use it for their competition works.”—JOHN FISHER, Bristol. “Plasticine is a TRIUMPH. . . . No readier means of expression, it is Plasticity itself.”—HENRY GORDON DRUMMOND, Bath. --- WALTER J. PEARCE, LIMITED ARTISTS IN STAINED GLASS, GLASS MOSAICS, & LEADED GLAZING, 14, ALBERT STREET, MANCHESTER. --- The Goldsmiths’ Institute School of Art NEW CROSS, S.E. Premier London School, Art National Competition, ’97 & ’98. Life (Costume and ‘Figure’) Design, Book Illustration, Repoussé Work, Wood Carving, Modelling, Painting, Art Needlework and Embroidery, &c. THE SCHOOL RE-OPENED FOR DAY AND EVENING CLASSES ON SEPTEMBER 26th. Fees and particulars on application to the Secretary, THE GOLDSMITHS’ INSTITUTE, New Cross, S.E. AD. VIII
WARNER'S PURE MASTIC VARNISH THE FINEST IN THE WORLD Prepared under a New Process which practically produces a Non-Blooming Varnish OWING TO ITS PURITY USERS OF THIS VARNISH WILL FIND THEIR PICTURES SOON ACQUIRE THAT PEARLY TONE SO HIGHLY VALUED BY CONNOISSEURS CASH WITH ORDERS SAMPLE BOTTLES, POST FREE, 12 STAMPS F. WARNER, 177 WARDOUR STREET OXFORD ST., LONDON To be had of all Artists’ Colourmen. --- HENRY SULLIONEL TOPE & BIRMIN-CHAMO Metal rayonets & leaded lights ESTABLISHED 1851. BIRKBECK BANK. SOUTHAMPTON BUILDINGS, CHANCERY LANE, LONDON, W.C. INVESTED FUNDS £8,000,000. Number of Accounts, 75,061. TWO-AND-A-HALF per CENT. INTEREST allowed on DEPOSITS, repayable on demand. TWO per CENT. on CURRENT ACCOUNTS, on the minimum monthly balances, when not drawn below £100. STOCKS, SHARES, and ANNUITIES purchased and sold for customers. Savings Department.—Small Deposits received, and Interest allowed monthly on each completed £1. Telephone No. s HOLBORN. The BIRKBECK ALMANACK, with full particulars, post free. Telegraphic Address: “BIRKBECK, LONDON.” FRANCIS RAVENSCROFT, Manager. --- COMPETITION COUPON This portion to be cut off and forwarded in accordance with Rule 3: Competition No. ________________________ Nov. 15, 1898.—This form can be used for any or all of the Competitions set in this number, but is only available for those appearing for the first time in the present issue. Pseudonym of Competitor _______________________________________________________ Full Name and Address { _______________________________________________________ AD. IX
This issue of The Studio features articles on the work of F. W. Pomeroy, with illustrations. It also includes several color and tinted reproductions of artwork by Nico Jungmann, Henri Rivière, and Mortimer Menpes. The magazine announces upcoming prize competitions for designs for tea-ware, posters, and wall-paper, with submission deadlines in December 1898 and January 1899.