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MORE THAN ONE HUNDRED ILLUSTRATIONS THE · STUDIO An Illustrated Magazine of Fine & Applied Art MARCH 15 '98 VOL. 13 No. 60 5 Henrietta Street Covent Garden LONDON WC Monthly $\frac{1}{2}$
First pages of the volume, freely accessible.
MORE THAN ONE HUNDRED ILLUSTRATIONS THE · STUDIO An Illustrated Magazine of Fine & Applied Art MARCH 15 '98 VOL. 13 No. 60 5 Henrietta Street Covent Garden LONDON WC Monthly $\frac{1}{2}$
THE STUDIO. EDITED BY CHARLES HOLME. Contents, March 15th, 1898. SUPPLEMENTS:—A REPRODUCTION IN COLOURS after a Water-Colour Drawing entitled “March,” by H. GRANVILLE FELL; a REPRODUCTION IN EMBOSSED CHROMO-LITHOGRAPHY OF A DECORATION IN ENAMELLED TILES by ALEXANDRE CHARPENTIER and FELIX AUBERT; a DOUBLE-PAGE AUTO-LITHOGRAPH entitled “Windmills near Rotterdam,” by JOSEPH PENNELL; and a TINTED PLATE after an Etching in Colour entitled “Les Cygnes” by FRANCIS JOURDAIN. THE WORK OF T. C. GOTCH. By A. L. BALDRY. --- PAGE --- Six Illustrations --- DECORATIVE ART IN PARIS: THE EXHIBITION OF THE SIX. By GABRIEL MOUREY. Seventeen Illustrations --- LADY ARTISTS IN GERMANY. By LUISE HAGEN. Nine Illustrations --- ART IN GRIDIRONS. By FRANCIS ARTHUR JONES. Sixteen Illustrations --- ELEANOR F. BRICKDALE, DESIGNER AND ILLUS. TRATOR. Five Illustrations --- STUDIO-TALK. (From Our Own Correspondents)— --- LONDON. Fourteen Illus. --- HELSINGFORS. Four Illus. --- GLASGOW --- FLORENCE --- PARIS. Two Illus. --- DRESDEN. Five Illus. --- BRUSSELS --- ST. PETERSBURG --- BERLIN. One Illus. --- MUNICH. One Illus. --- REVIEWS OF RECENT PUBLICATIONS. Three Illustrations --- AWARDS IN “THE STUDIO” PRIZE COMPETITIONS. Seventeen Illustrations --- THE LAY FIGURE --- JEFFREY & Co’s ARTISTIC WALLPAPERS To be had of ALL the LEADING DECORATORS THE BOOKS OF NEW PATTERNS CONTAIN Wall Papers of All Classes Including Finest Hand-Printed and Inexpensive Machine-Printed Papers SUITE FOR THE ENTIRE DECORATION OF A HOUSE, AND ARE NOW BEING EXHIBITED AT JEFFREY & CO.’S New Show Rooms, AT FACTORY, 64 ESSEX ROAD, ISLINGTON, LONDON, N. (NEAR AGRICULTURAL HALL.) --- IMPORTANT TO ADVERTISERS. In Future, New Advertisements and Alterations in Current Announcements MUST reach this Office not later than the 1st of the Month for which intended. --- Show Rooms 26 CARLICK HILL BEHIND MANSION/HOUSE STATION LONDON EC TRADE MARK EST. 1882
Geo. Rowney & Co's OIL COLOURS. Pale Raw Sienna. Dark Raw Sienna. 4-Inch Single Tubes, as Illustration, 4d. each. Double Tubes, 8d. each. Manufactured only by GEO. ROWNEY & CO., 64 Oxford St., London, W. To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom. G. Rowney and Co. have been fortunate enough to secure two exceptionally brilliant qualities of Raw Sienna, and now offer these to the Artistic World as Pale Raw Sienna and Dark Raw Sienna. They are ground in specially purified Poppy Oil, and being of great permanence, can be used with absolute confidence. THE MILLAIS EXHIBITION at the Royal Academy. A RECORD of Modern Artists' Materials. SIR JOHN E. MILLAIS, Bart., P.R.A., ALWAYS USED ROBERSON'S MEDIUM, COLOURS & CANVAS. All Artists will remember the Exhibition of the Works of SIR JOHN E. MILLAIS, Bart., P.R.A., at the Grosvenor Gallery in 1886. Pictures, some of which were painted more than forty years before, showed not the least sign of change, bad surface, or other decay. We have Sir John's authority for saying that his materials and colours came directly from us, and that they have always given him satisfaction. Chas. Roberson & Co. 99 Long Acre & 154 Piccadilly, W. FEBRUARY 18, 1896. AD. I
THE STUDIO INTERNATIONAL PRIZE COMPETITIONS REVISED RULES (1) All subscribers to THE STUDIO are eligible to compete. (2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings for competition must be legibly signed with pseudonym only. The Coupon, page AD. VIII. with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. (5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term "sufficient postage" has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated. (6) All designs must be sent in packed flat, unless specially excepted in certain competitions. (7) All designs and correspondence thereon to be addressed THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A xix," "B xii," "C xi," &c., on the outside of the package, or letter referring to it. (8) An infringement of any of the above Rules will disqualify a Competitor. CLASS A.—INDUSTRIAL DESIGNS. A. xiii. DESIGN FOR A PORTIÈRE. (Particulars appeared in the January Number.) A. xiv. DESIGN FOR A POSTER. (Particulars appeared in the February Number.) A. xv. DESIGN FOR A MOSAIC FRIEZE. The design is for a mosaic which is intended to form a frieze on the principal front of the Horniman Free Museum, Forest Hill. The sections of the Museum comprise amongst others the following special Courts: Prehistoric, Egyptian, Indian, Japanese, Colonial, Natural History, Keramics, Old English Furniture, and Tapestries. It may be well to state that the building is to be executed in Doulting stone, which is of a light cream tint, and that its design does not bind the competitor to assimilate his work to any of the recognised styles of architecture. The space to be covered is 33 feet by 10 feet, and the work will be at a height of 16 feet from the ground. A figure-subject is suggested, but this treatment is not obligatory. Gold should be sparingly if at all used, as experience shows its inability to resist the English climate. The designs should be drawn to the scale of 1 in. to the foot, that is to say 33 inches by 10 inches. PRIZE: Twenty-five Guineas. It is intended, should it be found possible, to entrust the preparation of the full size cartoons to the successful competitor, in which case a special arrangement would be made with him, apart from the prize now offered. The judges will be Mr. C. Harrison Townsend and the Editor of THE STUDIO. Designs, packed flat, to be received at the London office of THE STUDIO by June 1, 1898. CLASS B.—DRAWINGS FOR BOOK ILLUSTRATION, &c. B. xii. DESIGN FOR A FANCY BOOK-COVER IN COLOURS. (Particulars appeared in the January Number.) B. xiii. CHARACTERS FROM THE WORKS OF CHARLES DICKENS (No. 1, "Mr. Micawber"). (Particulars appeared in the January Number.) B. xiv. DESIGN FOR A TITLE-PAGE. (Particulars appeared in the February Number.) B. xv. SILHOUETTE DRAWING. (Particulars appeared in the February Number.) IMPORTANT NOTICE TO COMPETITORS.—The number of drawings, &c., received each month in connection with these Competitions being very large, the Editor wishes it to be clearly understood that while every effort will be made to forward as promptly as possible to their owners those designs with which the requisite sum for postage has been enclosed, he cannot, under any circumstances, guarantee a definite date for their return. A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION. Black and White Drawing for Reproduction. Summer Sketching Class. GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. {The Studio is five minutes walk from Vauxhall, and five minutes tram from Victoria Station.} AD. II B. xvi. DESIGN FOR A FANCY BOOK-COVER. (Particulars appeared in the February Number.) B. xvii. ILLUSTRATION FOR "IVANHOE." Competitors are at liberty to select for illustration any passage or incident in Sir Walter Scott's novel. Drawings, which must not exceed in size a page of THE STUDIO, to be executed in pen and ink upon white cardboard. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Drawings, packed flat, to be received at the London Office of THE STUDIO by June 1. CLASS C.—SKETCHES FROM NATURE. C. xii. STUDY OF A CHILD. (Particulars appeared in the January Number.) C. xiii. STUDY OF SNOWDROPS. (Particulars appeared in the February Number.) C. xiv. STUDY OF THE BUDDING BRANCH OF A TREE OR SHRUB. Drawings, which must not exceed in size a page of THE STUDIO, to be executed in pen and ink upon white cardboard. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by June 1. CLASS D.—PHOTOGRAPHS FROM NATURE. D. vi. STUDY OF A CAT. D. vii. A BUDDING BRANCH OF A TREE OR SHRUB. D. viii. AN ARTISTIC GARDEN. All Photographs should be sent in mounted upon firm card, without margin. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. The right of reproducing any Photograph sent in is reserved. Competitors who wish their prints returned must enclose sufficient stamps to defray postage. Photographs to be received at the London Office of THE STUDIO by June 1. Parcels containing Drawings should be plainly marked outside with the number of the Competition for which the designs are intended.
A. SANDERSON & SONS MANUFACTURERS OF HIGHEST CLASS WALL PAPERS DESIGNS SHOULD BE SUBMITTED AT CHISWICK OR BY APPOINTMENT AT 52 BERNERS ST. WORKS CHISWICK NEAREST RY. STATION, TURNHAM GREEN --- All the Latest Artistic Posters BY MUCHA, CHÉRET, STEINLEN, GRASSET, ETC. Picture Framing a Specialty --- Longden & Co. London Office 447 Oxford Street W. Works Phoenix Foundry Sheffield Makers of Grates Fenders Fireirons Wrought-Iron Work Ornamental Brass and Bronze Work AD. III.
EXHIBITIONS NOW OPEN Royal Inst. of Painters in Water Colours. Royal Society of Painter Etchers. Liverpool, Walker Art Gallery, Spring Exhibition. (Dicksee & Co.) Brighton Oil Colours. (Bourlet & Sons.) Bristol Academy of Fine Arts. Glasgow Inst. of Fine Arts. (Bourlet & Sons.) Bradford Spring Exhibition. (Dicksee & Co.) Derby Spring Exhibition. (Bourlet & Sons.) Leeds Spring Exhibition. (Dicksee & Co.) Southampton Art Society's Exhibition. Dudley Gallery. Members only. Oldham Corporation. (Bourlet & Sons.) Düsseldorf Artists. Bellman, Ivey & Carter's Sculpture Galleries, 157A New Bond Street, W. Exhibition of Embroideries, Jon. Harris & Sons, Ltd., 25 Old Bond Street, W. Danish Ceramic Art, Danish House, 294 Regent St. W. FORTHCOMING Royal Academy. (R.D. March 25, 26 and 28.) Birmingham Roy. Soc. of Artists. (O.D. March 31. Bourlet & Sons.) Lille Exhibition. (Dicksee & Co.) Prague International Exhibition. (R.D. March 15. Dicksee & Co.) New English Art Club. (R.D. April 6.) Paris Salon, Champs de Mars. (O.D. May 1.) Paris Salon, Champs Elysees. (O.D. May 1.) Berlin International Exhib. (R.D. end of March.) Bruxelles Soc. des Beaux Arts. (O.D. May 1.) R.D.—Receiving Days. O.D.—Opening Days. DICKSEE and Co., 7 RYDER STREET, ST. JAMES'S, LONDON, S.W. Fine Art Agents, Packers & Conveyancers of Works of Art. OFFICIAL AGENTS (BY APPOINTMENT) FOR BRITISH COMMISSION, Brussels International Exhibition, 1897. LIVERPOOL, Walker Art Gallery. MANCHESTER, City Art Gallery. MANCHESTER, Queen's Park Museum BRADFORD, Art Gallery and Museum. LEEDS, City Art Gallery. DRESDEN, International Exhibition, 1897. DUDLEY Gallery, Photographic Salon. BERLIN, International Exhibition, 1897. BRUSSELS, Société des Beaux-Arts. LILLE, Exhibition, 1898. MUNICH, Annual International Exhibition. PITTSBURG, U.S.A., Carnegie Art Galleries. PRAGUE, International Exhibition. ST. LOUIS, U.S.A., Exposition. ST. PETERSBURGH, Exhibition, 1898. Messrs. DICKSEE & CO. deliver works at the various London Exhibitions, and the Old and New Salons, Paris, and obtain and repack or deliver them at the close of such Exhibitions, and will forward terms on application. Telephone 3992. Telegraphic Address: "Dicksee, London." THE SCULPTURE GALLERIES. TO HER MAJESTY. ARTISTIC PRESENTS SMALL BRONZES AND OBJETS D'ART. Nothing can be more suitable for a well-selected present than a genuine Work of Art in Marble or Bronze. In reading the lists of presents at most fashionable Marriages, one is struck by the quantity of Silver and Jewellery given, which in most cases is more than the recipients have any need of or use for. The majority of these presents suffer by comparison with others of the same kind given by those to whom money is no object, whereas a charming little Statuette or Bust is sure to attract universal notice and admiration without danger of being duplicated. 9 inches high. SKIRT DANCER. SILVER-BRONZE STATUETTE. BY S. RUTH CANTON. MARBLEs AND BRONZES BY EMINENT SCULPTORS. BELLMAN, IVEY & CARTER, THE SCULPTURE GALLERIES. NEW BOND ST. LONDON, W. AD. IV TO H.R.H. PRINCE OF WALES. MARBLEs AND BRONZES GROUPS, BUSTS & STATUETTES. BEING ORIGINALS AND REPRODUCTIONS OF THE LATEST ROYAL ACADEMY AND SALON WORKS.
James Bourlet & Sons, 17 & 18 NASSAU STREET, 11 & 12 UNION MEWS, LONDON, W. Fine Art Packers and Exhibition Agents. ESTABLISHED 50 YEARS. Agents for the following Exhibitions: Royal Society of Artists, Birmingham. Royal Pavilion, Brighton. Corporation Art Gallery, Derby. Corporation Art Gallery, Dudley. Albert Institute, Dundee. Dublin Art Club. Arts and Crafts, Dublin. Royal Institute of the Fine Arts, Glasgow. Storey Institute, Lancaster. Corporation Art Gallery, Oldham. Mappin Art Gallery, Sheffield. Sheffield Art Society, Sheffield. Fine Art Exhibition, Wolverhampton. City Art Gallery, York. Arts and Crafts, Evesham. Corporation Exhibition, Victoria Institute, Worcester. Royal Academy of Arts. Royal Society of British Artists. The Grafton Galleries. Lady Artists. New English Art Club. Southwark and Lambeth Loan Exhibition. Arts and Crafts, London. Slade School, University College. Hogarth Club. Alpine Club. Old and New Salons, Paris. Architectural Exhib.T Square Club, Philadelphia, U.S.A. Telegraphic Address: "TITIAN, LONDON." Telephone No. 1891 Gerrard. PICTURE FRAMING IN ALL ITS BRANCHES. THE ROYAL COPENHAGEN PORCELAIN Danish Ceramic Art Vases Figures Plaques PARIS, 1889, GRAND PRIX CHICAGO, 1893, HIGHEST AWARD By Appointment to D.M. the King of Denmark THE POTTERY GAZETTE writes: "To understand the glorification of which pure porcelain as a material is capable, one has only to examine the Royal Copenhagen Ware, consisting exclusively of firm hard porcelain. The ornamental part is simply a collection of triumphs. The ware is dazzling white, the glaze perfectly tender and clear, the forms are simple to severity, and the colours delicate and sweet. The whole of the decoration is produced at the Grand feu. The charm of this ware is its perfect simplicity and artistic truth." Danish House, 294 Regent Street, London, W. AD. V MOSAIC In Modern English Style of Work EXHIBITS at New Gallery, London, 1896, Arts & Crafts Exhibition Six Exhibits Walker Art Gallery, Liverpool, 1898 Architects & Artists can see important works at present in hand at the Studios THE TRADE SUPPLIED with Drawings and the best Colours in Mosaic Glass, or Special Tints made. Also work executed G. BRIDGE BERWICK HOUSE, 139 OXFORD ST., W.
Educational Mr. HENRY BLACKBURN’S STUDIO Is Open five days a week for the Study and Practice of DRAWING FOR REPRODUCTION. PRIVATE INSTRUCTION AND BY CORRESPONDENCE. > “The course, commencing (when necessary) with drawing from the cast, life, &c., and ending by seeing ‘students’ own work reproduced in metal and printed at the type press.”—EDUCATIONAL REVIEW. 123 Victoria Street, Westminster (near Army and Navy Stores). --- SCHOOL OF ANIMAL PAINTING. 54 Baker Street, W. Principal—W. FRANK CALDERON. Live Models daily from 10 till 4. Anatomy on Saturdays, 10 till 1. Mr. CALDERON will again hold a Summer Class for Outdoor Work at Midhurst, Sussex, from the middle of July until the middle of September. --- LAMBETH SCHOOL OF ART, St. Oswald’s Place, Upper Kennington Lane, S.E. LIFE SCHOOL. DAY AND EVENING CLASSES. MR. THOMAS McKEGGIE, Head Master. Life Classes for Women. --- Life Classes for Men. --- Head . . Mon. Wed. & Friday --- Head & Costume Model --- Costume Model --- Tuesday & Thursday --- Mon. Wed. & Friday --- Full Length Figure --- Full Length Figure --- Mon. Wed. & Friday --- Tuesday & Thursday --- Special Figure Class . Saturday --- Figure Composition, Book Decoration and Illustration, “Black and White” Drawing for Reproduction, Landscape, Still Life, and Flower Painting, and all the usual Preparatory Classes. Junior and Senior Sketch Clubs. Re-opened on Monday, October 4 --- THE SPHINX STUDIO, 20 FITZROY STREET, W. Visitors— G. F. COOK, Esq. A. J. ELSLEY, Esq. C. HOLROYD, Esq. C. ROBINSON, Esq. SOLOMON J. SOLOMON, Esq., A.R.A. Mondays, Wednesdays, and Fridays, Ladies’ Day, and Afternoon Life Classes. --- Tuesdays, Thursdays, and Saturdays, Evening Black-and-White Class for Ladies and Gentlemen. --- Special Class for Composition under SOLOMON J. SOLOMON, Esq., A.R.A. For Particulars write to THE SECRETARY. --- The St. Ives School of Art Under the Direction of Messrs. LOUIS GRIER (Gold Medallist, Paris Salon) J. NOBLE BARLOW, R.B.A. Instruction WINTER TERM from 1st NOVEMBER. Is given in Landscape, Marine, Figure, and Still-Life, both in Oil and Water Colour from Nature. Students may join at any time. FOR PARTICULARS, ADDRESS THE SECRETARY, THE FOC’SLE, ST. IVES, CORNWALL. --- THE “SPENLOVE” SCHOOL OF MODERN LANDSCAPE ART --- The process of painting from the “Sketch” to the “Finished” Picture - Special opportunities to Students who desire to take up Landscape ART professionally --- OUT-DOOR Classes — BLACK & WHITE for illustration --- Special Private Lessons are given by Mr. F. SPENLOVE-SPENLOVE, R.B.A., at his LONDON STUDIO, KENT HOUSE, HOLLAND PARK, W. --- AD. VI
Educational A Cornish School of Landscape and Sea Painting. Intended chiefly for those adopting Painting as a Profession. UNDER THE DIRECTION OF MR. JULIUS OLSSON. ASSISTED BY MR. A. M. TALMAGE. For Particulars, address JULIUS OLSSON, ST. IVES, CORNWALL. NEWLYN & PENZANCE ART STUDENTS' SOCIETY. Study from the Life and Landscape. DIRECTOR—NORMAN GARSTIN. For Particulars, apply THE SECRETARY, Miss E. Borlase, The Coombe, Penzance. ATELIER D'AQUARELLE, 7 Holland Park Road, Kensington, W. WATER-COLOUR SCHOOL—INSTRUCTION IN DRAWING AND PAINTING. UNDER THE DIRECTION OF Messrs. GIFFARD H. LENFESTEY & H.P. CLIFFORD (National Gold, Silver, and Bronze Medallists). Classes in Still Life and the usual Preparatory Work. During the Month of June a Landscape Class will be held at some convenient distance from London. Any wishing to join should send their names that further arrangements can be made. For Prospectus address the School. Landscape and Figure Painting. MR. T. SHEARD, M.A., R.B.A., Takes a limited number of Pupils in the above Subjects. The Richmond School of Landscape Painting CARRINGTON LODGE, 33 Sheen Road, Richmond, Surrey Conducted by Mr. C.E. JOHNSON, R.I., & Mr. R. HUGHES Students may join at any time during the term at proportionate charges. ADDRESS, MR. R. HUGHES. Visitors Mr. W. Q. ORCHARDSON, R.A. Mr. J. MACWHIRTER, R.A. Mr. COLIN HUNTER, R.A. Mr. DAVID MURRAY, A.R.A. Sir J. LINTON, P.R.I. Mr. THORNE WAITE, R.W.S. And other distinguished Artists. The Studio is open for instruction from 10 A.M. till 4 P.M., on Mondays, Wednesdays, and Thursdays. The months of May, June, and July are devoted to Sketching direct from Nature. Camden School of Art and Science Corporation, 4 DALMENY AVENUE, HOLLOWAY, N. Head Master: Mr. FRANCIS BLACK, R.B.A., assisted by specially qualified Masters. All kinds of DRAWING, PAINTING, DESIGN and MODELLING. Life.—EVENING: Monday, Tuesday, Wednesday, Thursday, and Friday, 7 to 9.30. DAY: Tuesday, Wednesday, Thursday, Friday, and Saturday, 10 to 1 and 2 to 4, for Costume, for Special Drapery Studies, for Modelling, for Book Illustration, and for Design purposes. SPECIAL TECHNICAL CLASSES IN APPLIED ART.—Etching, Book Illustration, Surface Decoration (Panels, Paper Staining, etc.), Fresco, Gesso, Sgraffito, Tapestry Painting, Embroidery, Art Needlework. For quality of work this School of Art again stands on the front line in the Metropolis, having won in the National Competition 1 Gold Medal, 9 Bronze Medals, and 29 Queen's Prizes. Also a large number of Local Scholarships, Exhibitions, and Free Studentships from the Science and Art Department and the Technical Board. All applications should be made to the Hon. Sec. R. SEYMOUR, Esq., School Address. AD. VII
Educational Life Class, Drawing & Painting, Lithography, Etching. DAILY CLASSES ARE HELD AT 2, THE STUDIOS, HEREFORD SQUARE, S. KENSINGTON. Visitor: Mr. WILL ROTHENSTEIN (Once or twice weekly.) Students can join at any period of the term. Further information can be obtained at the Studio from Miss BEATRICE MALCOLM. --- A CLASS FOR THE STUDY OF FASHION PLATE DRAWING Magazine Illustration, and Sketching from Costume Model Instructor: MR. KAY WOMRATH (Pupil of Eng. Grasset and Luc Olivier Merson.) For Particulars apply to— Miss WILSON, 49 Hollywood Road, South Kensington. --- THE ART REPRODUCTION COMPANY, LTD. 3 & 4 PLOUGH COURT FETTER LANE, E.C. FOR PHOTOMECHANICAL PROCESSES, PHOTOGRAVURES & COPPERPLATE PRINTING. SPECIMENS & ESTIMATES ON APPLICATION. --- ESTABLISHED 1851. BIRKBECK BANK. SOUTHAMPTON BUILDINGS, CHANCERY LANE, LONDON, W.C. INVESTED FUNDS . . £8,000,000. Number of Accounts, 75,061. TWO-AND-A HALF per CENT. INTEREST allowed on DEPOSITS, repayable on demand. TWO per CENT. on CURRENT ACCOUNTS, on the minimum monthly balances, when not drawn below £100. STOCKS, SHARES, and ANNUITIES purchased and sold for customers. Savings Department.—Small Deposits received, and Interest allowed monthly on each completed £1. Telephone No. 5 HOLBORN. The BIRKBECK ALMANACK, with full particulars, post free. Telegraphic Address: “BIRKBECK, LONDON.” FRANCIS RAVENSCROFT, Manager. --- FINE PLATINA BRONZES : LACQUER NETSUKES : SWORD GUARDS : BROCADES : ARMOUR : WEAPONS : POTTERY THE MIYAKODORI 196 : BROMPTON ROAD s.w. (PERMANENT EXHIBITION OF GENUINE OLD COLOUR PRINTS) Japanese & Chinese Ancient Works of Art LESSONS GIVEN in the JAPANESE ART of ARRANGING FLOWERS (BRONZE MEDAL ROYAL BOTANIC SOCIETY) REPAIRS UNDERTAKEN TO JAPANESE ART OBJECTS : SIGNATURES TRANSLATED : EXPERT VALUATIONS BIRTH DAY & WEDD RING PRESENTS --- The Goldsmiths’ Institute School of Art NEW CROSS, S.E. Premier London School, Art National Competition, 1897. Life (Costume and Figure) Design, Book Illustration, Repoussé Work, Wood Carving, Modelling, Painting, Art Needlework and Embroidery, &c. The School is open Day and Evening. Students admitted at any date. The lines of instruction are framed to further Commercial Design as well as purely Pictorial Art. Fees and particulars on application to the Secretary, THE GOLDSMITHS’ INSTITUTE, NEW CROSS, S.E. AD. VIII
PHOTOGRAPHING for ARTISTS and DESIGNERS. $\star \star$ Pictures, Drawings, Statuary, and all other Works of Art Photographed at Studios, Galleries, &c., for Reproduction and Reference. Sitters and Models Photographed for Artists’ Guides. WILLIAM E. GRAY, 92 Queen’s Road, Bayswater, W. --- JON. HARRIS & SONS, Limited, DERWENT MILLS, COCKERMOUTH, ENGLAND. Art Embroidery Show Rooms, 25 OLD BOND STREET, LONDON, W. (Over Benson’s) 33 KING ST., MANCHESTER; 89 CORPORATION ST., BIRMINGHAM; 10 RUE POISSONNIÈRE, PARIS; and 19 CHARLOTTEN STRASSE, BERLIN. ARTISTIC FABRICS FOR EMBROIDERY AND DECORATIVE PURPOSES. ART LINENS IN FIFTY EXQUISITE SHADES. PURE FLAX THREADS, LUSTROUS AND GLOSSY AS SILK. Handmade Linens a Specialité. New Illustrated Catalogue of Embroideries, Patterns and Prices on Application. --- L. CORNELISSEN & SON (ARTISTS’ COLOURMEN), SOLE AGENTS FOR THE UNITED KINGDOM FOR DR. F. SCHOENFELD’S ARTISTS’ COLOURS. HERR A. ACHENBACH, Dusseldorf, writes as follows:—“Now in my eighty-first year, I declare with the greatest satisfaction that I have used from the beginning of my career as an artist exclusively Schoenfeld’s Artists’ Colours, and that my pictures have neither cracked nor darkened in colour. Of this fact I was convinced when, on the occasion of my seventieth birthday, an exhibition of my earlier and present works took place. I am not aware of a better recommendation.”—Dusseldorf, Oct. 20, 1895. PRICE LIST ON APPLICATION Address: 22 GREAT QUEEN STREET, LONDON, W.C. --- ST. JOHN’S WOOD ART SCHOOLS, 7 ELM TREE ROAD, N.W. CLASSES held daily for Drawing and Painting from the Antique, Still Life, Head and Figure Models. Students prepared for Royal Academy Schools. 300 admitted since 1885. Four R.A. Gold Medals, and 80 Prizes obtained by Old Students since 1886 in the R.A. About 200 Works by Present and Past Students hung in the R.A. 1894. --- COMPETITION COUPON This portion to be cut off and forwarded in accordance with Rule 3: Competition No. _________________________ March 15, 1898.—This form can be used for any or all of the Competitions set in this number, but is only available for those appearing for the first time in the present issue. Pseudonym of Competitor _______________________________________________________ Full Name and Address { _______________________________________________________ AD. IX

This issue of The Studio features articles on the work of T. C. Gotch, Decorative Art in Paris by Gabriel Mourey, Lady Artists in Germany, Art in Griddles, and Eleanor F. Brickdale. It also includes studio-talk from various international locations, reviews of recent publications, and announcements for "The Studio" prize competitions. Advertisements showcase art materials, wallpapers, and art schools.