Premières pages de l'ouvrage, en accès libre.
REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE·STUDIO An Illustrated Magazine of Fine & Applied Art JAN. 15 1907 VOL. 39 No. 166 44 Leicester Square LONDON·W.C Monthly BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSEE D'ANTIN PRIX: 1 FRANC 60c NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, January 15, 1907. SUPPLEMENTS:—A COLOURED REPRODUCTION OF THE WATER-COLOUR BY ANTON MAUVE, ENTITLED "MILKING TIME"; A TINTED REPRODUCTION OF THE PAINTING BY ANTON MAUVE, ENTITLED "THE OLD SHEPHERD"; A TINTED REPRODUCTION OF THE PAINTING BY ARTZ, ENTITLED "THE KNITTER"; A REPRODUCTION OF AN ORIGINAL ETCHING BY JOSEPH PENNELL, ENTITLED "WHITEHALL COURT"; A TINTED REPRODUCTION OF A PENCIL DRAWING BY AUGUSTE RODIN; A CHROMO-LITHOGRAPHIC REPRODUCTION OF A PASTEL DRAWING BY JAMES MCNEILL WHISTLER, ENTITLED "THE SALUTE"; A COLOURED REPRODUCTION OF A STUDY FOR THE OIL-PAINTING BY WALTER DONNE, ENTITLED "EVENING SHADOWS, AMALFI." PAGE THE COLLECTION OF MR. ALEXANDER YOUNG.—IV. THE MODERN DUTCH PICTURES. By E. G. HALTON. Thirty Illustrations . . . 287 THE KING'S SANATORIUM AT MIDHURST AND ITS CHAPEL. Eight Illustrations . . . 307 ON SOME OF MR. JOSEPH PENNELL'S RECENT ETCHINGS. By Prof. Dr. HANS W. SINGER. Six Illustrations . . . 319 THE EXHIBITION OF RUSSIAN ART IN PARIS. By HENRI FRANTZ. Eight Illustrations . . . 319 THE IMPERIAL ARTS AND CRAFTS SCHOOLS, VIENNA. By A. S. LEVETUS. Twenty-nine Illustrations . . . 323 DRAWINGS AND SKETCHES BY MODERN MASTERS. By T. MARTIN WOOD. Nine Illustrations . . . 334 STUDIO-TALK (From our own Correspondents):— London, Seven Illus., 346; Edinburgh, 352; Glasgow, Three Illus., 352; Paris, Four Illus., 354; Munich, Four Illus., 356; Vienna, Six Illus., 358; Buda-Pesth, Four Illus., 360; Melbourne, 360. REVIEWS AND NOTICES . . . 363 AWARDS IN "THE STUDIO" PRIZE COMPETITIONS. Thirty-two Illustrations . . . 367 THE LAY FIGURE: On Yielding to Sentiment . . . 378 The Editor will always be glad to consider any articles, drawings, etc., that may be submitted to him with a view to publication, and every effort will be made to return in due course rejected MSS., and all drawings, etc. rejected or accepted, but under no circumstances can he hold himself responsible for the safe custody or return thereof. Stamps for return should always be sent, and the name and address of the sender clearly written on every MS., drawing, etc. THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. NINE GOLD MEDALS JEFFREY & CO ARTISTIC WALL PAPERS. WEST-ENDSHOW ROOMS THE WALL PAPER GALLERY 31-MORTIMER-ST. REGENT STREET-W. FACTORY? 64 ESSEX-RP & OFFICES ISLINGTON N. Telephone No. 134 Dalston. THEIR LATEST WALL PAPERS ARE ALWAYS ON VIEW And are to be obtained of all Decorators and Wall Paper Merchants. LIBERTY AND CO DESIGNERS AND MAKERS OF ALL KINDS OF ARTISTIC EMBROIDERY SKETCHES FREE EMBROIDERY · DESIGNS · SILKS · AND · ALL · MATERIALS FOR · WORK · SUPPLIED · · A · BOOK · WITH · 60 · NEW TRANSFER · DESIGNS · POST · FREE · ON · APPLICATION NEEDLEWORK · DEPARTMENT · EAST · INDIA · HOUSE · REGENT · ST. · W.
GEO. ROWNEY & CO.'S ARTISTS' OIL COLOURS. C. NAPIER HEMY, A.R.A., writes:— "I have been using the Oil Colours last sent, and they are really the best I have had sent from you, they are as satisfactory as any I have had in my life. "The White is of that right quality that anyone would like." NOTE NEW ADDRESS— GEO. ROWNEY & CO., 61 BROMPTON ROAD, S.W. Manufacturing Artists' Colourmen. AND MAY BE OBTAINED FROM ALL ARTISTS' COLOURMEN. REEVES' SLOW-DRYING WATER-COLOURS "THERE ARE CONDITIONS UNDER WHICH SLOW-DRYING COLOURS MUST BE OF GREAT VALUE." SIR E. J. POYNTER, P.R.A. "AS FOR THE QUALITY OF YOUR COLOURS, THERE IS NO QUESTION; THEY ARE SPLENDID." C. NAPIER HEMY, A.R.A. "I HAVE FOUND THEM TO WORK FREELY, AND LIE SMOOTH AND EVEN, AND TO BE FULL OF TONE." J. R. WEGUELIN, R.W.S. "YOUR SLOW-DRYING MOIST WATER-COLOURS STOOD THE SOUTH AFRICAN CLIMATE WELL." MORTIMER MENPES, R.I. "WORK VERY FREELY AND REMAIN MOIST, IN FACT I MAY SAY THEY ARE THE BEST THAT I HAVE EVER USED." WALTER LANGLEY, R.I. "THEY HAVE A GOOD WORKABLE CONSISTENCY WHICH I PARTICULARLY LIKE." CLAUDE HAYES, R.I. "I FIND THEM EXCELLENT. I SHALL CERTAINLY ALWAYS USE THEM." BYAM SHAW, R.I. REEVES' COLOURS ARE PURER THAN OTHERS, THEREFORE STRONGER.—THEY ARE IN MANY CASES LOWER IN PRICES THAN OTHERS. PRICE LIST POST FREE. REEVES & SONS, Ltd., DALSTON, LONDON. AD. 1
RULES OF ‘THE STUDIO’ INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise. (7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked “Prize Competitions,” with the number of the Competition on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder. --- CLASS A. DECORATIVE ART. Closes Mar. 1 April 1 A xl. DESIGN FOR A WICKET GATE. A xli. DESIGN OF SUMMER-HOUSE FOR A SMALL GARDEN. (Particulars of the above appeared in the November and December Numbers respectively.) May 1 A xlii. PLAN FOR A SMALL GARDEN. Drawings to be in pen-and-ink and to be 10 inches by 7 inches in size. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat, must reach the London office of THE STUDIO by May 1, 1907. --- CLASS B. PICTORIAL ART. Feb. 1 B xxix. STUDY OF TREES IN LEAD PENCIL. Mar. 1 B xxx. A TWO-LETTER MONOGRAM IN PEN-AND-INK. April 1 B xxxi. EX-LIBRIS OR BOOK-PLATE. (Particulars of the above appeared in the October, November, and December Numbers respectively.) Drawings to be in pen-and-ink, and not exceed 16 inches by 12 inches in size. --- CLASS C. PHOTOGRAPHS FROM NATURE. B xxxii. ILLUMINATED PAGE OF LETTERING. Each page to be 10 inches by 7 inches in size and two or more colours to be employed. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to reach the London office of THE STUDIO by May 1, 1907. C xxix. A CLOUD EFFECT. Feb. 1 C xxx. SCENE SHOWING REFLECTIONS OF HOUSES OR TREES ON WET PAVEMENTS OR ROADS. Mar. 1 C xxxi. A WINTER SCENE. April 1 C xxxii. SUNLIGHT ON SNOW. May 1 All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by Feb. 1 for C xxix, March 1 for C xxx, April 1 for C xxxi, and May 1 for C xxxii. --- COMPETITION COUPON. To be cut off and forwarded in accordance with Rule 3. Jan. 15, 1907.—This form can be used for any or all of the Competitions announced for the first time in this number—viz., A xlii, B xxxii, C xxxii. Pseudonym _______________________________ Competition No.: _________________________ Stamps enclosed: Full Name and Address _________________________ AD II Closes May 1
THE IDEAL CAMERA FOR ARTISTS. THE STEREOSCOPIC COMPANY'S "Artist" Reflex is the perfection of all Hand Cameras, as the picture can be composed and focussed up to the actual moment of making exposure. Write for illustrated list No. 10D free from THE STEREOSCOPIC COMPANY, 106 & 108 Regent Street, or 54 Cheapside, London, E.C. A. SANDERSON & SONS. BRANCH OF WALL PAPER MANUFACTURERS LTD NEAREST STATION TIRNHAM GREEN. DESIGNS SUBMITTED CHISWICK. J. S. HENRY'S WOODEN-ELECTRIC LIGHT FITTINGS The most Artistic Form of Illumination yet conceived 287-291 OLD STREET LONDON & C 22 St JAMES ST PALL MALL JW J. S. HENRY Ltd The "BOSTEL." A Safe Modern Fire. May be seen working: COALBROOKDALE Co., Ltd., 15 RATHBONE PLACE, LONDON, W. AD. III
ART EXHIBITIONS—BRITISH & FOREIGN. LONDON.—Royal Academy. Burlington House, Piccadilly, W. Winter Exh. now open. Summer Exh. May 6—Aug. 5. R.D. Mar 28, Water-Colours; Mar. 31 and April 2, Oils; April 3, Sculpture. ,, New Gallery. Regent St. May—July. R.D. Mar. 1 & 8. ,, International Society of Sculptors, Painters & Gravers. At New Gallery. Open till Mar. ,, Royal Society of British Artists. Suffolk St., Pall Mall. Spring Exh. R.D. Mar. 4. ,, Modern Society of Portrait Painters. R. I. Galleries, 191 Piccadilly. Open till Feb. 28. ,, Royal Society of Miniature Painters. Modern Gallery, 61 New Bond St. Jan. 21—Feb. 23. ,, Leicester Gallery. Leicester Sq., W.C. Works of late James Charles. First week in Feb. BIRMINGHAM.—Royal Birmingham Society of Artists. R.D. Second week in March. DUBLIN.—Royal Hibernian Academy. Lower Abbey Street. Opening day, Feb. 4. DUNDEE.—Art Society. Spring Exh. R.D. Second week in March. EDINBURGH.—Royal Scottish Academy. Feb. 2 till end of May. GLASGOW.—Institute of Fine Arts. Feb. 25—June 1. R.D. Glasgow, Jan. 24—25. LEEDS.—City Art Gallery. Spring Exh. Feb. 26—June 1. R.D. London (Dicksee’s), Jan. 24—25; Leeds, Jan. 22—23. MANCHESTER.—City Art Gallery. Mosley St. Holman Hunt Exhibition. Open till end of Jan. ,, Academy of Fine Arts. Feb. 5—Mar. 9 (Members only). PAISLEY.—Art Institute. Open till Feb. 2. ROCHDALE.—Art Gallery. Spring Exh. Feb.—May. R.D. Jan. 17. SOUTHPORT.—Atkinson Art Gallery. 29th Spring Exh. Feb. 18—May 4. BARCELONA.—Fifth International Art Exhibition. April 23—July 15, 1907. R.D. Mar. 15-30. BRUSSELS.—Société Roy. des Beaux-Arts. Ann Salon. Apr. 6—May 12 (will include special exh. of works by late Alfred Stevens). MANNHEIM.—Tercentenary Exh. International Art. Next Summer. British arrangements in charge of Prof. R. Hellwag. Alma Studios, Stratford Rd., Kensington, W. MUNICH.—“Secession,” 1 Königsplatz. Von Uhde, Hölzel, Schramm-Zittau. Till Feb. 3. PARIS.—Société Nat. des Beaux-Arts (Salon). Apr. 14—June 30. R.D. Mar. 8. ,, Société des Artistes Français (Salon). May—June. R.D. Mar. 8. ,, Galeries Georges Petit. 8 Rue de Sèze. Femmes Artistes, till Jan. 20. Miniaturistes, Jan. 21—Feb. 2. Société des Arts Réunis, Feb. 3—16. VENICE.—Seventh International Art Exhibition, 1907. Apr. 22—Oct. 31. R.D. Mar. 10-25. R.D.—Receiving day. WOULD YOU LIKE TO DRAW FOR THE PRESS? There are hundreds of Students who possess artistic ability, but who, through lack of practical knowledge, are unable to turn their talents to account. Those who desire sound professional assistance in the development and disposal of their work should consult . . . THE PRESS ART SCHOOL. This School gives a thorough Course of INSTRUCTION BY POST in all Branches of Magazine & Newspaper Illustration. Copyright system. Highest references. Pupils' drawings placed. AD. IV WILLIAMS BROS & CO PEPPER & CO. Casements & Lead Lights. 81, Endell Street, Bloomsbury, W.C. and KALEYARDS WORKS, CHESTER. Lead Lights, Stained Glass and Casements. CATALOGUES, DESIGNS AND PRICES ON APPLICATION. SEND STAMP FOR ILLUSTRATED PROSPECTUS, TO SECRETARY, 128 DRAKEFELL ROAD, NEW CROSS, LONDON, S.E.
PICTURES OF WINTER LANDSCAPE & STUDIES OF FROST & SNOW SCENES Can be obtained without the slightest discomfort or previous experience with a KODAK which, with a supply of daylight loading spools, can be carried in the pocket or on a cycle without the least exertion. A Kodak can be manipulated from the loading to the exposing and changing of the spool with your gloves on, a distinct advantage when the weather is cold. KODAK PHOTOGRAPHY can be practised from start to finish without a Dark Room, and can be mastered by half-an-hour's study of the Kodak Manual. Prices from 5/- to £8. Write for Booklet— "The Kodak in Winter." KODAK, LTD., 57-61 Clerkenwell Road, London, E.C. 96 Bold Street, LIVERPOOL; 72-74 Buchanan Street, GLASGOW; 59 Brompton Road, S.W.; 60 Cheapside, E.C.; 115 Oxford Street, W.; 171-173 Regent Street, W.; and 40 Strand, LONDON, W.C. The ROYAL COPENHAGEN PORCELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. 2 OLD BOND STREET, LONDON, W. AD. V
SELECTIONS FROM THE Autotype Company’s Publications (PERMANENT MONOCHROME CARBON). --- THE OLD MASTERS. From the principal National Collections, including the National Gallery, London; the Louvre, Dresden, Florence, etc. MODERN ART. A numerous Collection of Reproductions from the Royal Academy, the Tate Gallery, the Walker Art Gallery, the Luxembourg, etc. G. F. WATTS, R.A. The chief Works of this Artist are copied in Permanent Autotype. ROSSETTI, BURNE-JONES. A Representative Series of Works by these painters. ETCHINGS AND DRAWINGS by REMBRANDT, HOLBEIN, DÜRER, MERYON, etc. Prospectuses of above issues will be sent free on application. Full particulars of all the Company’s Publications are given in THE AUTOTYPE FINE ART CATALOGUE. ENLARGED EDITION, with Hundreds of Miniature Photographs and Tint-Blocks of Notable Autotypes. For convenience of reference the publications are arranged alphabetically under Artists’ Names. Post free, One Shilling. A Visit of Inspection is invited to The Autotype Fine Art Gallery, 74 NEW OXFORD STREET, LONDON, W.C. --- Messrs. BELL’S BOOKS FOR ARTISTS & ART WORKERS. Full Catalogue of Books for Artists & Art Workers sent post free on application. THE TREATMENT OF DRAPERY IN ART. By G. WOOLLISCROFT RHEAD, R.E., A.R.C.A.Lond. With over 50 Diagrams and Drawings in Line by the Author, and 32 Half-tone Illustrations. Post 8vo. 6s. net. ANATOMICAL DIAGRAMS FOR THE USE OF ART STUDENTS. Arranged with Analytical Notes and drawn out by JAMES M. DUNLOP, A.R.C.A., Antique and Life Class Master, and Lecturer on Artistic Anatomy in the Glasgow School of Art. With Introductory Preface by JOHN CLELAND, M.D., LL.D., F.R.S., Professor of Anatomy in the University of Glasgow. With 71 Plates, containing 150 Subjects, printed in three colours. Imperial 8vo. 6s. net. PRACTICAL DESIGNING. A Handbook on the Preparation of Working Drawings. Freely Illustrated. Edited by GLEESON WHITE. Fifth Edition. Crown 8vo. 5s. ALPHABETS. A Handbook of Lettering, compiled for the use of Artists, Designers, Handicraftsmen, and Students. By EDWARD F. STRANGE. With 200 Illustrations. Fourth Edition. Crown 8vo. 5s. IDEALS IN ART. Papers Theoretical, Practical, Critical. By WALTER CRANE. With Title-Page, End-Papers, and Cover designed by the Author, and numerous Illustrations. Medium 8vo. 0s. 6d. net. UNIFORM EDITION OF WALTER CRANE’S TEXT-BOOKS. Crown 8vo. 6s. net each. THE BASES OF DESIGN. With 200 Illustrations. LINE AND FORM. With 157 Illustrations. THE DECORATIVE ILLUSTRATION OF BOOKS OLD AND NEW. With 165 Illustrations. Illustrated Prospectus post free on application. LONDON: GEORGE BELL & SONS, York House, Portugal St., W.C. AD. VI --- Association pour la publication des monuments de l’art flamand. FONDÉE EN SOUVENIR DE L’EXPOSITION DES PRIMITIFS FLAMANDS ET D’ART ANCIEN DE 1902 À BRUGES. Les Arts anciens de Flandre. Publication périodique contenant 40 planches en monochromie et 200 pages de texte, avec illustrations; 200 collaborateurs de toutes nationalités. Prix par an, Frs. 55.00. La Peinture décorative, religieuse et civile en Belgique aux siècles passés. Par C. TULPINCK, Président de l’Association. 200 planches coloriées à la main, 200 pages de texte orné de motifs en noir et en couleur. Parait en 8 fascicules avec couvertures. Prix : 200 Francs l’ouvrage complet. I RUE WALLONE, BRUGES, BELGIQUE.
BOOKS RECEIVED. "Wood-Carving Designs." By Muriel Moller. With a Foreword by Walter Crane. 6s. net. (Batsford.) "Rossetti." By H. C. Marillier. (Miniature Series of Painters.) Illustrated. 1s. net. (G. Bell & Sons.) "Birket Foster, R.W.S." By H. M. Cundall, I S.O., F.S.A. Illustrated. 20s. net. (A. & C. Black.) "Who's Who, 1907." 10s. net. "Who's Who" Year-Book, 1907." 1s. net. (A. & C. Black.) "Porcelain: a Sketch of its Nature and Manufacture." By W. Burton, F.C.S. Illustrated. 7s. 6d. net. (Cassell & Co.) "Stories of the Italian Artists from Vasari." Arranged and Translated by E. L. Seeley. Illustrated. 7s. 6d., 15s., and 20s. net. (Chatto & Windus.) "English Illustration. The 'Sixties: 1855–1870." By Gleeson White. [Re-impression of 1879 edition.] 12s. 6d. net. (A. Constable & Co.) "The Golden Days of the Renaissance in Rome." By Rodolfo Lanciani. Illus. 21s. net. (Constable & Co.) "Rubáiyát of Omar Kháyyám." Translated by E. Fitzgerald. Introduction by Joseph Jacobs. Designs by Frank Brangwyn, A. V. A. (Gibbings & Co.) "Outlines of the History of Painting from 1200–1900 A.D." By Edmund von Mach, Ph.D. 6s. 6d. (Ginn & Co.) "Peter Pan in Kensington Gardens." By J. M. Barrie. Illustrated by Arthur Rackham, A.R.W.S. 15s. net. (Hodder & Stoughton.) "Staffordshire Pots and Potters." By G. Woolliscroft Rhead, R.E., and F. A. Rhead. Illustrated. 21s. net. (Hutchinson & Co.) "Isadora Duncan." Six Movement Designs by Edw. Gordon Craig. In Portfolio. Mk. 60. (Leipzig: Insel-Verlag.) "Poems of Longfellow." Introduction by Professor G. Saintsbury. Illustrated by Alan Wright. (The Golden Poets.) 2s. 6d. net. (T. C. & E. C. Jack.) "Shown to the Children" Series: No. 3 "Birds." Coloured Plates. 2s. 6d. net per volume. (T. C. & E. C. Jack.) "Pierre Puget, Décorateur et Mariniste." Par Philippe Auquier. 36 planches hors texte. Fr. 50 and 100. (D. A. Longuet, Paris.) "Costume: Fanciful, Historical, and Theatrical." Compiled by Mrs. Aría. Illustrated by Percy Anderson. 10s. 6d. net. (Macmillan.) "Eighteenth-Century Colour Prints." Compiled, arranged, and written by Julia Frankau. 7s. 6d. net. (Macmillan.) "Nightfall in the Ti-Tree." By Violet Teague. Woodcuts by Geraldine Rede and Violet Teague. 5s. net. (Elkin Mathews.) "Velazquez." By A. de Beruete. Illustrated. 10s. 6d. net. (Methuen.) "Sketches and Sonnets, illustrative of the Spire of St. James's Church, Louth." By J. J. Creswell, A.R.I.B.A. 3s. 6d. net. (A. Moring, Ltd.) "Five Italian Shrines." By W. G. Waters. Illustrated. 12s. net. (Murray.) "Houses and Gardens." By M. H. Baillie Scott. Illustrated. 31s. 6d. net. (Newnes.) "The Principles of Model and Common Object Drawing." By E. A. Branch. Illustrated. 2s. 6d. net. (Ralph, Holland & Co.) "Hokusai." By E. F. Strange. "Oxford." By H. J. L. J. Massé, M.A. Leather, 2s. 6d. net each. (Langham Series of Art Monographs.) (Siegle, Hill & Co.) "The Old Castle Vennal of Stirling." By J. S. Fleming, F.S.A. Illustrations by Author. Introduction by J. Honeyman, LL.D., R.S.A. ("Stirling Observer.") --- PROSPECTUSES POST FREE SOLE MAKERS OF THE PAPIER, MÂCHÉ LAY FIGURES LECHERTIER BARBE LTD. 72 YEARS AT 60 REGENT ST. JE LECHERTIER, MANAGING DIRECTOR UNIVERSAL ARTISTS' COLOURMEN & IMPORTERS. PASTELS, ALL MATERIALS FOR MODELLING, AND CASTING, TAPESTRY PAINTING, AND CHINA PAINTING. BRANCH FOR 'CHRYSLIDE & WOLFITE' (PATENT) 95 JERMYN ST. LONDON, S.W. NEW AND EASY ARTISTIC PROCESSES "CARYSLIDE & WOLFITE" -A GUIDE FOR HARDENING AND DECORATING PLASTER CASTS, Post Fare: 1.7½. FREE DEMONSTRATIONS TO PURCHASERS. LARGE STOCK OF CASTS A TROULLARD PATCH --- “Pelican Colours” GÜNTHER WAGNER’S ARTISTS’ PATENT WATER COLOURS blend most perfectly when mixed, may be most evenly applied for washes without showing the slightest trace of Granulation, and have and retain unequalled Brilliancy and Colouring. G. W. H., A.R.C.A. Lond., says:—“The beauty of the ‘PELICAN’ Colours is not sullied by inter-mixture, and effects can be obtained by their use which no other make seems to give.” Give “PELICAN” Artists’ Water Colours a practical test. THE RESULT WILL BE PERMANENT USE For further particulars, price list, colour-card booklet, with actual tints, etc., write to the Sole Manufacturer and Inventor, GÜNTHER WAGNER, 80, Milton Street, London, E.C. AD. VII --- AN COOL Best Artist Water Colors RUSSIAN HER WAGNER HANDOVER GÜNTER WAGNER
JOHN WILSONS' SUCCRS LIMTD UNIQUE DAMASK & LINENS COLLECTION of 50 TABLE DAMASK DESIGNS by WALTER CRANE, LEWIS F. DAY, R. ANNING BELL, etc. Stands alone. No firm competes with it. They weave them all on the Hand Loom—at Lurgan, Ireland—in six qualities of Double Damask, the two finest being superb. Their prices are not high, as only one profit is made. Illustrated Catalogue and Samples free on request. Other Special Departments are IRISH SHEETING and LINENS; LACE CURTAINS; HANDKERCHIEFS; REAL LACE; GLOVES; HOSE. SPECIALISTS IN FINE LINEN FOR OVER A CENTURY Late 159 BOND ST. 188 REGENT ST., LONDON, W. BARTHOLOMEW & FLETCHER The 'Eastnor' Bedroom Suite in Mahogany, complete with 2 Chairs, £10 17 6 217 & 218 TOTTENHAM COURT ROAD, W. All Goods Carriage Paid. 217 & 218 Tottenham Court Road, W. AD. VIII
THE WELL FIRE CLD 33 DOVER STREET PICCADILLY W. MORE HEATLESS LABOURLESS FUEL* BOWES PATENT PERFECT FIREPLACES OVER 1000 DESIGNS NEW ILLUSTRATED CATALOGUE FREE ON APPLICATION SHOWING ALL STYLES FROM 5/- LARGEST SELECTION OF FIREPLACES IN LONDON ON VIEW FOR THE MANSION VILLA CLUB HOTEL + OFFICE WITH OR WITHOUT RAISED HEARTS. LIVERPOOL --- MANCHESTER --- EDINBURGH --- GLASGOW --- LEEDS --- DARLINGTON --- Show 34 RoomsPARADISE STREET --- Show 16 RoomsJOHN DALTON STREET --- Show 8 RoomsGEORGE STREET --- Show 157 RoomsHOPE STREET --- Show 7 RoomsSOUTH PARADE --- Show RoomsPARK-GATE --- NEW LIGHT FOR THE NEW YEAR. Start 1907 well. Do away with all old methods, free yourself from the Inkstand and go straight to the nearest Stationer or Jeweller and buy a WATERMAN'S IDEAL FOUNTAIN PEN. Then you will know what pen perfection is. Waterman's Ideal the best fountain pen made, will lighten your day's work at the desk, save you endless trouble, and will pay its cost in time saved in the first week of the New Year. From 10/6. In Silver and Gold for presentation. Of Stationers and Jewellers. Catalogue post free from L. & C. HARDTMUTH, 12 Golden Lane, London, E.C. (New York—173 Broadway.) FOR LEADED LIGHTS ETC. AND STAINED GLASS WALTER J. DEARCE 41 GARTSIDE ST. MANCHESTER NEW CONCEPTS IN OLD STYLE & ORIGINAL IDEAS IN NEW. DESIGNS FREE. AD. IX
This issue of The Studio features a collection of modern Dutch pictures from Mr. Alexander Young, an article on the King's Sanatorium at Midhurst, and a discussion of recent etchings by Joseph Pennell. It also includes coverage of the Exhibition of Russian Art in Paris and the Imperial Arts and Crafts Schools in Vienna, alongside drawings by modern masters and studio-talk from various international correspondents.