Premières pages de l'ouvrage, en accès libre.
REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE·STUDIO An Illustrated Magazine of Fine & Applied Art NOV. 15, 1906 VOL. 39 No. 164 44 Leicester Square LONDON·W.C Monthly BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSÉE D’ANTIN PRIX: 1 FRANC 60c NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, November 15, 1906. SUPPLEMENTS:—A COLOURED REPRODUCTION OF THE OIL-PAINTING, ENTITLED "THE DRINKING-PLACE," BY C. F. DAUBIGNY; TINTED REPRODUCTIONS OF TWO OIL-PAINTINGS, BY C. F. DAUBIGNY, ENTITLED "THE APPROACHING STORM" AND "THE EDGE OF THE POOL"; A FAC-SIMILE REPRODUCTION OF "A PORTRAIT SKETCH IN PENCIL," BY JOHN HOPPNER, R.A.; A COLOURED REPRODUCTION OF A WATER-COLOUR, BY W. DACRES ADAMS, ENTITLED "FAIR HELENA"; A COLOURED REPRODUCTION OF A "PORTRAIT OF MRS. J. MALTWOOD," BY NICO JUNGMANN; AND A COLOURED REPRODUCTION OF AN OIL-PAINTING, BY JEANES, ENTITLED "REFLETS SUR LE GRAND CANAL, VENISE." TIE COLLECTION OF MR. ALEXANDER YOUNG.—II. THE DAUBIGNYS. By E. G. HALTON. Thirty-five Illustrations ...
GEO. ROWNEY & CO.'S ARTISTS' OIL COLOURS. C. NAPIER HEMY, A.R.A., writes:— "I have been using the Oil Colours last sent, and they are really the best I have had sent from you, they are as satisfactory as any I have had in my life. "The White is of that right quality that anyone would like." NOTE NEW ADDRESS— GEO. ROWNEY & CO., 61 BROMPTON ROAD. S.W., Manufacturing Artists' Colourmen. AND MAY BE OBTAINED FROM ALL ARTISTS' COLOURMEN. REEVES' SLOW-DRYING WATER-COLOURS "THERE ARE CONDITIONS UNDER WHICH SLOW-DRYING COLOURS MUST BE OF GREAT VALUE." SIR E. J. POYNTER, P.R.A. "AS FOR THE QUALITY OF YOUR COLOURS, THERE IS NO QUESTION; THEY ARE SPLENDID." C. NAPIER HEMY, A.R.A. "I HAVE FOUND THEM TO WORK FREELY, AND LIE SMOOTH AND EVEN, AND TO BE FULL OF TONE." J. R. WEGUELIN, R.W.S. "YOUR SLOW-DRYING MOIST WATER-COLOURS STOOD THE SOUTH AFRICAN CLIMATE WELL." MORTIMER MENPES, R.I. "WORK VERY FREELY AND REMAIN MOIST, IN FACT I MAY SAY THEY ARE THE BEST THAT I HAVE EVER USED." WALTER LANGLEY, R.I. "THEY HAVE A GOOD WORKABLE CONSISTENCY WHICH I PARTICULARLY LIKE." CLAUDE HAYES, R.I. "I FIND THEM EXCELLENT. I SHALL CERTAINLY ALWAYS USE THEM." BYAM SHAW, R.I. REEVES' COLOURS ARE PURER THAN OTHERS, THEREFORE STRONGER.—THEY ARE IN MANY CASES LOWER IN PRICES THAN OTHERS. PRICE LIST POST FREE. REEVES & SONS, Ltd., DALSTON, LONDON. AD. I
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise. (7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder. Closes Dec. 1 CLASS A. DECORATIVE ART. A xxxvi. DESIGN FOR A CARVED WOOD PANEL. Jan. 1 A xxxvii. DESIGN FOR A DINNER PLATE. (Particulars of the above appeared in the August and September Numbers respectively.) Mar. 1 A xl. DESIGN FOR A WICKET GATE. The design to be for a Wicket Gate constructed of wood, suitable for a small suburban house, and to include a portion of fence on either side. Drawings to be in pen-and-ink and not to exceed 16 inches by 12 inches. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat, must reach the London office of THE STUDIO by March 1, 1907. B xxx. A TWO-LETTER MONOGRAM IN PEN-AND-INK. Drawings not to exceed four inches square for single designs. Several may be sent on a sheet not exceeding 16 inches by 12 inches. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to reach the London office of THE STUDIO by March 1, 1907. CLASS B. PICTORIAL ART. Dec. 1 B xxvii. PEN-AND-INK DRAWING FOR A CHAPTER HEADING. Jan. 1 B xxviii. PEN-AND-INK BOOK ILLUSTRATION. Feb. 1 B xxix. STUDY OF TREES IN LEAD PENCIL. (Particulars of the above appeared in the August, September, and October Numbers respectively.) C closes Mar. 1 CLASS C. PHOTOGRAPHS FROM NATURE. C xxvii. A SEA OR RIVER VIEW, WITH BOATS OR SHIPPING. C xxviii. AN AUTUMN LANDSCAPE. C xxix. A CLOUD EFFECT. C xxx. SCENE SHOWING REFLECTIONS OF HOUSES OR TREES ON WET PAVEMENTS OR ROADS. All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by Dec. 1 for C xxvii, Jan. 1, 1907, for C xxviii, Feb. 1 for C xxix, and March 1 for C xxx. COMPETITION COUPON. This portion to be cut off and forwarded in accordance with Rule 3: Nov. 15, 1906.—This form can be used for any or all of the Competitions announced for the first time in this number—viz., A xi, B xxx, C xxx. Pseudonym of Competitor Competition No. Full Name and Address AD. II
THE IDEAL CAMERA FOR ARTISTS. THE STEREOSCOPIC COMPANY'S "Artist" Reflex is the perfection of all Hand Cameras, as the picture can be composed and focussed up to the actual moment of making exposure. Write for illustrated list No. 10D free from THE STEREOSCOPIC COMPANY, 106 & 108 Regent Street, or 54 Cheapside, London, E.C. THE WALL PAPER MANUFACTURERS LTD A SANDERSON & SONS' BRANCH CHISWICK. NEAREST RAILWAY STATION TURNHAM GREEN. DESIGNS FOR WALL PAPERS SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK. J.S HENRY'S WOODEN ELECTRIC LIGHT FITTINGS The most Artistic Form of Illumination yet conceived 287 - 291 OLD STREET LONDON C.C 22 St JAMES ST PALL MALL SW J.S HENRY Ltd The "BOSTEL." A Safe Modern Fire. May be seen working: COALBROOKDALE Co., Ltd., 15 RATHBONE PLACE, LONDON, W. AD. III
ART EXHIBITIONS—BRITISH & FOREIGN. LONDON.—Royal Society of Painters in Water-Colours. 5a Pall Mall East. Open till Dec. 26. ,, Royal Society of British Artists. Suffolk St., Pall Mall. Till Jan. 12. ,, Institute of Oil Painters. 195 Piccadilly. Till Dec. 12. ,, New English Art Club. Dering Yard, 67a New Bond St., W. Press view, Nov. 16. ,, Society of Twenty-Five English Painters. At Messrs. Dowdeswell’s Galleries, 160 New Bond Street. During Nov. ,, Society of Portrait Painters (New Gallery). Now open. ,, Whitechapel Art Gallery. Jewish Art. Nov. 7—Dec. 16. BIRMINGHAM.—Royal Birmingham Society of Artists. Open till Jan. 5. BRADFORD.—Yorkshire Union of Artists. Cartwright Memorial Hall. Open till Jan. 5. BRIGHTON.—Corporation Art Gallery. Autumn Exhibition. Open till Jan. 5, 1907. ,, Royal Amateur Art Society (Sussex Branch). Sixth Annual Exhibition will be opened, 1 Grand Avenue, Hove, by H.H. Princess Louise Augusta of Schleswig-Holstein on Nov. 30. Closes Dec. 5. DUBLIN.—Royal Hibernian Academy. Lower Abbey Street. Rec. day, London and Edinburgh, Dec. 22; Dublin, Jan. 5. Opening day, Feb. 4. DERBY.—Corporation Art Gallery. Autumn Exhibition of Modern Pictures. Till Jan. 12. GLASGOW.—Society of Artists. At Institute Galleries, 270 Sauchiehall Street. Now open. LIVERPOOL.—Walker Art Gallery. 36th Ann. Exh. of Modern Art. Open till Jan. 5. MANCHESTER.—City Art Gallery. Autumn Exhibition. Open till Jan. 5. NEWCASTLE-ON-TYNE.—Bewick Club. Open till Dec. 1. PAISLEY.—Art Institute. Dec. 26—Feb. 2. Rec. day Dec. 12. (Members only.) PENZANCE.—Arts and Crafts Exhibition, including works by past and present artists of Newlyn, St. Ives and Falmouth. Nov. 19–24. BARCELONA.—Fifth International Art Exhibition. April 23—July 15, 1907. Rec. days March 15–30. Regulations in English from Secretary, C. Pirozzini. PARIS.—Salon d’Automne, Grand Palais. (Special Section devoted to Russian Art.) Open till Dec. 15. VENICE.—Seventh International Art Exhibition, 1907. Apr. 22—Oct. 31. Duplicate notice by Jan. 1. Rec. days March 10–25. VIENNA.—Genossenschaft bildender Künstler. Open till Christmas. Secretary, 5 Karlsplatz. ,, Künstlerbund Hagen, 6 Zedlitzgasse. ,, Vereinigung bildender Künstler, “Szession.” Autumn Exh. Sec., 12 Friedrichsstrasse. --- The Press Art School Gives thorough Course of INSTRUCTION BY CORRESPONDENCE IN ALL BRANCHES OF MAGAZINE & NEWSPAPER ILLUSTRATION. THROUGH the agency of this school Students are obtaining Press introductions and publication of their drawings in first-class periodicals. Our Copyright System has received the highest Press recommendations, and we can give most satisfactory references from pupils. There are always excellent openings or clever drawings. Illustration is profitable as a hobby or profession. We teach you to produce . . SALEABLE BLACK-AND-WHITE WORK. Send stamped envelope for illustrated prospectus to Secretary THE PRESS ART SCHOOL, 128 Drakefell Road, NEW CROSS, LONDON, S.E. AD. IV --- Art Wall Papers THE GOLDEN PHEASANT. 5s. per Piece. Patterns on application. The Largest Showroom in London, CHAS. KNOWLES & CO., LTD., 164 King’s Road, Chelsea, London, S.W.
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The AUTOTYPE CO. 74 NEW OXFORD STREET, LONDON, W.C. Monochrome Copies of Pictures by Old Masters. By the Permanent AUTOTYPE Carbon Process. FROM THE PRINCIPAL COLLECTIONS OF NOTE. Numerous Examples of Works by Modern Artists. THE AUTOTYPE COMPANY'S Processes of Permanent Photographic Reproduction are extensively employed by the Trustees of the British Museum, the Local Government Board, many of the Learned Societies, and leading Publishers. Copies of Coins, Seals, Medals, MSS., Drawings, Engravings, Art Objects, Microscopic Work, etc. Inquiries are invited from those requiring SPECIMENS AND ESTIMATES SUBMITTED. Book Illustrations of the very highest quality. THE AUTOTYPE FINE ART CATALOGUE. ENLARGED EDITION. With Hundreds of Miniature Photographs and Tint-Blocks of Notable Autotypes. For convenience of reference the Publications are arranged alphabetically under Artists' Names. Post free, ONE SHILLING. A VISIT OF INSPECTION IS INVITED TO The Autotype Fine Art Gallery, 74 NEW OXFORD STREET, LONDON, W.C. A Special Book for Collectors. THE TRIUMPHS OF PETRARCH. Translated into English by HENRY BOYD. With an Introduction by Signor GUIDO BIAGI, Librarian of the Royal Medican Laurentian Library in Florence. With six Facsimiles in Photogravure of XVI. Century Etchings of the Triumphs, 4to, £8 8s. net. Just out. A specially choice Edition has been printed on VELLUM, and is limited to 10 copies (for sale in this country), price 63 guineas. This book constitutes an entirely new departure in artistic typography. The English Edition is limited to two numbered copies, printed on Italian hand-made paper, and ten printed on parchment. Every detail in the production of the book has been most scrupulously looked to; the type, especially made for this volume, has been shaped after the letters used by the most accomplished Scribes of the Fifteenth Century. The Initials are executed in raised gold by Attilio Formili, of Florence. The paper has been especially manufactured in Italy, after an old Italian formula, being the closest approach to the ancient hand-made paper yet found. The work is fond in leather, blind-stamped with a beautiful Fourteenth-century design. The vellum copies, which will each contain a hand-illuminated page, also by Attilio Formili of Florence, copied from a Fifteenth-Century original, may be regarded as one of the finest productions of the book creator's art yet realised. Never before had Petrarch so fine a setting for his work. THE SHORES OF THE ADRIATIC. An Architectural and Archaeological Pilgrimage. The Italian side. By F. HAMILTON JACKSON. With numerous Illustrations from Drawings by the Author. Medium 8vo. 21s. net. Just out. JOHN MURRAY, ALBEMARLE ST., W. AD. VI MESSRS. BELL'S BOOKS Please write for Messrs. Bell's new Illustrated Miniature Catalogue, sent Post Free on application. HOW TO LOOK AT PICTURES. By ROBERT CLERMONT WITT, M.A. With 35 Illustrations. Fifth Edition. Post 8vo, 5s. net. "A better gift or people who are 'dimly fond of pictures,' but who regret that they 'know nothing about them,' could not be found."—Spectator. HOW TO COLLECT OLD FURNITURE. By FREDERICK LITCHFIELD. With 40 Illustrative Plates and numerous Woodcuts in the text. Third Edition. Post 8vo, 6s. net. "The book is, without question, the most interesting and informing guide that the modern fashion for antique furniture has produced."—Fall Mall Gazette. HOW TO COLLECT BOOKS. By J. H. SLATER. With 25 Full-page Plates and numerous other Illustrations. 6s. net. "Probably no sounder guide could be found to the changes of taste and fashion in book-collecting."—Manchester Guardian. HOW TO IDENTIFY OLD CHINA. By Mrs. WILLOUGHBY HODGSON. Fourth Thousand. With 40 Illustrative Plates and numerous Reproductions of Marks. Post 8vo, 5s. net. "The information given is precisely what is needed, and it is particularly well arranged, with a preliminary chapter of practical advice."—Westminster Gazette. HOW TO IDENTIFY PORTRAIT MINIATURES. By GEORGE C. WILLIAMSON, Litt.D., Author of "The History of Portrait Miniatures," etc. With Chapter on "How to Paint Miniatures," by ALIN WILLIAMS, R.B.A., A.R.C.A. With 40 Plates, illustrating upwards of 70 Miniatures. Second Edition. Post 8vo, 6s. net. "Contains much valuable information for the collector of examples of this form of . . . The book is finely illustrated."—Morning Post. BELL'S HANDBOOKS OF THE GREAT MASTERS IN PAINTING AND SCULPTURE. Post 8vo, with 40 Illustrations and a Photogravure Frontispiece, 5s. net each. Botticelli. Giotto. Raphael. Brunelleschi. Frans Hals. Rembrandt. Correggio. Leonardo da Vinci. Rubens. Grivelli. Luini. Signorelli. Del Sarto. Mantegna. Sodoma. Della Robbia. Memline. Tintoretto. Donatello. Michael Angelo. Van Dyck. Gerard Dou. Perugino. Velazquez. Gaudenzio Ferrari. Piero della Francesca. Watteau. Francia. Wilkie. Giorgione. Pintoricchio. Full Prospectus on application. LONDON: GEORGE BELL & SONS, York House, Portugal St., W.C.
“THE STUDIO” CHRISTMAS CARDS PRINTED IN COLOURS EXPRESSLY FOR “THE STUDIO” FROM DESIGNS BY JOHN HASSALL, R.I., MRS. BURLEIGH AND MISS ETHEL LARCOMBE. --- A SAMPLE SET OF FOUR CARDS MAY NOW BE OBTAINED, PRICE ONE SHILLING (POST FREE, ONE SHILLING AND A PENNY). ANY ONE OF THESE CARDS CAN BE SUPPLIED SEPARATELY AT THE FOLLOWING PRICES: For 50, --- Price 12s. 6d., --- With Name and Address --- 17s. 6d. --- ” 75, --- ” 17s. 6d., --- ” ” --- 23s. 0d. --- ” 100, --- ” 22s. 6d., --- ” ” --- 28s. 6d. --- INCLUDING ENVELOPES. --- AS A LIMITED NUMBER ONLY ARE BEING PRINTED, ORDERS ACCOMPANIED BY REMITTANCE SHOULD BE SENT AT ONCE EITHER THROUGH A STATIONER OR DIRECT TO THE OFFICES OF “THE STUDIO,” 44 LEICESTER SQUARE, LONDON, W.C. --- . . THE ART OF . . ENAMELLING UPON METAL WITH A SHORT APPENDIX CONCERNING MINIATURE PAINTING ON ENAMEL . . BY . . ALEXANDER FISHER, Hon. A.R.C.A. WITH TWO COLOURED PLATES AND NUMEROUS ILLUSTRATIONS Crown 4to. boards. Price 2s. 6d. net. (Postage 4d.) $\mathcal{S}^{\circ}$ Written by the leading authority in this country on the practice and history of the Art of Enamelling, this work will be found of great interest by all who are studying this fascinating branch of art. The work embodies the results of Mr. Fisher’s personal knowledge and experience in daily practice, and the technical descriptions of the processes involved have been kept as brief as is compatible with clearness. The interesting series of illustrations have been chosen chiefly from museums for sake of convenient reference, while others are from the work of Mr. Fisher himself and other contemporary artists. OFFICES OF “THE STUDIO,” 44 LEICESTER SQUARE, LONDON, W.C. AD. VII
OFTZMANN & CO HAMPSTEAD ROAD. W. CONTINUATION NORTH OF TOTTENHAM-COURT ROAD 60°61 GRAFTON ST DUBLIN 222 RUE ROYALE BRUSSELS. SALE OF THE FURNISHING STOCK OF THE LATE FIRM OF KAUFMANN & Co., WHOLESALE MANUFACTURERS, WEASTE, MANCHESTER, AT LESS THAN ORIGINAL COST TO MANUFACTURE. SPECIAL ILLUSTRATED SALE CATALOGUE POST FREE. Solid Mahogany Chair, to match, upholstered in Morocco leather, each £1 5s. 6d. Arm Chair, to match, £1 15s. SOLID MAHOGANY DINING ROOM SUITE in the BROTHERS ADAM Style (Registered Design). Well-made Solid Mahogany Bureau, to match, interior fitted for stationery, &c., 2 ft. 6 in. wide, £3 15s. Overmantel, to match, fitted with large bevelled-edge mirror 4 ft. 6 in. wide, £2 5s. Solid Carved Mahogany Sideboard, 5 ft. wide, with carved panels, fitted with two cupboards, enclosed by panelled doors and with deep cellarette drawer in the centre, £6 15s. Dining Table, to match, 2 ft. 9 in. wide by 6 ft. 6 in. long, £2 17s. 6d. JOHN WILSONS' SUCC'RS LIMITED UNIQUE DAMASK & LINENS COLLECTION of 50 TABLE DAMASK DESIGNS by WALTER CRANE, LEWIS F. DAY, R. ANNING BELL, etc. Stands alone. No firm competes with it. They weave them all on the Hand Loom—at Lurgan, Ireland—in six qualities of Double Damask, the two finest being superb. Their prices are not high, as only one profit is made. Illustrated Catalogue and Samples free on request. Other Special Departments are IRISH SHEETING and LINENS; LACE CURTAINS; HANDKERCHIEFS; REAL LACE; GLOVES; HOSE. SPECIALISTS IN FINE LINEN FOR OVER A CENTURY Late 159 BOND ST. 188 REGENT ST., LONDON, W. AD. VIII
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This issue of The Studio, a monthly magazine of fine and applied art, features a collection of articles and reproductions. It includes a focus on the works of C. F. Daubigny, alongside contributions on various artists and art movements. The magazine also announces its international prize competitions and lists current art exhibitions in Britain and abroad.