Premières pages de l'ouvrage, en accès libre.
REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE·STUDIO An Illustrated Magazine of Fine & Applied Art SEPT. 15, 1906 VOL. 38 No. 162 44 Leicester Square LONDON·W·C Monthly BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSÉE D’ANTIN PRIX: 1 FRANC 60¢ NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, September 15, 1906. SUPPLEMENTS:—A Reproduction in Photogravure of a Portrait of Mlle. Emma Rassmussen, from the Etching by ANDERS ZORN; a Reproduction of the Etching by ANDERS ZORN, entitled “The Model”; a Coloured Reproduction of a Water-Colour by WALTER TYNDALE, entitled “The Apple Stall, Mentone Market”; a Coloured Lithographic Reproduction of a Sketch of Oliver Goldsmith by SIR JOSHUA REYNOLDS; a Coloured Reproduction of the Sketch of a House near Cheltenham, ARNOLD MITCHELL, Architect; a Coloured Reproduction of a Silk Panel, “The Rose Bower,” by JOAN DREW; a Coloured Reproduction of a Drawing in Pastel by G. S. SMITHARD, entitled “The Grey Mule.” PAGE A NOTE ON THE RECENT WORK OF ANDERS ZORN. By HENRI FRANTZ. Eight Illustrations ...
GEO. ROWNEY & Co.'s Registered SKETCHING CASE Reg. No. 270111. INCLUDING ARTISTS' COLOURS, BRUSHES, & PENCIL. THIS Case, from its great convenience and portability, is particularly adapted to the use of Artists and Amateurs desirous of having the materials at hand for a hasty Sketch without being encumbered with the weight of an ordinary box. MADE IN THE TWO FOLLOWING SIZES: "8vo Impl." containing a 12-leaf Whatman Block, 10 in. by 7 in., and a Pocket for Loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Artists' Colours. PRICE 15s., FITTED COMPLETE. "16mo. Impl." containing a 12-leaf Whatman Block, 7 in. by 5 in. and a Pocket for Loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Artists' Colours. PRICE 10s. 6d., FITTED COMPLETE. These cases are supplied fitted to any arrangement desired. A Japanned Tin Palette opens out when the Case is in Use, as shown in above illustration. Manufactured only by GEO. ROWNEY & CO., 61 Brompton Road, LONDON, S.W. To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom. REEVES' SLOW-DRYING WATER-COLOURS "THERE ARE CONDITIONS UNDER WHICH SLOW-DRYING COLOURS MUST BE OF GREAT VALUE." SIR E. J. POYNTER, P.R.A. "AS FOR THE QUALITY OF YOUR COLOURS, THERE IS NO QUESTION; THEY ARE SPLENDID." C. NAPIER HEMY, A.R.A. "I HAVE FOUND THEM TO WORK FREELY, AND LIE SMOOTH AND EVEN, AND TO BE FULL OF TONE." J. R. WEGUELIN, R.W.S. "YOUR SLOW-DRYING MOIST WATER-COLOURS STOOD THE SOUTH AFRICAN CLIMATE WELL." MORTIMER MENPES, R.I. "WORK VERY FREELY AND REMAIN MOIST, IN FACT I MAY SAY THEY ARE THE BEST THAT I HAVE EVER USED." WALTER LANGLEY, R.I. "THEY HAVE A GOOD WORKABLE CONSISTENCY WHICH I PARTICULARLY LIKE." CLAUDE HAYES, R.I. "I FIND THEM EXCELLENT. I SHALL CERTAINLY ALWAYS USE THEM." BYAM SHAW, R.I. REEVES' COLOURS ARE PURER THAN OTHERS, THEREFORE STRONGER.—THEY ARE IN MANY CASES LOWER IN PRICES THAN OTHERS. PRICE LIST POST FREE. REEVES & SONS, Ltd., DALSTON, LONDON. AD. I
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise. (7) All drawings &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder. CLASS A. DECORATIVE ART. Closes Oct. 1 A xxxiv. DESIGN FOR A CUSHION COVER. Nov. 1 A xxxv. DESIGN FOR A LYCH GATE. Dec. 1 A xxxvi. DESIGN FOR A CARVED WOOD PANEL. (Particulars of the above appeared in the June, July, and August Numbers respectively.) Jan. 1 A xxxvii. DESIGN FOR A DINNER PLATE. Drawings to be in colour, full size. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat, to reach the London office of THE STUDIO by Jan. 1, 1907. Oct. 31 A xxxviii. DESIGN FOR A BOOK COVER. The design required is for an edition of Victor Hugo's Selected Works to be issued by a publisher in Paris. Drawings submitted must be of the same size as a page of THE STUDIO, namely, $11\frac{1}{2}$ by $8\frac{1}{2}$ inches (= ca. 30 cm. by 20.5 cm.), and may be in black-and-white or in colours (but not exceeding three). Three blank spaces must be left for insertion of name of author, title of work, and publisher's name. FIRST PRIZE: Five Pounds; SECOND PRIZE: Three Pounds; THIRD PRIZE: Two Pounds. The prize designs to become the absolute property of the publisher, who also reserves the right to purchase further designs for one pound ten shillings each. Drawings, packed flat, must reach the London Office of THE STUDIO by Oct. 31. CLASS B. PICTORIAL ART. B xxv. FIGURE STUDY IN RED AND BLACK CHALK. B xxvi. LANDSCAPE IN WATER-COLOURS. B xxvii. PEN-AND-INK DRAWING FOR A CHAPTER HEADING. (B Particulars of the above appeared in the June, July, and August Numbers respectively.) B xxviii. PEN-AND-INK BOOK ILLUSTRATION. The subject to be at the discretion of the competitor. Drawings not to exceed in size a page of THE STUDIO. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to reach the London office of THE STUDIO by Jan. 1, 1907. CLASS C. PHOTOGRAPHS FROM NATURE. C xxv. STUDIES IN TONE RELATIONS. 6. AN ARCHITECTURAL INTERIOR. C xxvi. A HARVEST SCENE. C xxvii. A SEA OR RIVER VIEW, WITH BOATS OR SHIPPING. C xxviii. AN AUTUMN LANDSCAPE. All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by Oct. 1 for C xxv, Nov. 1 for C xxvi, Dec. 1 for C xxvii, and Jan. 1, 1907, for C xxviii. COMPETITION COUPON. This portion to be cut off and forwarded in accordance with Rule 3: Sept. 15, 1906.—This form can be used for any or all of the Competitions announced for the first time in this number—viz., A xxxvii, xxxviii, B xxviii, C xxviii. Pseudonym of Competitor Competition No. Full Name and Address AD. II
THE . . . METROSTYLE PIANOLA IN piano playing, as everyone knows, there is all the difference imaginable between the performance of one who is familiar with the composition he is playing and the efforts of one who has never heard the music before, and that is really the chief difference between the results produced by the Pianola as compared with any other piano-player. For the effect of the Metro-style, which is found only in the Pianola, is to make everyone acquainted with the manner in which a composition should be rendered. Great artistes have recorded on the music-rolls a line showing the tempo and subtle dynamic effects which distinguish their performances, and stamp them as models of what piano-playing should be. The Pianola, with the Metrostyle, enables anyone to re-create these efforts of artistic genius. It is easy to obtain a Pianola, for on the Deferred Payment System the price may be spread over one, two, or three years. You are cordially invited to call at Æolian Hall, but if unable to do so Catalogue R will gladly be sent. THE ORCHESTRELLE COMPANY, ÆOLIAN HALL, 135-6-7 NEW BOND STREET, LONDON, W. A SANDE RSON & SONS WALPAPER MANUFACTURERS' LIMPO WORKS AT CHISWICK DESIGNS FOR WALPAPERS SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK The "BOSTEL." A Safe Modern Fire. May be seen working: COALBROOKDALE Co., Ltd., 15 RATHBONE PLACE, LONDON, W. AD. III
ART EXHIBITIONS—BRITISH & FOREIGN. LONDON.—Photographic Salon Exhibition. Royal Water-Colour Society’s Galleries, 5a Pall Mall East. Sept. 14—Oct. 27. Hon. Sec., Reg. Craigie. BEDFORD.—Bedford Society of Artists. Autumn Exh., Oct. 17—Nov. 10. Rec. day, Oct. 13. Hon. Sec., H. P. Young. BRIGHTON.—Sussex Branch, Royal Amateur Art Society. November. Hon. Sec., Miss Campion, Danny, Hassocks. DORCHESTER.—Art Exhibition (Pictures only). Oct. 1 —Nov. 3. Rec. day, Sept. 20. LIVERPOOL.—Walker Art Gallery. 36th Ann. Exh. of Modern Art. Sept. 17—Jan. 5. AMIENS.—Exposition Internationale (Section des Beaux-Arts). Closes Oct. 1. BERLIN.—Grosse Berliner Kunstausstellung, near Lehrter Bahnhof. Open till end of Sept. Friedmann and Weber Galleries, 9 Königgrätzerstrasse. International Loan Exh. of Miniatures. Oct. Letters to Dr. F. Wolff. BIARRITZ.—Société des Amis des Arts, Hôtel de Ville. Closes Sept. 25. CORLENZ.—Kunst und Altertumsverein. Autumn Exh. COLOGNE.—Verein der Kunstfreunde, Deutsche Kunstausstellung, 1906. Till Oct. 31. DIEPPE.—Société des Amis des Arts. Closes Sept. 20. DRESDEN.—Kunstgewerbe Ausstellung (Arts and Crafts). Till Oct. 31. HANOVER.—Kunstverein. Sept. 15—Oct. 31. INNSBRUCK.—Tiroler Künstlerbund. Till Oct. KREFELD.—Kaiser Wilhelm Museum. Gregor von Bochmann’s works. Nov. LINZ, Upper Austria.—Kunstverein. Exh. of Dresden Artists, Autumn. LUCERNE.—Kunstgesellschaft. Till Oct. 15. MARSEILLES.—Exposition Coloniale (Sections des Beaux-Arts, Anciens et Modernes). Till Oct. MILAN.—Esposizione Internazionale. Till Nov. MUNICH.—Künstlergenossenschaft, Glaspalast. Ann. Exh. Closes Oct. 31. „ Sezession, Königsplatz. International Exh. Closes Oct. 31. NUREMBERG.—National Bavarian Jubilee Exh. of Art and Industry. Till Oct. PARIS.—Salon d’Automne, Grand Palais. Oct. 15—Dec. 15. Rec. day, Sept. 1. PRAGUE.—Kunstverein für Böhmen. Autumn. SALZBURG.—Künstlerhaus und Kunstverein. Modern Art, all countries. Till end of Sept. VIENNA.—Genossenschaft bildender Künstler. Autumn Exh. beg. of Nov. till Christmas. Secretary, 5 Karlsplatz, Vienna I. „ Künstlerbund Hagen, 6 Zedlitzgasse. Autumn Exh. opens middle Nov. „ Vereinigung bildender Künstler, “Sezession.” Autumn. Secretary, 12 Friedrichsstrasse, Vienna I. WEIMAR.—Künstlerbund. Closes Oct. 15. --- THE PRESS ART SCHOOL Gives thorough Course of INSTRUCTION BY CORRESPONDENCE IN ALL BRANCHES OF MAGAZINE & NEWSPAPER ILLUSTRATION. Through the agency of this school Students are obtaining Press introductions and publication of their drawings in first-class periodicals. Our Copyright System has received the highest Press recommendations, and we can give most satisfactory references from pupils. There are always excellent openings for clever drawings. Illustration is profitable as a hobby or profession. We teach you to produce . . SALEABLE BLACK-AND-WHITE WORK. Send stamped envelope for illustrated prospectus to Secretary THE PRESS ART SCHOOL, 128 Drakefell Road, NEW CROSS, LONDON, S.E. AD. IV --- JOSEPH GILLOTT’S PENS The “WELCOME” is one of our new metal pens, with a point cut slightly aslant. For swiftness, softness, and fluency this is the perfect pen. The “GOLDFIELDS” is a very special pen, highly gilt, with a medium point. It is extremely well liked by all users of the medium-pointed variety. The third pen illustrated is our famous broad-pointed, easy-running “J.G.” It is rapidly superseding all other stub pens. The “J.G.” seems to glide over the paper of its own free will, so easy is its action. Joseph Gilott’s Pens, in Sixpenny or Gross Boxes, of Stationers, etc. Sample Card of Pens free on receipt of address and penny stamp (postage). Sample Box of Thirty Pens, assorted for testing. Seven Stamps—JOSEPH GILLOTT & SONS (Dept. 37), 37 Gracechurch Street, London, E.C. (Also at Birmingham.) JOSEPH GILLOTTS WELCOME PEN JOSEPH GILLOTTS GOLDFIELDS PEN JOSEPH GILLOTTS STAMPS-PENS
Burns All Day Without Attention. Saves Half the Fuel. THE WELL FIRE (BOWES' PATENT). THE fire is on the hearth in the bright cheery old English fashion, but underneath is a scientifically constructed chamber lined with fire-brick, which is so arranged as to ensure a constant supply of pure warm air all over the room. The warmth of the fuel does not escape up the chimney. There is no dust or waste; no soot or fumes and no labour. The Well Fire may be adjusted to any fireplace, and may be seen burning at the Showrooms. Be careful to note the trademark. WRITE TO-DAY FOR CATALOGUE T NEW EDITION, FULLY ILLUSTRATED POST FREE ON REQUEST. Full particulars sent free on application to— THE WELL FIRE Co., Ltd., DOVER STREET, PICCADILLY, W. MANCHESTER: 16 John Dalton St. LIVERPOOL: 34 Paradise St. LEEDS: 7 South Parade. EDINBURGH: 8 George St. GLASGOW: 157 Hope St. (Well Fire Depot). DUBLIN: Maguire & Gatchell, Ltd. (Agents), 10 Dawson St. Wholesale and Export: Darlington. CANADA: Sole Agents—Messrs. W. & E. Thornton-Smith, King St. West, Toronto. THE DANISH GALLERIES Aluminia Faience Coffee Set, complete, 28/- 2 OLD BOND STREET, LONDON, W. AD. V
PERMANENT PHOTOGRAPHIC REPRODUCTIONS THE AUTOTYPE COMPANY invites enquiries from Artists concerning the reproduction of Paintings, Drawings, and other Works of Art, and in doing so would call attention to the fact that its experience in PERMANENT PHOTOGRAPHY is probably unique. Established some 35 years ago, with the object of working on a commercial basis the then newly-invented CARBON PROCESS of J. W. SWAN, the Company has during that long period reproduced, both for its own Publishing Department and Private Commission, many thousands of subjects, embracing Works by Old Masters and distinguished painters of modern times. At the present day the Company still holds the foremost place amongst those undertaking permanent reproductions of Artists' work, and has steadily kept in the van of modern progress by employing the latest improvements in photographic reproductive methods. Amongst the many distinguished British Artists who have employed the Company's services may be mentioned: J. MACWHIRTER, R.A. H. S. TUKE, A.R.A. The Hon. JOHN COLLIER. F. SHIELDS, R.W.S. to each of whom reference is permitted. Examples of the Company's processes may always be seen at their Fine Art Gallery, where all information respecting contemplated work will gladly be given. TARIFF BY POST ON APPLICATION. THE AUTOTYPE COMPANY, Autotype Works: WEST EALING, W. FINE ART GALLERY AND OFFICES: 74 NEW OXFORD STREET, LONDON, W.C. AD. VI
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This issue of "The Studio" is a monthly publication featuring fine and applied arts. It includes reproductions of artworks by various artists such as Anders Zorn, Walter Tyndale, and Sir Joshua Reynolds. The content also features articles on art, advertisements for art supplies and exhibitions, and details on international art competitions.