Premières pages de l'ouvrage, en accès libre.
REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE · STUDIO An Illustrated Magazine of Fine & Applied Art MAR. 15, 1904 VOL. 31 No. 132 44 Leicester Square LONDON Monthly $1^{\text{S}}/\text{Net}$ BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF O CHAUSSEE D'ANTIN RIX : 1 FRANC 60¢ NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, March 15, 1904. SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF THE PASTEL STUDY ENTITLED, “THE BLUE GIRL,” BY JAMES MCNEILL WHISTLER; A REPRODUCTION IN PHOTOGRAPHURE OF A WATER-COLOUR DRAWING ENTITLED “AN ALGERIAN INTERIOR,” BY ANDERS ZORN; A REPRODUCTION IN COLOURS OF A STUDY OF A HEAD IN PASTEL BY J. G. BESSON; A TINTED REPRODUCTION OF A PORTRAIT IN LITHOGRAPHY BY F. E. JACKSON; A TINTED REPRODUCTION OF AN OIL PAINTING BY CARLOS GRETHE, ENTITLED “HAMBURG DOCKS—EVENING EFFECT”; A REPRODUCTION IN COLOURS OF A PORTION OF AN ILLUMINATED ADDRESS BY A. A. ORR; A REPRODUCTION IN COLOURS OF A DRAWING OF CARVED AND COLOURED WOODWORK IN FRAMLINGHAM CHURCH, BY FRANK BRANGWYN, A.R.A. MODERN PAINTING IN SWEDEN. By AXEL TALLBERG. PAGE Twenty-two Illustrations . . . . . . . . . . . . 97 CAMBRIDGE COLLEGES. DRAWN BY VERNON HOWE BAILEY. Eight Illustrations . . . . . . . . . . . . 113 MODERN FRENCH PASTELLISTS: JULES GUSTAVE BESSON. By HENRI FRANTZ. Six Illustrations. 121 SOME RECENT WORK BY MR. C. F. A. VOYSEY. By AYMER VALLANCE. Eight Illustrations . . . . . . . . . . . . 127 MR. F. E. JACKSON’S LITHOGRAPHS. By ERNEST RADFORD. Five Illustrations . . . . . . . . . . . . 134 THE WORK OF CARLOS GRETHE. By PROFESSOR HANS W. SINGER. Twelve Illustrations . . . . . . . . . . . . 140 STUDIO-TALK (From our own Correspondents):— LONDON. Eight Illus. --- VIENNA. Three Illus. --- GLASGOW. Four Illus. --- BUCHAREST. Eight Illus. --- BRISTOL. --- FLORENCE. --- PARIS. Six Illus. --- TOKYO. Two Illus. --- REVIEWS . . . . . . . . . . . . 175 AWARDS IN “THE STUDIO” PRIZE COMPETITIONS. Eighteen Illustrations . . . . . . . . . . . . 179 THE LAY FIGURE: On the Encouragement of Decorative Art 188 --- THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. NINE GOLD MEDALS JEFFREY & CO'S ARTISTIC WALL PAPERS. WEST-END-SHOW ROOMS THE WALL-PAPER-GALLERY 31-MORTIMER-ST. REGENT STREET-W. FACTORY 64-ESSEX-RP. OFFICES ISLINGTON N. THEIR LATEST WALL PAPERS NOW ON EXHIBITION Are to be obtained of all Decorators and Wall Paper Merchants. Telephone No. 134 Dalston. --- WINSOR & NEWTON’S FINELY PREPARED OIL COLOURS In Collapsible Tubes. Revised list of Oil-Colours will be sent post free on application. “SMALL STUDIO” Tube. For the convenience of Artists using large quantities of Colour, all Messrs. Winsor & Newton’s Oil Colours are supplied in “SMALL STUDIO” and “STUDIO” Tubes, containing respectively “FOUR TIMES” and “SIX TIMES” as much as an ordinary two-inch Tube, at considerably reduced prices. WINSOR & NEWTON, Ltd., Sole Agents for Great Britain, the British Colonies and the United States of America for RAFFAELLI’S SOLID OIL-COLOURS. Rathbone Place, LONDON, W. --- RVKIN:HOVE: WILLIAM MORRIS J.C. 252, FVLHAM ROAD, S.W. LEADED LIGHTS AND METAL CASEMENTS.
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ARTISTS' PRICES, NET. ANTWERP BLUE --- IVORY BLACK --- BURNT SIENNA --- MCGUILP --- BURNT UMBER --- LIGHT RED --- CHROME No. 1 (LEMON) --- PRUSSIAN BLUE --- CHROME No. 2 (YELLOW) --- RAW SIENNA --- CHROME No. 3. (ORANGE) --- RAW UMBER --- EMERALD GREEN --- TERRA VERT --- FLAKE WHITE --- TRANSPARENT GOLD OCHRE --- INDIAN RED --- VANDYKE BROWN --- INDIGO --- YELLOW OCHRE --- Studio, 9d. each; Half-Studio, 6d. each. CHROME No.4 (ORANGE DEEP) --- NAPLES YELLOW No. 1 --- Studio, 1/- each; --- Half-Studio, 8d. --- CRIMSON LAKE --- PERMANENT BLUE --- FRENCH ULTRAMARINE --- Studio, 1/6 each; --- Half-Studio, 11d. --- CRIMSON ALIZARIN --- SCARLET VERMILION --- MADDER BROWN --- VERMILION --- Studio, 2/- each; --- Half-Studio, 1/2. --- COBALT --- ROSE MADDER --- INDIAN YELLOW --- VIRIDIAN or VERONESE --- LEMON YELLOW --- GREEN --- Studio, 5/6 each; --- Half-Studio, 2/6. --- CADMIUM, PALE, YELLOW OR ORANGE --- Studio, 6/6 each; --- Half-Studio, 3/6. --- The “Half-Studio” size will be found most convenient for sketching. Manufactured by GEORGE ROWNEY & CO., 64, Oxford Street, W. And may be obtained from the Principal Dealers in Artists’ Materials throughout the Kingdom. --- REEVES’ NEW PRICE LIST, 1904. SECTION OF COLOURS AND COLOUR BOXES NOW READY. POST FREE. REEVES’ ARTISTS’ DEPOTS: - 53 MOORGATE STREET, LONDON, E.C. - 29 LUDGATE HILL, LONDON, E.C. - 101 HIGH HOLBORN, LONDON, W.C. - 13 CHARING CROSS ROAD, LONDON, W.C. - 161 HIGH STREET, KENSINGTON, W. - 8 EXHIBITION ROAD, S.W. - 14 CIRCUS ROAD, ST. JOHN’S WOOD. AD. I
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (For Rules see February Number, page Advertisement xxvi.) CLASS A. DECORATIVE ART. Closes Apr. 1 A LVII. DESIGN FOR A GARDEN SEAT. (Particulars appeared in the December Number.) Closes Apr. 1 A LVIII. DESIGN FOR TABLE DAMASK. (Particulars appeared in the January Number.) Closes May 1 LIX. A DESIGN FOR A SILVER CANDLE-STICK. (Particulars appeared in the January Number.) Closes June 1 A LX. DESIGN FOR AN ENAMEL PLAQUE. (Particulars appeared in the February Number.) Closes July 1 A LXI. DESIGN FOR A TABLE CENTRE. The design, which must be made in water-colours on drawing paper, to be suitable for execution in appliqué embroidery. The design may be square or oblong. Size of drawings must not exceed a page of THE STUDIO. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by July 1. --- CLASS B. DRAWINGS IN BLACK-AND-WHITE. Closes Apr. 1 B LII. GROUP OF FIGURES IN SILHOUETTE. (Particulars appeared in the December Number.) Closes May 1 B LIII. DESIGN FOR A THEATRE PROGRAMME. (Particulars appeared in the January Number.) Closes June 1 B LIV. LANDSCAPE. (Particulars appeared in the February Number.) Closes July 1 B LV. DESIGN FOR NOTE-PAPER HEADING. The design to consist of lettering giving the postal address, together with a drawing of the house, or view in the district, or a sign or other appropriate device. The design to be treated simply and decoratively. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by July 1. --- CLASS C. PHOTOGRAPHS FROM NATURE. C XL. A PORTRAIT. C XLI. LANDSCAPE, WITH SMOKE. C XLII. A PICTURESQUE COTTAGE. C XLIII. SPRING LANDSCAPE. All photographs should be sent in mounted firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE, Half-a-Guinea. Photographs to be received at the London office of THE STUDIO, 44 Leicester Square, W.C., by April 1 for C XL, May 1 for C XLI, June 1 for C XLII, and July 1 for C XLIII. --- Special Photographic Competition. ONE PRIZE OF £10, ONE PRIZE OF £5, AND FIVE PRIZES OF £2 are offered for the best sets of Six photographs. Each photograph of each set must appropriately illustrate a quotation to be found in “PICTURE TITLES FOR PAINTERS AND PHOTOGRAPHERS,” and the quotations must be written upon the backs of the photographs. The choice of quotations is left to the discretion of the competitor, who may devote all the six photographs to one section (Landscape, Figure, Marine, Sport and Animal Life, Architecture or Topographical), or sub-section (Gardens and Orchards, Atmospheric Effects, Fanciful, Domestic, Shipping, etc.), or each of the six may illustrate a different section or sub-section; but a different title must be used for each picture. Every set of six photographs must be accompanied by the usual “STUDIO” coupon, properly filled in with the pseudonym, as well as the name and address of the competitor, and the pseudonym must also be written upon the back of each photograph, together with the quotation illustrated and “Picture Titles Competition.” The Editor of “THE STUDIO” reserves the right to illustrate, with the name of the photographer duly acknowledged, any or all the photographs sent in for this competition. The result will be announced in “THE STUDIO.” Photographs, which must be mounted on strong card with a margin not exceeding half an inch, to be received at the London Office of “THE STUDIO,” 44, Leicester Square, not later than the last day of August, 1904. Parcels to be marked outside, in plain letters, “PICTURE TITLES COMPETITION.” --- Closes Apr. 1 Closes May 1 Closes June 1 Closes July 1 Closes Last Day of Aug. --- GEORGE WRAGGE Ltd., SALFORD, Manchester. Designers and Workers in METALS, CAST - LEAD WORK, BRONZE CASTING, STAINED and . . . LEADED GLAZING, CASEMENTS and WINDOWS. . . . . . London 211, SHAFTESBURY AVENUE, W.C. --- AD. II
MACHINE-CARVED MOULDINGS - - - NOT DISTINGUISHABLE FROM HAND-CARVING. SEND FOR CATALOGUE. CHARRIER & MARBUT CARVINGS, Ltd., 8, CITY ROAD, LONDON, E.C. FOR ARCHITECTS. DECORATORS. CABINET-MAKERS. SHOP FITTERS. PICTURE-FRAMERS. CAR-BUILDERS. ETC. NOT PRESSED MOULDINGS. --- Notice to . . Advertisers. The Advertising Manager begs to call the attention of Advertisers to the fact that owing to the large increase in the circulation of the “THE STUDIO,” he is unable to make alteration in current announcements unless instructions are received at this office, not later than the 28th day of the month preceding publication. --- BENTON & STONE BIRMINGHAM. --- A·SANDERSON & SONS Branch of the Wallpaper Manufacturers Ltd CHISWICK Designs for wallpapers friezes etc should be posted to or submitted at CHISWICK --- COMPETITION. THE HALIFAX PARISH MEMORIAL TO THE SOLDIERS WHO HAVE FALLEN IN SOUTH AFRICA. THE MEMORIAL COMMITTEE invites Designs for a Monument proposed to be erected in West View Park, Halifax, the cost not to exceed £1,050. Premiums of £25, £15 and £10 are offered for the Designs which the Committee considers first, second, and third in order of merit. An Assessor will be appointed to assist the Committee. Designs to be delivered not later than 5.30 p.m. on the 8th of April, 1904. Conditions of Competition, Instructions, and Plan of Site may be obtained on application to the undersigned, upon payment of a deposit of 10/6, which will be returned on the receipt of a bona-fide Design complying with the Conditions referred to. C. H. GREENWOOD, Hon. Sec. to the Committee. TOWN HALL, HALIFAX 1st February, 1904. AD. III
EXHIBITIONS NOW OPEN. Royal Hibernian Academy. International Soc. of Sculptors, Painters and Engravers. New Gallery. (Closes Mar. 31.) Manchester Corporation. Liverpool Corporation. Brussels Soc. des Aquarellistes. Royal Scottish Academy. Hagenbund, Vienna. Brussels Pour l'Art. Brussels La Libre Esthetique. Rochdale Corporation Spring Exh. (Closes May 4.) Glasgow Inst. of Fine Arts. FORTHCOMING. Royal Soc. of British Artists. (O.D. Mar. 21.) Vienna Secessionists. (March.) Royal Soc. of Painters in Water-Colours. (R.D. Mar. 29; O.D. April 11.) Royal Inst. Painters in Water-Colours. (O.D. Mar. 21.) Royal Soc. of Painters, Etchers and Engravers. Royal Birmingham Soc. of Artists. (O.D. Apr. 4.) Brussels Soc. des Beaux Arts. (April.) New English Art Club. (R.D. April 4.) Royal Academy Summer Exhibition. (R.D. Mar. 25 to 29.) New Gallery Summer Exhibition. (R.D. April 12.) Society of Miniature Painters. (R.D. May 2.) Berliner Kunst-Ausstellung. (R.D. April 15; O.D. May 1.) Paris, Soc. Nat. des Beaux Arts. (O.D. April 15.) Home Arts and Industries Assoc. (May.) Vienna Kunstlerhaus. (March to May.) Ridley Art Club. Grafton Galleries. (R.D. Apr. 6; O.D. Apr. 9; closes Apr. 23.) Bolton Arts Guild. (Open Apr. 23 to May 4; R.D. Apr. 5 to 8.) (R.D. Receiving Date. O.D. Opening Date.) LIBERTY AND CO INVENTORS & MANUFACTURERS OF ARTISTIC WARES & FABRICS LONDON GARDEN POTS IN TERRA-COTTA [FROST-PROOF] Illustrated List (So. 2) Flower Pots, Pedestal Vases, Window Boxes, Sun- dials, etc., post free. FLOWER POT: THE "ERIC" DESIGN (as above). 12/6 THE BOSTEL FIRE A PATENT SUNK OR RAISED FIRE. WHEN THE FIRE IS RAISED air is drawn through the fuel, and it quickly becomes incandescent and smokeless. HEATS THE ROOM, NOT THE CHIMNEY. LESS COAL. MORE HEAT. QUICK LIGHTING. SLOW BURNING. SIMPLE ACTION. Write for further description. COALBROOKDALE Co., Ltd., AD. IV 141, QUEEN VICTORIA STREET, LONDON, E.C.
EVERY ARTICLE ILLUSTRATED THROUGHOUT HAMPTONS' Series of 20 Catalogues is marked in plain figures at the Minimum Price for Cash, thus enabling intending purchasers to see that for the Furnishing of Houses throughout in the most Tasteful Manner at the Least Expense, HAMPTONS' productions afford value for money that cannot be excelled. HAMPTONS' "CONISTON" BUREAU, in Fumed Oak, with Shaped brass Panels in coat. Drawers, fall and cupboard fitted with locks. Handles and hinge-plates of oxidised copper. Height, 5 ft. 7½ ins., width, 2 ft. 83 ins., depth 1 ft. 4 ins. $4 - 19 : 0 SENT CARRIAGE PAID TO ANY RAILWAY STATION IN THE UNITED KINGDOM. HAMPTONS' "WALTON" OAK CHAIR, in Leather, Cloth or Tapestry... 17.6 Any one or more of these Catalogues will be sent free on receipt of the necessary particulars of the applicant's requirements. HAMPTONS' "ROXBORO" SOLID OAK GATE LEG TABLE, 2 ft. 6 ins. by 3 ft. 6 ins., 29 6/7 sq. ft. by 4 ft. 6 ins., 45° 3 ft. 6 ins. by 5 ft., 55". An Unrivalled Variety of other Bureaux, Tables, &c., in all styles, and representing values fully as exceptional as the above, can now be inspected at Hamptons' extensive Galleries in Pall Mall East, S.W. HAMPTON & SONS, L.D., PALL MALL EAST, LONDON, S.W. The ROYAL COPENHAGEN PORGELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. 2 Old Bond Street, W. AD V
THE AUTOTYPE FINE ART GALLERY. 74, NEW OXFORD-STREET, LONDON, W.C. OPEN (FREE) DAILY from 10 to 6. A VISIT OF INSPECTION IS INVITED TO THE PERMANENT EXHIBITION OF AUTOTYPE (Carbon) REPRODUCTIONS OF FAMOUS WORKS OF ART. THE AUTOTYPE FINE ART CATALOGUE. New Edition. With upwards of 100 Miniature Photographs of Notable Autotypes, and 23 Tint-Block Illustrations. For convenience of Reference the Publications are arranged alphabetically under Artists' Names. Post-free, Is. THE AUTOTYPE COMPANY, LONDON. Messrs. BELL'S NEW BOOKS Miniature Illustrated Catalogue Post Free on application. NOW READY. Imperial 8vo, 21s. net. PEWTER PLATE: A Historical and Descriptive Handbook. By H. J. L. J. MASSE, M.A. CONTENTS.—Chap. I. Introductory. II. History and Composition of Pewter. III. Pewterers' Craft. IV. Methods of Manufacture. V. Domestic Use of Pewter. VI. Church Use of Pewter. VII. The Cleaning and Repairing of Pewter. VIII. Drinking Cups and Tankards. IX. Pewter, Old and New. X. The Ornamentation of Pewter. XI. Miscellaneous Articles in Pewter. XII. Regulations concerning Pewterers. XIII. Pewter in various Museums. XIV. Pewter Marks—Appendixes—Pewterers' Touches—Some Foreign Marks—Foreign Pewterers—Bibliography. List of Freemen of Pewterers' Company up to 1824. Index. VOLS. I. and II. NOW READY (Vol. III. in April). A NEW EDITION, Revised and Enlarged under the Supervision of G. C. WILLIAMSON, Litt.D., with the help of a number of Specialists. Bryan's Dictionary of Painters & Engravers. Brought down to the present day, with nearly 500 Illustrations. In Five Volumes, to be issued quarterly. Price, in linen, 21s. net each; also in half-morocco, 31s. 6d. net each. SECOND EDITION, Revised. Small 4to, 10s. 6d. n. The Art of James McNeill Whistler. By R. T. WAY and G. RAVENSCROFT DENNIS. With 50 Reproductions in Half-tone, and 5 Facsimiles in Colour, illustrating his greatest Works in Oil, Water-colour, Pastel, Etching, and Lithography. Small 4to, 10s. 6d. net. Millet and the Barbizon School. By ARTHUR TOMSON. With Photogravure Frontispiece and 52 other Reproductions of the Work of Millet, Diaz, Dupré, and Rousseau, many specially photographed for this volume. LONDON: GEORGE BELL & SONS, YORK STREET, COVENT GARDEN. AD. VI THE "WESTBY" SERIES OF SEASCAPE PHOTOGRAPHS (PERMANENT CARBON). "Windsor Castle, 20th November, 1902. "Miss Knollys submitted Mr. Worsley-Benison's last letter to the Queen, and she is now commanded by her Majesty to say that she will be very happy to accept the beautiful photograph which he has so kindly sent her." The Royal Society's Ladies' Conversazione, from the "Times" report:—"Mr. Worsley-Benison's series of Seascape Photographs were magnificent examples of Photographic Art." From "THE STUDIO" Dec. 1900.—"Mr. Worsley-Benison's recent additions to his 'Westby' series of photographs worthily sustain the high reputation he enjoys. The sea in its ever-changing aspects has never been more faithfully or more forcibly recorded than in the examples he has lately submitted to us." The late John Ruskin, LL.D.—"It is extremely beautiful." From "The Illustrated Scientific News," Jan., 1904.—" . . . this splendid series, which includes many varieties of sea-views, seems to approach the acme of perfection, etc." Further extracts from private letters of Royal Academicians and the highest eulogiums from the leading Art and Science Magazines forwarded with the Series for inspection on application. Fac-similes supplied of the Seascape Photograph accepted by the Queen. Size 35 by 28, Lesser size 24 by 18. MOWBRICK, CHEPSTOW, England.
KODAKS ARE Invaluable to ARTISTS. Mastered by anyone in a few minutes. No need for a dark room in Kodak photography. No need for any previous experience. No need for any technical knowledge whatever. No amount of technical skill can convey momentary impressions as the Kodak can. As notes to the artist photographic records have the greatest possible value. The Folding Pocket Series and The Cartridge Series Are essentially the ARTISTS' Cameras, being self-contained apparatus, and so compact as to be put in the pocket, or readily carried on a cycle or slung across the shoulder. Write for a full list of KODAKS ranging in price from 5s. to £7 7s. As the hall mark on silver is the name "KODAK" on any photographic goods: a guarantee of its absolute reliability. "KODAK" is applied to Cameras, Films and products made by the Kodak Co. only. Beware of inferior experimental imitations. May be obtained from all DEALERS, or from— KODAK, Ltd., 41-43 Clerkenwell Road, LONDON, E.C. Mr. Murray's List. RECENT EXCAVATIONS IN THE ROMAN FORUM, 1898-1904. A Handbook. By E. BURTON-BROWN. With a Preface by COMM. BONI, Director of the Excavations. Illustrations and Plans. Fcap. 8vo, 3s. 6d. net. [Just out.] "Valuable handbook. One cannot sufficiently praise the lucidity and brevity of Mrs. Burton-Brown's work."—Morning Post. "A model of lucidity and order . . . a very good work which, in sterling merit, as well as portability and cheapness, may prove the season's most useful new work about Italy . . . beautifully clear illustrations and plans."—The Queen. FOUNTAINS ABBEY. A Story of a Medieval Monastery. By the Very Rev. DEAN HODGES, Principal of the Episcopal Theological School, Cambridge, Massachusetts. With Photogravure Illustrations and Plans. Square demy 8vo, 10s. 6d. net. [Just out.] REMINSENCES OF A ROYAL ACADEMICIAN. By the late J. C. HORSLEY, R.A. With Portraits and Illustrations. Square Demy 8vo, 12s. net "The 'Recollections' are full of good things, and will be eagerly read by the multitude of admirers of the artist's work."—The Standard. "The work is altogether charming."—Pall Mall Gazette. A NEW EDITION OF CROWE AND CAVALCASELLE'S HISTORY OF PAINTING. A History of Painting in Italy, Umbria, Florence, and Siena, from the 2nd to the 16th Century. By J. A. CROWE and G. B. CAVALCASELLE. With Editorial Notes by LANGTON DOUGLAS, Author of "Fra Angelico," "A History of Siena," &c., assisted by S. ARTHUR STRONG, Librarian of the House of Lords. Six Volumes. With upwards of 200 Illustrations. Square Demy 8vo. 21s. net each Vol. VOL. I.—EARLY CHRISTIAN ART. VOL. II.—GIOTTO AND THE GIOTTESQUES. JOHN MURRAY, ALBEMARLE STREET, W. READY SHORTLY. New and Important Art Book. THE LIBER STUDIORUM OF J. M. W. TURNER Will contain reproductions of the entire series of Seventy-one Plates, each on a page measuring $11\frac{3}{4}$ ins. by $8\frac{3}{4}$ ins., and is probably the most acceptable addition to the library of the art connoisseur which has been issued in this country for a generation. Full justice has been done to the original plates in the method of reproduction, the tints being accurately copied, and every detail brought out in the clearest manner. This is the first time Turner's great work has been placed within the reach of the average man who is interested in art, and as the publishers anticipate a considerable immediate demand, they would suggest that orders be placed at once with the Booksellers. Oblong medium 4to, quarter vellum, cloth sides, with a binding of special design by Mr. H. Granville Fell. 10s. 6d. net. Prospectus on Application. GEORGE NEWNES, Ld., Southampton St. London, W.C. AD. VII
JEWELS BY ARTISTS OF THE MODERN SCHOOL NECK CHAIN AND PENDANT with triangular slab of Matrix Turquoise in centre and 3 real Pearl Drops. Cleanly mounted in solid 15 carat Gold QUANT DESIGN of BROOCH with MATRIX EMERALD OR TURQUOISE and baroque shaped Pearl drop, mounted in solid 15 carat Gold PENDANTS of original conception with beautifully marked Matrix Turquoises in centre, and baroque shaped Pearl drops The Matrix Turquoise with its pretty colour effect of azure-blue relieved by the grey or black veins of the bed-rock gives admirable scope for artistic treatment and has become very fashionable BROOCH Smartly mounted in 15 carat Gold, set with two fine Persian Turquoises and four Pearls BROOCH Very quaint design well modelled in solid Silver and Gold with the bowl shaped centre portion treated in Rainbow Coloured flat Enamel, and set with two fine Opals Modern design of a Locket, with Matrix Opal in centre, and neatly mounted in 15 carat Gold --- Obtainable through high-class Jewellers These Designs are the Property of and made up by MURRLE, BENNETT & Co. 13 CHARTERHOUSE STREET, LONDON, E.C. AD. VIII
HEAL & SON Inexpensive Reproductions of XVIII. Century Bedroom Furniture. FREE BOOKLET. "QUEEN ANNE & EARLY GEORGIAN MAHOGANY" with photographs and prices sent POST FREE on application to HEAL & SON TOTTENHAM COURT ROAD AD. IX
This issue of "The Studio" features articles on modern Swedish painting, Cambridge colleges illustrated by Vernon Howe Bailey, and modern French pastellists, specifically Jules Gustave Besson. It also includes discussions on recent works by C. F. A. Voysey, the lithographs of F. E. Jackson, and the art of Carlos Grethe. The publication includes various reproductions and studio-talk from correspondents in different cities.