Premières pages de l'ouvrage, en accès libre.
REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE · STUDIO An Illustrated Magazine of Fine & Applied Art JAN. 15, 1904 VOL. 30 No. 130 44 Leicester Square LONDON Monthly $1\frac{1}{2}$ Net BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF 50 CHAUSSEE D'ANTIN PRIX : 1 FRANC 60¢ NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, January 15, 1904. SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF A STUDY OF TREES BY SIR CHARLES HOLROYD; A REPRODUCTION IN COLOURS OF “THE NATIVITY,” BY SIR CHARLES HOLROYD; A FACSIMILE REPRODUCTION OF THE ETCHING ENTITLED “EYE,” BY SIR CHARLES HOLROYD; A REPRODUCTION IN COLOURS OF A STUDY BY W. REYNOLDS-STEPHENS; A REPRODUCTION IN COLOURS OF THE CHROMO-LITHOGRAPH ENTITLED “EVENING: THE SHEPHERD’S RETURN,” BY HEINRICH OTTO; A REPRODUCTION IN COLOURS OF THE CHROMO-LITHOGRAPH, ENTITLED “PASTURE IN SPRING,” BY VOLKMANN; A REPRODUCTION IN COLOURS OF A DECORATIVE COMPOSITION BY GEORGES DE FEURE. THE PAINTINGS AND ETCHINGS OF SIR CHARLES HOLROYD. By A. L. BALDRY. Thirteen Illustrations . 283 RECENT WORKS BY Mr. W. REYNOLDS-STEPHENS. By W. K. WEST. Eleven Illustrations . 292. RECENT GERMAN LITHOGRAPHS IN COLOURS. By PROF. HANS W. SINGER. Sixteen Illustrations . 305 THE FRENCH PASTELLISTS OF THE EIGHTEENTH CENTURY. By ARMAND DAYOT. Nine Illustrations . 316 MODERN AUSTRIAN WICKER FURNITURE. By A. S. LEVETUS. Eleven Illustrations. . 323 THE DRAWINGS OF STEPHEN B. DE LA BERE. By L. VAN DER VEER. Two Illustrations . 328 JULES CHÉRET’S DRAWINGS IN SANGUINE. By HENRI FRANTZ. Nine Illustrations . 330 STUDIO-TALK (From our own Correspondents):— LONDON. Twenty - three Illus. . . . 339 EDINBURGH . . . 346 TUNSTALL. . . . 350 REVIEWS ...
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ARTISTS' PRICES, NET. ANTWERP BLUE IVORY BLACK BURNT SIENNA McGUILP BURNT UMBER LIGHT RED CHROME No. 1 (LEMON) PRUSSIAN BLUE CHROME No. 2 (YELLOW) RAW SIENNA CHROME No. 3. (ORANGE) RAW UMBER EMERALD GREEN TERRA VERT FLAKE WHITE TRANSPARENT GOLD OCHRE INDIAN RED VANDYKE BROWN INDIGO YELLOW OCHRE Studio, 9d. each; Half-Studio, 6d. each. CHROME No. 4 (ORANGE DEEP) NAPLES YELLOW No. 1 Studio, 1/4 each; Half-Studio, 8d. CRIMSON LAKE PERMANENT BLUE FRENCH ULTRAMARINE Studio, 1/6 each; Half-Studio, 11d. CRIMSON ALIZARIN SCARLET VERMILION MADDER BROWN VERMILION Studio, 2/4 each; Half-Studio, 1/2. COBALT ROSE MADDER INDIAN YELLOW VIRIDIAN or VERONESE LEMON YELLOW GREEN Studio, 4/6 each; Half-Studio, 2/6. CADMIUM, PALE, YELLOW OR ORANGE Studio, 6/6 each; Half-Studio, 3/6. The "Half-Studio" size will be found most convenient for sketching. Manufactured by GEORGE ROWNEY & CO., 64, Oxford Street, W. And may be obtained from the Principal Dealers in Artists' Materials throughout the Kingdom. REEVES' NEW PRICE LIST, 1904. SECTION OF COLOURS AND COLOUR BOXES NOW READY. POST FREE. REEVES' ARTISTS' DEPOTS: 53 MOORGATE STREET, LONDON, E.C. 29 LUDGATE HILL, LONDON, E.C. 101 HIGH HOLBORN, LONDON, W.C. 13 CHARING CROSS ROAD, LONDON, W.C 161 HIGH STREET, KENSINGTON, W. 8 EXHIBITION ROAD, S.W. 14 CIRCUS ROAD, ST. JOHN'S WOOD.
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (For Rules see page Advertisement xxvi.) AT THE REQUEST OF MANY READERS OF "THE STUDIO" IN FAR-OFF COUNTRIES, THE TIME FOR SENDING IN DESIGNS AND PHOTOGRAPHS FOR THE VARIOUS COMPETITIONS HAS BEEN CONSIDERABLY EXTENDED. CLASS A. DECORATIVE ART. Closes Feb. 1 A I. DESIGN FOR A DOVE-COT. (Particulars appeared in the October Number.) Closes Feb. 1 A LIII. DESIGN FOR THE FRONT PAGE OF A BALL PROGRAMME. (Particulars appeared in the November Number.) Closes Mar. 1 A LIV. DESIGN FOR THE FRONT AND BACK OF A BANQUET MENU. (Particulars appeared in the November Number.) Closes Mar. 1 A LV. DESIGN FOR A “WEEK-END” COTTAGE. (Particulars appeared in the November Number.) Closes Mar. 1 A LVI. DESIGN FOR A SHOW CARD. (Particulars appeared in the December Number.) Closes Apr. 1 A LVII. DESIGN FOR A GARDEN SEAT. (Particulars appeared in the December Number.) Closes Apr. 1 A LVIII. DESIGN FOR TABLE DAMASK. Fig. 1 shows half size of $8\frac{1}{4}$ cloth, 36 ins. to centre; the design is wanted to fill space given, which may be executed in white on tracing-paper, or Indian ink on white paper. --- Fig. I Fig. 2. is a repeating design; width of border and filling must not exceed $10\frac{1}{2}$ ins. and $7\frac{1}{2}$ ins. respectively, but may be made to repeat in length from $7\frac{1}{2}$ ins. to 10 ins. Design to be executed as No. 1. Fig. 3.—Same remarks apply as to No. 2, with the exception of border, which is increased from $10\frac{1}{2}$ ins. to $18\frac{1}{2}$ ins. in depth. --- Fig II From $\frac{7}{8}$ to 10 Repeat --- Fig III Repeat From $\frac{6}{8}$ to 10 Long The sizes given above are the most suitable for the machinery, and preference will be given to such designs, but competitors are allowed to submit designs otherwise arranged to give the best effect, with the least machinery to manufacture same. FIRST PRIZE: £10; SECOND PRIZE: £5; THIRD PRIZE: £3. Prize designs to become the property of Messrs. J. N. Richardson, Sons & Owden, Ltd., who also reserve the right to purchase any of the other designs at £2 each. All enquiries concerning this Competition should be addressed to Messrs. J. N. Richardson, Sons and Owden, Belfast, Ireland. Designs, packed flat, to be received at the London Offices of THE STUDIO by April 1st. For Remainder of Competitions see page xxvi. --- AD II --- GEORGE WRAGGE Ltd., SALFORD, Manchester. LONDON SHOWROOM: 211 Shaftesbury Avenue, W.C. The Crafts. Stained and Leaded Glass, Gesso, Glass Mosaics, Plaster, Decorations, Furniture. Wardry Works. Metal Work for Interior and Exterior Decoration, Lead Work, Memorial Tablets, Repoussé, Casements and Sashes. ---
OAK PICTURE FRAME MOULDINGS. CARVED BY MACHINE NOT PRESSED. CHARRIER & MARBUT CARVINGS, LTD., 8, CITY ROAD, LONDON, E. Notice to . . Advertisers. The Advertising Manager begs to call the attention of Advertisers to the fact that owing to the large increase in the circulation of the “THE STUDIO,” he is unable to make alteration in current announcements unless instructions are received at this office, not later than the 28th day of the month preceding publication. $\mathcal{P}$ A. SANDERSON & SONS. BRANCH OF WALL PAPER MANU- FACTURERS LTD NEAREST STATION TIRNHAM GREEN. DESIGNS SUBMITTED CHISWICK. Longden & Co. London Office 447 Oxford Street W Works Phoenix Foundry Sheffield Makers of Grates Fenders Fireirons Wrought-Iron Work Ornamental Brass and Bronze Work AD. III
EXHIBITIONS NOW OPEN. - Royal Academy: Old Masters. - International Soc. of Sculptors, Painters and Engravers. New Gallery. - Royal Soc. Painters in Water-Colours. (Closes Jan. 30.) - Dudley Gallery Landscape Exh. - Royal Soc. of Painters in Water-Colours. - Manchester Corporation. - Liverpool Corporation. - Brussels Soc. des Aquarellistes. FORTHCOMING. - Glasgow Inst. of Fine Arts. (R. D. Glasgow Jan. 28 and 29; O. D. Mar. 1.) - Royal Scottish Academy. (R. D. Jan. 24; O. D. Feb. 6.) - Vienna Secessionists. - Soc. of Women Artists. (R. D. Jan. 15 and 16; O. D. Feb. 1.) - Pastel Society. (O. D. Jan. 23; Closes Feb. 27.) - Hagenbund, Vienna. (Feb.) - Royal Inst. Painters in Water-Colours. (R. D. Mar. 3.) - Royal Soc. of Painters, Etchers and Engravers. (R. D. Feb. 13; O. D. Feb. 22.) - Dudley Gallery Art Society. (R. D. Feb. 1; O. D. Feb. 15.) - Royal Birmingham Soc. of Artists. (R. D. Mar. 10 and 11; O. D. Apr. 4.) - Brussels Pour l’Art. (Jan.) - Brussels La Libre Esthetique. (Feb.) - Brussels Soc. des Beaux Arts. (April.) - Rochdale Corporation Spring Exh. (O. D. Feb. 12; Closes May 4.) (R. D. Receiving Date. O. D. Opening Date.) --- ESSEX AND COMPANY’S WESTMINSTER WALPAPER 114 AND 116 VICTORIA STREET WESTMINSTER --- WINSOR & NEWTON’S FINELY PREPARED OIL COLOURS In Collapsible Tubes. Revised list of Oil-Colours will be sent post free on application. “SMALL STUDIO” Tube. For the convenience of Artists using large quantities of Colour, all Messrs. Winsor and Newton’s Oil Colours are supplied in “SMALL STUDIO” and “STUDIO” Tubes, containing respectively “FOUR TIMES” and “SIX TIMES” as much as an ordinary two-inch Tube, at considerably reduced prices. WINSOR & NEWTON, LTD., Sole Agents for St. Britain, the British Colonies & the United States of America for RAFFAELLIS SOLID OIL-COLOURS. Rathbone Place, London, W. AD. IV --- THE BOSTEL FIRE A PATENT SUNK OR RAISED FIRE. WHEN THE FIRE IS RAISED air is drawn through the fuel and it quickly becomes incandescent and smokeless. WHEN THE FIRE IS LOWERED air does not pass through the fuel and combustion is very slow. A Purchaser writes:—“With reference to the Bostel Grates you have supplied me with for this house I have pleasure in stating that on trying the first one I had put in, it burned for nine hours and a half with the original charge of coal, and without being touched after lowering the grate, beyond piling up the burning coals in the centre at the end of six hours.” HEATS THE ROOM, NOT . . . THE CHIMNEY LESS COAL. MORE HEAT. QUICK LIGHTING. SLOW BURNING. SIMPLE ACTION. Write for further description. Coalbrookdale Co., Ltd., 141, Queen Victoria St., London, E.C.
Reductions that secure to purchasers an unquestionable saving of from $5/-$ to $15/-$ in the £, afford to all an opportunity that needs only to be known to be taken advantage of, and the enormous increase every year in the numbers who avail themselves of HAMPTONS’ GREAT JANUARY SALE or Furniture, Carpets, Curtains, Linens, &c., of the highest class at CLEARANCE REDUCTIONS shows that purchasers find the saving they effect is always so great that this Opportunity is one which they cannot afford to neglect. Having acquired the famous Business (Established 1759) and Manufactories of fine Household Linen of Messrs. JAS. COULSON & Co., of Lisburn, Ireland, and Pall Mall East, Hampton & Sons will, in January CLEAR the ENTIRE STOCKS at HALF PRICE, prior to re-modelling the London premises, No. 11, Pall Mall East. For details see Catalogue sent free. Not less advantageous are the bargains in handsome BRITISH and FOREIGN CARPETS, SILKS, TAFFETAS, CHINTZES, and CRETONNES, BEDROOM SUITES, SCREENS, SIDEBOARDS, LACE CURTAINS, IRONMONGERY, ELECTRIC FITTINGS, &c., and CHINA and GLASS—on many of which the reductions are as great as 75 per cent. A copy of the Illustrated Catalogue G.A. 128 of this Sale, giving full details of the great reductions at which all these high-class goods will be cleared, may be had post free, and should be secured at once by all who have occasion to make House Furnishing Purchases. --- HAMPTONS Great Annual CLEARANCE January 4 to 30 1904 --- PALL MALL EAST, TRAFALGAR SQ., LONDON, S.W. --- The ROYAL COPENHAGEN $\spadesuit \spadesuit$ PORCELAIN $\spadesuit \spadesuit$ BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. --- 2 Old Bond Street, W. AD. V --- The Great Annual Opportunity ---
THE AUTOTYPE FINE ART GALLERY. 74, New Oxford Street, LONDON, W.C. OPEN (FREE) DAILY FROM 10 TO 6. A VISIT OF INSPECTION IS INVITED TO THE . . . Permanent Exhibition of Autotype (Carbon) Reproductions of Famous Works of Art. THE AUTOTYPE FINE ART CATALOGUE. NEW EDITION. With 175 Miniature Photographs of Notable Autotypes, and 23 Tint-block Illustrations. For convenience of reference the Publications are arranged alphabetically under Artists' Names. POST FREE, ONE SHILLING. The Autotype Company, London. Messrs. BELL'S NEW BOOKS Miniature Illustrated Catalogue Post Free on Application. Vols. 1. and 2 Now Ready. Bryan's Dictionary of Painters and Engravers. A New Edition. Revised and Enlarged, under the supervision of G. C. WILLIAMSON, Litt.D., assisted by a Staff of Specialists. With about 450 Illustrations. In 5 vols., 21s. net each; or in Half Morocco 31s. 6d. net each. Small 4to, 10s. 6d. net. The Art of James McNeill Whistler. By R. T. WAY and G. RAVENSCROFT DENNIS. With 50 Reproductions in Half-tone, and 5 Facsimiles in Colour, illustrating his greatest Works in Oil, Water-colour, Pastel, Etching, and Lithography. Small 4to, 10s. 6d. net. Millet and the Barbizon School. By ARTHUR TOMSON. With Photogravure Frontispiece and 52 other Reproductions of the Work of Millet, Diaz, Dupré, and Rousseau, many specially photographed for this Volume. Small 4to, 10s. 6d. net. Light and Water. An Essay on Reflection and Colour in River, Lake, and Sea. By Sir MONTAGU POLLOCK, Bart. With 39 Photographic Illustrations and numerous Diagrams. "Should be in the hands of everyone who paints from nature."—ALFRED EAST, A.R.A. "Will, in my opinion, be of great value to landscape painters and artists generally."—Sir E. A. WATERLOW, R.A. Second Edition. Large post 8vo, 5s. net. How to Identify Old China. A Handbook for Collectors of English Pottery and Porcelain. By Mrs. WILLOUGHBY HODGSON. With 40 Illustrations and numerous Reproductions of Marks. LONDON: GEORGE BELL & SONS, York St., Covent Garden. AD. VI "Pelican Colours" GÜNTHER WAGNER'S PATENT ARTISTS' WATER COLOURS blend most perfectly when mixed, may be most evenly applied for washes without showing the slightest trace of Granulation, and have and retain unequalled Brilliancy and Colouring. They are supplied moist in tubes, whole and half pans, and dry in whole and half cakes, either loose or fitted in Wooden and finest Japanned Tin Boxes. Give "PELICAN" Artists' Water Colours a practical test. THE RESULT WILL BE PERMANENT USE For further particulars, price list, colour card booklet, with actual tints, etc., write to the Sole Manufacturer and Inventor, GÜNTHER WAGNER, 10, London Wall, London, E.C.
A SUMPTUOUS GIFT BOOK. "REPRESENTATIVE ART OF OUR TIME." HANDSOMELY BOUND IN BROWN BUCKRAM AND UNIFORM IN SIZE WITH "ENGLISH WATER-COLOUR." THIS unique publication contains Seven original Etchings and Mezzotints by D. Y. CAMERON, ALPHONSE LEGROS, EDGAR CHAHINE, A. LEPÈRE, JOSEPH PENNELL, FRED. BURRIDGE, and MAX PIETSCHMANN; Four Auto-lithographs by FRANK BRANGWYN, H. H. LA THANGUE, A.R.A., HENRI RIVIÈRE, and STEINLEN; a Herkomergravure by Professor H. VON HERKOMER, R.A.; a Wood-Engraving by W. O. J. NIEUWENKAMP; Fifteen facsimile reproductions in colours after Oil-Paintings by leading modern painters; Eleven facsimile reproductions in colours after Water-Colour Drawings by prominent artists; Six facsimile reproductions in colours after Pastel Drawings; a reproduction in colours of a Monotype, and other beautiful pictures. There are also Nine Essays by expert writers upon interesting art subjects. Price 31s. 6d. net, carriage forward. THIS IMPORTANT WORK WILL COMPARE FAVOURABLY WITH BOOKS PUBLISHED AT £5 5s. SOME PRESS OPINIONS. "One of the most remarkable works that any publishing house has attempted in modern times."—The Globe. "The Studio has done much for the adequate reproduction of Works of Art, and 'Representative Art of Our Time' is, perhaps, the finest achievement in this direction."—Morning Post. "The quality of the colour reproduction puts everything else of the kind on the market in the shade."—Western Press. "It is really representative of the best contemporary work."—Yorkshire Post. "This elaborate and beautiful work is, taking it all in all, the finest product of the Art press of to-day."—Glasgow Herald. "The handsome size and fine quality of printing and illustration make this work one of exceptional value."—Birmingham Post. "To those who have an interest in Modern Art, without the means to gratify it by collecting original specimens, this publication may be commended without hesitation."—Scotsman. "Every detail of the publication has been thought out with a care that brings it very near perfection."—The World. "The work is superlative, and represents the high-water mark of art reproduction."—Newcastle Chronicle. "The reproductions of the various pictures are in themselves a work of art, delicately handled and superbly finished. They are, without doubt, the finest reproductions in colours that we have seen."—Western Daily Press. THIS EDITION IS STRICTLY LIMITED AND WILL NOT BE REPRINTED. ORDER FORM. Please to send me ______ copies of the bound volume of "REPRESENTATIVE ART OF OUR TIME," for which I enclose for ______ in payment thereof. Signed _______________________ Address _______________________ Price 31s. 6d. net, Carriage forward. The above form, when filled in, should be sent to a bookseller, or direct to the OFFICES OF "THE STUDIO," 44 LEICESTER SQUARE, LONDON, W.C. AD. VII
JEWELS BY ARTISTS OF THE MODERN SCHOOL PENDANTS of original conception with beautifully marked Matrix Turquoises in centre, and baroque shaped Pearl drops The Matrix Turquoise with its pretty colour effect of azure-blue relieved by the grey or black veins of the bed-rock gives admirable scope for artistic treatment and has become very fashionable --- NECK CHAIN AND PENDANT with triangular slab of Matrix Turquoise in centre and 3 real Peari Drops. Cleanly mounted in solid 15 carat Gold --- QUANT DESIGN of BROOCH with MATRIX EMERALD OR TURQUOISE and baroque shaped Pearl drop, mounted in solid 15 carat Gold --- BROOCH Smartly mounted in 15 carat Gold, set with two fine Persian Turquoises and four Pearls --- BROOCH Modern design of a Locket, with Matrix Opal in centre, and neatly mounted in 15 carat Gold Very quaint design well modelled in solid Silver and Gold with the bowl shaped centre portion treated in Rainbow Coloured flat Enamel, and set with two fine Opals --- Obtainable through high-class Jewellers These Designs are the Property of and made up by MURRLE, BENNETT & Co. 13 CHARTERHOUSE STREET, LONDON, E.C. AD. VIII
HEAL & SON Inexpensive Reproductions of XVIII. Century Bedroom Furniture. FREE BOOKLET. "QUEEN ANNE & EARLY GEORGIAN MAHOGANY" with photographs and prices sent POST FREE on application to HEAL & SON TOTTENHAM COURT ROAD AD. IX
This issue of The Studio, published on January 15, 1904, features articles on the paintings and etchings of Sir Charles Holroyd, recent works by Mr. W. Reynolds-Stephens, and recent German lithographs in colours. It also includes discussions on French pastellists of the eighteenth century and modern Austrian wicker furniture, alongside reviews and studio-talk from various correspondents.