Extrait
Premières pages de l'ouvrage, en accès libre.
Page 1
ÉDITION SPÉCIALE
AVEC TRADUCTION FRANÇAISE
THE · STUDIO
An Illustrated Magazine
of Fine & Applied Art
NOV. 15, 1901
VOL. 24
No. 104
5 Henrietta Street
Covent Garden
LONDON W.C
Monthly
$1\frac{5}{1}$
BUREAU DU STUDIO
PARIS:
LIBRAIRIE OLLENDORFF
o CHAUSSEE D’ANTIN
PRIX : 1 FRANC 50c
ABONNEMENT : 20 FRANCS
Page 2
THE STUDIO.
EDITED BY CHARLES HOLME.
Contents, November 15, 1901.
SUPPLEMENTS:—A REPRODUCTION IN PHOTOGRAVURE OF A PAINTING BY DOMENICO MORELLI, ENTITLED "THE TEMPTATION OF ST. ANTHONY"; A REPRODUCTION IN COLOURS OF A PORTRAIT OF DOMENICO MORELLI AND HIS GRAND-DAUGHTER; A REPRODUCTION IN COLOURS OF A HOUSE AT DARMSTADT DESIGNED BY PROFESSOR JOSEPH OLBRICH; A DOUBLE-PAGE REPRODUCTION IN COLOURS OF A DRAWING BY G. DUPUIS ENTITLED "WAITING"; A REPRODUCTION IN COLOURS OF A DRAWING BY G. DUPUIS ENTITLED "THE LETTER"; A REPRODUCTION IN COLOURS OF A DRAWING BY G. DUPUIS ENTITLED "OUT-DOOR RELIEF."
THE ART OF DOMENICO MORELLI. By ISABELLA M. ANDERTON. Eight Illustrations . . . . . . 83
THE WORK OF PROFESSOR J. M. OLBRICH AT THE DARMSTADT ARTISTS' COLONY. By W. FRED. Nine Illustrations . . . . . . 91
A NEW FRENCH DESIGNER—M. G. DUPUIS. By GABRIEL MOUREY. Five Illustrations . . . . . . 100
HISTORIC ENGLISH DRINKING GLASSES. By PERCY BATE. Ten Illustrations . . . . . . 106
PAUL KERSTEN'S DECORATIVE LEATHER WORK. By OCTAVE UZANNE. Fifteen Illustrations . . . . . . 112
THE INTERNATIONAL SOCIETY. By OSWALD SICKERT. Nine Illustrations . . . . . . 117
LEAVES FROM THE SKETCH BOOK OF THE LATE CHARLES KEENE. Seven Illustrations . . . . . . 125
STUDIO-TALK (from our own Correspondents):—
LONDON. Four Illus. . . . . . 131 VIENNA. Six Illus. . . . . . 139
NEWCASTLE-ON-T. One Illus. . . . . . 134 PARIS. . . . . . 140
LIVERPOOL. Four Illus. . . . . . 135 TORONTO . . . . . . 142
DRESDEN. Two Illus. . . . . . 137 MELBOURNE . . . . . . 142
REVIEWS . . . . . . 143
AWARDS IN "THE STUDIO" PRIZE COMPETITIONS
Twelve Illustrations . . . . . . 144
THE LAY FIGURE . . . . . . 152
THE HIGHEST AWARDS, !PARIS EXHIBITION, 1900.
JEFFREY & CO.'S
To be Had of All Decorators w/o Co's
FREE FROM PARIS
FACTORY SHOW ROOM
64 ESSEX BP LONDON
ARTISTIC WALLPAPERS
TWO GOLD MEDALS, PARIS EXHIBITION, 1900.
THE BOOKS OF NEW PATTERNS CONTAIN
WALL PAPERS OF ALL CLASSES
Suited for the Entire Decoration of a House.
AND ARE NOW BEING EXHIBITED AT
JEFFREY & CO.'S NEW SHOW ROOMS
AT FACTORY, 64 ESSEX ROAD, ISLINGTON, LONDON, W.
(Near Agricultural Hall.)
TO ADVERTISERS.
New Advertisements and Alterations in Current Announcements should reach the Advertising Manager of THE STUDIO not later than the last day of the month prior to publication. If proofs have to be submitted, instructions should be given a few days earlier.
The charge for announcements in the "Studios to Let" and "Miscellaneous" columns is Five Shillings for 32 words, about four lines.
GEORGE BRIDGE
MOSAIC WORKER
139 OXFORD STREET
LONDON, W.
HSTHAEL
TELEGRAMS
ARTISPELLIA LONDON
COLOURING EDINBURGH
TELEPHONE
197 EDINBURGH
1889 GERARD LONDON
Designer
decorator &
furnisher
2325 G'T PORTLAND ST
LONDON
& GEORGE ST
EDINBURGH
Page 3
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES.
ANTWERP BLUE
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LIGHT RED
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BURNT SIENNA
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MCGUILP
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PERMANENT YELLOW
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CHROME No. 1 (LEMON)
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PRUSSIAN BLUE
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CHROME No. 2 (YELLOW)
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RAW SIENNA
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CHROME No. 3 (ORANGE)
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RAW UMBER
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EMERALD GREEN
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TERRA VERT
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FLAKE WHITE
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TRANSPARENT GOLD
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OCHRE
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INDIGO
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IVORY BLACK
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YELLOW OCHRE
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ARTISTS’ PRICE
9d. Each Net,
Containing 4 times the quantity of the ordinary tube.
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CHROME No. 4 (ORANGE DEEP)
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NAPLES YELLOW No. 1
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ARTISTS’ PRICE, 1/- EACH NET, containing 7 times the quantity of the ordinary tube.
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CRIMSON LAKE FRENCH ULTRAMARINE
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PERMANENT BLUE
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ARTISTS’ PRICE, 1/6 EACH NET, containing 10 times the quantity of the ordinary tube.
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CRIMSON ALIZARIN MADDER BROWN
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SCARLET VERMILION VERMILION
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ARTISTS’ PRICE, 2/- EACH NET, containing 10 times the quantity of the ordinary tube.
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COBALT INDIAN YELLOW LEMON YELLOW
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ROSE MADDER VIRIDIAN or VERONESE GREEN
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ARTISTS’ PRICE, 4/6 EACH NET, containing 10 times the quantity of the ordinary tube.
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CADMIUM, PALE, YELLOW OR ORANGE
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ARTISTS’ PRICE, 6/6 EACH NET.
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These Colours are made of the Best Materials only.
Manufactured by GEORGE ROWNEY & CO., 64 Oxford Street, London, W.
And may be obtained from the Principal Dealers in Artists’ Materials throughout the Kingdom.
The “STUDIO” Size.
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“ART, AND HOW TO STUDY IT.”
By J. W. TOPHAM VINALL, A.R.C.A.,
ART MASTERS’ SOCIETY, ART SPECIALIST TO THE LONDON SCHOOL BOARD.
“It should prove very useful to students.” Sir E. J. POYNTER.
“Much Information likely to be useful to students.” WALTER CRANE.
“There are many original features in this desirable handbook.” MAGAZINE OF ART.
“An undoubtedly useful volume.” THE ARTIST.
CLOTH - 2s. 6d.
STIFF PAPER - 1s. 6d.
REEVES & SONS, LTD.
OF ALL AGENTS AND DEALERS.
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16 carry 60lbs 19/
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AD. I
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GEO. ROWNEY & COS
ARTISTS OIL COLOUR
COBALT.
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GOURMEN & PENCIL MAKERS
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ACTUAL SIZE OF TUBE.
Page 4
THE STUDIO COMPETITIONS.
CLASS A. DECORATIVE ART.
A XI. SCHEME FOR THE ENCOURAGEMENT OF ART IN ADVERTISING.
SECTION 3.—Drawings suitable for Advertising. Beverages of all kinds, such as Spirits, Wines, Beers, Lime Juice, Temperance Drinks, Mineral Waters, etc.
The designs submitted for this section were not considered by the judges to be of sufficient merit to warrant an award and the Editor has therefore decided to hold over the prizes for the time being and reopen the competition on slightly different lines. Three prizes will be offered of Twenty Guineas, Ten Guineas and Five Guineas respectively, for the best designs sent in by January 1st, 1902, irrespective of sizes (no drawing to be smaller than 7 ins. by 5). The designs already submitted will be kept over and again included, but will be immediately returned to the competitors for alteration and improvement if required.
Should the winning designs not be considered of sufficient merit the Editor reserves the right of dividing any or all of the prizes. Designs may be pictorial, or decorative, or allegorical, or they may consist of fancy or peculiar lettering. Competitors are advised that too much decoration should be avoided, one of the most important points being clearness and legibility.
Drawings, packed flat, and marked on the outside Comp. A xi., Section 3, to be received at the London office of THE STUDIO by January 1st.
A XV. SCHEME FOR THE DECORATION OF A STREET. (Particulars appeared in the October Number.)
A XVI. DESIGN FOR A PADDOCK FENCE AND GATE. (Particulars appeared in the October Number.)
A XVII. DESIGN FOR A POSTER.
Designs to be suitable for reproduction by lithography in not more than five printings. The number of printings necessary for its reproduction must be stated upon each design submitted.
Drawings may be made either (1) 15 inches high by 20 inches wide (for reproduction, 120 inches high by 160 inches wide), or (2) 15 inches high by 10 inches wide (for reproduction, 120 inches high by 80 inches wide). All designs must embody the following lettering:—
"PARIS IN LONDON."
Earls Court, 1902.
FIRST PRIZE: Seven Guineas; SECOND PRIZE: Three Guineas.
Designs to be delivered at the London office of THE STUDIO by January 1st, 1902.
A XVIII. DESIGN FOR A SCONCE.
The design to be suitable for a repoussé metal wall-sconce for candles, with reflector.
Drawings may be made in pen-and-ink or in monochrome wash.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings to be delivered by January 1st.
CLASS B. PEN-AND-INK WORK.
B XI. DESIGN FOR A MOTTO. (Particulars appeared in the October Number.)
B XII. ILLUSTRATION FOR THE "ARABIAN NIGHTS." Any character or episode from any story in the "Arabian Nights" may be chosen for illustration.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Drawings, packed flat, to be received at the London office of THE STUDIO by January 1st.
CLASS C. PHOTOGRAPHS FROM NATURE.
C XIII. A PORTRAIT STUDY.
C XIV. A FARMYARD SCENE.
All photographs should be sent mounted upon firm cards, without margin.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Photographs to be received at the London office of THE STUDIO by January 1st.
HAMPTONS'
Reproductions of INTERESTING OLD CHAIRS.
HAMPTON'S "HALLAM" CHAIR,
In Birch, stained Chippendale Mahogany, with rush seat and loose cushion covered in tapestry,
67s. 6d.
SPECIAL NOTICE.—In Hampton & Sons' Galleries for Antiques there are now on Sale several notable examples of Old Carved Oak Ecclesiastical Cabinets, also a finely-wrought and extremely interesting Carved Oak Shrine, the centre of the upper part revolves, revealing niches lined with old Venetian brocade alternating with oak panels, carved with ecclesiastical symbols. Full particulars may be had on application. A visit of inspection is invited.
HAMPTON & SONS, LD., PALL MALL EAST, TRAFALGAR SQUARE, LONDON, S.W.
Hamptons' Reproduction No. 1217.
A CAROLINE ARMCHAIR
In carved oak, accurately reproduced from the original model—seat stuffed and covered with figured velvet.
£5 5s.
For many other exclusive Specialities, see HAMPTON & SONS' NEW BOOK OF EASY CHAIRS, Post Free on application.
A PARISIAN STUDIO IN LONDON.
GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE.
Black and White Drawings for Reproduction.
Special Class for Modelling in Clay ... ... ... Mr. CONRAD BÜHRER.
GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W.
AD. II
{The Studio is five minutes' walk from Vauxhall and six minutes' tram from Victoria Station.}
Page 5
YAMANAKA & CO.,
68 NEW BOND STREET, W.
Japanese Works of Art.
JAPAN: OSAKA, KIOTO, NARA.
Branch Houses:—U.S.: 254 Fifth Avenue, New York;
272 Boylston St., Boston; Steel Pier, Atlantic City, New Jersey; 230-234 Columbia St., Dorchester, Mass.
CONSIGNMENTS OF ARTISTIC WORK will be received direct from Japan from time to time, and Collectors interested in any special classes of art work will be regularly advised of shipments, provided they notify to the firm particulars of their requirements.
Longden & Co.
London Office
447 Oxford Street
W.
Works
Phoenix Foundry
Sheffield
Makers of
Grates
Fenders
Fireirons
Wrought-Iron Work
Ornamental Brass and
Bronze Work
AD. III
Page 6
EXHIBITIONS
FORTHCOMING
- Brussels, “Les Aquarellistes.” (O. D. Dec. 1.)
- Soc. of Oil Painters. (R. D. Dec. 14).
- New English Art Club. (November).
- Soc. of Women Artists. (January).
- Paisley Exhibition. (December).
- Society of Portrait Painters. (November).
- Royal Soc. of British Artists. (November).
- Leicester Exhibition. (November).
- Dundee Exhibition. (November).
NOTE:—With the object of making the above Monthly List of Exhibitions a complete and reliable source of information for Artists and others, the Advertisement Manager will be obliged if Secretaries will give him early notification of forthcoming events, together with the Receiving and Opening Dates. These should reach this office not later than the last day of the month prior to insertion.
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THE HOLLAND FINE ART GALLERY
14 GRAFTON STREET
BOND STREET, W.
NOW ON VIEW
OIL PAINTINGS AND WATER COLOURS BY MODERN DUTCH ARTISTS, INCLUDING WORKS BY J. MARIS, BOSBOOM, MAUVE, W. MARIS AND OTHERS
IN PREPARATION
AN ALBUM OF SELECT PRODUCTIONS OF THE WORK OF JOS. ISRAELS. PRICE 30/- EARLY APPLICATION RECOMMENDED
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WINSOR & NEWTON’S “STIFF” OIL COLOURS.
(In Wide-mouthed Collapsible Tubes.)
A Selected Palette of 24 Stiffly- . . Ground Colours.
For List of Colours and full particulars see Descriptive Circular, which will be sent Post Free on application.
Also in “Studio” Tubes of the Capacity of three of the above.
WINSOR & NEWTON, LTD
Rathbone Place, London, W.
AD. IV
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MARCH BROS.,
DESIGNERS AND CRAFTSMEN IN COPPER, BRONZE AND SILVER - 169 PICCADILLY, W. (opposite Bond Street) MODELS SUBMITTED, TOGETHER WITH ESTIMATES. ELECTRIC FITTINGS. BELL PUSHES. DOOR FURNITURE. MURAL TABLETS, INTERIOR DECORATIONS. ECCLESIASTIC FURNITURE, &c.
Copper Bell Pushes as above 7s. 6d. each.
Page 7
FURNITURE MADE AT THE PYCHTLE WORKS BEDFORD BY JOHN P WHITE DESIGNED BY M H BAILLIE SCOTT
Nº 1 SECRET AIRE
MADE IN OAK OR MAHOGANY INLAID WITH PEWTER EBONY AND HOLLY ETC
PRICE £8
WILL BE FOLLOWED NEXT MONTH BY DESIGN FOR HALL SETTLE
CATALOGUES OF THE FOLLOWING MAY BE HAD ON APPLICATION: MANTELPIECES GARDEN SEATS AND FURNITURE CARRIAGE AND GARDEN GATES ALL KINDS OF HIGH CLASSIC JOINERY
E. Hollyer Evans & Co.
Designers and Craftsmen.
METAL WORK in Wrot Iron, Steel, Brass, Copper, Pewter, etc.
WOOD WORK. Joinery, Panelling, Fittings and Cabinet Work.
DECORATION (Interior).—Stencilled Wall Hangings, Papers, Plaster Work, etc.
15, PERCY STREET, London, W.
(Between Tottenham Court Road & Rathbone Place)
The Royal Copenhagen Porcelain
A new collection of Fine Art Porcelain and Danish Ceramic may now be inspected at the London Gallery of the Royal Copenhagen Porcelain Manufacturing Co.
2 Old Bond Street, W. Late 294 Regent St., W. AD. V
Page 8
The AUTOTYPE FINE ART GALLERY
74 NEW OXFORD STREET, LONDON, W.C.
OPEN FREE DAILY from 10 to 6
A Visit of Inspection is Invited to the . . .
Permanent Exhibition of Autotype (Carbon)
Reproductions of Famous Works of Art.
AUTOTYPES OF THE OLD MASTERS IN THE GREAT CONTINENTAL GALLERIES.
AUTOTYPES OF MODERN BRITISH ART.
AUTOTYPES OF WORKS BY ARTISTS OF THE PRE-RAPHAELITE SCHOOL.
AUTOTYPES OF PICTURES IN THE NATIONAL GALLERY.
AUTOTYPES OF DRAWINGS BY OLD MASTERS.
AUTOTYPES OF SELECTED WORKS FROM THE WALLACE COLLECTION.
Now Ready.
THE AUTOTYPE FINE ART CATALOGUE, with upwards of 100 Miniature Photographs of Notable Autotypes, and 23 Tint Block Illustrations. For convenience of reference the publications are arranged alphabetically under artists’ names. POST FREE, ONE SHILLING.
NEW EDITION.
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THE AUTOTYPE COMPANY, 74 New Oxford Street, LONDON, W.C.
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WILLIAMS BROS & Co
Casements
& Lead Lights.
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18, Hart St., Bloomsbury, London, W.C.
Works: KALEYARDS, CHESTER.
Lead Lights, Stained Glass and Casements.
CATALOGUES, DESIGNS AND PRICES ON APPLICATION.
AD. VI
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JUST PUBLISHED. With 68 Full-page Plates.8vo. 10s. 6d. net.
The Art of Building a Home
A Collection of Lectures and Illustrations.By BARRY PARKER and RAYMOND UNWIN.
LONDON: LONGMANS, GREEN, and CO.
Ecclesiastical, Mediæval and Art Metal Worker.
Lettering of . . . every description.Estimates Free.
H. H. MACFARLANE,81, ARUNDEL STREET, SHEFFIELD.
Decorated Domestic Pottery and Tiles,Pottery for Silversmith’s Fittings,Door Furniture, etc., glazed with Leadless Glaze.
W. HOWSON TAYLOR,173 Oldbury Road, West Smethwick,Birmingham.
Showroom . . .45 Newhall Street, Birmingham.
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Page 9
EMBOSSED LEATHER WORK
MADE UP BY SKILLED WORKMEN.
Special Calf, Cowhide, and Tools supplied.
High-Class BOOKBINDING.
VALUABLE BOOKS
Bound in the Finest Morocco, &c.,
Made to open well, and
Finished in any style.
JOHN FAZAKERLEY,
38 & 40, PARADISE STREET, LIVERPOOL.
To Artists and Students.
"BLACK AND WHITE"
Invites ARTISTS and STUDENTS to submit Specimens of their Work possessing Popular or High Artistic Interest for Publication. . . . Remunerative Prices are paid for work accepted, and Pictures not used are RETURNED PROMPTLY Carriage Paid. . . . .
All Communications, etc., should be addressed to the EDITOR,
BLACK & WHITE, 33 Bouverie Street, London, E.C.
SEELEY & CO.'S PUBLICATIONS.
NOW READY.
THE CHEMISTRY OF PAINTS AND PAINTING.
By A. H. CHURCH, F.R.S., Professor of Chemistry in the Royal Academy of Arts. Third Edition, Revised and Enlarged. Large crown 8vo, 6s. Also an edition of 50 copies on Hand-made Paper, of which 25 only are for sale, ros. net.
THE PORTFOLIO MONOGRAPHS. No. 42.
MEDIÆVAL LONDON. By the Rev. CANON BENHAM, D.D., and CHARLES WELCH, F.S.A., Librarian to the Corporation of London. With a Frontispiece in Photogravure, four Plates printed in colour, and many other Illustrations. Price 5s. net; or in cloth gilt top, 7s. net.
No. 41. CAMEOS. By CYRIL DAVENPORT, F.S.A., of the British Museum. With twelve Illustrations in colour and forty-three in Monochrome. 5s. net, or cloth, gilt top, 7s. net.
"A handsome volume. The subject is treated in an exhaustive manner. The illustrations have been excellently chosen, and as excellently prepared."—Daily Graphic
No. 40. GREEK TERRACOTTA STATUETTES. By C. A. HUTTON. With a Preface by A. S. MURRAY, LL.D. With Seventeen Examples printed in colour, and Thirty-six in monochrome. 5s. net, or in cloth, gilt top, 7s. net.
"Sumptuously got up; well informed... beautifully illustrated."—Glasgow Herald.
No. 39. GEORGE MORLAND, and the Evolution from him of some later Painters. By J. T. NETTLESHIP. With six Copperplates and 30 other Illustrations. 5s. net, or cloth, 6s. net.
"A very illuminating account of the artist. The monograph contains admirable reproductions of most of Morland's best pictures"—Academy.
A complete List of the Portfolio Monographs will be sent on application.
THOMAS GIRTIN: His Life and Works. An Essay. By LAURENCE BINYON. With twenty-one Reproductions in Autotype. Imperial 4to, cloth, £2 2s. net.
"The book is superlatively well done, both in general form and printing, and Mr. Binyon is a critic of fine spirit who writes well things that are worth saying"—Manchester Guardian.
THE EARLIER ENGLISH WATER-COLOUR PAINTERS. By COSMO MONKHUSE. With many Illustrations. Cloth, 6s.
"A full and accurate sketch of the masters of a distinctively English art."—Times.
THE EARLY FLEMISH ARTISTS, and their Predecessors on the Lower Rhine. By Sir W. M. CONWAY. With many Illustrations. Cloth, 7s. 6d.
"An altogether admirable work of its kind."—Graphic.
SEELEY & CO., LTD., 38 Great Russell Street.
MESSRS. BELL'S NEW ILLUSTRATED BOOKS.
Full Illustrated List Post Free on Application.
Super Royal 4to, £3 3s. net.
HUBERT VON HERKOMER, R.A.: His Life and Works. By A. L. BALDRY. With 16 Photogravure Plates and about 100 other Illustrations. With binding designed by Professor Von Herkomer.
Small Folio, £2 2s. net.
DANTE GABRIEL ROSSETTI: An Illustrated Chronicle of his Art and Life. By H. C. MARILLIER. Second Edition, abridged and revised. With 15 Photogravure Plates and 100 other Illustrations. With binding designed by CHRISTOPHER DEAN.
Small 4to, 12s. 6d. net.
FRA FILIPPO LIPPI. By EDWARD C. STRUTT. With 4 Photogravure Plates and 52 other Illustrations. With bind-designed by Christopher Dean.
Imperial 3vo, 28s. net.
FRENCH DECORATION AND FURNITURE IN THE XVIIIth CENTURY. By LADY DILKE. With 16 Photogravure Plates and 56 Half-tone Illustrations.
Two Books by MR. BERNHARD BERENSON.
Small 4to, 10s. 6d. net.
THE STUDY AND CRITICISM OF ITALIAN ART. By BERNHARD BERENSON. With 42 Illustrations.
Small 4to, 15s. net.
LORENZO LOTTO. An Essay in Constructive Art Criticism. Second Edition, Revised. With 64 Illustrations, including many pictures which have never before been reproduced.
THE BRITISH ARTISTS SERIES. NEW VOLUME.
Post 8vo, 7s. 6d. net.
ENGLISH PRE-RAPHAELITE PAINTERS.
Their Associates and Successors. By PERCY BATE. With upwards of 100 Illustrations and 2 Photogravure Plates. Second and Cheaper Edition. With many new Illustrations.
Previous Volumes of the Series. 7s. 6d. net each.
SIR E. BURNE-JONES, Bart. By MALCOLM BELL.
FREDERICK LORD LEIGHTON, P.R.A. By ERNEST RHYS
SIR J. E. MILLAIS, Bart., P.R.A. By A. L. BALDRY.
THE FITZROY PICTURES.
New Set for Schools: THE MONTHS.
Designed by HEYWOOD SUMNER.
In Colours, printed on stout paper lengthwise, 36 in. by 19 in. 10s. the set of Four Prints, or 3s. each, net.
Each Print Illustrates Three Months.
Illustrated Prospectus post free on application.
London: GEORGE BELL & SONS, York Street, Covent Garden.
LONDON: GEORGE BELL & SONS, YORK STREET, COVENT GARDEN.
AD. VII
Page 10
OETZMANN & Co.,
HAMPSTEAD ROAD, W.
Continuation North of Tottenham Court Road.
SALE OF A FURNISHING STOCK,
Purchased for Cash at a Discount of 47 $ \frac{1}{2} $ per cent.
NOW PROCEEDING.
... Special Illustrated SALE CATALOGUE Post Free...
Solid Silver Sugar or Ice Tongs,
antique design, 4 in. long, 5/6.
Very Handsome Inlaid
Sheraton Corner Cabinet,
with 2 shelves, and lined with
pale green silk £3 15 0.
Solid Silver Serviette Ring,
pierced design, 5/6.
Pepper,
$ 2\frac{1}{2} $ in. high, 5/6.
Solid Silver Cruet, pierced design, fitted with
blue glass lining.
Salt Cellar,
$ 1\frac{1}{2} $ in. long, 6/6.
Mustard Pot.
$ 2\frac{1}{2} $ in. high, 8/9.
Box Ottoman Couch, spring stuffed and covered with
cretonne, £1 3 6.
Solid Silver Sugar Sifter, 5/11.
The "Kenilworth" Easy Chair,
with spring seat, covered with good
tapestry, and finished with brass nails,
£1 3 6.
THE STUDIO INTERNATIONAL PRIZE COMPETITIONS.
REVISED RULES.
(1) All subscribers to THE STUDIO are eligible to compete.
(2) Designs must be original and not traceable
to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges.
(3) Drawings for competition must be legibly signed with pseudonym only. The Coupon, given on p. xii. with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter.
(4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition, or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. All prize designs become the property of the Proprietor of THE STUDIO, unless otherwise specified.
(5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term "sufficient postage" has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated.
(6) All designs must be sent in packed flat, unless specially excepted in certain competitions.
(7) All designs and correspondence thereon to be addressed THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A XIX," "B XII," "C XI," &c., on the outside of the package or letter referring to it.
(8) An infringement of any of the above Rules will disqualify a Competitor.
L. CORNELISSEN & SON
(ARTISTS' COLOURMEN),
SOLE AGENTS FOR THE UNITED KINGDOM FOR
DR. F. SCHOENFELD'S ARTISTS' COLOURS.
HERR A. ACHENBACH, Dusseldorf, writes as follows:—“Now in my eighty-first year, I declare with the greatest satisfaction that I have used from the beginning of my career as an artist exclusively Schoenfeld's Artists' Colours, and that my pictures have neither cracked nor darkened in colour. Of this fact I was convinced when, on the occasion of my seventieth birthday, an exhibition of my earlier and present works took place. I am not aware of a better recommendation.”—Dusseldorf, Oct. 20, 1895.
PRICE LIST ON APPLICATION.
Address: 22 GREAT QUEEN STREET, LONDON, W.C.
AD. VIII
Page 11
HEAL & SON'S
Speciality for Curtain Blinds
"CASEMENT FLAX"
The want of a material which would drape well in the short length demanded by the casement curtain, and which at the same time was not expensive, has led us to the production of CASEMENT FLAX, which, although pure linen, is not harsh, but always hangs in soft folds; it wears well and washes well, only those dyes have been used which have stood the severe test of strong sunlight. It will be found that casement flax
i. Hangs in graceful folds
ii. Wears well and keeps its colour
iii. Is very inexpensive
36 INCHES WIDE. PRICES FROM 1/3 TO 2/9 PER YARD.
BOOKLET CONTAINING SHADES AND FULL PARTICULARS POST FREE ON APPLICATION.
ONLY TO BE OBTAINED FROM
HEAL & SON,
Tottenham Court Road, W.
AD. IX