Excerpt
First pages of the volume, freely accessible.
Page 1
THE STUDIO
CONTENTS
- The Art of the Camera
- Spanish Old Masters
The Tomas Harris Exhibition
- A Chat to the Print Lover
by Malcolm C. Salaman
- Modern Lighting
by Oliver P. Bernard
- Modern Interiors in Paris
Exhibition organised by Robert Block
- The Artist on Tour: I. Majorca
by Cecil Aldin
- Notes and Reviews
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SEPTEMBER 1931 2s. NET
Page 2
Seventeen countries have contributed to this volume
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In this year’s issue of Modern Publicity, 17 nations have contributed to provide the most comprehensive and interesting review of advertising yet published.Advertising is a subject which knows no boundaries . . . no frontiers. And Modern Publicity 1931 rightly deals with advertising in the international sense . . . as the universal method of printed salesmanship.There can be no doubt that Modern Publicity will rank as one of the most outstanding books of the year . . . a work of great significance and importance.Modern Publicity 1931 is a fascinating study. The variety of technique employed in 17 countries offers interesting comparison. But the true significance of this book is that it shows how the science of advertising is advancing with amazing rapidity all over the world. This is most apparent in the technique of presentation. Each individual country, though possessing methods peculiar to itself, seeks further to understand good design and good printing. For these reasons alone, Modern Publicity is an invaluable volume.Those engaged in the profession of advertising, those who use advertising, and, in fact, everyone interested in the science of modern salesmanship, should obtain a copy of Modern Publicity directly it is out.Modern Publicity will be ready in September, and will be available from any bookseller, or direct from The Studio Ltd., 44 Leicester Sq., London, W.C.2. Price, in wrappers, 7s. 6d.; in cloth, 10s. 6d.MODERN PUBLICITY WILL BE READY IN SEPTEMBER
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CONTENTS FOR 1931SECTION ONEGREAT BRITAINSECTION TWOFRANCESECTION THREEGERMANY AND HOLLANDSECTION FOURAUSTRIA AND JUGO-SLAVIASECTION FIVEHUNGARYSECTION SIXSWITZERLANDSECTION SEVENITALY & SPAINSECTION EIGHTNORWAY & SWEDENSECTION NINERUSSIASECTION TENAMERICASECTION ELEVENS. AMERICASECTION TWELVEJAPAN & CHINA
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“An index to the World’s latest strides in advertising”
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Everyone in advertising will find it invaluable
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Page 3
PUBLISHERS BY APPOINTMENT TO HIS MAJESTY THE KING
ESTABLISHED 1760
P. & D. COLNAGHI & CO.
QUAI DE CONTI, PARIS
WILLIAM WASHINGTON, A.R.E.
Size $10\frac{1}{2} \times 15\frac{3}{4}$ in.
ORIGINAL ENGRAVING
Edition
85 Proofs at £5 5s. each
Paintings and Drawings by Old and Modern Masters
VALUATIONS, RESTORATION, FRAMING, MOUNTING COLLECTIONS BOUGHT 'en bloc'
144, 145, 146 NEW BOND ST., LONDON, W.1
Telegrams: COLNAGHI, WESDO, LONDON Telephone: MAYFAIR 6356 (3 lines)
AD. I
Page 4
THE STUDIO $\diamond$ EDITED BY GEOFFREY HOLME $\diamond$ NO. 462
Contents for September 1931
- Spanish Old Masters; the Tomas Harris Exhibition page 147
- A Chat to the Print Lover, by Malcolm C. Salaman 154
- The Art of the Camera 163
- Modern Lighting, by Oliver P. Bernard 183
- Modern Interiors in Paris, by F. Trebor 188
- The Artist on Tour; 1. Majorca. By Cecil Aldin 192
- Events in the Art World 198
- Reviews of Books 208
Supplements in Colour
- The Poet Gongora, by Diego Velasquez Frontispiece
- Colour Woodcut, by Y. Urushibara 157
- Still Life, by H. Carr 181
- A Majorcan Street Scene, by Cecil Aldin 193
- House among Trees, by Elliott Seabrooke 199
- The Stream, by Hester Sainsbury 209
(Contents of all issues of Atelier, and of The Studio from April, 1931, may be located through the ART INDEX)
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Contents for October
MODERN WATER-COLOUR PAINTING.
Mr. Martin Hardie of the Victoria and Albert Museum, himself an experienced practitioner in this medium, deals with the revival of water-colour painting at the present day. The question is treated chiefly from the side of methods and materials, for which purpose Mr. Hardie has invited the replies of a number of eminent water-colourists in a questionnaire upon the colours constituting their palettes, the papers employed, their methods of working, etc. The article thus contains many illuminating facts upon the use of the medium, and is illustrated by upwards of twenty reproductions, two being in colour, representative of the various styles employed.
Dr. Tancred Borenius contributes a second article upon the KALEIDOSCOPE OF TASTE IN PRINTING, in which he examines a number of the lesser known Italian painters of the 16th-17th centuries and reveals a field in which it is still possible to acquire “Old-Master” pictures of fine quality at moderate cost.
Mr. SYDNEY LEE, R.A., speaking from a long and fruitful experience of Roman conditions, gives his impressions of Rome as an Artist’s Working Ground, which he considers to be admirable for ten months out of the twelve.
In THE SKYScraper CURTAIN, the American architect, DOUGLAS HASKELL, examines the development of the multi-storied building, and Mrs. KATHARINE KERSHAW that of the ART OF THE TABLE in the modern home. Both write upon their themes with a keen and witty penetration and a constructive outlook.
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INFORMATION
Valuable originals are usually insured while in custody of The Studio, but it must be understood that all material is sent, and received, at owner’s risk. Contributors should submit photographs, for first consideration, rather than originals. All material should bear full name and address, and be accompanied by return postage. Personal Enquiries should be accompanied by a stamped and addressed envelope. The Editor can only be seen by appointment.
AGENTS AND SUBSCRIPTIONS
Home, 2s. per copy; 28s. per annum, post free. Bound Volume 15s. Overseas. British Dominions, India, Countries in Postal Union, 30s. post free.
Canada (The Musson Book Co., 225 Jarvis St., Toronto), 26s.
France (Librairie D’Art Louis Reynaud, 18 Rue de la Bucherie, Paris 5), frs. 170 post free.
Italy (Galleria Pesaro, Via Manzoni 12a, Milan), L. 168.
U.S.A. (Published under the title “Atelier,” $7.50 post free, by William Edwin Rudge, Publisher, 475 Fifth Ave., New York, the sole associate Publisher in the U.S., to whom orders from U.S. readers should be sent for all Studio Publications.)
ADVERTISEMENTS
Rates for undisplayed advertisements—7s. 6d. for 32 words. 1s. for each eight or less beyond. Replies to Box Numbers 1s. extra. For displayed advertisement rates apply to the Advertisement Dept., 44 Leicester Square.
Copy by 1st of month prior to publication.
No responsibility accepted for loss or damage of material sent in response to advertisements.
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PUBLISHED BY THE STUDIO LIMITED, 44 LEICESTER SQUARE
Telephone: Gerrard 3267-8 LONDON, W.C.2 Telegrams: Rhombic, London
Page 5
Organised by the
FLEET STREET & ADVERTISING CLUB
$\diamondsuit$
The Fourth Annual
EXHIBITION OF ADVERTISEMENTS
October 1st to 15th inclusive
will be held at the NEW
EXHIBITION HALL,
16 Regent Street, S.W.1
One minute south of Piccadilly Circus
$\diamondsuit$
A special section will be set aside for the work of
Commercial Artists, who are invited to communicate
at once with A. H. Clackson, Exhibition of Advertis-
ment Offices, 119 Fleet St., E.C.4, or 'phone City 8972
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THE FLOOD
SISLEY
THE MEDICI SOCIETY’S
list now includes fine colour prints of works
by Claude Monet, Paul Cézanne, Vincent
Van Gogh, Auguste Renoir, and other
French Impressionists, also works by prom-
inent living Artists.
*Modern list 6d. or Old Master list 1/-., both
profusely illustrated, from your local dealer or
post free from the Society.*
||| The Society specialises in |||
mounting and framing for
Artists.
THE MEDICI SOCIETY LTD.,
6 GRAFTON STREET, LONDON, W.1
and at 26 Alfred Place, S. Kensington.
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ROYAL COPENHAGEN PORCELAIN
Factory eMark
VENUS
by Gerhard Henning
Height $8\frac{1}{2}$ ins. Price £35
Inspection is invited, or Illustrated
Brochure will be sent on application
ROYAL COPENHAGEN PORCELAIN CO., LTD. 6, OLD BOND STREET, LONDON, W.1
AD. III
Page 6
SEPTEMBER EXHIBITIONS
ALBANY GALLERY, 17 Sackville Street, W.1. Summer Salon.
ARLINGTON ART GALLERY, 22 Old Bond Street, W.1. Exhibition of Pottery by The Poole Potters (Carter, Stabler and Adams Ltd.) (13th–26th). 10–5.30.
BRITISH MUSEUM, Great Russell Street, W.C.1. Permanent Exhibition Manuscripts, Prints, Drawings, Ancient Sculptures and Antiquities. 10–6 (Sundays 2–6).
BROOK STREET GALLERY, 14 Brook Street, W.1. Exhibition of Drawings by Louis Wain. Closing Sept.
FINE ART SOCIETY, 148 New Bond Street, W.1. (1) 100 Engravings and Etchings by Durer, Rembrandt and other Old Masters. (2) Fine Modern Etchings, Paintings and Water-colours by Leading Artists.
FOYLE ART GALLERY, Trefoile House, Manette Street, Charing Cross Road, W.1. Flower Paintings. Opens 1st.
IMPERIAL WAR MUSEUM, South Kensington, S.W.7. Permanent Exhibition of Works executed by Artists during the War. Special Exhibition: Drawings by Forain. 10–6 (Sundays 2.30–6).
JEKYLL’S GALLERY, 74 South Audley Street, W.1. Exhibition of Oriental Carpets and Rugs. 16th–19th Century.
LEFEVRE GALLERIES, 1a King Street, St. James’s, S.W.1. Exhibition of Paintings by British and French Modern Masters always on view.
LEGER GALLERIES, 13 Old Bond Street, W.1. Exhibition of Old Masters.
LEICESTER GALLERIES, Leicester Square, W.C.2. Exhibition of Modern Pictures and Sculptures. 1s.
NATIONAL GALLERY, Trafalgar Square, W.C.2. Old Masters. 10–6 (Sundays 2–6). Thursdays and Fridays, 6d.; other days free.
NATIONAL PORTRAIT GALLERY, St. Martin’s Place, Trafalgar Square, W.C.2. British Celebrities of the Past. 10–6 (Thursdays and Fridays, 10–5; Sundays 2.30–5.30). Thursdays and Fridays, 6d.; other days free.
NEW BURLINGTON GALLERIES, Burlington Gardens, W.1. Closed (Secretary in attendance).
PATERSON’S GALLERY, 22 Old Bond Street, W.1 Modern Pictures and Drawings.
P. & D. COLNAGHI & Co., 144-146 New Bond Street, W.1. Exhibition of Paintings and Drawings by Old and Modern Masters.
R.B.A. GALLERIES, Suffolk Street, Pall Mall, S.W.1. Closed.
REDFERN GALLERY, 27 Old Bond Street, W.1. Summer Salon—Works by Epstein, Dunlop, Ethelbert White, Paul Nash, John Nash, Eric Gill, Ethel Walker, etc.
ROWLEY GALLERY OF DECORATIVE ART LTD., 140-2, Church Street, Kensington, W.8. Modern Furniture, Decorative Mirrors, Inlaid Wood Panels, Frames, Fitments for Electric Light, Fabrics, Pottery, etc.
ROYAL INSTITUTE GALLERIES, 195 Piccadilly, W.1. Annual Exhibition of the Professional Photographers’ Association of Great Britain and Ireland Ltd.
ROYAL PHOTOGRAPHIC SOCIETY, 35 Russell Square, W.C.1. Annual International Exhibition. Opens 12th. 10–9.
TATE GALLERY, Millbank, S.W.1. British and Foreign Modern Paintings and Sculpture. Special Exhibitions: (1) Works by Camille Pissarro. (2) Turner’s Early Work. 10–6 (Sundays 2–6). Tuesdays and Wednesdays, 6d.; other days free.
TOOTH’S GALLERY, 155 New Bond Street, W.1. Contemporary English and French Art.
TWENTY-ONE GALLERY, 15 Mill Street, Conduit Street, W.1. Autumn Exhibition.
VICTORIA AND ALBERT MUSEUM, South Kensington, S.W.7. Permanent Exhibition. Special Exhibitions; Important New Acquisitions in the Central Court. Exhibition of Modern Posters, British and Foreign, in the North Court. Loan Exhibition of the Royal Presents from India in Rooms 18-20. 10–6 (Thursdays and Saturdays, 10–10; Sundays, 2.30–6).
WALKER’S GALLERIES, 118 New Bond Street, W.1. Early English Water-colours—27th Annual Exhibition.
WALLACE COLLECTION, Manchester Square, W.1. Permanent Exhibition of Paintings, Sculpture, Furniture and Armour. 10–5 (Sundays 2–5). Tuesdays and Fridays, 6d.; other days free.
ZWEMMER GALLERY, 26 Litchfield Street, Charing Cross Road, W.C.2. Permanent Exhibition of Coloured Reproductions after Modern and Old Masters,
All Galleries open 10–6, Sats. 10–1, and admission free, unless otherwise stated.
Applications for entries on this page should be addressed to ART EXHIBITIONS BUREAU, 3-5 Burlington Gardens, W.1.
AD. IV
Page 7
HOSPITALFIELD FARM JOSEPH WEBB A.R.E.
Size 7½ ins. x 10¼ ins.
Edition limited to 50 proofs at 5 gns.
Published by
THE TWENTY-ONE GALLERY
15 MILL STREET, LONDON, W.1
Telephone: Regent 5555
Publishers of the Etchings by:
Robert Austin G. Sutherland Austin Frederick
Paul Drury Alex. Walker Evelyn Gibbs
W. M. Larkins S. R. Badmin Enid Butcher
W. A. Narbeth John Nicholls P. O. Hodges
Martin Hodges Joseph Webb E. Holloway
Illustrated Catalogue post free on application
The Gallery can be hired for One-man Shows. For terms and
vacant dates apply the Secretary
VENETIAN NIGHT
Etching. Size 10⅛ in. x 16⅞ in. James McEey
FINE ETCHINGS
by
LEADING MODERN ARTISTS
including
Austin, Bauer, Benson, Blampied, Bone,
Brangwyn, Briscoe, Brockhurst, Cain,
Cameron, Flint, Griggs, Heintzelman, John,
Litten, Lumsden, McEey, Rushbury, Warlow,
Whistler, Zorn, etc.
Autumn Catalogue in preparation, post free
on request
J. B. BENNETT & SONS, LTD.
156 Buchanan Street, GLASGOW
Telegrams and Cables: ‘BENFINART, GLASGOW’
MODERN ART
Derain Connard
Despiau Dobson
Laurencin Epstein
Maillol Gertler
Matisse Spencer Gore
Modigliani Lamb
Pissarro Paul Nash
Rodin Nevinson
Rouault Wilson Steer
Van Gogh Sickert
Vuillard E. White
etc.
LEICESTER GALLERIES
LEICESTER SQUARE :: LONDON
J. LEGER & SON
LONDON : BRUSSELS : NEW YORK
CHICAGO: PARIS
The Dilettante Society
31 in. by 42 in.
PAINTING BY
THOMAS PATCH
Old & Modern Masters
13 Old Bond St., W.1
Telephone: Regent 2679
AD. V
Page 8
TWO NEW SKETCH BOOKS
Made of paper which is of fine quality for drawing and water-colour work. They can be had in the following sizes, either upright or oblong:
- “CROQUIS” For Pencil Drawing
- “LAVIS” For Pencil and Water Colour
5½ x 3½ ... 10d.
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5¾ x 3¼ ... 1/0
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7 x 5½ ... 1/3
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8¼ x 5¾ ... 1/6
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9 x 5¾ ... 1/10
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10¼ x 7 ... 2/0
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9¾ x 7¾ ... 2/8
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10⅞ x 8⅝ ... 3/0
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12¼ x 9¼ ... 3/3
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14¼ x 10¼ ... 3/9
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19¼ x 12¼ ... 6/6
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Made in France Postage Extra.
INGRES
Fine quality Drawing Papers (Water Mark M.B.M.) made in white and 14 other shades. Size of sheet 24½ x 18½. 2d. per sheet, 3/- per quire, 51/- per ream. Samples on application
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LECHERTIER BARBE LTD.
Artists’ Colourmen since 1827
95 JERMYN STREET, LONDON, S.W.1
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SPEEDY ECONOMICAL EFFICIENT
The AEROGRAPH gives those exquisite shading effects which are unattainable by any other process. There are models for small or large studios, and for all kinds of sign and display work.
AEROGRAPH AIR BRUSH
AEROGRAPH CO., LTD.
43 Holborn Viaduct
London, E.C.1
CVS16
Write for a leaflet which explains the mechanism and scope of the Aerograph—its initial cost will be more than repaid by the speed and efficiency of its working.
AD. VI
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A pleasant Studio
(or portable wood building for any purpose)
to any size from stock
Pleasant, portable and permanent. Sizes, prices and the considerable advantages of the system of construction are explained fully in the Boulton & Paul Catalogue.
Write for Catalogue 395
BOULTON & PAUL, LTD., NORWICH
London Office: 139 Queen Victoria Street, E.C.4
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Page 9
PERFECT PAINTINGS
demand
PERFECT PAPER
WHATMAN is that paper.
Absolutely dependable in blending,
changing and controlling water
colour; withstanding wetting
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OF ALL ARTISTS' COLOURMEN
THE HOME
THE AUSTRALIAN JOURNAL OF QUALITY
Published every month.
EVERY country has its premier magazine of culture
—the one that most aptly presents the highest
endeavours of the community in matters of taste.
The Home is Australia's most emphatic contradiction to
any foolish assumption that Australian people are an
unenlightened race disinterested in the world's aesthetic
movements. It represents the consciousness of those
who follow the trend of modern thought and adapt the
newest principles to the conditions of their own land.
Impressively presented—superbly printed.
1/3 per copy
15/- the year's subscription
plus postage to England 4/-
Published by ART IN AUSTRALIA Ltd., Kyle House,
Macquarie Place, Sydney
AD. VII
Page 10
Some of the many excellent Press Reviews about MAX J. FRIEDLAENDER’S ECHT UND UNECHT
Aus den Erfahrungen des Kunstkenners
CLOTH 3s.6d.
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BERLINER TAGEBLATT
At the last moment comes a book by Max J. Friedlaender, in a chapter of which, amongst other ingenious essays, he speaks about the forgery of old paintings. He also deals with the imitation of Modern Masters.
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DEUTSCHE ALLGEMEINE ZEITUNG
What Friedlaender gives here belongs certainly to the best of our days. He has mastered the art historian style as few can.
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KOELNISCHE ZEITUNG
Friedlaender writes briefly and with extraordinary knowledge about the restoration and forgeries of old paintings. The following essays, are especially important for authors dealing with arts.
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MUENCHNER NEUESTE NACHRICHTEN
These articles insist upon the conceivable clearness in the chaos of our contemporary view of art, and show us what real knowledge and perfect criticism achieve.
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KOENIGSBERGER ALLGEMEINE ZEITUNG
Just at the moment when the world is aroused on the difficulties in purchasing artworks because of a series of forgeries, this book will find extraordinary interest. It is an important guide for collectors, directors of museums, and art dealers.
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HANNOVERSCHER KURIER
A very remarkable and extraordinarily clever and courageous book.
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RATHENOWER ZEITUNG
If we will receive instruction as the result of the last art forgeries, then we can obtain it through this competent man and art expert, Max J. Friedlaender, in his small book.
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NEUE ZUERCHER ZEITUNG
Max J. Friedlaender, recognized as an author, authority on museums, has written a few essays of his thoughts regarding contemporary art. The first chapters will be a help to every art lover, collector, and all visitors to museums.
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> ASK FOR DETAILED PROSPECTUS with PRESS REVIEWS and for PROSPECTUSES of the other books by MAX J. FRIEDLAENDER.
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BRUNO CASSIRER VERLAG · BERLIN W.35
AD. VIII
Page 11
MODERN PHOTOGRAPHY
THE STUDIO SPECIAL AUTUMN NUMBER - 1931
will be published in September
About one hundred illustrations from photographs by the world’s leading camera artists.
Introduction on the modern Art of Photography by G. Saxon Mills. A study of modern equipment and special processes and uses of photography by C. Leeston Smith.
Price 1os. 6d. cloth. 7s. 6d. wrappers.
THE STUDIO LTD., 44 LEICESTER SQ., LONDON
AD. IX