Excerpt
First pages of the volume, freely accessible.
Page 1
THE STUDIO
CONTENTS
- The Art of Furnishing
by Robert Lutyens
- American Primitives
by Holger Cahill
- Picasso and Modern Painting
by William Gaunt
- The Legacy of Egypt
by Gerald Crow
- The Architecture of the New Delhi
- 2 Italian Luxury Liners
- Breslau Kunstakademie
by Adolf Behne
- Georgia O’Keeffe in Taos
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JUNE 1931 2s. NET
Page 2
The Studio Painting Series
IN this new series of colour reproductions THE STUDIO presents a number of volumes, each devoted to one aspect of the painter’s art, providing a series of works of technical value to the student and teacher, and at the same time bringing together a collection of beautiful and fascinating illustrations of representative works by famous artists. The volumes are equally attractive to everyone who appreciates beauty in art.
VOL. I. FIGURE STUDIES
Paintings by A. E. COOPER, W. RUSSELL FLINT, R.A., MARK GERTLER, W. G. DE GLEHN, A.R.A., HARRY MORLEY, CHARLES SHANNON, R.A., HAROLD SPEED and ANDERS ZORN.
VOL. II. LANDSCAPE
Paintings by ARNESBY BROWN, R.A., SIR GEORGE CLAUSEN, R.A., STANHOPE A. FORBES, R.A., GEORGE HENRY, R.A., LAURA KNIGHT, A.R.A., SIR DAVID MURRAY, R.A., A. J. MUNNINGS, R.A., and ALGERNON TALMAGE, R.A.
VOL. III. CHILDREN
Paintings by R. GEMMELL HUTCHISON, LAURA KNIGHT, A.R.A., LORD LEIGHTON, P.R.A., SIR E. J. POYNTER, P.R.A., DOROTHEA SHARP, H. TUKE, R.A., and FREDERIC WHITING.
VOL. IV. SHIPS AND THE SEA
Paintings by MAXWELL ARMFIELD, ARTHUR J. W. BURGESS, FRANK BRANGWYN, R.A., C. N. HEMY, R.A., JULIUS OLSSON, R.A., and TERRICK WILLIAMS, A.R.A.
5s. net per volume
Medium quarto - $11\frac{1}{2} \times 9$ ins.
Handsome gilt-paper board binding, with colour plate.
8 beautiful mounted colour plates in each volume
Each volume contains an introduction, notes on each artist and a full description of each plate. Illustrated Prospectuses on request.
THE STUDIO LTD., 44, LEICESTER SQ., LONDON, W.C.2
Page 3
PUBLISHERS BY APPOINTMENT
TO HIS MAJESTY THE KING
ESTABLISHED 1760
P. & D. COLNAGHI & CO.
THE PLAZA, NIGHT: GUADALUPE
SPAIN
DRAWINGS BY
MUIRHEAD BONE
(Second Series)
EXHIBITION NOW OPEN
Paintings, Drawings and Prints by Old and Modern Masters
VALUATIONS, RESTORATION, FRAMING, MOUNTING
COLLECTIONS BOUGHT ‘en bloc’
144, 145, 146 NEW BOND ST., LONDON, W.1
Telegrams: COLNAGHI, WESDO, LONDON
Telephone: MAYFAIR 6356 (3 lines)
AD. I
Page 4
THE STUDIO EDITED BY GEOFFREY HOLME NO. 459
Contents for June 1931
- The Art of Furnishing: A survey of modern styles, by Robert Lutyens page 383
- The Legacy of Egypt, by Gerald Crow 400
- Picasso and the Cul-de-Sac of Modern Painting, by William Gaunt 403
- American Primitives: A prelude to American Painting, by Holger Cahill 417
- The Architecture of the New Delhi, by William Gaunt 427
- Italian Luxury Liners: Timavo and Duchess of Aosta, by N. G. Fiumi 433
- The Paintings of Georgia O’Keeffe in Taos 433
- The Breslau Kunstakademie, by Adolf Behne 443
- Events in the Art World 451
Supplements in Colour
- Interior, by Messrs. Symonds and Lutyens Frontispiece
- Pierrot. Gouache, by Pablo Picasso 413
- Mary Queen of Scots. French School, Early 16th Century 425
- Landscape, Meudon. Woodcut, by Kiyoshi Hasegawa 441
- Portrait of a Young Girl, by Oscar Moll 447
- She was the Belle of the Ball, by W. R. Sickert 453
(Contents of all issues of Atelier, and of The Studio from April, 1931, may be located through the ART INDEX)
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IMPORTANT NOTICE
***
Commencing with the current volume (Vol. 101), THE INDEX TO THE STUDIO will no longer be supplied separately, but will be incorporated in the issue next succeeding the close of the volume concerned. For example, the index to Vol. 101 (January to June, 1931) will appear in the July issue.
This alteration is being made in response to widespread requests and to conform to generally accepted practice at the present day.
The cost of binding cases for Vol. 101 and subsequent volumes will be 2s. 6d.
VOL. 101, ETC.
Binding Cases - - 2s. 6d. net
EARLIER VOLUMES
Binding Cases, with Index 3s. 6d. net
Index only - - 1s. 0d. net
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INFORMATION
Valuable originals are usually insured while in custody of The Studio, but it must be understood that all material is sent, and received, at owner’s risk. Contributors should submit photographs, for first consideration, rather than originals. All material should bear full name and address, and be accompanied by return postage. Personal Enquiries should be accompanied by a stamped and addressed envelope. The Editor can only be seen by appointment.
AGENTS AND SUBSCRIPTIONS
Home, 2s. per copy; 23s. per annum, post free. Bound Volume 15s. Overseas. British Dominions, India, Countries in Postal Union, 30s. post free.
Canada (The Musson Book Co., 225 Jarvis St., Toronto), 26s.
France (Librairie D’Art Louis Reynaud, 18 Rue de la Bucherie, Paris 5), frs. 170 post free.
Italy (Galleria Pesaro, Via Manzoni 12a, Milan), L. 168.
U.S.A. (Published under the title “Atelier,” $7.50 post free, by William Edwin Rudge, Publisher, 475 Fifth Ave., New York, the sole associate Publisher in the U.S., to whom orders from U.S. readers should be sent for all Studio Publications.)
ADVERTISEMENTS
Rates for undisplayed advertisements—7s. 6d. for 32 words. 1s. for each eight or less beyond. Replies to Box Numbers 1s. extra. For displayed advertisement rates apply to the Advertisement Dept., 44 Leicester Square.
Copy by 1st of month prior to publication.
No responsibility accepted for loss or damage of material sent in response to advertisements.
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PUBLISHED BY THE STUDIO LIMITED, 44 LEICESTER SQUARE
Telephone: Gerrard 3267-8 LONDON, W.C.2 Telegrams: Rhombic, London
Page 5
ARTHUR TOOTH & SONS
CONTEMPORARY FRENCH AND ENGLISH PAINTINGS
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155 NEW BOND STREET, W.1
AD 111
Page 6
JUNE EXHIBITIONS
ALBANY GALLERY, 17 Sackville Street, W.1. Drawings and Oil Paintings by Olive Snell.
BARBIZON HOUSE, 9 Henrietta Street, Cavendish Square, W.1. Summer Exhibition of Paintings and Drawings by D. Y. Cameron, Clausen, Steer, Sickert, Russell Flint, Bertram Nicholls and others.
BRITISH MUSEUM, Great Russell Street, W.C.1. Permanent Exhibition, Special Exhibition of Cotton Manuscripts. 10–6 (Sundays 2–6).
CHISWICK HOUSE GALLERY, The Mansion, Chiswick Park, W.4. Westminster “and other pictures” by J. W. T. Vinall, A.R.C.A., N.S.A., S.R.S.A. Open Thursdays, Saturdays and Sundays only from 2–6.
P. & D. COLNAGHI & CO., 144-146 New Bond Street, W.1. Exhibition of Drawings by Muirhead Bone. Now open.
FINE ART SOCIETY, 148 New Bond Street, W.1. (1) Paintings by Herbert Gurschner. (2) Paintings and Water-colours by Leading Artists.
FOYLE ART GALLERY, Trefoile House, Manette Street, Charing Cross Road, W.1. Contemporary Art. Catalogue free.
GIEVES ART GALLERY, 22 Old Bond Street, W.1. Gstaad—The Village in the Valley, by William S. Horton (closes 12th). Sculptures and Pictures by M. Jules Van Biesbroeck and Joan Dummett (closes 26th). 10–5.30 (Saturdays 10–1). 1s. (including tax and catalogue).
IMPERIAL GALLERY OF ART, Imperial Institute (East Entrance), S.W.7. Contemporary British Art (closes 27th). 10–5.
IMPERIAL WAR MUSEUM, South Kensington, S.W.7. Paintings, Drawings and Sculpture by Contemporary Artists. 10–6 (Sundays 2.30–6).
LEFEVRE GALLERIES, 1a King Street, St. James’s, S.W.1. Exhibition of Paintings by Picasso, during June. Paintings by British and French Modern Masters always on view.
LEGER GALLERIES, 13 Old Bond Street, W.1. Exhibition of Italian and Australian Landscapes by Norman Lloyd. May 21st—June 6th.
LEICESTER GALLERIES, Leicester Square, W.C.2. (1) Paul Gauguin—Paintings, Water-colours, Woodcuts, etc. (2) Camille Pissarro—Gouaches, Pastels and Drawings (opens 11th). 1s.
NATIONAL GALLERY, Trafalgar Square, W.C.2. Old Masters. 10–6 (Sundays 2–6). Thursdays and Fridays 6d.; other days free. Special Exhibition: Dutch Pictures and new Acquisitions (Room 28).
NATIONAL PORTRAIT GALLERY, St. Martin’s Place, Trafalgar Square, W.C.2. British Celebrities of the Past. 10–6 (Thursdays and Fridays, 10–5; Sundays 2.30–5.30). Thursdays and Fridays 6d.; other days free.
NEW BURLINGTON GALLERIES, Burlington Gardens, W.1. Modern Pictorial Advertising by Shell (opens 17th).
PATERSON’S GALLERY, 22 Old Bond Street, W.1. 17th and 18th Century Japanese Screens and Pottery.
R.B.A. GALLERIES, Suffolk Street, Pall Mall, S.W.1. R.B.A. Art Club.
REDFERN GALLERY, 27 Old Bond Street, W.1. Contemporary Water-colours and Drawings—Paul Nash, Ethel Walker, Eric Gill, Dunlop, Duncan Grant, Epstein, etc.
ROWLEY GALLERY OF DECORATIVE ART, 140-2 Church Street, Kensington, W.8. Modern Furniture, Decorative Mirrors, Inlaid Wood Panels, Frames, Fitments for Electric Light, Fabrics, Pottery, etc. 9–6.30.
ROYAL INSTITUTE GALLERIES, 195 Piccadilly, W.1. National Society of Painters, Sculptors, Engravers and Potters—2nd Annual Exhibition (opens 8th). 10–5. 1s.
ROYAL PHOTOGRAPHIC SOCIETY, 35 Russell Square, W.C.1. (1) The Pictorial Group. (2) Prints by Arthur F. Kales.
R.W.S. GALLERIES, 5a Pall Mall East, S.W.1. Evelyn Cheston Memorial Exhibition. 10–6 (Saturdays 10–4.30).
TATE GALLERY, Millbank, S.W.1. British and Foreign Modern Paintings. Special Exhibition of works by Camille Pissarro. 10–6 (Sundays 2–6). Tuesdays and Wednesdays, 6d.; other days free.
TOOTH’S GALLERY, 155 New Bond Street, W.1. Exhibition of 18th Century French Masters.
TWENTY-ONE GALLERY, 15 Mill Street, Conduit Street, W.1. 21st Exhibition of Lithographs by Members of The Senefelder Club.
VICTORIA AND ALBERT MUSEUM, South Kensington, S.W.7. Permanent Exhibition. Special Exhibitions: Important New Acquisitions in Central Court. Illuminated Addresses arranged by Society of Scribes and Illuminators in the Engraving Galleries (closes 21st). Lettering in the Various Crafts in Rooms 16a and 16b. 10–6 (Thursdays and Saturdays, 10–10; Sundays 2.30–6).
WALKER’S GALLERIES, 118 New Bond Street, W.1. (1) Paintings by Count Michael Torby (closes 13th). (2) Flowers, Landscapes, Gardens—Water-colours by Frank Galsworthy (11th–24th). (3) Connemara, etc.—Sketches by Letitia M. Hamilton (11th–24th). (4) Burmah, Panang, Siam, etc.—Water-colours by A. R. Stradling (16th–29th). (5) Early English Water-colours—27th Annual Exhibition (opens 29th).
WALLACE COLLECTION, Manchester Square, W.1. Permanent Exhibition of Paintings, Sculpture, Furniture and Armour. 10–5 (Sundays 2–5). Tuesdays and Fridays, 6d.; other days free.
ZWEMMER GALLERY, 26 Litchfield Street, Charing Cross Road, W.C.2. Permanent Exhibition of Coloured Reproductions after Modern and Old Masters.
All Galleries open 10–6, Sats. 10–1, and admission free, unless otherwise stated.
Applications for entries on this page should be addressed to ART EXHIBITIONS BUREAU, 3-5 Burlington Gardens, W.1.
Page 7
POSADA IN TOLEDO
NEW DRY POINT BY JOSE PEDRO GIL
EDITION OF 40 PROOFS
PRICE - - - £3
:: GALERIES ALEXIS ::
Rue Bonaparte 40 .. PARIS
J. LEGER & SON
LONDON : BRUSSELS : NEW YORK CHICAGO: PARIS.
"THE GREEN WATERCART"
Size 16 x 13 ins.
by NORMAN LLOYD
Included in his present Exhibition of Landscapes May 21st — June 6th
Old & Modern Masters
13 Old Bond St., W.1
Telephone: Regent 2679
WOODEN BRIDGE, SOTTOCASTELLO (6½ x 4¾)
New Line Engraving by ROBERT AUSTIN, R.E.
Published by THE TWENTY-ONE GALLERY
15 MILL STREET, LONDON, W.1
Telephone: Regent 5555
VENETIAN NIGHT
Etching Size 10⅛ in. x 16⅞ in. James McBey
FINE ETCHINGS
by LEADING MODERN ARTISTS
including
Austin, Bauer, Benson, Blampied, Bone, Brangwyn, Briscoe, Brockhurst, Cain, Cameron, Flint, Griggs, Heintzelman, John, Litten, Lumsden, McBey, Rushbury, Warlow, Whistler, Zorn, etc.
Our Catalogues post free to you on request
J. B. BENNETT & SONS, LTD.
156 Buchanan Street, GLASGOW
Telegrams and Cables: "BENFINART, GLASGOW"
AD. V
Page 8
THE LEICESTER GALLERIES
LEICESTER SQUARE
EXHIBITIONS
THE DURRIO COLLECTION
of
PAINTINGS, WATER-COLOURS AND
WOODCUTS, ETC.,
by
PAUL GAUGUIN
On June 11th there will be shown
A REPRESENTATIVE COLLECTION
of
GOUACHES, PASTELS and DRAWINGS
by
CAMILLE PISSARRO
Open 10 till 6
Saturdays 10 till 1
Admission 1s. 2d.
(including tax)
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THE COOLING GALLERIES
92 New Bond Street, London, W.1
OLD AND
MODERN PICTURES
The Above Gallery
Available for Exhibitions
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THE
EVELYN CHESTON
1875—1929
MEMORIAL EXHIBITION
May 29 — June 20
R.W.S. GALLERY
5a PALL MALL EAST
Free daily 10—6
“Evelyn Cheston”
Member, New English Art Club, 1908-1929
A Memoir by
CHARLES CHESTON, A.R.W.S.
With 48 full-page collotype reproductions
Royal quarto. 30s. net.
A de luxe Edition on hand-made paper of
100 signed and numbered copies—3 gns. net.
Postage on each edition 11d. extra.
FABER & FABER LTD.
24 RUSSELL SQUARE, LONDON, W.C.1
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EXHIBITION
of
SILVER PLATE
The University and
Colleges of Cambridge
are LENDING SILVER PLATE, dating
from the XIVth to the XIXth centuries,
to be SHOWN in the NEW COURTAULD
GALLERIES of the
FITZWILLIAM MUSEUM
CAMBRIDGE
from
Saturday, JUNE 6—Sunday, JULY 5, 1931
OPEN WEEKDAYS 10—5
SUNDAYS 2—5
PROFIT IN AID OF
ADDENBROOKE’S HOSPITAL
AD. VI
Page 9
INTERIEURS MODERNES
ATHELIA
ROBERT BLOCK
DIRECTEUR ARTISTIQUE
AUX TROIS QUARTIERS
20, RUE DUPHOT - PARIS
AD. VII
Page 10
English Editor
ASHLEY
DUKES
Editor
EDITH
J. R. ISAACS
Project for a Theatre—Norman Bel Geddes
THEATRE ARTS MONTHLY
The International Magazine of the Theatre
- THE ARTIST, ARCHITECT search its pages for material for a record of all that is dramatic in the arts, for a novel handling of a subject, for a new idea on theatre planning, for pictures of the latest developments in construction throughout the world.
- THE PLAYWRIGHT and THE STUDENT rely on it as the only current survey of the world theatre—drama—acting—stagecraft.
- THE ACTOR, THE DANCER, THE STAGE ARTIST find it an indispensable source of information—it is the standard record of the best work now being done in Europe and America.
- THE TEACHER and THE AMATEUR PRODUCER look to it for inspiration—as a stimulus and an avenue to fresh points of view.
- THE MAN WITH NEW IDEAS about the theatre recognises it as the best channel for their expression—its pages are open to discussion of all theatrical problems.
- THE PLAYGOER needs it for the reviews of current plays—the arresting and beautiful illustrations.
Some Representative Articles in 1930-31 Issues :
I LOOK AT THE THEATRE. Symposium by J. B. Priestley, John Middleton Murry, C. R. W. Nevinson, Compton Mackenzie, Naomi Mitchison, Paul Nash, Humbert Wolfe and Martin Armstrong
AMERICAN PLAY STUFF by Carl Carmer
MAKE-UP by Tamara Daykarkhanova
MUSIC IN SOVIET RUSSIA by Nikolai Sokoloff
MEI LAN-FANG by Stark Young
THE IRISH SCENE by Ashley Dukes
MODERN GERMAN DANCE by Schlee
PLAYWRITING AS A PROFESSION by Edouard Bourdet
THE MARIONETTE CONGRESS by Meyer Levin
THE FINE ART OF BULLFIGHTING by Charles Bayly
SIX THEATRE PROJECTS by Norman Bel Geddes
Drawings and Designs by :
Norman Bel Geddes, Robert Edmond Jones, Joseph Urban, Alice Bernstein, Rockwell Kent, Jo Mielziner, Janis Muncis, Lee Simonson, Albert Talhoff, Wharton Esherick, Votja Sucharda, Emil Pirchan, Terence Gray, Oscar Schlemmer.
THEATRE ARTS MONTHLY, 99 Regent Street. London, W.1
Subscription Rates:
1 year 23/- ($5.50) 2 years 34/- ($8.00)
Theatre Arts Monthly99 Regent Street, London, W.1
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Please send me, free of charge, specimen pages of THEATRE ARTS MONTHLY
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Page 11
Whatever
the BRITISH MUSEUM
and the METROPOLITAN
the LOUVRE and the UFFIZI
the PRADO, the EREMITAGE
and the KAISER-FRIEDRICH-MUSEUM
whatever treasures of art the less known small galleries and private collections contain, all of them are brought into your home by the Propyläen-Kunstgeschichte (Propylæn History of Art), the “museum in the library”, which in addition contains reproductions of the most noteworthy buildings and monuments in all parts of the world, and of the finest products of all the arts and crafts. Its 16 volumes represent the entire range of the artistic production of all times and nations, from the primitive drawings of cave-dwellers to Picasso. Each volume includes from 400 to 500 illustrations (mostly full-page), making about 9000 illustrations for the complete work. Each volume covers a full period of art and is obtainable separately. Each volume begins with about 100 pages of introductory text from the pens of the most famous German scholars of art (Wilhelm v. Bode, Max J. Friedländer, etc.); but, to quote the Observer, “there are five pages of illustrations to every page of text, so that those who cannot read German, are not debarred from instructed enjoyment.” A volume of the Propyläen-Kunstgeschichte is the most beautiful present you can give to yourself and to others, a book to which the reader will revert again and again in order to wander through a world of beauty. Moreover, such a volume is comparatively inexpensive, for, to quote the Kunstwart, “considering the price of about RM 50 (£2.10/0) per volume each illustration costs only 10 pfennigs (1¹⁄₄d.), the result being in every way a really cheap collection”. Should you not yet know the Propyläen-Kunstgeschichte and should your bookseller be unable, for the moment, to show you a specimen copy, kindly write to the
PROPYLÄEN-VERLAG
BERLIN SW 68, GERMANY
AD. IX