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Page 1
REVUE MENSUELLE
AVEC TRADUCTION FRANÇAISE
THE·STUDIO
An Illustrated Magazine
of Fine & Applied Art
AUG. 15, 1906
VOL. 38
No. 161
44 Leicester Square
LONDON·W.C
Monthly
BUREAU DU STUDIO
PARIS
LIBRAIRIE OLLENDORFF
50 CHAUSSÉE D’ANTIN
PRIX: 1 FRANC 60¢ NET
Page 2
THE STUDIO.
EDITED AND PUBLISHED BY CHARLES HOLME
Contents, August 15, 1906.
SUPPLEMENTS:—A COLOURED REPRODUCTION OF THE PAINTING ENTITLED, “THE GREY OF DAWN,” BY MONTAGUE SMYTH; COLOURED REPRODUCTIONS OF TWO ETCHINGS IN COLOUR BY ALLAN OSTERLIND, ENTITLED “LES PREMIERS PAS” AND “BRASEROS”; A COLOURED REPRODUCTION OF A WATER-COLOUR SKETCH BY T. ROWLANDSON, ENTITLED “SHEEP-SHEARING”; A COLOURED REPRODUCTION OF A LITHOGRAPH BY CARLOS GRETHE, ENTITLED, “EVENING”; A COLOURED REPRODUCTION OF A WATER-COLOUR DRAWING BY MAURICE DETMOLD, ENTITLED, “FISH AND SMALL FRY.”
PAGE
THE WATTS MEMORIAL GALLERY AT LIMNERS-LEASE. By Mrs. Stewart Erskine. Seven Illustrations 189
RECENT LEAD-WORK BY Mr. G. P. BANKART. By Aymer Vallance. Twelve Illustrations 194
A NOTE ON THE LANDSCAPE PAINTINGS OF MONTAGUE SMYTH. By E. G. Halton. Nine Illustrations 199
SOME RECENT COLOURED ETCHINGS BY ALLAN OSTERLIND. By Henri Frantz. Six Illustrations 206
MODERN VIENNESE TOYS. By A. S. Levetus. Twelve Illustrations 213
SOME NORTHERN PAINTERS AND THEIR HOMES. By Georg Bröchner. Fifteen Illustrations 219
THE NEW ENGLISH ART CLUB’S THIRTY-SIXTH EXHIBITION. Six Illustrations 225
TECHNICAL HINTS FROM THE DRAWINGS OF PAST MASTERS OF PAINTING. VIII. T. Rowlandson. One Illustration 230
RECENT DESIGNS IN DOMESTIC ARCHITECTURE. Eight Illustrations 233
STUDIO-TALK (From our own Correspondents):—London, Twenty-one Illus., 238; Glasgow, Three Illus., 254; Paris, Three Illus., 255; Vienna, Three Illus., 258; Milan, Four Illus., 260; Pittsburg, Penn., Six Illus., 262; New York, Three Illus., 267; Moqui, Ind. Res. Arizona, Two Illus., 270.
REVIEWS AND NOTICES 271
AWARDS IN “THE STUDIO” PRIZE COMPETITIONS. Three Illustrations 275
THE LAY FIGURE: On the proper Study of Nature 278
SWAN FOUNTAIN PENS
MEAN COMFORT RAPIDITY SMOOTHNESS AND ECONOMY IN WRITING
ONE-FILLING LASTS FOR DAYS 3 SIZES — 10/6 16/6 25/- to £19 7 0 POST FREE ONE PEN PER YEAR
WRITE FOR CATALOGUE
MABIE TODD & BARD 79 & 80 High Holborn, LONDON, W.C.
BRANCHES: 98 CHEAPSIDE, E.C.; 95a REGENT ST., W.; EXCHANGE ST., MANCHESTER; and at NEW YORK and PARIS
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Page 3
GEO. ROWNEY & Co.'s
Registered SKETCHING CASE
Reg. No. 270111.
INCLUDING ARTISTS' COLOURS, BRUSHES, & PENCIL.
THIS Case, from its great convenience and portability, is particularly adapted to the use of Artists and Amateurs desirous of having the materials at hand for a hasty Sketch without being encumbered with the weight of an ordinary box.
MADE IN THE TWO FOLLOWING SIZES:
"8vo Impl." containing a 12-leaf Whatman Block, 10 in. by 7 in., and a Pocket for Loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Artists' Colours.
PRICE 15s., FITTED COMPLETE.
"16mo. Impl." containing a 12-leaf Whatman Block, 7 in. by 5 in. and a Pocket for Loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Artists' Colours.
PRICE 10s. 6d., FITTED COMPLETE.
These cases are supplied fitted to any arrangement desired.
A Japanned Tin Palette opens out when the Case is in Use, as shown in above illustration.
Manufactured only by GEO. ROWNEY & CO., 61 Brompton Road, LONDON, S.W.
To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom.
REEVES'S LOW-DRYING WATER-COLOURS
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SIR E. J. POYNTER, P.R.A.
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C. NAPIER HEMY, A.R.A.
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WALTER LANGLEY, R.I.
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REEVES' COLOURS ARE PURER THAN OTHERS, THEREFORE STRONGER.—THEY ARE IN MANY CASES LOWER IN PRICES THAN OTHERS.
PRICE LIST POST FREE.
REEVES & SONS, Ltd., DALSTON, LONDON.
AD. I
Page 4
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS.
(1) All purchasers of THE STUDIO are eligible to compete.
(2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges.
(3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made.
(4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like.
(5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted.
(6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise.
(7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated.
(8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A XXXV," "B XXVI," "C XXVI," &c., on the outside of the package or letter referring to it.
(9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder.
CLASS A. DECORATIVE ART.
Closes Sept. I A xxxiii. DESIGN FOR A SUNDIAL AND STAND.
Oct. I A xxxiv. DESIGN FOR A CUSHION COVER.
Nov. I A xxxv. DESIGN FOR A LYCH GATE.
(Particulars of the above appeared in the May, June and July Numbers respectively.)
Dec. I A xxxvi DESIGN FOR A CARVED WOOD PANEL.
The panel to be not more than nine inches square. Competitors may submit drawings or actual panels at their option.
FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas.
Drawings, packed flat, to reach the London office of THE STUDIO by Dec. 1.
CLASS B. PICTORIAL ART.
Sept. I B xxiv. A NEW YEAR'S GREETING CARD.
Oct. I B xxv. FIGURE STUDY IN RED AND BLACK CHALK.
Nov. I B xxvi. LANDSCAPE IN WATER-COLOURS.
(Particulars of the above appeared in the May, June and July Numbers respectively.)
B xxvii. PEN-AND-INK DRAWING FOR A CHAPTER HEADING.
The width not to exceed twelve inches.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings, packed flat, to reach the London office of THE STUDIO by Dec. 1.
CLASS C. PHOTOGRAPHS FROM NATURE.
C xxiv. STUDIES IN TONE RELATIONS. 5. A DOMESTIC INTERIOR.
C xxv. STUDIES IN TONE RELATIONS. 6. AN ARCHITECTURAL INTERIOR.
C xxvi. A HARVEST SCENE.
C xxvii. A SEA OR RIVER VIEW, WITH BOATS OR SHIPPING.
All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Photographs to be received at the London office of THE STUDIO by Sept. 1 for C xxiv, Oct. 1 for C xxv, Nov. 1 for C xxvi, and Dec. 1 for C xxvii.
COMPETITION COUPON.
This portion to be cut off and forwarded in accordance with Rule 3:
Aug. 15, 1906.—This form can be used for any or all of the Competitions announced for the first time in this number—viz., A xxxvi, B xxvii, C xxvii. And also for the special competitions in connection with "THE STUDIO" YEAR-BOOK OF DECORATIVE ART. Competitors must conform to the Rules.
Competition
Pseudonym of Competitor
No. Full Name and Address:
AD. II
Page 5
THE . . .
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Catalogue R gives full particulars.
THE ORCHESTRELLE COMPANY,
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135-6-7 NEW BOND STREET, LONDON, W.
A. SANDERSON & SONS.
BRANCH OF WALL PAPER MANUFACTURERS LTD
NEAREST STATION TIRNHAM GREEN.
DESIGNS SUBMITTED CHISWICK.
The "BOSTEL." A Safe Modern Fire.
May be seen working:
COALBROOKDALE Co., Ltd.,
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AD. III
Page 6
ART EXHIBITIONS—BRITISH & FOREIGN.
LONDON.—Photographic Salon Exhibition. Royal Water-Colour Society's Galleries, 5a Pall Mall East. Sept. 14—Oct. 27. Hon. Sec., Reg. Craigie.
BEDFORD.—Bedford Society of Artists. Autumn Exh., Oct. 17—Nov. 10. Rec. day, Oct. 13. Hon. Sec., H. P. Young.
DORCHESTER.—Art Exhibition (Pictures only). Oct. 1—Nov. 3. Rec. day, Sept. 20.
LIVERPOOL.—Walker Art Gallery. 36th Ann. Exh. of Modern Art. Sept. 17—Jan. 5. Rec. days, Liverpool and London (Dicksee), Aug. 13—15. Forms of Curator.
AMIENS.—Exposition Internationale (Section des Beaux-Arts). Closes Oct. 1.
ANGERS.—Exposition Nationale (Sections de Beaux-Arts et d'Art Décoratif). Closes Sept. 9.
BEAUVAIS.—Société des Amis des Arts de l'Oise. Fine and Applied Art. Closes Aug. 16.
BERLIN.—Grosse Berliner Kunstausstellung, near Lehrter Bahnhof. Open till end of Sept.
Verein "Berliner Sezession," 208 Kurfürstendamm, Charlottenburg. Till Sept.
Friedmann and Weber Galleries, 9 Königgrätzerstrasse. International Loan Exh. of Miniatures. Oct. Letters to Dr. F. Wolff.
BIARRITZ.—Société des Amis des Arts, Hôtel de Ville. Aug. 25—Sept. 25.
COBLENZ.—Kunst und Altertumsverein. Autumn Exh.
COLOGNE.—Verein der Kunstfreunde, Deutsche Kunstausstellung, 1906. Till Oct. 31.
DIEPPE.—Société des Amis des Arts. Closes Sept. 20.
DRESDEN.—Kunstgewerbe Ausstellung (Artsand Crafts). Till Oct. 31.
HANOVER.—Kunstverein. Sept. 15—Oct. 31.
INNSBRUCK.—Tiroler Künstlerbund. Till Oct.
LINZ, Upper Austria.—Kunstverein. Exh. of Dresden Artists, Autumn.
LUCERNE.—Kunstgesellschaft. Till Oct. 15.
MARSEILLES.—Exposition Coloniale (Sectionsdes Beaux-Arts, Anciens et Modernes). Till Oct.
MILAN.—Esposizione Internazionale. Till Nov.
MUN.CII.—Künstlergenossenschaft, Glaspalast. Ann. Exh. Closes Oct. 31.
Sezession, Königsplatz. International Exh. Closes Oct. 31.
NUREMBERG.—National Bavarian Jubilee Exh. of Art and Industry. Till Oct
PARIS.—Salon d'Autonne, Grand Palais. Oct. 15—Dec. 15. Rec. day, Sept. 1.
PRAGUE.—Kunstverein für Böhmen. Autumn.
SALZBURG.—Künstlerhaus und Kunstverein. Modern Art, all countries. Till end of Sept.
VIENNA.—Genossenschaft bildender Künstler. Autumn Exh. beg. of Nov. till Christmas. Secretary, 5 Karlsplatz, Vienna I.
Künstlerbund Hagen, 6 Zedlitzgasse. Summer Exh. Aug.—Sept. Autumn Exh. opens middle Nov.
Vereinigung bildender Künstler, "Sezession." Autumn. Secretary, 12 Friedrichsstrasse, Vienna I.
Gives thorough Course of
INSTRUCTION
BY
CORRESPONDENCE
IN ALL BRANCHES OF
MAGAZINE & NEWSPAPER
ILLUSTRATION.
THROUGH the agency of this school Students are obtaining Press introductions and publication of their drawings in first-class periodicals.
Our Copyright System has received the highest Press recommendations, and we can give most satisfactory references from pupils.
There are always excellent openings for clever drawings. Illustration is profitable as a hobby or profession. We teach you to produce . .
SALEABLE BLACK-AND-WHITE WORK.
Send stamped envelope for illustrated prospectus to Secretary
THE PRESS ART SCHOOL,
128 Drakefell Road, NEW CROSS, LONDON, S.E.
AD. IV
JOSEPH GILLOTT'S PENS
The "WELCOME" is one of our new metal pens, with a point cut slightly aslant. For swiftness, softness, and fluency this is the perfect pen.
The "GOLDFIELDS" is a very special pen, highly gilt, with a medium point. It is extremely well liked by all users of the medium-pointed variety.
The third pen illustrated is our famous broad-pointed, easy-running "J.G." It is rapidly superseding all other stub pens. The "J.G." seems to glide over the paper of its own free will, so easy is its action.
Joseph Gilott's Pens, in Sixpenny or Cross Boxes, of Stationers, etc. Sample Card of Pens free on receipt of address and penny stamp postage. Sample Box of Thirty Pens, assorted for testing. Seven Stamps—JOSEPH GILLOT & SONS (Dept. 37), 37 Gracechurch Street, London, E.C. (Also at Birmingham.)
Page 7
HAMPTONS
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Made at their own factories in the best manner and from only the best materials procurable.
Hamptons' "Belvedere" Easy Chair,
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For Many other Examples of Best Current Values in Upholstered Furniture, see Catalogue No. S 321, sent post free.
HAMPTONS pay carriage to any Railway Station in the United Kingdom, and deliver free in their Motor Box Vans within 30 miles of Charing Cross.
Pall Mall East, London, S.W.
The ROYAL COPENHAGEN PORCELAIN
BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA.
Complete Porcelain Dinner Service, about 100 pieces, £24 13s.
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AD. V
Page 8
THE AUTOTYPE COMPANY
74 NEW OXFORD STREET, LONDON W.C.
PERMANENT PHOTOGRAPHIC COPIES OF FAMOUS WORKS OF ART BY THE AUTOTYPE (CARBON) PROCESS
DRAWINGS, by HOLBEIN, from the Royal Collection at Windsor Castle.
G. F. WATTS, R.A. The principal works of this Master, including "Hope," "Love and Life," "Love and Death," "Dawn," &c., &c.
FAMOUS PICTURES in the National Gallery, London; the Wallace Collection; and the National Gallery of British Art.
SELECTED WORKS from the Great Continental Galleries, &c., &c.
THE AUTOTYPE FINE ART CATALOGUE, ENLARGED EDITION, with hundreds of Miniature Photographs and Tint Blocks of Notable Autotypes. For convenience of reference the publications are arranged Alphabetically under Artists' Names. Post-free, ONE SHILLING.
A VISIT of INSPECTION is INVITED to
THE AUTOTYPE FINE ART GALLERY,
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RUSKIN POTTERY
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Samples of Enamels sent on receipt of Trade Card.
W. HOWSON TAYLOR
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Agents in London, the Provinces and Abroad.
ARTISTIC FURNITURE
For Furniture which is original in design and well constructed by hand, write to . .
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AD VI
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Page 9
Two Beautiful Art Gift Books.
THE DRAWINGS OF JEAN FRANÇOIS MILLET
IN One Volume, Imperial 4to, with 50 FACSIMILE PLATES in TONE and COLOUR, mounted. With Descriptive Text by LEONCE BENEDITE. Edition limited to 300 copies for sale in Great Britain and the Colonies, of which 50 copies are printed on Japanese vellum, bound in vellum, gilt, price Six Guineas net, and 250 copies on handmade paper, bound in English buckram, price Four Guineas net.
The Exhibition of Millet's Drawings held in the Spring at the Leicester Galleries was so great a success, and the wish for permanent reproductions so general, that Mr. HEINEMANN is glad to be able to announce that he has obtained the facilities to make facsimile reproductions of the majority of these Drawings, which are included in the present Volume. Each Drawing is printed in several tints and mounted, while the Text, by the Director of the Luxembourg, gives an aesthetic and artistic "placing" of the great Author of "The Angelus."
A SPECIAL PROSPECTUS WILL BE SENT TO THOSE APPLYING.
An Edition de Luxe for all Purses.
REMBRANDT
A MEMORIAL. 1606-1906.
One Volume, royal cloth, with 70 Plates (14 in. by 10 in.) in Photogravure and Tint. Price 30s. net.
And a Study of the Master by EMILE MICHEL, Member of the Institute of France.
The Tercentenary of Rembrandt (July 15, 1906), is the occasion which rivets the eyes of all civilised people on this great master, and every one wants to acquaint himself with his immortal work.
Through this universal interest, and the co-operation of six Publishing Houses, it has been possible to produce a veritable livre de luxe at the price of an ordinary illustrated gift book. The REMBRANDT MEMORIAL is certainly the cheapest book that has ever been published, and it is at the same time one of the most luxurious. It contains not only the finest photogravure work, but some of the most beautiful colour-printing ever done. Its text-paper, specially made, is of the most luxurious texture, and a book such as only princes and millionaires have owned up to now becomes, on this one auspicious occasion, available for very humble purses.
It can even be bought on the instalment system, for particulars of which apply for the Prospectus, which every bookseller can submit.
LONDON: WM. HEINEMANN, 21 BEDFORD STREET, W.C.
AD. VII
Page 10
HALL'S Sanitary Washable DISTEMPER
WALLS ARE A PICTURE IN THEMSELVES and add greatly to the fine effect of furniture and pictures when coated with HALL'S DISTEMPER. The flat uniform tints easily make most pleasing colour schemes.
The material is sold ready to mix with water in 73 distinct colours. It is applied with a whitewash brush at one-hird the cost of paint. It is not affected by light, heat, or damp, and does not crack, blister, or turn black.
Ask your decorator to show the series of artistic stencil friezes similar to the one shown in this advertisement, which the trade can now obtain from the sole Proprietors and Manufacturers,
SISSONS BROTHERS & CO., Ltd., HULL.
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carried out officially by the Smoke Abatement Society in conjunction with H.M. Office of Works, at the New Government Buildings in Parliament Street, London; see report in Lancet, May 19, 1906:—
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THE DEVON FIRE
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AD. VIII
Page 11
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DR. F. SCHOENFELD'S ARTISTS' COLOURS AND
PROF. PHILLIP FLEISCHER'S "RENAISSANCE COLOURS."
GRAFTON GALLERIES.—"It is worthy of note that F. von Kaulbach, like many other Munich artists, achieves the brilliant, luminous colouring of his works by the use of Prof. Fleischer's 'old master' colours, a new medium for which the inventor claims the qualities of the colours employed by the Italian masters of the Renaissance, and which certainly appears far superior to the commonly-used oil-paints."—DAILY MAIL, 15 May, 1906.
PAMPHLET AND PRICE LIST ON APPLICATION.
Address: 22 GREAT QUEEN STREET, LONDON, W.C.
THE AEROGRAPH.
The improved AIR BRUSH is of great assistance to the Artist for Black-and-White and Water-Colour Drawings, Finishing Photographic Work for Process Engraving, and the like.
The AEROGRAPH SPRAY PAINTER — adapted for Mural Decorations. Especial instruments for Pottery Decoration, Tapestry Painting, Lithography, etc.
Send for Circulars to
THE AEROGRAPH CO., LTD.,
43 HOLBORN VIADUCT, LONDON, E.C.
Or France—86 Boulevard Sebastopol, Paris.
Germany—20 Potsdammer Str., Berlin.
"CLOISONNE GLASS"
A decorative material transparent and opaque.
Weather resisting
The CLOISONNE GLASS CO.
40 Berners St. Oxford St. London W.
prices from 3/ per square foot
AD. IX