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Page 1
REVUE MENSUELLE
AVEC TRADUCTION FRANÇAISE
THE·STUDIO
An Illustrated Magazine
of Fine & Applied Art
JUNE
15, 1906
VOL. 38
No. 159
44 Leicester Square
LONDON·W.C
Monthly
$1s/- net$
BUREAU DU STUDIO
PARIS
LIBRAIRIE OLLENDORFF
50 CHAUSSÉE D’ANTIN
PRIX: 1 FRANC 60¢ NET
Page 2
THE STUDIO.
EDITED AND PUBLISHED BY CHARLES HOLME
Contents, June 15, 1906.
SUPPLEMENTS:—A TINTED REPRODUCTION OF THE ETCHING BY FRANK BRANGWYN, A.R.A., ENTITLED "SANTA MARIA DELLA SALUTE, VENICE"; A COLOURED REPRODUCTION OF THE WATER-COLOUR DRAWING BY MAXFIELD PARRISH, ENTITLED "DIES IRAE"; A COLOURED REPRODUCTION OF A WATER-COLOUR SKETCH OF "A HOUSE IN THE MIDLANDS," BY M. H. BAILLIE SCOTT; A COLOURED REPRODUCTION OF A WATER-COLOUR DRAWING BY FRANK SHORT, A.R.A., ENTITLED "THE ESTUARY OF THE DEE"; A TINTED REPRODUCTION OF A "STUDY OF A HEAD" BY GEORGE CLAUSEN, A.R.A.; A COLOURED REPRODUCTION OF THE OIL PAINTING BY D. S. NEAVE, ENTITLED "IN THE PARK"; A TINTED REPRODUCTION OF A SEPIA DRAWING BY MARY WATSON.
PAGE
THE ROYAL ACADEMY EXHIBITION, 1906. Second Notice. Fourteen Illustrations . . . . . . . . . . . . 3
THE EXHIBITION AT THE NEW GALLERY. Nine Illus. . . . . . . . . . . . 14
AN ITALIAN SCULPTOR: REMBRANDT BUGATTI. By MARCEL HORTELOUP. Five Illustrations . . . . . . . . . . . . 23
THE PORTRAIT-WORK OF JOAQUIN SOROLLA By LEONARD WILLIAMS. Eleven Illustrations . . . . . . . . . . . . 26
PROFESSOR VON HERKOMER ON MAXFIELD PARRISH'S BOOK ILLUSTRATIONS. By J. H. IRVINE. Eight Illustrations . . . . . . . . . . . . 35
RECENT DESIGNS IN DOMESTIC ARCHITECTURE. Eleven Illustrations . . . . . . . . . . . . 43
THE MEZZOTINT AND ETCHED WORK OF FRANK SHORT, A.R.A., R.E. By EDWARD F. STRANGE. Seven Illustrations . . . . . . . . . . . . 59
ENGLISH DRAWING. A NOTE ON THE EXHIBITION AT LEIGHTON HOUSE. By T. MARTIN WOOD. Six Illustrations . . . . . . . . . . . . 57
HANS THOMA ON THE INTERNATIONALITY OF ART . . . . . . . . . . . . 62
STUDIO-TALK (From our own Correspondents):— LONDON, Sixteen Illus., 64; BRIGHTON, 71; BRISTOL, One Illus., 71; SOUTH SHIELDS, One Illus., 72; LIVERPOOL, Six Illus., 72; GLASGOW, Three Illus., 78; PARIS, One Illus., 79; BERLIN, Three Illus., 83; VIENNA, Six Illus., 84; MUNICH, Four Illus., 85; MELBOURNE, 86. . . . . . . . . . . . 87
REVIEWS AND NOTICES. One Illustration . . . . . . . . . . . . 91
AWARDS IN PRIZE COMPETITIONS. Four Illustrations . . . . . . . . . . . . 94
THE LAY FIGURE: On Misdirected Effort . . . . . . . . . . . . 94
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GEO. ROWNEY & Co.'s
Registered SKETCHING CASE
Reg. No. 270111.
INCLUDING ARTISTS' COLOURS, BRUSHES, & PENCIL.
THIS Case, from its great convenience and portability, is particularly adapted to the use of Artists and Amateurs desirous of having the materials at hand for a hasty Sketch without being encumbered with the weight of an ordinary box.
MADE IN THE TWO FOLLOWING SIZES:
"8vo Impl." containing a 12-leaf Whatman Block, 10 in. by 7 in., and a Pocket for Loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Artists' Colours.
PRICE 15s., FITTED COMPLETE.
"16mo. Impl." containing a 12-leaf Whatman Block, 7 in. by 5 in. and a Pocket for Loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Artists' Colours.
PRICE 10s. 6d., FITTED COMPLETE.
These cases are supplied fitted to any arrangement desired.
A Japanned Tin Palette opens out when the Case is in Use, as shown in above illustration.
Manufactured only by GEO. ROWNEY & CO., 61 Brompton Road, LONDON, S.W.
To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom.
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PRICE LIST: POST FREE.
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AD. I
Page 4
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS.
(1) All purchasers of THE STUDIO are eligible to compete.
(2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges.
(3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made.
(4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like.
(5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted.
(6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise.
(7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated.
(8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A XXXIV," "B XXV," "C XXV," &c., on the outside of the package or letter referring to it.
(9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder.
CLASS A. DECORATIVE ART.
Closes Aug. 1 A xxxii DESIGN FOR AN EMBROIDERED BOOK-COVER.
Sept. 1 A xxxiii. DESIGN FOR A SUNDIAL AND STAND.
(Particulars of the above appeared in the April and May Numbers respectively.)
Oct. 1 A xxxiv. DESIGN FOR A CUSHION COVER.
The design to be suitable for execution in embroidery alone or combined with appliqué work. Drawings to be in colour, full size.
FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas.
Drawings, packed flat, to reach the London office of THE STUDIO by Oct. 1.
CLASS B. PICTORIAL ART.
July 1 B xxii. PEN AND INK DRAWING FOR READING CASE OF THE STUDIO.
Aug. 1 B xxiii. WATER-COLOUR STUDY OF FLOWERS FROM THE LIFE.
Sept. 1 B xxiv. A NEW YEAR'S GREETING CARD.
(Particulars of the above appeared in the March, April and May Numbers respectively.)
Oct. 1 B xxv. FIGURE STUDY IN RED AND BLACK CHALK.
Drawings not to exceed in size 15 inches by 11 inches.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings, packed flat, to reach the London office of THE STUDIO by Oct. 1.
CLASS C. PHOTOGRAPHS FROM NATURE.
C xxii. STUDIES IN TONE RELATIONS. 3 A BUILDING ON A GREY DAY.
C xxiii. STUDIES IN TONE RELATIONS. 4. A BUILDING IN SUNLIGHT.
C xxiv. STUDIES IN TONE RELATIONS. 5. A DOMESTIC INTERIOR.
C xxv. STUDIES IN TONE RELATIONS. 6. AN ARCHITECTURAL INTERIOR.
The object of this series of competitions is to encourage photographers, amateur and professional, to give special attention to the artistic side of their work. The technical merit of the photograph will not be so much considered as its correctness in relations of tone—in maintaining a proper balance of light and shade, in avoiding exaggerated contrasts, and in rightly expressing subtleties of tone gradation.
All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Photographs to be received at the London office of THE STUDIO, by July 1 for C xxii, Aug. 1 for C xxiii, Sept. 1 for C xxiv, and Oct. 1 for C xxv.
COMPETITION COUPON.
This portion to be cut off and forwarded in accordance with Rule 3:
June 15, 1906.—This form can be used for any or all of the Competitions announced for the first time in this number—viz., A xxxiv, B xxv, C xxv. And also for the special competitions in connection with "THE STUDIO" YEAR-BOOK OF DECORATIVE ART. Competitors must conform to the Rules.
Competition
Pseudonym of Competitor
No.
Full Name and Address
AD. II
Page 5
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The Pianola brings an absorbing interest into your life. It brings the unlimited pleasure to be derived from music of your own performance. It brings you a musical skill and versatility such as you cannot possibly obtain in any other way. Whenever you wish to, you can sit down to the piano and play whatever you like, and play it in a manner that is artistically perfect. You must immediately dispossess yourself of any lingering idea you may still have that there is bound to be something of the mechanically monotonous in Pianola-playing. If your technique was perfect enough to enable you to play nearly all the music there is, your hand playing would show just as much of the mechanical as would your performance with the Pianola.
The Metrostyle allows you to exactly reproduce the actual playing of many of the most famous living artists.
You are invited to call, or write for Catalogue R, which gives full particulars.
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AD. III
Page 6
ART EXHIBITIONS—BRITISH & FOREIGN.
LONDON.—Royal Academy, Piccadilly. Closes Aug. 6.
" New Gallery, Regent Street. Closes Aug. 8.
" Royal Society of Painters in Water-Colours, Pall Mall East. Closes June 23.
" Royal Society of British Artists, Suffolk St., Pall Mall. Closes in July.
" Prince's Gallery, Knightsbridge. Exhibition of Works of contemporary German Artists organised by British Artists. Closes July 31.
" Grafton Galleries, Grafton Street, W. Modern German Painters. Closes July.
" Leighton House, Holland Park Road, Kensington. Drawings by Modern Artists. Open till July 31. 11–6 daily.
BOLTON.—Art Gallery. May–Aug.
BRISTOL.—Fine Art Academy. Closes June 30.
IPSWICH.—Fine Art Club. Closes beg. of July.
AMIENS.—International Exhibition. Open till Oct. 1.
" Exposition Internationale (Section de Beaux-Arts). Closes Oct. 1.
ANGERS.—Exposition Nationale (avec Section de Beaux-Arts et d'Art Décoratif). Closes Sept. 9.
BEAUVAIS.—Société des Amis des Arts de l'Oise. Fine and Applied Art. July 8–August 16.
BERLIN.—Grosse Berliner Kunstausstellung, near Lehrter Bahnhof. Open till end of Sept.
" Verein "Berliner Sezession," 208 Kurfürstendamm, Charlottenburg. Till Sept.
BIARRITZ.—Societe des Amis des Arts, Hôtel de Ville. Aug. 25–Sept. 25. Secretary, 41 Av. Malakoff, Paris.
COBLENZ.—Kunst und Altertumsverein. May–July.
COLOGNE.—Verein der Kunstfreunde, Deutsche Kunstausstellung, 1906. Till Oct. 31.
DIEPPE.—Société des Amis des Arts. July 20–Sept. 20.
DRESDEN.—Kunstgewerbe Ausstellung (Arts and Crafts). Till Oct. 31.
DÜSSELDORF.—Kunstverein für die Rheinlande und Westfalen. Till July 14.
INNSBRUCK.—Tiroler Kunstlerbund. June–Oct.
LUCERNE.—Kunstgesellschaft. Till Oct. 15.
MARSELLES.—Exposition Coloniale (Sections des Beaux-Arts, Anciens et Modernes). Till Oct.
MILAN.—Esposizione Internazionale. Till Nov.
MUNICH.—Künstlergenossenschaft, Glaspalast. Ann. Exh. June–Oct.
" Sezession, Königsplatz. Closes Oct. 31.
PARIS.—Salon de la Société des Artistes Français, Grand-Palais des Champs-Elysées. Closes June 30.
" Salon de la Société Nationale. Closes June 30.
" Bibliothèque Nationale. Coloured etchings, gouaches, 18th Century. May–Aug.
" Galeries Georges Petit. Sorolla y Bastida.
ROTTERDAM.—Fine Art Exhibition. Closes June 24.
ROUEN.—Exposition des Beaux-Arts (au Musée). July 1–15.
SALZBURG.—Künstlerhaus und Kunstverein. Mid-June–Sept.
VIENNA.—Künstlerbund Hagen, 6 Zedlitzgasse. June 15–Oct. 15.
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Page 7
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AD. V
Page 8
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THE AUTOTYPE FINE ART GALLERY,
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ALPHABETS OLD AND NEW
Containing over 220 Complete Examples, many Series of Numerals, and numerous Facsimiles of Ancient Dates, etc., selected and arranged, with a Short Account of the Development of the Alphabet,
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Of the Alphabets illustrated, a good half are ancient examples, from the earliest period to the eighteenth century. They are reproduced with every care to preserve the spirit of the old work, and are conveniently arranged in chronological order. The selection includes the greatest possible variety of letters—Lower-case no less than Capitals, and Italics as well as upright letters.
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IDEALS IN ART: Papers Theoretical, Practical, Critical. By WALTER CRANE. With Title-page, End-papers, and Cover designed by the Author, and numerous Illustrations.
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AD. VI
RESEARCHES IN SINAI.
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REASON IN ARCHITECTURE,
BASED ON A COURSE OF LECTURES ON ARCHITECTURE DELIVERED AT THE ROYAL ACADEMY, 1906. By THOMAS GRAHAM JACKSON, R.A., M.A., F.S.A. With many Illustrations. Med. 8vo.
[Ready immediately.]
The book explains how the styles of the past, which we have been taught to take as our models, assumed the forms under which we know them, not from arbitrary design or fancy, but as a consequence of rational and logical development from causes partly external and partly social, which are discoverable, and without knowing which the style is only imperfectly understood.
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Page 9
THE CHARM OF KODAK PHOTOGRAPHY
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AD. VII
Page 10
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AD. VIII
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Page 11
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Saves Half the Fuel.
THE WELL FIRE
(BOWES' PATENT).
THE fire is on the hearth in the bright cheery old English fashion, but underneath is a scientifically constructed chamber lined with fire-brick, which is so arranged as to ensure a constant supply of pure warm air all over the room. The warmth of the fuel does not escape up the chimney. There is no dust or waste; no soot or fumes and no labour. The Well Fire may be adjusted to any fireplace, and may be seen burning at the Showrooms. Be careful to note the trademark.
WRITE TO-DAY FOR CATALOGUE 'T'
NEW EDITION,
FULLY ILLUSTRATED
—POST FREE ON REQUEST.
Full particulars sent free on application to—
THE WELL FIRE Co., Ltd.,
DOVER STREET, PICCADILLY, W.
MANCHESTER: 16 John Dalton St. LIVERPOOL: 34 Paradise St. LEEDS: 7 South Parade. EDINBURGH: 8 George St. GLASGOW: 157 Hope St. (Well Fire Depot). DUBLIN: Maguire & Gatchell, Ltd. (Agents), to Dawson St. Wholesale and Export: Darlington. CANADA: Sole Agents—Messrs. W. & E. Thornton-Smith, King St. West, Toronto.
L. CORNELISSEN & SON
(ARTISTS' COLOURMEN),
SOLE AGENTS FOR THE UNITED KINGDOM FOR
DR. F. SCHOENFELD'S ARTISTS' COLOURS AND
PROF. PHILLIP FLEISCHER'S "RENAISSANCE COLOURS."
GRAFTON GALLERIES.—"It is worthy of note that F. von Kaulbach, like many other Munich artists, achieves the brilliant, luminous colouring of his works by the use of Prof. Fleischer's 'old master' colours, a new medium for which the inventor claims the qualities of the colours employed by the Italian masters of the Renaissance, and which certainly appears far superior to the commonly-used oil-paints."—DAILY MAIL, 15 May, 1906.
PAMPHLET AND PRICE LIST ON APPLICATION.
Address: 22 GREAT QUEEN STREET, LONDON, W.C.
JOSEPH GILLOTT'S DRAWING PENS.
ALL ARTISTS who find a difficulty in obtaining exactly the pens needed for special branches of artistic work should send for the sample card of drawing pens, as illustrated. It contains an assortment of JOSEPH GILLOTT'S High Grade Pens designed for the use of Artists.
Ask your Stationer or Colourman for these pens, or send 1/2 for sample card of assorted drawing pens direct to
JOSEPH GILLOTT & SONS,
(Dep't. 37)
37 Gracechurch St., LONDON, E.C.
AD. IX