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REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE STUDIO An Illustrated Magazine of Fine & Applied Art JAN. 15, 1906 VOL. 36 No. 154 THE GALIGNANI LIBRARY PARIS, 224, rue de Rivoli NICE, 8, Avenue Masséna are LONDON Monthly $\frac{1}{s}$ Net BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSÉE D’ANTIN PRIX: 1 FRANC 60c NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME Contents, January 15, 1906. SUPPLEMENTS:—COLOURED REPRODUCTIONS OF TWO WATER COLOURS BY W. LEE HANKEY, ENTITLED “THE LOST BUTTON” AND “TIRED OUT”; A TINTED REPRODUCTION OF THE ETCHING BY SIR J. C. ROBINSON, ENTITLED “CORFE CASTLE: SUNSHINE AFTER RAIN”; A TINTED REPRODUCTION OF “THE CAUSEWAY” BY ETTORRE TITO; A COLOURED REPRODUCTION OF TWO MINIATURE PORTRAITS BY H. FUGER; A CHROMO-LITHOGRAPHIC REPRODUCTION OF A SKETCH IN PASTELS BY SIR PETER LELY; A COLOURED REPRODUCTION OF THE PAINTING BY A. LUDOVICI, ENTITLED “WHITE AND PINK TULLE.—IN THE PARK.” THE ART OF WILLIAM LEE HANKEY. By A. LYS PAGE BALDRY. Eleven Illustrations . 291 THE ETCHINGS OF SIR JOHN CHARLES ROBINSON. By A. MAYGER HIND. Six Illustrations . 300 THE PAINTINGS OF ETTORRE TITO. By Ludwig BROSCH. Eight Illustrations . 307 THE RECENT EXHIBITION OF MINIATURES AT VIENNA. By A. S. LEVETUS. Twenty-three Illustrations 316 SOME PEN DRAWINGS BY FRED RICHARDSON. Four Illustrations . 328 THE CERAMIC WORK OF THE BURSLEM ART SCHOOL. By E. N. SCOTT. Twenty-four Illustrations . 333 SOME RECENT DESIGNS IN DOMESTIC ARCHITECTURE. Seven Illustrations . 340 TECHNICAL HINTS FROM THE DRAWINGS OF PAST MASTERS OF PAINTING. III.—SIR PETER LELY. One Illustration . 346 STUDIO-TALK (From our own Correspondents):— LONDON. Twelve Illus. . 346 PARIS. Two Illus. . 358 NEWCASTLE-ON-TYNE. One Illustration . 358 BERLIN. Seven Illus. . 362 BIRMINGHAM. One Illus. . 358 INNSBRUCK. Four Illus. . 366 LIÈGE. Seven Illus. . 369 REVIEWS AND NOTICES . 370 AWARDS IN PRIZE COMPETITIONS. Ten Illustrations . 376 THE LAY FIGURE: On Monuments to Artists . 382 The Editor will always be glad to consider any articles, drawings, etc., that may be submitted to him with a view to publication, and every effort will be made to return in due course rejected MSS., and all drawings, etc., rejected or accepted, but under no circumstances can he hold himself responsible for the safe custody or return thereof. Stamps for return should always be sent, and the name and address of the sender clearly written on every MS., drawing, etc. THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. NINE GOLD MEDALS JEFFREY & CO'S ARTISTIC WALL PAPERS. WEST-END-SHOW ROOMS THE WALL-PAPER GALLERY 31-MORTIMER-ST. REGENT STREET-W. FACTORY 64 ESSEX-RP & OFFICES: ISLINGTON K. THEIR LATEST WALL PAPERS NOW ON EXHIBITION Are to be obtained of all Decorators and Wall Paper Merchants. Telephone No. 134 Dalston. Designers wishing to submit Designs to the WYLIE & LOCHHEAD BRANCH of the — WALL - PAPER — MANUFACTURERS, Ltd., are requested to forward them to ARTHUR GWATKIN, WHITEINCH MILLS, DARWEN. WILLIAM MORRIS AND COMPANY RVSKIN·HOVE ROCHESTER ROW WESTMINSTER.S.W. LEADED LIGHTS AND METAL CASEMENTS
IMPORTANT NOTICE. In consequence of the rebuilding of their premises, No. 64 Oxford Street, Messrs. GEO. ROWNEY & CO. are removing early in January their Retail and Professional business to— No. 61 BROMPTON ROAD, S.W. situated between Sloane Street and Harrod’s Stores. $\mathcal{R}^{\circ}$ $\mathcal{R}^{\circ}$ $\mathcal{R}^{\circ}$ GEO. ROWNEY & CO., Artists’ Colourmen and Pencil Makers, 61 Brompton Road, London, S.W. NOTE NEW ADDRESS. --- REEVES’ SLOW-DRYING WATER-COLOURS > “THERE ARE CONDITIONS UNDER WHICH SLOW-DRYING COLOURS MUST BE OF GREAT VALUE.” > — SIR E. J. POYNTER, P.R.A. > “AS FOR THE QUALITY OF YOUR COLOURS, THERE IS NO QUESTION; THEY ARE SPLENDID.” > — C. NAPIER HEMY, A.R.A. > “I HAVE FOUND THEM TO WORK FREELY, AND LIE SMOOTH AND EVEN, AND TO BE FULL OF TONE.” > — J. R. WEGUELIN, R.W.S. > “YOUR SLOW-DRYING MOIST WATER-COLOURS STOOD THE SOUTH AFRICAN CLIMATE WELL.” > — MORTIMER MENPES, R.I. > “WORK VERY FREELY AND REMAIN MOIST, IN FACT I MAY SAY THEY ARE THE BEST I HAVE EVER USED.” > — WALTER LANGLEY, R.I. > “THEY HAVE A GOOD WORKABLE CONSISTENCY, WHICH I PARTICULARLY LIKE.” > — CLAUDE HAYES, R.I. > “I FIND THEM EXCELLENT. I SHALL CERTAINLY ALWAYS USE THEM.” > — BYAM SHAW, R.I. REEVES’ COLOURS ARE PURER THAN OTHERS, THEREFORE STRONGER.—THEY ARE IN MANY CASES LOWER IN PRICES THAN OTHERS. PRICE LIST POST FREE. REEVES & SONS, Ltd., DALSTON, LONDON. --- AD. I
RULES OF 'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given on page xviii, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent to cover postage or carriage and packing. For this purpose a minimum of sixpence has been fixed, to cover the cost of packing, &c., unless otherwise indicated. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. (7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A XXVII," "B XX," "C XX," &c., on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor. CLASS A. DECORATIVE ART. A xxiv. DESIGNS FOR A SET OF PAINTED WOODEN TOYS. Mar. i A xxv. DESIGN FOR A WEEK-END BUNGALOW. Feb. i A xxvi. DESIGNS FOR AN ADVERTISEMENT. (Particulars of the above appeared in the October, November and December Numbers respectively.) April i A xxvii. DESIGNS FOR A POSTER. The Royal Photographic Society of Great Britain offer two prizes of five guineas and two guineas respectively for designs of a double-crown poster suitable for advertising the Society's Annual Exhibition. The words "Photographic Exhibition" and "Royal Photographic Society" should be boldly displayed, although designs in which the positions of these words are only indicated and the words are not actually lettered will be eligible for competition. The designs must be for one or two colours and must be submitted in full size (30 by 20 inches). About three-fourths of the area may be occupied by the design, including the words quoted above, and a panel or panels occupying about one-fourth of the space must be left blank for letterpress. Other matters being equal, preference will be given to designs suggesting photography or the action of light. The competition will be judged by the Editor of THE STUDIO, in conjunction with a Committee appointed by the Royal Photographic Society, and the prize drawings, together with the copyright therein, will become the exclusive property of the Society. Drawings, carefully packed, to be received at the London office of THE STUDIO by April i. CLASS B. PICTORIAL ART. Feb. i B xvi. STUDY OF A LEAFLESS TREE. Mar. i B xvii FIGURE SKETCH IN PASTELS. B xviii. A PAGE OF LETTERING WITH ILLUMINATED INITIAL AND ORNAMENTS. B xix. COMPETITION FOR TWO SCHOLARSHIPS AT THE BUSHEY SCHOOL OF PAINTING. (Particulars of the above appeared in the October, November and December Numbers respectively.) B xx. PEN-AND-INK FIGURE DRAWING. The subject should be of a character suitable for reproduction in a comic paper. Size not to exceed 16 inches by 12 inches. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, must reach the London office of THE STUDIO by May i. CLASS C. PHOTOGRAPHS FROM NATURE. C xvii. A CHARACTERISTIC WINTER SCENE. C xviii. SNOW SCENE. C xix. PHOTOGRAPH OF A DOG OR DOGS. C xx. STUDIES IN TONE RELATIONS. I. A LANDSCAPE ON A GRAY DAY. This is the first of a series of competitions having for their object to encourage photographers, amateur and professional, to give special attention to the artistic side of their work. The technical merit of the photograph will not be so much considered as its correctness in relations of tone—in maintaining a proper balance of light and shade, in avoiding exaggerated contrasts, and in rightly expressing subtleties of tone gradation. All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO, by February i for C xvii, March i for C xviii, April i for C xix, and May i for C xx. WYLIE & LOCHHEAD, LTD., Wall Paper Manufacturers, 35, MADDOX STREET, REGENT STREET, W. ASK YOUR DECORATOR TO SUBMIT OUR PATTERN BOOKS FOR 1906. AD. II THE MOSS ROSE AND RIBBON DESIGN.
Your First Consideration should be a . . . Metrostyle Pianola YOUR fondness for music is of course understood, and you cannot indulge that liking to its full extent until you own a Metrostyle Pianola. You may say that you can already play the piano, or if you cannot play, that there are other piano-players which will give you the desired result. If you can play already it is certain that you cannot give a finished performance of any one of over 15,000 compositions chosen at haphazard. You can do this with the Pianola, and the Metrostyle gives you authoritative interpretation. As to other piano-players, however good they may be, the fact still remains that not one of them has received much recognition from the leading musicians. There is scarcely a famous living artiste who has not endorsed the Metrostyle Pianola, and a very great number have recorded their interpretations on music rolls. Space does not permit of a long list of endorsements, but the following prove our statement :— RICHTER. --- It was difficult to believe that it was not an artiste performing, for the difference between its playing and that of other such playing devices is so great as to be startling. --- CHAMINADE. --- The Pianola is unique of its kind. --- HUMPERDINCK. --- I had no idea it was possible to play with the taste and expression of an artiste. --- GRIEG. --- Before I heard the Metrostyle I had thought all such instruments were only machines. --- PADEREWSKI. --- I consider the Metrostyle indispensable to the Pianola, and I have indicated my interpretations of several compositions with great interest. --- The Metrostyle Pianola costs £63. The Pianola (Ordinary Model) £53, and both are obtainable by part payments. We have second-hand Pianolas, and a cheaper piano-player also of our own manufacture. Whatever the price, we warrant them the best the money can buy. You are invited to call at Æolian Hall, where you could not fail to be interested. If you cannot call write for full information and specify catalogue R. --- The Orchestrelle Co., ÆOLIAN HALL, 135-6-7, NEW; BOND STREET, LONDON, W. --- THE WALL PAPER MANUFACTURERS LTD A·SANDERSON & SONS’ BRANCH CHISWICK. NEAREST RAILWAY STATION: TURNHAM GREEN. DESIGNS·FOR·WALL·PAPERS SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK. --- A Safe Modern Fire. Slow Combustion or Quick Combustion by lowering or raising the fire. An Army Officer writes:— October 19th, 1905. “Some months ago I, as an experiment, put one of your Bostel Grates in a house I was building. I write to say that it is a great success, and I regret I did not put them all through the house.” COALBROOKDALE Co., Ltd., 15 RATHBONE PLACE, Oxford Street, LONDON, W. AD. II⁻
EXHIBITIONS NOW OPEN. International Society of Sculptors, Painters, and Gravers—New Gallery. Jan. 8th to Feb. 15th. Sculpture and Oil Painting: Loan of important American Paintings. The Arts and Crafts Exhibition—Grafton Gallery. Collected Works of the late Arthur Melville—Institute Galleries. Closes end of February. Oxford Art Society's Exhibition. Berkshire Art Society. Brussels—Palais du Cinquantenaire, Exposition de l'Art Belge, 1830-1905. FORTHCOMING. Royal Society of Painters and Etchers. (O.D. Feb.) Royal Scottish Academy. (O.D. Jan. 27th.) Glasgow Royal Institute. (Feb. 26. R.D. end of Jan.) Royal Institute. (O.D. end of Feb.) Glasgow Exhibition. (R.D. Jan. 27th. O.D. Feb. 27th.) Bristol Exhibition. (O.D. Feb. 17th.) Leeds Exhibition. (R.D. Jan. 23rd. O.D. Feb. 19th.) International Society of Sculptors, Painters, and Gravers—New Gallery. Feb. 15th to March 31st, Water-Colours, Pastels, Engravings, Black-and-White, and American Contributions. Carnegie Institute, Pittsburg, Pa. Tenth Annual International Ex. Oil Paintings. Kunstgewerbe—Museum at Frankfort-on-M. International Exhibition of Bookbinding arranged by the Mitteldeutscher Kunstgewerbe-Verein. (O.D. March 15.) The Society of Austrian Artists "Secession." Modern Christian Art, Vienna. Sec. Frants Hancke. (R.D. Receiving Date. O.D. Opening Date.) Artistic Water-Colours for Beautiful Homes, DIRECT FROM THE ARTIST at a SMALL PRICE. The Little Gallery, 40A Victoria Street, S.W. (Entrance in Great Chapel Street, and within a few minutes' walk of Westminster Abbey and the Army and Navy Stores.) Commissions executed anywhere. Miniatures painted and restored by an R.M.S. ARTISTS Interested in the PERMANENCE OF THEIR PICTURES Should write for information to— Box 206, "STUDIO" OFFICE, 44 LEICESTER SQUARE, LONDON. THE "RATIONAL" FIREPLACE. UTILITY, ECONOMY AND BEAUTY. Every year disastrous fires occur owing to defective woodwork beneath the hearth. This is exposed, and has to be removed before fixing a "Rational" fireplace, thus making it the SAFEST FIREPLACE on the market. JOSHUA W. TAYLOR, LTD., Works and Showrooms: BRADFORD ST., BOLTON, LANCS. London Office and Showrooms: 135 VICTORIA ST., S.W. Dublin Office and Showrooms: 42 GRAFTON ST. AD. IV Illustrated price lists on application. 1/- to be enclosed with Continental enquiries.
HAMPTONS are now displaying in their PALL MALL EAST Galleries a collection of High-Class Furniture, Decorations, Carpets, Fabrics, etc., which for tastefulness of design, workmanship, and variety is unexcelled. For many other examples see HAMPTONS’ New Catalogue, C 329, . . . illustrating the latest additions to their Unrivalled Stock of Hall and Dining Room Furniture. Hamptons’ No. C 1471, 6 ft. Mahogany and . . Satinwood Sheraton Sideboard, two drawers in centre, a deep drawer and cupboard each side. £18 10s. Hamptons pay Carriage to any Railway Station in Great Britain, and to any address within a radius of 30 miles from Charing Cross they deliver all goods free in their Motor Box Vans. HAMPTON & SONS, Ltd., Pall Mall East, London, S.W. --- The ROYAL COPENHAGEN PORCELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. 2 OLD BOND STREET, LONDON, W. AD. V
THE AUTOTYPE COMPANY 74 NEW OXFORD ST., LONDON, W.C. REPRODUCTIONS IN MONOCHROME OF FAMOUS WORKS OF ART BY THE AUTOTYPE PERMANENT PROCESS. "We cannot all possess real Rembrandts and Watteaus and Corots, but we can buy good reproductions. And for good reproductions there is nothing better than the Autotype Company—or half so good. We spent a pleasant hour the other morning in their Galleries, and were surprised at the success of their process, which, more than any other, obtains the actual 'values' of the original paintings. Many of these are even improved by the process. For the faulty colouring of some of the great artists no longer offends in a monochrome print; the looseness or coarseness of treatment often vanishes when the picture is, to all intents and purposes, reduced in size. If any of your friends love good pictures, you cannot do better than to present them with a few Autotype reproductions from their favourite masters."—THE OUTLOOK. Full Particulars of all the Company's Publications are given in THE AUTOTYPE FINE ART CATALOGUE. Now Ready, NEW EDITION, with upwards of 150 Miniature Photographs of Notable Autotypes and Twenty-three Tint Block Illustrations. For convenience of reference the Publications are arranged alphabetically under Artists' Names. Post free, ONE SHILLING. A visit of inspection is invited to THE AUTOTYPE FINE ART GALLERY, 74 NEW OXFORD STREET, LONDON, W.C. MESSRS. BELL'S NEW BOOKS MINIATURE ILLUSTRATED CATALOGUE post free on application. Royal 4to, £2 2s. net. DOMESTIC ARCHITECTURE in ENGLAND in the SEVENTEENTH and EIGHTEENTH CENTURIES. A Selection of Examples Drawn and Photographed for the use of Architects. By HORACE FIELD and MICHAEL BUNNEY. With Introduction and Notes. Illustrated Prospectus post free on application. Medium 8vo, with Title-Page, End-Papers, and Cover Designed by the Author, and numerous Illustrations, 10s. 6d. net. IDEALS in ART. Papers Theoretical, Practical, Critical. By WALTER CRANE. NEW VOLUME OF THE BRITISH ARTISTS SERIES. TURNER. By W.L. WYLLIE, A.R.A. With 4 Coloured Plates and numerous other Illustrations, 7s. 6d. net. NEW VOLUME OF THE ENDYMION SERIES. Post 8vo, 7s. 6d. POEMS by TENNYSON. Illustrated by ELEANOR FORTESCUE-BRICKDALE. "A beautiful volume, and an ideal gift-book."—Guardian. LONDON: GEO. BELL & SONS, Portugal St., Lincoln's Inn, W.C. AD. VI RUSKIN POTTERY (Grand Prize, St. Louis, 1904). Specially suitable for Xmas Presents. Illustrated Sheet free on application. Samples of Enamels sent on receipt of Trade Card. W. HOWSON TAYLOR (Member of the Arts & Crafts Exhibition Society, London). WEST SMETHWICK, Near BIRMINGHAM. Agents in London, the Provinces and Abroad. EMBOSSED LEATHER WORK MADE UP BY SKILLED WORKMEN. Special Calf, Cowhide and Tools supplied. High-Class BOOKBINDING. VALUABLE BOOKS Bound in the Finest Morocco, &c., Made to open well, and Finished in any style. JOHN FAZAKERLEY, 38 & 40 PARADISE STREET, LIVERPOOL
MANDER BROTHERS WOLVERHAMPTON ... LONDON: NOEL STREET, OXFORD STREET.—W OFFER to ARTISTS AND STUDENTS A VERY CHOICE BOX OF WATERCOLOURS IN TUBES (K SERIES) PRICE 3s. 3d. PER BOX REFILLS 4d. EACH. THE BOX CONTAINS THE 8 ESSENTIAL COLOURS OF THE ARTIST'S PALETTE; THE MATERIALS OF WHICH ARE ABSOLUTELY PURE AND OF THE HIGHEST POSSIBLE QUALITY WHILE THE PRICE CONSIDERING THE QUANTITY OF COLOUR IN EACH TUBE IS EXTREMELY REASONABLE. CIRCULAR CONTAINING PARTICULARS AND THE NAMES OF ALL OTHER COLOURS, SUPPLIED ON APPLICATION. NORMAN KERNE --- J.S.HENRY'S WOODEN ELECTRIC FITTINGS J.S.HENRY LTD 287-291 OLD S.E.C. & 22 ST JAMES'S ST PALL MALL, S.W. LONDON .. --- Art Wall Papers THE NELSON. From 1/9 per Piece. Patterns on application. The Largest Showroom in London. CHAS. KNOWLES & CO., LTD. 164 King's Road, Chelsea, London, S.W. --- LEFRANC & CO. CELEBRATED COLOURS Artists' Oil Colours and Materials. Decorative Oil Colours—Water Colours—Mat Colours—Pastel Crayons—Vibert's Varnishes. AMATEURS' ARTS: Etching—Leather Embossing—Metal Embossing—Glass Painting—Pyrography—Chip-Wood Carving, etc. May be obtained from the Principal Dealers in Artists' Materials. For Particulars, Price Lists, Samples, etc. apply to the Wholesale Office: 57 Gracechurch St., London, E.C. AD. VII
JOHN WILSONS' SUCC'RS LIM'TD UNIQUE DAMASK & LINENS DAMASK SHEETS TOWELS HOUSE-HOLD LINENS &c. SPECIALISTS IN FINE LINEN FOR OVER A CENTURY Late 159 BOND ST. 188 REGENT ST., LONDON, W. IN going to such Artists as WALTER CRANE, LEWIS F. DAY, R. ANNING BELL, etc., for designs for their Table Linen, WILSONS’ are the only firm to depart from stereotyped trade patterns. Their collection of over forty original designs, handwoven in exclusive qualities from the best flax, is unequalled for Beauty of Design & Texture, Durability, and Moderate Prices. WILSONS’ ‘HEIRLOOM’ LINENS—the fine old-fashioned hard-wearing makes—are the very best qualities it is possible to obtain. WILSONS’ constantly changing selections of Artistic Curtains, Dainty Handkerchiefs, and Fine Lace, have secured for them the highest reputation with all who appreciate beautiful goods. Write for illustrated Catalogue and Samples (post free). --- THE POCKET DIMINISHING GLASS SEE “STUDIO,” VOL. II., PAGE 182. Is for the use of Artists, that they may be enabled to estimate the changes produced in a Drawing when reduced in size. It is indispensable to all who are employed in the illustration of Books and Magazines. THE ABOVE IS ALSO MADE WITH A SILVERED MIRROR, FOR USE IN CONJUNCTION WITH THE DIMINISHING LENS, ALSO A CLAUDE LORRAINE GLASS. IT THUS CONTAINS THREE GLASSES IN CASE UNIFORM IN SIZE WITH ABOVE, BUT A LITTLE THICKER. PRICE 9/6 AND 20/- RESPECTIVELY. SPECTACLES FOR ARTISTS A SPECIALITY. CARPENTER & WESTLEY, OPTICIANS, 24 REGENT ST., LONDON, S.W. --- George F. Gascoyne & Son DESIGNERS & CRAFTSMEN IN LEADED GLAZING Mr. Gascoyne is in Town Tuesdays and Thursdays. AD. VIII Shakespeare Works NOTTINGHAM.
ABOUT WINTER. Scientists prophecy that this winter is to be one of unusual severity. Prepare to keep your house at a regular and healthful heat. THE WELL FIRE (BOWES' PATENT). FOR COAL, LOGS OR PEAT. The cosy old-style hearth fireplace scientifically improved. All the brightness and comfort of the hearth fire, but fitted with a sunken fire-brick chamber or well, which ensures just the desired volume of pure hot air. NO DIRT. NO FUMES. NO WASTE. NO LABOUR. Burns all day without attention. Extensive range of artistic designs. Adaptable to any fireplace. The only fireplace with the firebrick well. Observe the Trade Mark on every Fire. Full particulars, together with Catalogue T., sent free on application to— THE WELL FIRE Co., Ltd., DOVER STREET, PICCADILLY, W. MANCHESTER: 16, John Dalton Street. LIVERPOOL: 34, Paradise Street. LEEDS: 7, South Parade. EDINBURGH: 8, George Street. GLASGOW: 157, Hope Street (Well Fire Depot). DUBLIN: Maguire & Gatchell, Ltd. (Agents), 10, Dawson Street. Wholesale and Export: Newcastle-on-Tyne. L. CORNELISSEN & SON (ARTISTS' COLOURMEN), SOLE AGENTS FOR THE UNITED KINGDOM FOR DR. F. SCHOENFELD'S ARTISTS' COLOURS. OIL COLOURS, PETROLEUM COLOURS, TEMPERA COLOURS, PASTELS, PAPERS, ETCHING MATERIALS, VARNISHES, &c. WATER COLOURS, GOUACHE COLOURS, DRY COLOURS. PRICE LIST ON APPLICATION. Address: 22 GREAT QUEEN STREET, LONDON, W.C. JOSEPH GILLOTT'S DRAWING PENS LITHOGRAPHIC CROW QUIL No 659 FOR FINE WORK. These pens are the best made. A card, as illustrated, of twelve pens will be sent for 2/1; a card of six for 1/1—both prices include postage. Our special card of twelve assorted drawing pens, twelve different points, is sent for 1/1. Ask your Stationer, Colourman, etc., for these pens, or direct from JOSEPH GILLOTT & SONS, (Dept. 37) 37 Gracechurch St., London, E.C. AD. IX
This issue of The Studio, published in January 1906, features articles on the art of William Lee Hankey, the etchings of Sir John Charles Robinson, and the paintings of Ettorre Tito. It also includes a review of a miniature exhibition in Vienna, a look at pen drawings by Fred Richardson, and the ceramic work of the Burslem Art School. The magazine also covers recent designs in domestic architecture and technical hints from past masters of painting, along with studio-talk from various international correspondents and reviews of art-related publications.