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ÉDITION SPÉCIALE AVEC TRADUCTION FRANÇAISE THE · STUDIO An Illustrated Magazine of Fine & Applied Art NOV. 15. 1900 VOL. 21 No. 92 5 Henrietta Street Covent Garden LONDON W.C BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF 50 CHAUSSEE D’ANTIN PRIX : 1 FRANC 50c ABONNEMENT : 20 FRANCS Monthly $1\frac{1}{2}$
THE STUDIO. EDITED BY CHARLES HOLME. Contents, November 15, 1900. SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF AN EVENING EFFECT AT THE PARIS EXHIBITION, BY HENRI RIVIERE; A REPRODUCTION IN COLOURS OF A CHROMO-XYLOGRAPH ENTITLED "TIGER," BY J. D. BATTEN; A REPRODUCTION IN COLOURS OF A CHROMO-XYLOGRAPH ENTITLED "THE WINDMILL," BY EDGAR WILSON; AND A STUDY IN LEAD PENCIL, BY PERCY GOSSOP. A. D. PEPPERCORN. An Appreciation by the late R. A. M. STEVENSON. Nine Illustrations. PAGE 77 GARDEN MAKING.—Part II. THE CONDITIONS OF PRACTICE. By E. S. PRIOR. Thirteen Illustrations. 86 ON SOME RECENT EXAMPLES OF CHROMO-XYLOGRAPHY. By ESTHER WOOD. Five Illustrations 95 OLD CHASED AND EMBOSSED STEEL WORK. By STARKIE GARDNER. Fifteen Illustrations. 105 ROUND THE EXHIBITION. IV.—AUSTRIAN DECORATIVE ART. By GABRIEL MOURRY. Nine Illus. 113 STUDIO-TALK (from our own Correspondents):— LONDON. Ten Illustrations 123 | MUNICH. Two Illustrations 138 LIVERPOOL. Three Illustrations . . . . . . 135 | BRUSSELS. One Illustration 140 PARIS. Four Illustrations 136 | STOCKHOLM. One Illus. . . . . . 142 | BERLIN. . . . . . 142 REVIEWS 143 AWARDS IN "THE STUDIO" PRIZE COMPETITIONS. Five Illustrations . . . . . . 147 THE LAY FIGURE 148 NOTICE TO CONTRIBUTORS. The Editor of The Studio cannot under any circumstances hold himself responsible for the return of manuscripts, sketches, &c., submitted to him. He will, however, always be glad to consider articles and drawings, and every effort will be made to return those not accepted, provided that sufficient postage stamps for the purpose are enclosed with them. IT IS EXTREMELY IMPORTANT THAT THE NAME AND ADDRESS OF THE READER SHOULD BE LEGALLY WRITTEN UPON EVERY DRAWING, PHOTOGRAPH, AND MANUSCRIPT SUBMITTED. All Contributions should be addressed "The Editor," Offices of The Studio, 5 Henrietta Street, Covent Garden, London, W.C. PARIS EXHIBITION, 1900. JEFFREY & CO. Have received the HIGHEST AWARDS, TWO GOLD, ONE SILVER, AND ONE BRONZE MEDAL For their High-class Decorations. FACTORY: 64, ESSEX ROAD, ISLINGTON, LONDON, N. (Near Agricultural Hall.) THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. TO ADVERTISERS. New Advertisements and Alterations in Current Announcements should reach the Advertising Manager of The Studio not later than the last day of the month prior to publication. If proofs have to be submitted, instructions should be given a few days earlier. The charge for announcements in the “Studios to Let” and “Miscellaneous” columns is Five Shillings for 32 words, about four lines. ROTTMANN & C NEW SERIES OF WALL PAPERS & FRIEZES MAKERS OF RELIEF & DECORATIONS IN JAPANESE LEATHERS & TYNCASTLE TAPESTRY "SARRAS" MACHINE-BLOCK-STENCIL-WORKED AND PLAIN WALL MATERIALS ARE OBTAINABLE THROUGH ALL "UP TO DATE" DECORATORS & BUILDERS AND CAN BE INSPECTED AT THE CITY SHOW ROOMS PLAIN MATERIALS TINTED SILK FIBRES & GRANITES "SARGIA" CLOTH TAPESTRY CLOTH LINENS - ££ 25 & 26 CARLICK HILL QUEEN ST VICTORIA LONDON E·C TRADE MARK REGD BEHIND MANSION HOUSE STATION
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ANTWERP BLUE --- LIGHT RED --- BURNT SIENNA --- MCGUILP --- BURNT UMBER --- PERMANENT YELLOW --- CHROME No. 1 (LEMON) --- PRUSSIAN BLUE --- CHROME No. 2 (YELLOW) --- RAW SIENNA --- CHROME No. 3 (ORANGE) --- RAW UMBER --- EMERALD GREEN --- TERRA VERT --- FLAKE WHITE --- TRANSPARENT GOLD --- INDIAN RED --- OCHRE --- INDIGO --- VANDYKE BROWN --- IVORY BLACK --- YELLOW OCHRE --- ARTISTS’ PRICE $9^d$. Each Net, Containing 4 times the quantity of the ordinary tube. --- CHROME No. 4 (ORANGE DEEP) --- NAPLES YELLOW No. 1 --- ARTISTS’ PRICE, 1/- EACH NET, containing 7 times the quantity of the ordinary tube. --- CRIMSON LAKE FRENCH ULTRAMARINE --- PERMANENT BLUE --- ARTISTS’ PRICE, 1/6 EACH NET, containing 10 times the quantity of the ordinary tube. --- CRIMSON ALIZARIN MADDER BROWN --- SCARLET VERMILION VERMILION --- ARTISTS’ PRICE, 2/- EACH NET, containing 10 times the quantity of the ordinary tube. --- COBALT INDIAN YELLOW LEMON YELLOW --- ROSE MADDER VIRIDIAN or VERONESE GREEN --- ARTISTS’ PRICE, 4/6 EACH NET, containing 10 times the quantity of the ordinary tube. --- CADMIUM, PALE, YELLOW OR ORANGE --- ARTISTS’ PRICE, 6/6 EACH NET. --- These Colours are made of the Best Materials only. Manufactured by GEORGE ROWNEY & CO., 64 Oxford Street, London, W. And may be obtained from the Principal Dealers in Artists’ Materials throughout the Kingdom. The “STUDIO” Size. --- “ART, AND HOW TO STUDY IT.” By J. W. TOPHAM VINALL, A.R.C.A., ART MASTERS’ SOCIETY, ART SPECIALIST TO THE LONDON SCHOOL BOARD. This work treats very comprehensively of the whole organization of Art Education throughout the country, and should be in the hands of all Teachers and those about to take up Art. CLOTH - 2s. 6d. STIFF PAPER - 1s. 6d REEVES & SONS, LTD. OF ALL AGENTS AND DEALERS. --- SOLE AGENTS, TONKS LTD TRADE MARK HOOKHAM’S PATENT PIANO PICTURE WIRE In every case, 5c. 8d. 10d. 15d. 20d. 25d. 30d. 35d. 40d. 45d. 50d. 55d. 60d. 65d. 70d. 75d. 80d. 85d. 90d. 95d. 100d. THE GREAT STRENGTH OF STRONGEST INTANGIBILITY. 500000 PICTURES MADE WITH THIS LINE IN 1997 REGISTERED PIECE SUPPLIES PLATED 3/9/98 REG. NO. 217 TO BE HAD OF ALL TRONMONCRENS AD. 1 --- ACTUAL SIZE OF TUBE. ROWNEY & C9 GEO ROWNEY & CO. TREBLE FL. WHITE Blanc de Plomb (Triple) Colburnmen and Penel LONDON, W., ENGLAND
THE STUDIO INTERNATIONAL COMPETITIONS. Preliminary Announcement. In order to make the Studio competitions still more useful and practical, the Editor has decided to introduce a New Series, which it is hoped will not only be of great advantage to competitors, but will also help to encourage the production of articles to which the appellation of “artistic” may be applied with all justice. This New Series has for its main object the encouragement of the designer who is also the craftsman. The highest artistic decorative work can only be produced when the designer and worker are one and the same person, and it is desirable that the fullest encouragement shall be given to those who combine in themselves the necessary qualifications. In pursuance of this idea, first, second and third prize medals will be awarded by the Editor of THE STUDIO in each of the following classes of design and workmanship:— 1. Gold and Silver Jewellery, with or without precious stones or enamel. 2. Silver Plate. 3. Brass and Copper Repoussé and Chased Work. 4. Wrought Iron Work. 5. Furniture, plain, or decorated by inlay, carving or other methods. 6. Carved Wood Panelling. 7. Stained Glass. 8. Gesso Work. 9. Woven Fabrics. 10. Embroidered and Worked Fabrics. 11. Stencilled Work. 12. Mosaic. 13. Bookbinding. 14. Enamelling. 15. Pottery Painting. 16. Illumination. 17. Wood Engraving. 18. Medallions. 19. Statuettes in clay, ivory, marble or bronze, not over 18 inches high. 20. Door-knockers and other fittings in cast-bronze. In all cases more than one object may be submitted by each exhibitor. The objects intended for competition in all these various sections must be delivered in London in the spring of 1901 (date and other particulars will be announced in a later number of THE STUDIO). The articles for which medals are awarded, and a selection of other objects submitted, will be exhibited at one of the London Galleries (date and particulars to be specified later), to which the public and the Press will be invited. --- THE FOLLOWING ARE THE ORDINARY MONTHLY COMPETITIONS AND ARE IN NO WAY CONNECTED WITH THOSE REFERRED TO IN THE ANNOUNCEMENT ABOVE. NEW SERIES OF ORDINARY MONTHLY COMPETITIONS CLASS A. DECORATIVE ART. A. I. DESIGN FOR A METAL CIGARETTE BOX. (Particulars appeared in the October Number.) A II. DESIGN FOR A PANEL IN ENAMEL. Drawings to be carried out in water-colours. The number of colours introduced is left to the option of the competitor. Drawings must not exceed in size a page of THE STUDIO. Richness of colour is of greater importance than intricacy of pattern. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by January 1, 1901. NEW SERIES OF ORDINARY MONTHLY COMPETITIONS CLASS B. PEN-AND-INK WORK. B. I. DECORATED PAGE. (Particulars appeared in the October Number.) B. II. DESIGN FOR A BOOKPLATE. A name may be embodied in the design or a space left for it, at the option of the competitor, and the subject may be pictorial or armorial. Drawings, which must not exceed in size a page of THE STUDIO, to be executed in pen-and-ink on white cardboard. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by Jan. 1, 1901. NEW SERIES OF ORDINARY MONTHLY COMPETITIONS CLASS C. PHOTOGRAPHS FROM NATURE. C. I. ARTISTIC INTERIOR (DOMESTIC). C. II. PORTRAIT STUDY. All photographs should be sent in mounted upon firm cards, without margin. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by Jan. 1, 1901. NOTE.—Competitors should be careful to avoid placing their pseudonyms and written descriptions in too close proximity to the designs sent in for competition. --- A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION. Black and White Drawings for Reproduction. Summer Sketching Class. Special Class for Modelling in Clay … … … … Mr. CONRAD BÜHRER. GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. AD. II { The Studio is five minutes’ walk from Vauxhall and five minutes’ tram from Victoria Station. } Closest Dec. 1 Closest Jan. 1 loses dec. 1 loses jan. 1 loses dec. 1 loses jan. 1
YAMANAKA & CO., 68 NEW BOND STREET, W. Japanese Works of Art. JAPAN: OSAKA, KIOTO, NARA. Branch Houses:—U.S.: 254 Fifth Avenue, New York; 272 Boylston St., Boston; Steel Pier, Atlantic City, New Jersey; 230-234 Columbia St., Dorchester, Mass. CONSIGNMENTS OF ARTISTIC WORK will be received direct from Japan from time to time, and Collectors, interested in any special classes of art work, will be regularly advised of shipments, provided they notify to the firm particulars of their requirements. A. SANDERSON & SONS. WORKS: CHISWICK. Nearest Railway St. TURNHAM GREEN. DESIGNS FOR WALL-PAPERS should be POSTED TO OR SUBMITTED AT CHISWICK. Longden & Co. London Office 447 Oxford Street W. Works Phoenix Foundry Sheffield Makers of Grates Fenders Fireirons Wrought-Iron Work Ornamental Brass and Bronze Work AD. III
EXHIBITIONS NOW OPEN Royal Birmingham Soc. of Artists. (Bourlet & Sons.) New English Art Club. Soc. of Portrait Painters. Royal Soc. of British Artists. Brighton, Oil Colours. (Bourlet & Sons.) Brussels Exp. Générale des Beaux Arts. (Dicksee & Co.) Aberdeen Artists' Soc. (Dicksee & Co.) Manchester City Art Gallery (Autumn Exhibition). (Dicksee & Co.) Liverpool Walker Art Gallery. (Dicksee & Co.) Worcester Victoria Inst. (Bourlet & Sons.) Nottingham City Art Gallery. Stirling Fine Art Assoc. (Bourlet & Sons.) Pittsburg: Carnegie Art Galleries. (Dicksee & Co.) The Holland Fine Art Gallery, 14 Grafton Street, Bond Street, W. Modern Dutch Pictures. (See advt.) Derby Corporation Autumn. (Bourlet & Sons.) Exhibition of Art Embroideries. (John Harris & Sons, Ltd., 25 Old Bond Street, W.) Crystal Palace, Sydenham. (Bourlet & Sons.) Royal Inst. of Painters in Water Colours. FORTHCOMING Soc. of Oil Painters. (R. D. Dec. 18.) Bristol Academy. (Smith & Uppard.) Decorative Arts Association, 359 Oxford Street, W. (R. D. Nov. 15. O. D. Nov. 26.) Oldham Art Gallery. (Bourlet & Sons.) THE HOLLAND FINE ART GALLERY 14 GRAFTON STREET BOND STREET, W. (late of 235a Regent Street, W.) AUTUMN EXHIBITION WORKS BY J. BOSBOOM J. MARIS J. ISRAELS WM. MARIS J. H. WEISSENBRUCH NEUHUYS DE BOCK POGGENBEEK AND OTHERS APPLY FOR PARTICULARS OF BOSBOOM PORTFOLIO CONTAINING 24 COLLO-TYPE REPRODUCTIONS AT 30/- NET WINSOR & NEWTON'S "SPECIAL OIL COLOURS" (IN WIDE-MOUTHED COLLAPSIBLE TUBES). A Selected Palette of 24 Colours, stiffly ground in Inspissated Oils. RAW SIENNA RAW UMBER BURNT SIENNA BURNT UMBER YELLOW OCHRE LIGHT RED TERRE VERTE PRUSSIAN BLUE FLAKE WHITE IVORY BLACK NAPLES YELLOW VERONA BROWN 6d. each. BROWN MADDER ALIZARIN CRIMSON VERMILION FRENCH BLUE COBALT BLUE COBALT GREEN VIRIDIAN OXIDE OF CHROMIUM LEMON YELLOW ROSE MADDER CADMIUM YELLOW AURORA YELLOW 1/3 each. 2/6 each. 3/9 each. 5/- each. Mr. G. F. WATTS, who has painted with these Colours for the last 3 or 4 years, writes as follows: "The Colours ground specially for me have most admirable qualities, far beyond any others I have used. With them Reynolds would have been able to produce all the solid and splendid effects, in many of which his work stands quite alone, without the use of wax (which undoubtedly he did employ) and without the disastrous consequences from which few of his pictures have escaped. I believe, in competent hands, the noblest effects might be produced with these Special Colours, with the certainty of safety." For further particulars see Descriptive Circular, which will be sent post free on application. WINSOR & NEWTON, Ltd., Rathbone Place, LONDON, W. AD. IV
James Bourlet & Sons, 17 & 18 NASSAU STREET 11 & 12 UNION MEWS, LONDON, W. Fine Art Packers and Exhibition Agents. ESTABLISHED 60 YEARS. Agents for the following Exhibitions: Royal Society of Artists, Birmingham. Royal Pavilion, Brighton. Corporation Art Gallery, Derby. Corporation Art Gallery, Dudley. Albert Institute, Dundee. Dublin Art Club. Arts and Crafts, Dublin. Royal Institute of the Fine Arts, Glasgow. Storey Institute, Lancaster. Corporation Art Gallery, Oldham. Mappin Art Gallery, Sheffield. Sheffield Art Society, Sheffield. Fine Art Exhibition, Wolverhampton. City Art Gallery, York. Arts and Crafts, Evesham. Corporation Exhibition, Victoria Institute, Worcester. Royal Academy of Arts. Royal Society of British Artists. The Grafton Galleries. Lady Artists. New English Art Club. Southwark and Lambeth Loan Exhibition. Arts and Crafts, London. Slade School, University College. Hogarth Club. Alpine Club. Old and New Salons, Paris. Architectural Exhib. T Square Club, Philadelphia, U.S.A. Telegraphic Address: "TITIAN, LONDON." Telephone No. 1871 Gerrard. PICTURE FRAMING IN ALL ITS BRANCHES. REEVES' "SLOW DRYING" WATER COLOURS "YOUR 'SLOW DRYING' WATER COLOURS STOOD THE SOUTH AFRICAN CLIMATE WELL."—MORTIMER MENPES. YOU WILL FIND THEM OF A DELIGHTFUL CONSISTENCE. OF ALL AGENTS. THE ROYAL COPENHAGEN PORCELAIN Danish Ceramic Art Vases Figures Plaques BY EMINENT ARTISTS SUITABLE FOR PRESENTATION PURPOSES. "GRAND PRIX," PARIS, 1900. Danish House, 294 Regent Street, London, W. AD.
The AUTOTYPE FINE ART GALLERY 74 NEW OXFORD STREET, LONDON, W. Open Free Daily from 10 to 6. PERMANENT EXHIBITION of AUTOTYPE (CARBON) REPRODUCTIONS OF FAMOUS WORKS OF ART. Autotypes of the Old Masters in the Great Continental Galleries. Autotypes of Modern British Art. Autotypes of Works by Artists of the Pre-Raphaelite School. Autotypes of Pictures in the National Gallery. Autotypes of Drawings by Old Masters. Autotypes of Selected Works from the Paris Salons. PICTURES FOR PRESENTS AND HOME DECORATION. ILLUSTRATED LEAFLET FREE ON APPLICATION. THE AUTOTYPE COMPANY, 74 NEW OXFORD STREET, LONDON. NEW BOOKS ON THE FINE ARTS Published by Mr. WM. HEINEMANN. SIR JOSHUA REYNOLDS. By Sir Walter Armstrong, Director of the National Gallery, Ireland. With 70 photogravures and 6 lithographs in colour. Imperial 5vo. £5 5s. net. Sir Walter Armstrong has produced a volume in which Sir Joshua's life is sketched in sufficient, though by no means exhaustive, detail, more attention being paid to the characteristics of the man himself than to the more or less accidental events in which he was concerned. To this he has added a careful estimate of his art and of his influence both on the English school and on modern painting in general. In selecting pictures for reproduction, care has been taken to choose those which most fully illustrate his development, and to prefer, where possible, less known and less readily accessible examples to those in public galleries. HANS ANDERSEN'S FAIRY TALES. A new translation by H. L. Brekstad. With an Introduction by Edmund Gosse. With 240 wood-engravings by Hans Pegner. 2 vols. Demy 4to. 10s. net./each. The Observer:—"The season is scarcely likely to give us anything more sumptuous and attractive than these two volumes. The version is an admirable one. The numerous illustrations are in perfect keeping with the text, and the volumes are produced in the best of taste." POMPEII: The City, its Life and Art. An Artistic Survey of Archaeological Achievements. By Pierre Gusman. Translated by Florence Simmonds and M. Jourdain. With an Introduction by Max Collignon. 500 illustrations in text and 12 coloured plates. Imperial 4to. 36s. net. ROMAN ART: Some of its Principles and their Application to Early Christian Painting. By Franz Wickhoff. Translated and Edited by Mrs. S. Arthur Strong, LL.D. With 14 plates and numerous other text illustrations. 1 vol. 36s. net. The Illustrated London News:—"Professor Wickhoff's subject is art in Rome from the time of Augustus to that of Constantine; its phases of style and the manner of derivation that produced Early Christian Art as we find it working under the inspiration of the Church and of the Empire." CHARACTERS OF ROMANCE. By William Nicholson. A portfolio of 16 pastels, reproduced in colours. £2 2s. net. This publication marks a new departure in the development Mr. Nicholson's art, and differs altogether from the stern and stately wood engravings with which his name has been associated. His characters of romance show the same strength of design, but their draughts-ownership is of the daintiest and lightest, their colouring of the most brilliant, and their general conception as fantastic and fascinating as are the works of the best French masters. He has hit off with extraordinary neatness the characteristics of each personage. A LITTLE TOUR IN FRANCE. By Henry James. With 12 photogravures, 32 full-page engravings, and 40 illustrations in the text, reproduced from original drawings by Joseph Pennell. 1 vol. Small 4to. 16s. net. Also a limited edition on Japanese paper, with photogravures on India paper mounted on Japanese. This is the very personal record of the writer's wanderings in Touraine, supplemented by a series of exquisite drawings from the accomplished pencil of Mr. Joseph Pennell. Mr. Heinemann's Notes on Forthcoming Books Post Free. London: WM. HEINEMANN. 21 BEDFORD STREET, W.C. AD. VI
VOLUME IV.—NOW READY. THE ANGLO-SAXON REVIEW. A QUARTERLY MISCELLANY. Edited by Lady RANDOLPH SPENCER-CHURCHILL (Mrs. George Cornwallis-West). Bound in leather, with a Design in Gold from an Historic Binding. Price 21s. per Quarter. CONTENTS. ON THE BINDING. Cyril Davenport. LONDON—AFTER FORTY YEARS. Sir Wemyss Reid. A STUDY IN DESPAIR. Hugh Clifford. COMET-LORE. E. V. Heward. CONCERNING SOME PORTRAITS OF EMMA, LADY HAMILTON. Lord Ronald Sutherland Gower. MARLBOROUGH AND WELLINGTON. Judge O’Connor Morris. THREE SEERESSES (1886-1900, 1424-1431). Andrew Lang. “THE BLUIDY ADVOCATE MACKENZIE.” Francis Watt. SISTER BEATRICE: A Miracle Play. In Three Acts. Maurice Maeterlinck. Done into English by A. Bernard Miell. SHELLEY’S VIEWS ON ART. Richard Garnett, C.B. A FRENCH GOVERNESS. Edith Sichel. TOLSTOY AND TURGENIEFF. Edward Garnett. THE QUEEN’S CHRONICLER. Stephen Gwynne. AUNT MAISIE’S INDISCRETION. W. Earl Hodgson. THE SALON IN ENGLAND. George Whale. POSTPONED. R. B. Cunninghame Graham. “THE GARDEN OF LOVE.” A Painting by Rubens in the Prado. Max Beerbohm. SIR HARRY PARKES IN CHINA. S. Lane-Poole. IMPRESSIONS AND OPINIONS. ILLUSTRATIONS. FRANCOISE D’AUBIGNÉ, Marquise de Maintenon. Ferdinand Elle. LADY HAMILTON. Tishbein. LADY HAMILTON: Cameo and Miniature. Kneller. THE LORD ADVOCATE MACKENZIE. LÉON TOLSTOY. J. E. Répine. IVAN TURGENIEFF. J. E. Répine. Volumes I. to V. are still obtainable. Price 21s. net each. Mr. John Lane will send his Illustrated Autumn Lists, post free, on receipt of a post-card. JOHN LANE, Publisher, Vigo Street, London, W. --- FILL IT SO! —A Great Improvement in Sizes N° 3 & 5. Left this Build Position you require it in Regulars Now Instantly No Removal of any Part SWAN Fountain Pens 16½ and 25½ PLAIN 21½ and 30¼ MOUNTED Post Free N°1 SIZE AT 10/6 REMAINS UNALTERED The Improved Sizes are unquestionably the very best Fountain Pens Money Can Buy May be exchanged or Money Removdop if found unsuitable. Write for Catalogue MABLE TODD & BARO. St. Cheapside, E.C. St. Regent St. W. A Exchange St. Brentons, 37 avenue de l’Opie, PARIS. AND AT ALL STATIONERS. --- HIGH-CLASS BOOKBINDING. JOHN FAZAKERLEY, 40, PARADISE STREET, LIVERPOOL VALUABLE BOOKS, and Books with Plates, carefully Bound in the finest Morocco or other leather, made to open well, and finished in any style BOOKS Bound, and Miscellaneous Articles made up, in Embossed Leather, Embroidery, &c. EMBOSSED LEATHER WORK. Subscribed to by H.R.H. THE PRINCESS OF WALES. HOME ART WORK Quarterly Part 24 contains 11 pages reproduced in facsimile from the rare work of designs for Lace, etc., published by Mathio Pagan, Venezia, 1550, in addition to numerous copies of sixteenth and seventeenth century Spanish and Italian Embroidery, and many fine modern designs for Wood Carving, Brass Repoussé, etc., all in full working size. Price One Shilling, postage 2d. Vol. 17, containing the four numbers published during 1900, includes a lovely floral figure expressly designed by Walter Clarke for “HOME ART WORK,” a full-sized Banner by Hamilton Jackson, added to over 125 designs, the majority of which are copied from Rare Antique Embroidery, Book Bindings, etc., etc. In neat cloth portfolio, Five Shillings; on the four parts alone, Four Shillings post free from Manager, HOME ART WORK, 4c St. Ann’s Sq., MANCHESTER. This Publication is absolutely unique, and has no rival; all designs given with it are reproduced by photography and are in full working size. This quarterly journal is directed with so much taste, and is so full of artistic suggestion that it should be in the hands of all who wish to deck their homes with things of beauty.—The Queen. AD. VII
Messrs. Bell's Fine Art Publications COMPLETE LIST POST FREE ON APPLICATION. ANTHONY VAN DYCK: AN HISTORICAL STUDY OF HIS LIFE AND WORKS. By LIONEL CUST, F.S.A., Director of National Portrait Gallery, London. With 91 Photogravure Plates and 20 Colotypes and other Reproductions from Drawings. Printed on English Hand-made Paper at the Chiswick Press. With binding designed by Laurance Housman. Crown folio. £5 5s. net. DANTE GABRIEL ROSSETTI: AN ILLUSTRATED MEMORIAL OF HIS ART. By H. C. MARILLIER. With 30 Photogravure Plates and 170 other Illustrations. Small folio. £5 5s. net. REMBRANDT VAN RIJN AND HIS WORK. By MALCOLM BELL. With 8 Photogravure Plates and 74 other Illustrations. Small columbier 8vo. 25s. net. FRENCH PAINTERS OF THE 18TH CENTURY. By LADY DILKE. With 11 Photogravure Plates and 64 Half-tone Illustrations. Imp. 8vo. 28s. net. FRANCH ARCHITECTS AND SCULPTURES OF THE 18TH CENTURY. 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With 8 Photogravures and about 70 other Illustrations. Small columbier 8vo. 21s. net. THOMAS GAINSBOROUGH. HIS LIFE AND WORKS. By MRS. ARTHUR BELL (N. D'ANVERS). With 57 Illustrations, including 6 Photogravures. Small columbier 8vo. 25s. net. WILLIAM MORRIS: HIS ART, HIS WRITINGS, AND HIS PUBLIC LIFE. By AVMER VALLANCE, M.A., F.S.A. With 60 Illustrations and Portrait. Third Edition. Imp. 8vo. 25s. net. MASTERPIECES OF THE GREAT ARTISTS, A.D. 1460–1700. By MRS. ARTHUR BELL (N. D'ANVERS). With 43 Illustrations, including 8 Photogravures. Small columbier 8vo. 21s. net. THE BASES OF DESIGN. By WALTER CRANE. With 200 Illustrations. Medium 8vo. 18s. net. LINE AND FORM. By WALTER CRANE. With 157 Illustrations. Medium 8vo. 12s. net. LONDON: GEORGE BELL & SONS YORK ST., COVENT GARDEN. AD. VIII BELL'S HANDBOOKS OF THE GREAT MASTERS IN PAINTING AND SCULPTURE. Edited by G. C. WILLIAMSON, Litt.D. Post 8vo. With 40 Illustrations and a Photogravure Frontispiece. Price 5s. net each. BERNARDO LUINI. 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HEAL & SON'S Decorative Bedroom Furniture A Pair of Twin Bedsteads—Oak inlaid with Pewter and Ebony—on Heal & Son's Patent Tramway. A copy of "SIMPLE BEDROOM FURNITURE," Illustrated by Woodcuts, sent free on application. TOTTENHAM COURT RD., W. AD. IX
This issue of The Studio features articles on A. D. Peppercorn, garden making, chromo-xylography, and old chased and embossed steel work. It also includes a section on Austrian decorative art from the Paris Exhibition and studio-talk from various international correspondents. The issue contains reviews, details of prize competitions, and advertisements for art materials and services.