Page 1
THE STUDIO A Magazine of Fine and Applied Art FOUNDED IN 1893 VOLUME 96 NUMBER 421 APRIL 1928 44 LEICESTER SQUARE LONDON $2\frac{1}{2}$ net
Premières pages de l'ouvrage, en accès libre.
THE STUDIO A Magazine of Fine and Applied Art FOUNDED IN 1893 VOLUME 96 NUMBER 421 APRIL 1928 44 LEICESTER SQUARE LONDON $2\frac{1}{2}$ net
THE STUDIO CONTENTS APRIL 1923 CONCRETE ARCHITECTURE AND HOUSE-BUILDING. By Albert Dresdner ... 231 WILLIAM HEATON COOPER. By Vera Pragnell ... 239 JOHN ARMSTRONG. By Anthony Bertram ... 242 BALI, THE TROPICAL WONDERLAND.—III. By W. O. J. Nieuwenkamp ... 246 DANIEL GARBER. By Henry Pitz ... 252 PROFESSOR FRIEDRICH THETTER'S DRAWING CLASS. By A. S. Levetus ... 256 PROFESSOR FERDINAND SCHMUTZER. By A. S. Levetus ... 262 NOTES: London, Birmingham, St. Ives, Manchester, Dundee, Paris, Leerdam (Holland), Prague, Budapest, Moscow, Madrid, Rome, Tokyo ... 268 REVIEWS ... 302 AN AUCTION CAUSERIE: FORGOTTEN CONSTABLE SENSATION. By A. C. R. Carter 304 SUPPLEMENTS M. FISHER-PROUT. "Nude" ... Frontispiece W. HEATON COOPER. "Bunton Manor, Steyning" ... 243 PROF. F. THETTER'S CLASS. Chalk Drawings ... 257 PROF. F. THETTER'S CLASS. Tempera Painting ... 263 SIR THOMAS LAWRENCE, P.R.A. "Lady Lavinia Grey" ... 273 CRYSEDE LTD. Hand block-printed Silks ... 279 EDITED BY GEOFFREY HOLME NOTICE TO CONTRIBUTORS.—The Editor will always be glad to consider illustrated articles and photographs of works of art which may be submitted to him for publication. Selection is made on merit alone, and no payment is expected or accepted for inclusion of any artist's work. Every effort will be made to return in due course rejected MSS., and all photographs, etc., rejected or accepted; but in no circumstances can the Editor hold himself responsible for the safe custody or return of such material. Artists and others are urged to submit photographs in the first instance, rather than originals. These should be addressed to "The Editor." Stamps for return should always be sent, and the name and address of the sender must be clearly written on every MS., photograph, etc. All notes and articles should be typewritten. Contributions and specimens of work submitted by hand must be left for consideration for a day or two. The Editor and Editorial Staff CANNOT GIVE INTERVIEWS, except by appointment, for which some definite reason must be adduced. Callers are recommended to leave a concise statement of their business in writing. SUBSCRIPTION RATES Per annum GREAT BRITAIN, IRELAND, Channel Isles, etc. ... 28/- BRITISH DOMINIONS, INDIA, Countries in Postal Union ... 30/- CANADA (Under the New Postal Union) 26/- AMERICA (A. & C. Boni, Inc., 66 Fifth Avenue, New York) ... $7.50 FRANCE (Henry Babou, 1 Rue Verniquet, Paris, XVIIe) ... Frs. 170 GERMANY (F. A. Brockhaus, Querstrasse 16, Leipzig) ... Mks. 26 ITALY AND ITALIAN COLONIES (Galleria Pesaro, Via A. Manzoni, 12a Milano) ... L. 168 These sums include Postage, and are strictly net and payable in advance. Cheques, Money Orders, etc., should be made payable to THE STUDIO LTD., and crossed "Midland Bank, A/c Payce," except for America, France, Germany, and Italy, when they should be sent to the agents named. In addition to this magazine the Publishers issue Special Publications dealing with many different phases of Art, and are Proprietors of the Monthly Magazine, "Commercial Art." Particulars of these may be had from all booksellers, from the agents mentioned above, or direct from the Publishers at 44 Leicester Square. ADVERTISEMENT RATES The charge for Undisplayed Advertisements is 7/6 for 32 words (about 4 lines) or less, and is payable in advance. Additional words are charged at the rate of 1s. per line of eight words. IMPORTANT.—New Advertisements and alterations in current announcements should reach this office by the 2nd of the month previous to publication; small announcements will be accepted for the MISCELLANEOUS columns up to the 4th day of the month previous to publication if accompanied by a remittance. NOTE.—Replies to "Miscellaneous" advertisements may be addressed to the Offices of "THE STUDIO," but in this case an extra charge of 1s. will be made to cover the cost of postage, etc. The address will be charged as part of the advertisement and will count as nine words. The Advertisement Manager cannot undertake to forward replies to anonymous Advertisements received later than one month from date of publication, nor can he be held responsible for loss of or damage to Drawings, etc., sent in reply to Advertisements. PRICES OF DISPLAYED ADVERTISEMENTS ON APPLICATION
PUBLISHERS BY APPOINTMENT TO HIS MAJESTY THE KING ESTABLISHED 1760 P. & D. COLNAGHI & CO. "LA PLAZA MAYOR, SEGOVIA" ORIGINAL By 80 PROOFS AT DRYPPOINT STANLEY ANDERSON, R.E. £4 4s. EACH Size $9\frac{1}{2} \times 7\frac{1}{2}$ inches Paintings and Drawings by Old and Modern Masters VALUATIONS. RESTORATION. FRAMING. MOUNTING COLLECTIONS BOUGHT 'en bloc' 144, 145, 146 NEW BOND ST., LONDON, W.1 Telegrams: COLNAGHI, WESDO, LONDON Telephone: MAYFAIR 6356 (3 lines) AD. I
LONDON.—ARLINGTON GALLERY, 22 Old Bond Street, W.1. Pictures by Kathleen Fairrie. Open March 27 to April 5. BARBIZON HOUSE, 9 Henrietta Street, Cavendish Square, W.1. Sculpture and Bronzes by George Fite Waters. Open April 19. BEAUX ARTS GALLERY, 1 Bruton Place, W.1. Oils and Water-colours by A. Baker Clack. Oils by Guy Kortright. Open April 11 to 25. BROOK STREET GALLERY, 14 Brook Street, W.1. Water-colours of Devonshire and the Riviera by John Shapland. Open April 16 to 28. BURLINGTON HOUSE, Piccadilly, W.1. Royal Academy Summer Exhibition. Receiving days, March 30 and 31, April 2 and 3. Open May 7 to August 11. COLNAGHI'S GALLERIES, 144-6 New Bond Street, W.1. Etchings by F. L. Griggs, A.R.A. Water-colours by Ronald Gray. Open till April 12. Engravings and Woodcuts by Albrecht Dürer. Open during April and May. GIEVES GALLERY, 22 Old Bond Street, W.1. Humorous Drawings by Chloë Preston. Open till April 19. GLENWAY GALLERY, Summit House, Regent Street, W.1. (Two doors from Queen's Hall.) Modern French and Belgian Paintings. Open during March and April. GOUPIL GALLERY, 5 Regent Street, S.W.1. Spring Exhibition of Modern British and French Art. Open April 5. GREATOREX GALLERY, 14 Grafton Street, W.1. Exhibition of Etchings. Open during March. HEAL AND SONS, 196 Tottenham Court Road, W.1. London Prints and Pottery. Open April 13 to June 2. LEICESTER GALLERIES, Green Street, W.C. 2. Pictures by the late Spencer Gore. Open during April. PATERSON, Mr. W. B.'s, GALLERY, 5 Old Bond Street, W.1. Paintings, Pastels, Lithographs and Etchings by James A. Grant. Open April 2 to 28. REDFERN GALLERY, 27 Old Bond Street, W.1. Etchings by Wendela Boreel; Oils by R. O. Dunlop. Open till March 31. Oils and Water-colours by Tom Nash and Adrian Allinson. Open April 4 to May 5. REID, ALEX. AND LEFÈVRE, LTD., 1A King Street, St. James's, S.W.1. Paintings, Drawings and Etchings by M. A. J. Bauer. Open April 11 to May 5. R.I. GALLERIES, 195 Piccadilly, W.1. Royal Institute of Painters in Water-colours. Open March 26 to May 30. R.B.A. GALLERIES, 6½ Suffolk Street, S.W.1. Royal Society of British Artists. Open March 26 to June 8. R.W.S. GALLERIES, 5A Pall Mall East, S.W.1. Royal Society of Painters in Water-colours. Open March 24 to May 26. ST. GEORGE'S GALLERY, 32A George Street, W.1. Water-colours and Woodcuts by Gwendolen Ravera. Open during March and April. THREE ARTS CLUB, 19A Marylebone Road, N.W.1. Exhibition of Pictures. Open till April 7. TOOTH'S GALLERY, 155 New Bond Street, W.1. Paintings by Jack B. Yeats. Open till April 5. TWENTY-ONE GALLERY, 15 Mill Street, W.1. Jean Clark and R. F. Skelton. Open March 25 to April 7. WALKER'S GALLERIES, 118 New Bond Street, W.1. Flower Paintings by Isabel Dick. Landscapes by Ernest A. Chadwick. Open till April 4. Water-colours by Edmund Wimperis. Open March 27 to April 16. Water-colours by Capt. G. Drummond-Fish. Open April 18 to May 8. WHITECHAPEL GALLERY, High Street, Whitechapel, E.1. "International Art"; organised by the League of Nations. Open April 17 to June 2. BIRMINGHAM.—ROYAL BIRMINGHAM SOCIETY OF ARTISTS, New Street. Spring Exhibition. Open April 17 to May 26. BRADFORD.—CARTWRIGHT MEMORIAL HALL. Thirty-fifth Spring Exhibition of Modern British Paintings and Sculpture. Open till May 6. CONWAY.—PLAS MAWR, Royal Cambrian Academy Annual Exhibition. Receiving days, May 8 and 9. Open June 4 to September 29. COVENTRY.—CORN EXCHANGE. Annual Exhibition of the Coventry and Warwickshire Society of Artists: (Members only). Receiving day, April 23. Open April 28 to May 12. DUBLIN.—METROPOLITAN SCHOOL OF ART, Kildare Street. Royal Hibernian Academy Annual Exhibition. Open April 2 to May 12. EDINBURGH.—ROYAL SCOTTISH ACADEMY. Hundred and second Annual Exhibition. Receiving day, March 27. Open April 21 to August 25. LINCOLN.—USHER ART GALLERY. Drawings by W. Heath Robinson. Open during March and April. PRESTON.—HARRIS MUSEUM AND ART GALLERY. Spring Exhibition of Work by Lancashire Artists. Open March 29 to May 5. SALFORD.—ROYAL MUSEUM AND ART GALLERIES. Modern Paintings and Drawings. (Rutherford Loan Collections, from Manchester.) Open during March and April. WEST HARTLEPOOL.—GRAY ART GALLERY. Wood-carvings by Josef Moroder. Sepia and Ink-Wash Drawings by eminent artists. Open till April 14. PARIS.—GRAND PALAIS, Avenue des Champs' Elysées. 33rd Salon of the Société Nationale des Beaux-Arts. Open April 28 to June 10. VENICE.—INTERNATIONAL BIENNIAL EXHIBITION, 1928. Open from April to October. Particulars from the Secretary, Giardini Pubblici, Venice. COMPETITIONS.—ROYAL INSTITUTE OF BRITISH ARCHITECTS, 9 Conduit Street, W.1. Competition for best imaginative scheme for a London Aircraft Terminus, suitable for a period fifteen years hence. Open to bona-fide students of architecture under thirty on September 1. Particulars from Secretary. ROYAL SOCIETY OF ARTS, John Street, Adelphi, W.C.2. Fifth Annual Competition of Industrial Designs, to be held in June. Particulars from Secretary. COURSE OF STUDY.—ROYAL COLLEGE OF ART, South Kensington, London, S.W.7. Board of Education, Short Course for Teachers in Art Schools. From July 23 to August 4. Particulars from the Board of Education, Whitehall, S.W.1. NOTE.—The Editor will be pleased to receive particulars of any Art Exhibitions, Competitions, Lectures and other announcements likely to be of interest to readers, which should reach him by the 1st of the month of publication (i.e., the month previous to that named on the cover). AD. II
EXHIBITION OF THE ENGRAVINGS AND ETCHINGS BY ALBRECHT DÜRER 1471—1528 NOW OPEN WANTED to Purchase, Etchings & Engravings by DÜRER, REMBRANT, and other OLD MASTERS THE Fine Art Society, LIMITED 148 NEW BOND STREET, LONDON, W. 1 KNIGHT, DEATH, and the DEVIL BEAUX ARTS GALLERY 1 Bruton Place, New Bond Street, London. IMPORTANT EXHIBITIONS MARY McCROSSAN—Provence & Cornwall. Late H. B. BRABAZON—Water-colours. Closing April 4th. A. BAKER CLACK — Recent Paintings. GUY KORTRIGHT—Water-colours of Spain. Opening April 11th. 10—5.30 Saturdays 10—4. WATER-COLOURS and ETCHINGS by MODERN MASTERS AND HAND-WROUGHT SILVER by GEORG JENSEN The ABBey GALLERY W. R. DEIGHTON & SONS, LTD. 2 VICTORIA STREET, WESTMINSTER "BOOKSTALLS, PARIS" New Drypoint by HENRY RUSHBURY, A.R.A. ANNUAL EXHIBITION of Etchings and Drypoints NOW ON VIEW AT James Connell & Sons' Galleries 47 OLD BOND STREET, LONDON, W.1 AD. III
THE LEICESTER GALLERIES, LEICESTER SQUARE, LONDON April Exhibitions (1) Paintings by the late SPENCER F. GORE. Died 1914 (2) “LES PEINTRES-GRAVEURS INDEPENDENTS” (3) Memorial Exhibition of Paintings by PAUL MAITLAND (1909-1869) --- REDFERN GALLERY, 27 OLD BOND STREET, W.1 APRIL 4th — MAY 5th APRIL EXHIBITIONS 1. TOM NASH — OILS, WATER-COLOURS 2. ADRIAN ALLINSON — WATER-COLOURS 3. GEORGE BUTLER — WATER-COLOURS --- GLENWAY GALLERY 2 Langham Place, Regent Street, W.1 (Two doors from the Queen’s Hall) EXHIBITION of MODERN PAINTINGS --- THE PATERSON GALLERY 5 OLD BOND STREET, W.1. EXHIBITION OF PASTELS, DRAWINGS, LITHOGRAPHS AND ETCHINGS From the 2nd to the 28th APRIL, 1928. By James A. Grant --- THE DUKE STREET GALLERIES, 11 Duke Street, Manchester Square, W.1 are available for small Exhibitions. Very Moderate Terms. --- Approved “One-Man” Shows HELD AT The Brook Street Art Gallery, Ltd. 14 BROOK STREET, W. (Four doors from New Bond Street) --- THE AMERICAN ARCHITECTURE OF TO-DAY By G. H. EDGELL, Professor of Fine Arts and Dean of the Faculty of Architecture, Harvard University. A comprehensive view of American Architecture with especial emphasis on modern developments. With 375 illustrations from photographs and plans’ 25s. net OF ALL FOOSSELLERS CHARLES SCRIBNER’S SONS, 7 BEAK STREET, — LONDON, W.1 --- Etchings by Modern Masters Brockhurst, Briscoe, Rosenberg, Tunnicliffe, Walcot, Gray, etc. ERNEST T. H. BENNETT 9 Blomfield Street, London :: E.C. 2 Tel.: London Wall 5974 --- RED ROSE GUILD OF ARTWORKERS EXHIBITION & SALE OF APPLIED ART & CRAFTWORK AT THE HOULDSWORTH HALL, DEANSGATE, MANCHESTER OCTOBER 18th to 26th, 1928 Applications for stall space should be made before April 1st For particulars apply to MISS M. PILKINGTON 12 MOUNT STREET, MANCHESTER AD. IV --- RONALD MASSEY (Late Art Editor of “The Bystander”) Art and Literary Agent GOOD ARTISTS IN COLOUR, FOR POSTERS, SHOWCARDS, ETC. VERY URGENTLY REQUIRED 106-108 VICTORIA STREET, S.W.1. Tel. No.: Victoria 1761-17
THE 1928 Exhibition OF Antiques AND Works of Art ORGANISED BY The Daily Telegraph WILL BE HELD AT OLYMPIA FROM Thursday, July 19th, to Wednesday, August 1st, 1928 --- Applications for space and all communications should be addressed to The Daily Telegraph (Exhibition Department), Fleet Street, London, E.C.4; or The Exhibition Manager, The Daily Telegraph Exhibition of Antiques and Works of Art, Exhibition Offices, Chesham House, Regent Street, W.1. Telephone: Regent 0838 Details and Plans will be forwarded on request AD. V
The Iveagh Bequest PICTURES beautifully reproduced in FACSIMILE COLOUR The Lute Player Vermeer The Iveagh Pictures. A collection of the most wonderful of the English, Flemish and Dutch Masters, which have never before been reproduced in facsimile colours. Vermeer’s “Lute Player,” with its exquisite colouring faithfully reproduced, the immortal portraits of Reynolds and Romney, Masterpieces from the brush of Rembrandt, Gainsborough and Rubens. Messrs. Geo. Pulman have reproduced the best of this Collection, and now offer to the public faithful copies in facsimile colours at modest cost. These unique reproductions are issued with the full approval of the Trustees, who have passed proofs of each subject. Size of Plate, approx. 12 ins. × 9½ ins. Size of Mount … 23 ins. × 16 ins. Actual prints can be seen at all high-class Art Dealers. Price 5½ each Or write for illustrated prospectus direct from the publishers GEO. PULMAN & SONS LTD FINE ART PUBLISHERS THE CRANFORD PRESS THAYER STREET, LONDON, W.1 --- AD. VI --- A list of Books of interest to the Amateur Artist, Art Student and Collector : LINOCUTS BY CLAUDE FLIGHT A Handbook of Linoleum-Cut Colour Printing. With 10 Illustrations in Colour and 18 in Black-and-White by the author and others. 10s. 6d. net. LIFE DRAWING By GEORGE B. BRIDGMAN, Instructor in Drawing and Lecturer on the Construction and Anatomy of the Human Figure to the Arts Students’ League, New York. With over 450 illustrative drawings. 15s. net. CONSTRUCTIVE ANATOMY By GEORGE B. BRIDGMAN. With over 400 illustrative drawings. “Thoroughly valuable to the student of art.” Drawing and Design. 15s. net. THE BOOK OF A HUNDRED HANDS By GEORGE B. BRIDGMAN. With over 400 illustrative drawings of hands from every conceivable angle. 15s. net. THE HUMAN FORM IN ART By ADOLPHE ARMAND BRAUN. Founder and former editor of “Drawing and Design.” Author of “The Hieroglyphic or Greek Method of Life Drawing,” etc. Fully illustrated. 15s. net. FIFTY FIGURE DRAWINGS Being over 50 drawings of the entire figure, direct from originals, in crayon, charcoal, pencil, and pen and ink. 5s. net. FIGURE SKETCHING By BERNICE OEHLER. Illustrated with over 100 drawings. Chapters including Action, Balance, Composition, Arrangement, Proportion, etc. 5s. net. ANIMAL SKETCHING By ALEXANDER CALDER. Illustrated with over 150 drawings of birds, cats, dogs, horses, lions, etc. An inspiration of self-instruction. 5s. net. ELEMENTARY FREEHAND PERSPECTIVE By DORA NORTON. Fully illustrated. 5s. net. ALPHABETS A MANUAL OF LETTER DESIGN By DOUGLAS C. MCMURTRIE. An elementary handbook, in which the best forms of letter design are shown. 5s. net. TYPE DESIGN By DOUGLAS C. MCMURTRIE. With an Introduction by FREDERICK W. GOUDY. Containing specimens of 100 modern types. A contemporary specimen book in which all present-day types are discussed. Illustrated. 5s. net. DESIGN By CHARLES H. HOWARD. Containing 25 chapters, profusely illustrated, embodying the underlying requirements of all good design. 5s. net. HOW TO DESIGN MONOGRAMS By ELIZABETH and CURTIS SPRAGUE. With illustrations and many novel suggestions. Any student can design unusual monograms and initials after studying this book. 5s. net. HOW TO DESIGN GREETING CARDS By ELIZABETH and CURTIS SPRAGUE. Illustrated. 5s. net. An invaluable handbook has just been published on PICTURES AND HOW TO CLEAN THEM, to which are added notes on things useful in restoration work. By T. R. BEAUFORT. 6s. net. All these books are obtainable at any booksellers An illustrated prospectus of any or all of these Books, together with a list of other Art Publications, will be sent gratis on request JOHN J. LANE THE BODLEY HEAD LTD -VIGO STREET, *LONDON, W.1
"THE STUDIO" LIBRARY An unequalled collection of illustrated volumes covering the whole field of art. Nowhere else can such an immense and interesting variety of illustrations be obtained. They make it possible to study and enjoy the art treasures of the world again and again at a moderate cost. To see the originals requires time and money, and the pleasure is but fleeting. To own them all is beyond even the most affluent. A selection from "The Studio" Library is given below. Complete catalogue on request. THE LIFE AND WORK OF EDGAR DEGAS. By J. B. Manson, with 72 full page illustrations and 8 colour plates, bibliography and list of principal works. A scholarly and important work on one of the greatest painters of modern times. Limited edition. Medium qto. 42s. net. THE ETCHINGS OF FRANK BRANGWYN, R.A. A Catalogue Raisonne by William Gaunt. A complete technical guide to Mr. Brangwyn's etchings accompanied by an illustration identifying each plate (over 300 illustrations). Limited edition. Medium qto. 42s. net. THE BOOK OF KELLS. Forty-nine reproductions in colour of the most beautiful and important pages and initials from the world-famous Irish manuscript, accompanied by an introduction and description by Sir Edward Sullivan, Bart. 30s. net. MODERN GARDENS. British and Foreign. By Percy S. Cane, the well-known garden designer. One hundred and eighty illustrations of beautiful gardens in all parts of the world. Wrappers 7s. 6d. Cloth 10s. 6d. FLEMISH PAINTING BEFORE THE XVIII CENTURY. By Sir Paul Lambotte. An illustrated survey of the great works of Flemish Paintings from the XIVth to the XVIIth centuries by such masters as the Van Eycks, Pieter Breughel, Rubens and Jordans. Wrappers 7s. 6d. Cloth 10s. 6d. ROME, PAST AND PRESENT. An illustrated record of the Eternal City as it appears in the masterpieces of such artists as Piranesi and Claude Loraine. Wrappers 7s. 6d. Cloth 10s. 6d. (A few copies of the companion volume, Venice Past and Present. Cloth only 10s. 6d.) DESIGN IN THE THEATRE. A representative collection of drawings of costume and stage settings by the leading theatre designers of the day. Literary contributions by Gordon Craig, Nigel Playfair, C. B. Cochran, James Laver and George Sheringham. Wrappers 7s. 6d. Cloth 10s. 6d. THE STUDIO LIMITED, 44 LEICESTER SQ., LONDON AD. VII
The Gardens of Japan By JIRO HARADA Special Spring Number of “The Studio,” 1928 The Japanese garden springs from an intense love of nature. It aims at providing in miniature a composition of landscape, just as a painter would transfer an extensive view to a canvas a few feet square. Beautiful effects can be obtained by the western garden lover who applies the principles contained in the profuse illustrations and in the study of theory and practice, specially contributed by Mr. Harada. COMPANION VOLUME: MODERN GARDENS (BRITISH & FOREIGN) By Percy S. Cane Price : In Wrappers - 7s. 6d. In Cloth - 10s. 6d. (Postage 9d. extra) Ready May 10 THE STUDIO, LTD., 44 Leicester Sq., W.C.2 AD. VIII
The Technique of PENCIL DRAWING By BOROUGH JOHNSON, S.G.A., R.B.C. With a foreword by FRANK BRANGWYN, R.A., and an introductory note by SELWYN IMAGE In his foreword, Mr. Frank Brangwyn, R.A., says: "That chalk or pencil is the master of all art is a truth that cannot be contradicted. The greatest pictures have lived more by their design than by their colour. "This book is written by an artist whose fine draughtsmanship, sincere observation and feeling for character, are too well-known to need any recommendation from me. "The high quality of his work proves him to be well able to help others by his teaching. "To artists and art students, and indeed, to all those who appreciate good drawing, his book should prove most useful." FIGURE AND LANDSCAPE DRAWING are carefully dealt with and freely illustrated, including notes on the Proportions of the Human Figure. Size 10 1/2 ins. × 8 ins., cloth gilt, with 70 Full-Page Plates of beautifully reproduced drawings. Price 21/- net. De Luxe Edition - 35/- net A PORTFOLIO of FIGURE STUDIES BY THE SAME ARTIST Containing twelve sheets, 17 ins. × 11 ins., printed in sanguine, of rapid figure studies, and one plate in colour. Price 10/6 net. Obtainable through a Bookseller or Artist's Colourman Detailed Prospectus with Specimen Plates will be sent post free on application to the Publishers Sir ISAAC PITMAN & SONS, Ltd., Parker St., Kingsway, W.C.2 LONDON, MELBOURNE, TORONTO AND NEW YORK. B. T. BATSFORD'S New and Forthcoming Books THE LEVERHULME ART MONOGRAPHS: I.—ENGLISH PAINTING OF THE 18TH, 19TH AND 20TH CENTURIES, by R. R. Tatlock, with Introduction by Roger Fry; II.—CHINESE PORCELAIN AND WEDGWOOD POTTERY, by R. L. Hanson; III.—ENGLISH FURNITURE, TAPESTRY, and NEEDLEWORK OF THE 16TH-19TH CENTURIES, by Percy Macquod, R.I. 3 Vols., sumptuously illustrated by 346 full-page plates, of which 41 are in colour, 14 in photogravure, and 291 in monochrome. 4to (13 ins. by 10 ins.), Price £15 15s. net per set. THE EDITION LIMITED TO 200 SETS. DÜRER'S DRAWINGS IN COLOUR, LINE AND WASH. A selection of 36 facsimiles of the originals preserved in the Aertins Collection at Vienna. Edited with descriptive text by Campbell Dodgson, M.A., C.B.E., Keeper of Prints and Drawings, British Museum. Large folio (23 ins. by 17 ins.), in portfolio. Price £15 net. THE EDITION LIMITED TO 100 SETS. This superb publication has been prepared in connexion with the celebration (on April 6th, 1928) of the four hundredth anniversary of the artist's death. The subjects include some of the most important and revealing examples of Albrecht Dürer's genius. The reproductions are of incomparable beauty and interest surpassing anything of the kind previously attempted, and the series should prove invaluable to Art Lovers and Students. PAUL GAUGUIN'S FAMOUS 'NOA NOA BOOK.' A Complete Facsimile of. (Published by the Marees Society). Containing reproductions of 159 pages of MS, 59 watercolours and woodcuts coloured by the artist, and 18 plain woodcuts. In large quarto size (12 1/2 ins. by 9 1/2 ins.). LIBRARY EDITION NUMBERED 1–320. Price £13 net. In view of the exceptional interest of this work and the limited edition, subscriptions should be placed immediately with Messrs. B. T. Batsford, Ltd., who are the Society's Agents for England and U.S.A. Illustrated Prospectuses and 96-page Catalogue of Books on Art, etc., will be sent free on request B. T. BATSFORD, LTD., 94 High Holborn, London AD. IX A few Opinions of this New Book "It would be difficult to praise too highly the drawings illustrated. Mr. Borough Johnson adequately explains his methods in his letterpress, which is thoroughly instructive and illuminative."—The Connoisseur "One can discover a veritable gold mine of information in the plates which accompany the text, receiving not only how Mr. Borough Johnson commences and finishes his drawings, but how he changes his method to suit both the subject and the medium."—The Apollo "The work of Mr. Borough Johnson is so versatile that it is difficult to realise that all these finely reproduced plates are due to one inspiration."—Drawing "The text is a model of succinctness; and, taken in conjunction with the wealth of illustrations, tells one all one needs. It is like having a lengthy lesson from a master draughtsman."—Arts and Crafts Monthly A HISTORY OF ARCHITECTURE on the Comparative Method. For the Student, Craftsman, and Amateur. By Sir Banister Fletcher. F.R.I.B.A. Eighth Edition, completely revised and reset in a larger type. Containing 1,000 pages, with upwards of 3,500 Illustrations, forming a panorama of the world's finest buildings from the dawn of civilization to the Twentieth Century. Large 8vo. Cloth. Price £2 2s. net. ART IN THE LIFE OF MANKIND. By Allen W. Seaby. Professor of Fine Arts, Reading University. Planned in a series of concise volumes (fully illustrated), of which the first two will shortly be published. Price 5s. net per volume. I.—The Nature, Extent and Understanding of Art and its Influence in daily life of the Present; II.—The Art of Ancient Egypt, Chaldaea, Assyria, Persia and other lands. LIFE AND WORK OF THE PEOPLE OF ENGLAND IN THE 14TH CENTURY, AND LIFE AND WORK OF THE PEOPLE OF ENGLAND IN THE 17TH CENTURY. By Dorothy Hartley and Margaret M. Elliot. Two volumes, each containing 150 illustrations from contemporary sources. Demy 8vo. Price 4s. 6d. net, boards; 5s. 6d. net, cloth. THE STYLES OF ENGLISH ARCHITECTURE. A Series of Comparative Diagrams (20 ins. by 30 ins.) for the use of Schools, Teachers, and Students. By Arthur Stratton, F.S.A., F.R.I.B.A. Part I.—The Middle Ages. (Set of 13 plates, price 13s. net, unmounted, or 32s. mounted; single plates, 1s. 4d. net each, unmounted, and 2s. 10d. mounted). With Illustrated Introductory Handbook. Price 1s. 6d. net paper, 2s. 6d. net, cloth. THE ARCHITECTURE OF ANCIENT GREECE. By W. J. Anderson and R. Phene Spiers. Revised by W. B. Dinsmoor, Professor of Architecture at the American Academy at Athens. With 200 Illustrations. Large 8vo, cloth, price 21s. net. THE ARCHITECTURE OF ANCIENT ROME. By W. J. Anderson and R. Phene Spiers. Revised by Thomas Ashby, D.Litt., F.S.A. With 200 Illustrations. Large 8vo, cloth, price 21s. net.

This issue of The Studio features articles on concrete architecture and house-building, profiles of artists like William Heaton Cooper and John Armstrong, and a continuation of a series on Bali. It also includes notes on art scenes in various cities and reviews of art-related content. The issue is dedicated to fine and applied art.