Extrait
Premières pages de l'ouvrage, en accès libre.
Page 1
ÉDITION SPÉCIALE
AVEC TRADUCTION FRANÇAISE
THE STUDIO
An Illustrated Magazine
of Fine & Applied Art
OCT. 15. 1900
VOL. 21
No. 91
5 Henrietta Street
Covent Garden
LONDON W.C
Monthly
$1/-$
BUREAU DU STUDIO
PARIS:
LIBRAIRIE OLLENDORFF
50 CHAUSSEE D’ANTIN
PRIX: 1 FRANC 50c
ABONNEMENT: 20 FRANCS
Page 2
THE STUDIO.
EDITED BY CHARLES HOLME.
Contents, October 15, 1900.
SUPPLEMENTS:—A REPRODUCTION IN COLOURS OF A PAINTING BY RALPH PEACOCK, ENTITLED "Die Falsche"; two ILLUSTRATIONS TO POEMS, BY RALPH PEACOCK; a REPRODUCTION IN COLOURS OF A DESIGN FOR A YACHTING CUP BY ALEXANDER FISHER; a REPRODUCTION IN COLOURS OF A DESIGN FOR A GARDEN BY INIGO THOMAS; A DOUBLE-PAGE DRAWING OF THE SCULPTURE GALLERY, PARIS EXHIBITION, BY PAUL RENOUARD.
RALPH PEACOCK AND HIS WORK. Twelve Illus. PAGE 3
MAORI WOOD-CARVING. Written and Illustrated by C.J. PRLETORIUS. Twelve Illustrations 15
SUGGESTIONS FOR THE IMPROVEMENT OF SPORTING CUPS AND TROPHIES.—Part III. Six Illustrations 21
GARDEN MAKING.—Part I. By EDWARD S. PRIOR. Eight Illustrations 28
LEAVES FROM THE SKETCH-BOOK OF NICO JUNGMANN. Seven Illustrations 37
ROUND THE EXHIBITION. III.—GERMAN DECORATIVE ART. By GABRIEL MOURRY. Eleven Illus. 44
STUDIO-TALK (from our own Correspondents)—LONDON. Eleven Illus. 52 | SIENA. One Illus. 63
GLASGOW. Nine Illus. 55 | KIEL. Five Illus. 64
LIVERPOOL. Two Illus. 59 | STRASBOURG. One Illus. 67
FLORENCE. One Illus. 60 | BRUSSELS. Two Illus. 67
REVIEWS 68
AWARDS IN "THE STUDIO" PRIZE COMPETITIONS. Forty-two Illustrations 68
THE LAY FIGURE 74
NOTICE TO CONTRIBUTORS.
The Editor of The Studio cannot under any circumstances hold himself responsible for the return of manuscripts, sketches, &c., submitted to him. He will, however, always be glad to consider articles and drawings, and every effort will be made to return those not accepted, provided that sufficient postage stamps for the purpose are enclosed with them.
IT IS EXTREMELY IMPORTANT THAT THE NAME AND ADDRESS OF THE SENDER SHOULD BE LEGIBLY WRITTEN UPON EVERY DRAWING, PHOTOGRAPH, AND MANUSCRIPT SUBMITTED.
All Contributions should be addressed, "The Editor," Offices of The Studio, 5 Henrietta Street, Covent Garden, London, W.C.
PARIS EXHIBITION, 1900.
JEFFREY & CO.
Have received the HIGHEST AWARDS,
TWO GOLD, ONE SILVER, AND ONE BRONZE MEDAL For their High-class Decorations.
FACTORY: 64, ESSEX ROAD, ISLINGTON, LONDON, N. (Near Agricultural Hall.)
THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS.
TO ADVERTISERS.
New Advertisements and Alterations in Current Announcements should reach the Advertising Manager of THE STUDIO not later than the last day of the month prior to publication. If proofs have to be submitted, instructions should be given a few days earlier.
The charge for announcements in the "Studios to Let" and "Miscellaneous" columns is Five Shillings for 32 words, about four lines.
Page 3
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES.
ANTWERP BLUE
BURNT SIENNA
BURNT UMBER
CHROME No. 1 (LEMON)
CHROME No. 2 (YELLOW)
CHROME No. 3 (ORANGE)
EMERALD GREEN
FLAKE WHITE
INDIAN RED
INDIGO
IVORY BLACK
LIGHT RED
McGUILP
PERMANENT YELLOW
PRUSSIAN BLUE
RAW SIENNA
RAW UMBER
TERRA VERT
TRANSPARENT GOLD
OCHRE
VANDYKE BROWN
YELLOW OCHRE
ARTISTS’ PRICE
9d. Each Net,
Containing 4 times the quantity of the ordinary tube.
CHROME No. 4 (ORANGE DEEP)
NAPLES YELLOW No. 1
ARTISTS’ PRICE, 1/- EACH NET, containing 7 times the quantity of the ordinary tube.
CRIMSON LAKE
FRENCH ULTRAMARINE
PERMANENT BLUE
ARTISTS’ PRICE, 1/6 EACH NET, containing 10 times the quantity of the ordinary tube.
CRIMSON ALIZARIN
MADDER BROWN
SCARLET VERMILION
VERMILION
ARTISTS’ PRICE, 2/- EACH NET, containing 10 times the quantity of the ordinary tube.
COBALT
INDIAN YELLOW
LEMON YELLOW
ROSE MADDER
VIRIDIAN or VERONESE GREEN
ARTISTS’ PRICE, 4/6 EACH NET, containing 10 times the quantity of the ordinary tube.
CADMIUM, PALE, YELLOW OR ORANGE
ARTISTS’ PRICE, 6/6 EACH NET.
These Colours are made of the Best Materials only.
Manufactured by GEORGE ROWNEY & CO., 64 Oxford Street, London, W.
And may be obtained from the Principal Dealers in Artists’ Materials throughout the Kingdom.
The “STUDIO” Size.
---
“ART, AND HOW TO STUDY IT.”
By J. W. TOPHAM VINALL, A.R.C.A.,
ART MASTERS’ SOCIETY,
ART SPECIALIST TO THE LONDON SCHOOL BOARD.
This work treats very comprehensively of the whole organization of Art Education throughout the country, and should be in the hands of all Teachers and those about to take up Art.
CLOTH . . . - 2s. 6d.
STIFF PAPER - 1s. 6d.
REEVES & SONS, LTD.
OF ALL AGENTS AND DEALERS.
---
For Longhand, Shorthand, Pen-and-Ink Drawing, Music-Writing, indeed, whenever a Pen is necessary, use only the “SWAN.”
SWAN
FOUNTAIN PENS
3 Sizes.
10/6, 16/6, 25/-
up to 20s.
Post Free.
One filling.
Lasts for days?
“One Pen.
Lasts for Years!!”
TO BE HAD OF ALL STATIONERS.
Complete Illustrated Catalogue sent post free on application.
You need only send Steel Pen and Handwriting when ordering.
MABIE, TODD, & BARD,
93 CHEAPSIDE, E.C. ; 95a Regent Street, W., LONDON. 3 Exchange Street, MANCHESTER. Brentano’s, 37 Avenue de l’Opéra, PARIS.
AD. I
---
ACTUAL SIZE OF TUBE.
ROWNEY & CO.
CEO ROWNEY & CO.
TREBLE FL. WHITE
Blanc de Plomb Triple
US Colourmen and Pencil
LONDON, W., ENGLAND
Page 4
THE STUDIO INTERNATIONAL COMPETITIONS.
Preliminary Announcement.
In order to make the STUDIO competitions still more useful and practical, the Editor has decided to introduce a New Series, which it is hoped will not only be of great advantage to competitors, but will also help to encourage the production of articles to which the appellation of “artistic” may be applied with all justice. This New Series has for its main object the encouragement of the designer who is also the craftsman. The highest artistic decorative work can only be produced when the designer and worker are one and the same person, and it is desirable that the fullest encouragement shall be given to those who combine in themselves the necessary qualifications. In pursuance of this idea, first, second and third prize medals will be awarded by the Editor of THE STUDIO in each of the following classes of design and workmanship:—
1. Gold and Silver Jewellery, with or without precious stones or enamel.
2. Silver Plate.
3. Brass and Copper Repoussé and Chased Work.
4. Wrought Iron Work.
5. Furniture, plain, or decorated by inlay, carving or other methods.
6. Carved Wood Panelling.
7. Stained Glass.
8. Gesso Work.
9. Woven Fabrics.
10. Embroidered and Worked Fabrics.
11. Stencilled Work.
12. Mosaic.
13. Bookbinding.
14. Enamelling.
15. Pottery Painting.
16. Illumination.
17. Wood Engraving.
18. Medallions.
19. Statuettes in clay, ivory, marble or bronze, not over 18 inches high.
20. Door-knockers and other fittings in cast-bronze.
In all cases more than one object may be submitted by each exhibitor.
The objects intended for competition in all these various sections must be delivered in London in the spring of 1901 (date and other particulars will be announced in a later number of THE STUDIO).
The articles for which medals are awarded, and a selection of other objects submitted, will be exhibited at one of the London Galleries (date and particulars to be specified later), to which the public and the Press will be invited.
---
THE FOLLOWING SUBJECTS ARE THE FIRST OF A NEW SERIES OF THE ORDINARY MONTHLY COMPETITIONS AND ARE IN NO WAY CONNECTED WITH THOSE REFERRED TO IN THE ANNOUNCEMENT ABOVE.
Closes Nov. I
A. LIV. DESIGN FOR A PORCELAIN BREAKFAST CUP AND SAUCER.
(Particulars appeared in the September Number.)
NEW SERIES OF ORDINARY MONTHLY COMPETITIONS
CLASS A. DECORATIVE ART.
Closes Dec. I
A. I. DESIGN FOR A METAL CIGARETTE BOX.
The Cigarette Box to be for use on a dining-room table. The designs to be made suitable for carrying out in silver, copper, or steel, with or without ornaments of enamel or inlaid stones.
Drawings to be made in pen-and-ink, monochrome wash, or in colours.
FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas.
Drawings, packed flat, to be received at the London office of THE STUDIO by December 1.
B. LIV. DESIGN ILLUSTRATING A POEM.
(Particulars appeared in the September Number.)
NEW SERIES OF ORDINARY MONTHLY COMPETITIONS
CLASS B. PEN AND INK WORK.
Closes Nov. I
B. I. DECORATED PAGE.
Closes Dec. I
The page, which must not exceed in size a page of THE STUDIO, to consist of ornament and lettering. No colours to be introduced. The subject of the lettering is left to the option of the competitor.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings, packed flat, to be received at the London office of THE STUDIO by December 1.
D. XXXVIII. STUDY OF REFLECTIONS.
NEW SERIES OF ORDINARY MONTHLY COMPETITIONS
CLASS C. PHOTOGRAPHS FROM NATURE.
C. I. ARTISTIC INTERIOR (DOMESTIC).
All photographs should be sent in mounted upon firm cards, without margin.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Photographs to be received at the London office of THE STUDIO by December 1.
See also Competition announced on p. advt. XXIV.
NOTE.—Competitors should be careful to avoid placing their pseudonyms and written descriptions in too close proximity to the designs sent in for competition.
Closes Nov. I
Closes Dec. I
---
A PARISIAN STUDIO IN LONDON.
GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE.
DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION.
Black and White Drawings for Reproduction. Summer Sketching Class.
Special Class for Modelling in Clay … … … Mr. CONRAD BÜHRER.
GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W.
AD. II
{The Studio is five minutes’ walk from Vauxhall and five minutes’ tram from Victoria Station.}
Page 5
The "Rational" (Patent)
Fire-Place
The Economical Combustion of fuel effected by the “Rational” Fire-Place is now of greater value than ever, owing to the increased cost of coal.
These Fire-Places are also being extensively used with great success in burning peat or wood.
Joshua W. Taylor, Ltd.
Bradford Street,
BOLTON, LANCs. Illustrated list on London Office and Showroom:— 5 VICTORIA ST., WESTMINSTER, LONDON, S.W. application.
A.SANDERSON & SONS.
WORKS~CHISWICK.
NEAREST RAILWAY STATION-TURNHAM GREEN.
DESIGNS·FOR·WALL·PAPERS SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK.
Longden & Co.
London Office
447 Oxford Street
W.
Works
Phoenix Foundry
Sheffield
Makers of
Grates
Fenders
Fireirons
Wrought-Iron Work
Ornamental Brass and Bronze Work
AD. III
Page 6
EXHIBITIONS
NOW OPEN
Paris International Exhibition. (Dicksee & Co.)
York Fine Art Inst. (Bourlet & Sons.)
Royal Birmingham Soc. of Artists. (Bourlet & Sons.)
Brussels Exp. Générale des Beaux Arts. (Dicksee & Co.)
Manchester City Art Gallery (Autumn Exhibition). (Dicksee & Co.)
Liverpool Walker Art Gallery. (Dicksee & Co.)
Worcester Victoria Inst. (Bourlet & Sons.)
Nottingham City Art Gallery.
Stirling Fine Art Assoc. (Bourlet & Sons.)
Pittsburgh: Carnegie Art Galleries. (Dicksee & Co.)
The Holland Fine Art Gallery, 14 Grafton Street, Bond Street, W. Modern Dutch Pictures. (See advt.)
Munich International Exhibition. (Dicksee & Co.)
Sheffield Howard Gallery. (Bourlet & Sons.)
Exhibition of Art Embroideries. (John Harris & Sons, Ltd., 25 Old Bond Street, W.)
Crystal Palace, Sydenham. (Bourlet & Sons.)
FORTHCOMING
Derby Corporation Autumn. (Bourlet & Sons.)
Bristol and Clifton Arts and Crafts Soc. (O.D. Oct. 27.)
Aberdeen Artists' Soc. (Dicksee & Co.)
New English Art Club. (R.D. Nov. 5.)
Soc. of Portrait Painters. (R.D. Nov. 5.)
Royal Soc. of British Artists. (O.D. Oct. 29.)
Bristol Academy.
Brighton, Oil Colours. (Bourlet & Sons. R.D. Oct. 13.)
THE HOLLAND FINE ART GALLERY
14 GRAFTON STREET BOND STREET, W.
(late of 235a Regent Street, W.)
AUTUMN EXHIBITION
WORKS BY
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WM. MARIS
J. H. WEISSENBRUCH NEUHUYS DE BOCK POGGENBEEK AND OTHERS
APPLY FOR PARTICULARS OF BOSBOOM PORTFOLIO CONTAINING 24 COLLOTYPE REPRODUCTIONS AT 30/- NET
WINSOR & NEWTON'S "SPECIAL OIL COLOURS"
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A Selected Palette of 24 Colours, stiffly ground in Inspissated Oils.
RAW SIENNA
RAW UMBER
BURNT SIENNA
BURNT UMBER
YELLOW OCHRE
LIGHT RED
TERRE VERTE
PRUSSIAN BLUE
FLAKE WHITE
IVORY BLACK
6d. each.
NAPLES YELLOW
VERONA BROWN
8d. each.
CAPACITY SAME AS THAT OF
SIZE OF TUBE.
AN ORDINARY 4-IN. TUBE.
BROWN MADDER
ALIZARIN CRIMSON
VERMILION
FRENCH BLUE
COBALT BLUE
COBALT GREEN
VIRIDIAN
OXIDE OF CHROMIUM
LEMON YELLOW
ROSE MADDER
CADMIUM YELLOW
AURORA YELLOW
1/3 each.
2/6 each.
3/9 each.
5/- each.
Mr. G. F. WATTS, who has painted with these Colours for the last 3 or 4 years, writes as follows:
"The Colours ground specially for me have most admirable qualities, far beyond any others I have used. With them Reynolds would have been able to produce all the solid and splendid effects, in many of which his work stands quite alone, without the use of wax (which undoubtedly he did employ) and without the disastrous consequences from which few of his pictures have escaped. I believe, in competent hands, the noblest effects might be produced with these Special Colours, with the certainty of safety."
For further particulars see Descriptive Circular, which will be sent post free on application.
WINSOR & NEWTON, Ltd., Rathbone Place, LONDON, W.
AD. IV
Page 7
James Bourlet & Sons,
17 & 18 NASSAU STREET
11 & 12 UNION MEWS, LONDON, W.
Fine Art Packers and Exhibition Agents.
ESTABLISHED 50 YEARS.
Agents for the following Exhibitions:
Royal Society of Artists, Birmingham.
Royal Pavilion, Brighton.
Corporation Art Gallery, Derby.
Corporation Art Gallery, Dudley.
Albert Institute, Dundee.
Dublin Art Club.
Arts and Crafts, Dublin.
Royal Institute of the Fine Arts, Glasgow.
Storey Institute, Lancaster.
Corporation Art Gallery, Oldham.
Mappin Art Gallery, Sheffield.
Sheffield Art Society, Sheffield.
Fine Art Exhibition, Wolverhampton.
City Art Gallery, York.
Arts and Crafts, Evesham.
Corporation Exhibition, Victoria Institute, Worcester.
Royal Academy of Arts.
Royal Society of British Artists.
The Grafton Galleries.
Lady Artists.
New English Art Club.
Southwark and Lambeth Loan Exhibition.
Arts and Crafts, London.
Slade School, University College.
Hogarth Club.
Alpine Club.
Old and New Salons, Paris.
Architectural Exhib. T Square Club, Philadelphia, U.S.A.
Telegraphic Address: "TITIAN, LONDON."
Telephone No. 1871 Gerrard.
PICTURE FRAMING IN ALL ITS BRANCHES.
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Danish House, 294 Regent Street, London, W.
AD. V
Page 8
'SELECTED PUBLICATIONS OF
The AUTOTYPE CO.,
74 NEW OXFORD ST., LONDON, W.C.1
PERMANENT PHOTOGRAPHIC REPRODUCTIONS
OF FAMOUS WORKS OF ART
By the Autotype (Carbon) Process.
ROYAL PICTURE GALLERY, DRESDEN.
A New Series of Reproductions of the best-known
Masterpieces in the Renowned Collection.
THE NATIONAL GALLERY, LONDON.
The chief Works of the British and Foreign Schools.
SIR EDWARD BURNE-JONES, G. F. WATTS, R.A.,
D. G. ROSSETTI.
A large Collection of Autotypes of Works by these
Masters, including numerous examples recently exhibited
at the New Gallery, London.
ETCHINGS BY REMBRANDT.
Fac-simile Copies from the Series now on Exhibition in
the Department of Prints and Drawings of the British
Museum.
Prospectuses of each Issue Post Free.
A VISIT OF INSPECTION IS INVITED TO
THE AUTOTYPE FINE ART GALLERY,
74 New Oxford Street, London.
Wanted to Purchase.
COLOURED DRAWINGS
OF
PLACES, BUILDINGS, AND SCENES
IN
India, Burmah, Afghanistan and
South Africa.
Address—
“Nicholas,” care of THE STUDIO Office,
5 Henrietta Street, Covent Garden, LONDON.
HIGH-
CLASS BOOKBINDING.
JOHN FAZAKERLEY,
40, PARADISE STREET,
LIVERPOOL
VALUABLE BOOKS, and Books with Plates,
carefully Bound in the finest Morocco or other leather,
made to open well, and finished in any style
BOOKS Bound, and Miscellaneous Articles made up, in
Embossed Leather, Embroidery, &c.
EMBOSSED LEATHER WORK.
AD. VI
CHAPMAN & HALL’S
Art Publications
FOR ARTISTS AND STUDENTS.
Elementary Design. Being a Theoretical and Practical Introduction in the Art of Decoration. By RICHARD G. HATTON. With 110 Illustrations. Second Edition. Crown 8vo, 2s. 6d.
Figure Drawing and Composition. Being a number of Hints for the Student and Designer upon the Treatment of the Human Figure. By RICHARD G. HATTON. With 500 Diagrams. Crown 8vo, 9s.
Decorative Design. An Elementary Text-Book of Principle and Practice. By FRANK G. JACKSON. Fully Illustrated. Third Edition. Large Crown 8vo, 7s. 6d.
The Theory and Practice of Design. An Advanced Text-Book on Decorative Art. Being a sequel to the Author’s “Lessons on Decorative Design.” By FRANK G. JACKSON. With 700 Illustrations. Large crown 8vo, 9s.
Harbutt’s Plastic Method. And the Use of Plasticine in the Arts of Writing, Drawing, and Modelling in Educational Work. By WILLIAM HARBUTT. With 56 Illustrations. Crown 4to, 4s.
The ABC of Drawing and Design. By F. G. JACKSON, Author of “The Theory and Practice of Design,” and “Decorative Design.” With numerous Illustrations. 2s. 6d. net. These Illustrations, with additional Exercises, have also been prepared on stout cards. To correspond with Part I.—Set I., 30 Cards, 2s.; Set II., 30 Cards, 2s.
Elementary Art Teaching. An Educational and Technical Guide for Teachers and Learners, including Infant School Work; The Work of the Standards; Freehand; Geometry; Model Drawing; Nature Drawing; Colours; Light and Shade; Modelling and Design. By E. R. TAYLOR, Birmingham Municipal School of Art. With over 600 Diagrams and Illustrations. Second Edition. Imperial 8vo, 6s.
Studies in Plant Form and Design. By W. MIDDLEY and A. E. V. LILLEY. With numerous Illustrations. Second Edition. Demy 8vo, 4s.
The New Education: Woodwork. A Text-Book of Manual Instruction, with descriptive lessons on Wood, Tools, and Benchwork. By RICHARD WAKE. With 260 Illustrations, many from Photographs, taken exclusively for this Work. Demy 8vo 10s. net. Also issued in Three Parts, each 3s. 6d. net.
The Principles of Ornament. By JAMES WARD, Head Master of the Maclesfield School of Art. Edited by GEORGE AITCHISON, A.R.A., Professor of Architecture at the Royal Academy of Arts. Fully Illustrated. Crown 8vo, 7s. 6d.
Historic Ornament. A Treatise on Decorative Art and Architectural Ornament. By J. WARD.
VOLUME I. Prehistoric Art; Ancient Art and Architecture; Eastern, Early Christian, Byzantine, Saracenic, Romanesque, Gothic, and Renaissance Architecture and Ornament. With 436 Illustrations. Demy 8vo, 7s. 6d.
VOLUME II. Pottery, Enamels, Ivories, Metal-work, Furniture, Textile Fabrics, Mosaics, Glass and Book Decoration. With 317 Illustrations. Demy 8vo, 7s. 6d.
Elementary Principles of Ornament. By J. WARD. Fully Illustrated. 8vo, 5s.
The Characteristics of Styles. An Introduction to the Study of the History of Ornamental Art. By R. N. WORNUM. New Edition. Fully Illustrated. Royal 8vo, 8s.
PLASTICINE.
A NEW MODELLING MATERIAL FOR ARTISTS, SCHOOLS, ARTS AND CRAFTS, AND HOME USE.
Admirably adapted for Modelling, Kindergarten, Hand and Eye Training. Suitable occupations in Standards I., II., and III., for illustrating Lessons in Geography, Solid Geometry, &c.
1s. 4d. per lb.
PLASTER CASTS.
A New Series of Plaster Casts taken from originals, and from Art Museums. A Catalogue containing 360 Photographic Illustrations, with prices, 1s. net.
LONDON: CHAPMAN & HALL, LTD.
Page 9
Indispensable Books for all Art Students
Published by B. T. BATSFORD, and offered by him Post Free at the CASH DISCOUNT PRICES quoted.
MR. LEWIS F. DAY'S TEXT BOOKS.
ALPHABETS OLD AND NEW. Containing 150 complete Alphabets, 30 series of Numerals, &c., &c. Price 3s. 6d.
ART IN NEEDLEWORK, a Book about Embroidery. Containing 80 Plates from photographs, and 45 Diagrams of stitches; also Samplers, giving front and back views, historic examples, &c. Price 5s.
NATURE IN ORNAMENT. With 123 Full-page Plates and 192 Illustrations. Price 10s.
ANATOMY OF PATTERN. With 41 Full-page Plates. Price 3s.
PLANNING OF ORNAMENT. With 41 Full-page Plates. Price 3s.
APPLICATION OF ORNAMENT. With 48 Full-page Plates. Price 3s.
ORNAMENTAL DESIGN. Forming the three above Books bound in one Volume. Price 8s. 6d.
A HANDBOOK OF ORNAMENT. By F. S. MEYER. Revised by HUGH STANNUS. With 3,000 Illustrations on 300 Plates, and forming, as the Studio reviewer has said, "A library, a museum, an encyclopaedia, and an art school in one." Price 10s.
HISTORIC STYLES OF ORNAMENT. By H. DOLMETSCH. 100 Plates, mostly in gold and colours, containing 1,500 examples. Price 25s.
HISTORIC ORNAMENT, A Manual of. By R. G. GLAZIER. Containing 500 Illustrations specially selected for students. Price 5s.
DICTIONARY OF WORDS USED IN ART AND ARCHAEOLOGY. By J. H. MOLLETT. With 700 Illustrations. Forming the most complete dictionary of terms in art published. Published at 15s., and a few copies offered for 6s. 6d.
FURNITURE DESIGNING AND DRAUGHTING. By A. C. NYE. Being a long-wanted practical manual on the preparation of working drawings of furniture. Price 10s.
JAPANESE DESIGN BOOKS. Containing hundreds of Designs. 2 volumes, each 2s.
JAPANESE BIRD AND FLOWER STUDIES. By BAIREI KONO. 3 Volumes, in native binding, containing over 100 tinted artistic Drawings. Price 10s.
PROFESSOR SEDER'S SKETCH BOOK OF ARTISTIC OBJECTS IN POTTERY, GLASS AND METAL. With an Introduction by LEWIS F. DAY. Containing 750 novel Designs on 45 Plates. Price 21s.
BATSFORD'S ART PRIZE LIST for 1900 is just Published, and will be sent Post Free on application.
B. T. BATSFORD, Art Bookseller and Publisher, 94 HIGH HOLBORN, LONDON.
THE POCKET DIMINISHING GLASS
Is for the use of Artists, that they may be enabled to estimate the changes produced in a Drawing when reduced in size. It is indispensable to all who are employed in the Illustration of Books and Magazines.
THE ABOVE IS ALSO MADE WITH A SILVERED MIRROR, FOR USE IN CONJUNCTION WITH THE DIMINISHING LENS, ALSO A CLAUDE LORRAINE GLASS. IT THUS CONTAINS THREE GLASSES IN CASE UNIFORM IN SIZE WITH ABOVE, BUT A LITTLE THICKER.
SEE "STUDIO," VOL. II., PAGE 182.
CARPENTER & WESTLEY, OPTICIANS, 24 REGENT ST., LONDON, S.W.
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New Illustrated Catalogue of Embroideries, Patterns and Prices on Application.
AD. VII
Page 10
MESSRS. BELL’S NEW BOOKS.
Illustrated Prospectuses will be sent on application.
Crown folio, with binding designed by Laurence Housman, £5 5s. net.
ANTHONY VAN DYCK: An Historical Study of his Life and Works. By LIONEL CUST, F.S.A., Director of National Portrait Gallery, London. With Sixty-one Photogravure Plates and Twenty Collotype and other Reproductions from Drawings. Printed on English Hand-made Paper at the Chiswick Press. [Ready.]
Foolscap folio, 500 copies only printed, price £2 2s. net.
SANDRO BOTTICELLI. By COUNT PLUNKETT. With Twenty Photogravure Plates and Twenty-eight Half-Tone Reproductions, including (with a few inaccessible exceptions) all the known Works of Botticelli. Finely printed on Antique-laid Paper. [Ready.]
Small 4to, 12. 6d. net.
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AD. VIII
Page 11
HEAL & SON'S
Decorative Bedroom Furniture
Oak Inlaid with Ebony and Pewter.
A FREE COPY OF
"Simple Bedroom Furniture," illustrated by Woodcuts from Original Designs by Heal & Son, with an Essay by the late Gleeson White on Simplicity of Design in Furniture for Bedrooms
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AD. IX