First pages of the volume, freely accessible.
ÉDITION SPÉCIALE AVEC TRADUCTION FRANÇAISE THE · STUDIO An Illustrated Magazine of Fine & Applied Art NOV. 15 '99 VOL. 18 No. 80 5 Henrietta Street Covent Garden LONDON W.C BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF 50 CHAUSSÉE D’ANTIN PRIX: 1 FRANC 50c ARONNEMENT: 20 FRANCS Monthly $\frac{S}{1/-}$
THE STUDIO. EDITED BY CHARLES HOLME. Contents, November 15, 1899. SUPPLEMENTS.—Reproduction in Colours of a Study in Oils for the Painting "Levite d'Ephraim" by JEAN JACQUES HENNER; a Tinted Reproduction of the Oil Painting entitled "La Madeleine," by JEAN JACQUES HENNER; a Tinted Reproduction of the Portrait of E. A. Waterlow, Esq., A.R.A., by SIR LAURENCE ALMA TADEMA, R.A.; and a Reproduction in Colours of a Water-Colour Study by G. J. PINWELL. PAGE THE WORK OF JEAN JACQUES HENNER. By FREDERIC LEES. Eight Illustrations . . . 77 LEAVES FROM THE SKETCH-BOOK OF FRANK L. EMANUEL. Six Illustrations . . . 83 ARTISTS' TREASURES. No. I. MR. E. A. WATERLOW'S COLLECTION. By A. L. BALDRY. Twelve Illustrations . . . 91 BRITISH DECORATIVE ART IN 1899, AND THE ARTS AND CRAFTS EXHIBITION. Part II. Thirty-seven Illustrations . . . 104 STUDIO-TALK. (From our own Correspondents): LONDON. Three Illus. . . 131 BERNIL . . . 140 LIVERPOOL. Three Illus. . 134 STOCKHOLM. Two Illus. . 141 BIRMINGHAM. One Illus. . 134 BRUSSELS . . . 143 PARIS. One Illus. . . 138 MILAN . . . 143 VIENNA. Five Illus. . . 140 REVIEWS OF RECENT PUBLICATIONS . . . 144 AWARDS IN "THE STUDIO" PRIZE COMPETITIONS 145 THE LAY FIGURE . . . 146 R. & CO.'S NEW Japanese Leathers AND PATENT Tapestry Leathers for 1899. SOLE AGENTS FOR THE "SARRAS" Embossed LACE HANGINGS The most up-to-date Novelty. SPECIAL MAKES OF Cheviot Ingrains, Plain Flocks, AND Woven Materials. THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS: JEFFREY & CO'S To BE VIAD OF ALL DEORATOR'S FREE FROM ARSENIC FACTORY & SHOW ROOMS 64 ESSEX ROAD ARTISTIC WALL PAPERS SPECIAL DESIGNS BY Walter Crane, Lewis F. Day, Heywood Sumner, etc. THE BOOKS OF NEW PATTERNS CONTAIN WALL PAPERS OF ALL CLASSES Suited for the Entire Decoration of a House, AND ARE NOW BEING EXHIBITED AT JEFFREY & CO.'S NEW SHOW ROOMS AT FACTORY, 64 ESSEX ROAD, ISLINGTON, LONDON, N. (Near Agricultural Hall). TO ADVERTISERS. The length of time required for the production of THE STUDIO each month increases with the circulation, and the Advertisement Manager respectfully requests that in future all New Advertisements and Alterations in Current Announcements should reach him not later than the last day of the month previous to publication. If proofs are required to be submitted, two or three days longer should be allowed. R. & CO.'S PRIVATE SERIES IN TYNECASTLE, CORDELOVA, SALAMANDER, LINCRUSTA, ANAGLYPTA, AND LIGNOMUR. FRIEZES, CEILINGS, AND DADOS. R. & CO.'S HAND-PAINTED (STENCIL PROCESS) DECORATIONS, FRIEZES AND FILLINGS &c. Rottmann's Modern Wall Decorations 25 & 26 GARLICK HILL BEHIND MANSION HOUSE STATION, LONDON, E.C. MAKERS OF JAPANESE CANVAS LEATHERS
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ANTWERP BLUE LIGHT RED BURNT SIENNA McGUILP BURNT UMBER PERMANENT YELLOW CHROME No. 1 (LEMON) PRUSSIAN BLUE CHROME No. 2 (YELLOW) RAW SIENNA CHROME No. 3 (ORANGE) RAW UMBER EMERALD GREEN TERRA VERT FLAKE WHITE TRANSPARENT GOLD INDIAN RED OCHRE INDIGO VANDYKE BROWN IVORY BLACK YELLOW OCHRE ARTISTS' PRICE 9d. Each Net. Containing 4 times the quantity of the ordinary tube. CHROME No. 4 (ORANGE) NAPLES YELLOW No. 1 DEEP ARTISTS' PRICE, 1/- EACH NET, containing 7 times the quantity of the ordinary tube. CRIMSON LAKE PERMANENT BLUE FRENCH ULTRAMARINE ARTISTS' PRICE, 1/6 EACH NET, containing 10 times the quantity of the ordinary tube. CRIMSON ALIZARIN SCARLET VERMILION MADDER BROWN VERMILION ARTISTS' PRICE, 2/- EACH NET, containing 10 times the quantity of the ordinary tube. COBALT ROSE Madder INDIAN YELLOW VIRIDIAN or VERONESE LEMON YELLOW GREEN ARTISTS' PRICE, 4/6 EACH NET, containing 10 times the quantity of the ordinary tube. CADMIUM, PALE, YELLOW OR ORANGE ARTISTS' PRICE, 6/6 EACH NET. These Colours are made of the Best Materials only, and are Ground finer than any other Makers. Manufactured by GEORGE ROWNEY & CO., 64 Oxford Street, London, W. And may be obtained from the Principal Dealers in Artists' Materials throughout the Kingdom. The "STUDIO" Size. ROWNEY & C9 ACTUAL SIZE OF TUBE A MUSIC OR PRINT CABINET DESIGNED BY HENRY T. WYSE 'Studio' Silver Medallist 1898 SPECIFICATION of Cabinet — Extreme height 45 ins., width 25 1/2 ins., entirely of hand workmanship, made of solid oak, and finished in black, dull polish. Two shelves, relief decorative panel in blue, green and gold; brass mounts; price, inclusive of packing, 65/- Cheques should be crossed 'North of Scotland Bank' WILLIAM MIDDLETON CABINET MAKER ARBROATH N.B. SOLE AGENTS, TONKS LTD. HOOKHAM'S PATENT PIANO PICTURE WIRE THE GREATEST COMBINATION OF STRENGTH WITH NEATNESS 600000 PICTURES HUNG WITH THIS LINE IN 1897 REGISTERED WIRE NIPPERS PLATED 3/4 IN STEEL 2/4" TO BE HAD OF ALL IRONMONGERS AD. I
THE STUDIO INTERNATIONAL PRIZE COMPETITIONS REVISED RULES (1) All subscribers to THE STUDIO are eligible to compete. (2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings for competition must be legibly signed with pseudonym only. The Coupon, page AD. XIX, with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. (5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term “sufficient postage” has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated. (6) All designs must be sent in packed flat, unless specially excepted in certain competitions. (7) All designs and correspondence thereon to be addressed THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C., and marked “Prize Competitions,” with the number of the Competition, “A xix,” “B xii,” “C xi,” &c., on the outside of the package, or letter referring to it. (8) An infringement of any of the above Rules will disqualify a Competitor. --- CLASS A. INDUSTRIAL DESIGNS. Closes Dec. 1. A. XLIII. DESIGN FOR A BISCUIT BOX. (Particulars appeared in the October Number.) Closes Jan. 1. A. XLIV. DESIGN FOR THE COVER OF A NEW YEAR’S CARD OR CALENDAR: The designs must be suitable for and suggestive of the commencement of the New Century (Jan. 1, 1901). Drawings to be carried out in pen and ink on white cardboard, or in monochrome wash on drawing-paper. The size of the drawings is left to the option of the competitors. FIRST PRIZE: Three Guineas; SECOND PRIZE: One Guinea. The Editor reserves for the donor of the prizes the right of purchasing any of the unsuccessful designs at half-a-guinea each. Drawings, packed flat, to be received at the London office of THE STUDIO by Jan. 1, 1900. --- CLASS B. DRAWINGS FOR BOOK ILLUSTRATIONS, ETC. Closes Dec. 1. B. XLII. DESIGN FOR AN ORNAMENTAL CHAPTER HEADING. (Particulars appeared in the October Number.) B. XLIII. ILLUSTRATION FOR “PARADISE LOST.” Drawings to be made in pen and ink on white cardboard, or in monochrome wash on drawing-paper. Size not to exceed a page of THE STUDIO. The passage to be illustrated is the following from “Paradise Lost,” Book I.: > “Anon out of the earth a fabric huge > Rose like an exhalation, with the sound > Of dulcet symphonies and voices sweet, > Built like a temple, where pilasters round > Were set, and Doric pillars overlaid > With golden architrave; nor did there want > Cornice or frieze with bossy sculptures graven; > The roof was fretted gold . . .” Competitors are advised to carefully study the context. The above lines may be embodied in the design or may be entirely omitted from it at the option of the competitor. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by Jan. 1, 1900. --- CLASS D. PHOTOGRAPHS FROM NATURE. D. XXVII. AN OLD BUILDING. D. XXVIII. PICTURESQUE STREET VIEW. All photographs should be sent in mounted upon firm card, without margin. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by Jan. 1, 1900. Closes Dec. 1. Closes Jan. 1. --- A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION. Black and White Drawing for Reproduction. Summer Sketching Class. In the “Gilbert” Metropolitan Art Schools Competition, November 1898, the GROSVENOR STUDIO received the following awards:—1st Prize for Figure; 2nd Prize for Design; Hon. Mention for Landscape. GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. {The Studio is five minutes’ walk from Vauxhall and five minutes’ tram from Victoria Station.} AD. II
NOW ON VIEW. The Holland Fine Art Gallery, 235A REGENT ST. LONDON AUTUMN EXHIBITION OF A COLLECTION OF PAINTINGS BY Sir Laurence Alma-Tadema, R.A. The late James Maris, Wm. Maris, Bosboom, Breitner, Tholen, Kever, Weissenbruch, Witsen, and Others. A.SANDERSON & SONS. WORKS CHISWICK. NEAREST RAILWAY STATION TURNHAM GREEN. DESIGNS FOR WALL PAPERS SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK. Longden & Co. London Office 447 Oxford Street W. Works Phoenix Foundry Sheffield Makers of Grates Fenders Fireirons Wrought-Iron Work Ornamental Brass and Bronze Work AD. III
EXHIBITIONS NOW OPEN The Arts and Crafts, New Gallery, Regent Street, W. New English Art Club. Derby. (Bourlet & Sons.) Royal Society of British Artists. Dudley Art Gallery. (Bourlet & Sons.) L'Art Nouveau, Grafton Galleries, Grafton Street, W. Danish Ceramic Art, Danish House, 294 Regent St. W. Jno. Wilson's Successors, Ltd., 159 New Bond St., W. Artistic Damasks and Curtains. Exhibition of Art Embroideries, John Harris & Sons, Ltd., 25 Old Bond Street, W. Liverpool Walker Art Gallery. (Dicksee & Co.) Birmingham Royal Soc. of Artists. (Bourlet & Sons.) Manchester City Art Gallery. (Dicksee & Co.) Worcester Victoria Inst. (Bourlet & Sons.) Nottingham. (Bourlet & Sons.) Brighton (Oils Only). (Bourlet & Sons.) Bristol Academy of Fine Arts. (Bourlet & Sons.) FORTHCOMING Pittsburgh Carnegie Art Gallery. (Dicksee & Co.) Dublin Arts and Crafts. (Bourlet & Sons.) Stirling Fine Art Association. (Bourlet & Sons.) Glasgow Institute of Fine Arts. (Bourlet & Sons.) Oldham Institute. (Bourlet & Sons.) R.D.—Receiving Days. O.D.—Opening Days. HAMPTON & SONS LTD. "Estimates for Furnishing throughout with Specimen Interiors in Colour" is the title of the most charming and practical little book on furnishing yet published. The series of Coloured Interiors are specially interesting and represent the last word on the tasteful furnishing of ordinary rooms. Every one who has furnishing purchases to make should not fail to secure at once a copy of this elegant and most useful little book from Hampton & Sons, who send it post free. Hampton & Sons' 4 ft. Fumed Oak Settee, with Carved Panels, upholstered in Dark Blue Ground Wool Tapestry, £9 15s. PALL MALL EAST, Trafalgar Square, S.W. NO. WILSONS' SUCCRS LTD. 159 NEW BOND STREET, W. For over 100 Years the Premier House for: ARTISTIC DAMASKS.—Designs by Walter Crane, Lewis Day, Anning Bell, &c. From 4/8 to 180/-, cloth. Catalogue with 60 Designs free. CURTAINS.—Most Tasteful in London, and excellent value; from 7/9 a pair. Illustrated Catalogue free. HANDKERCHIEFS.—Pure and Dainty in Texture; from 3/9 dozen. Finest quality Linen Cambric, Hemstitched, 11/6 a dozen. GRAPE & POMEGRANATE, WITH CHASE BORDER. By WALTER CRANE Hand Loom Double Damask Cloths from 19/- 159 NEW BOND STREET AD. IV
James Bourlet & Sons, 17 & 18 NASSAU STREET, 11 & 12 UNION MEWS, LONDON, W. Fine Art Packers and Exhibition Agents. ESTABLISHED 50 YEARS. Agents for the following Exhibitions: Royal Society of Artists, Birmingham. Royal Pavilion, Brighton. Corporation Art Gallery, Derby. Corporation Art Gallery, Dudley. Albert Institute, Dundee. Dublin Art Club. Arts and Crafts, Dublin. Royal Institute of the Fine Arts, Glasgow. Storey Institute, Lancaster. Corporation Art Gallery, Oldham. Mappin Art Gallery, Sheffield. Sheffield Art Society, Sheffield. Fine Art Exhibition, Wolverhampton. City Art Gallery, York. Arts and Crafts, Evesham. Corporation Exhibition, Victoria Institute, Worcester. Royal Academy of Arts. Royal Society of British Artists. The Grafton Galleries. Lady Artists. New English Art Club. Southwark and Lambeth Loan Exhibition. Arts and Crafts, London. Slade School, University College. Hogarth Club. Alpine Club. Old and New Salons, Paris. Architectural Exhib. T Square Club, Philadelphia, U.S.A. Telegraphic Address: "TITIAN, LONDON." Telephone No. 1871 Gerrard. PICTURE FRAMING IN ALL ITS BRANCHES. THE ROYAL COPENHAGEN PORCELAIN Danish Ceramic Art Vases Figures Plaques BY EMINENT ARTISTS SUITABLE FOR PRESENTATION PURPOSES By Appointment to B.M.B. the King of Denmark By Appointment to B.R.D. the Princess of Wales Danish House, 294 Regent Street, London, W. AD. V THE HOB BASKET GRATE, CONSTRUCTED ON SCIENTIFIC PRINCIPLES, QUAINT AND ARTISTIC IN APPEARANCE. ILLUSTRATED CATALOGUE ON APPLICATION. R. H. & J. PEARSON, Ltd. 141, 143 HIGH STREET, NOTTING HILL GATE, LONDON, W.
The Autotype Company 74 NEW OXFORD STREET, LONDON. PERMANENT PHOTOGRAPHIC COPIES OF FAMOUS WORKS OF ART BY THE AUTOTYPE (CARBON) PROCESS. The Company’s Current Publications include the following: ROYAL PICTURE GALLERY, DRESDEN. A New Series of Reproductions of the best known Masterpieces in this renowned Collection. THE NATIONAL GALLERY, LONDON. The Chief Works of the British Foreign Schools. PAINTERS OF THE FRENCH SCHOOL. Copies of important Works exhibited at the Guildhall, London, in 1898, many not hitherto reproduced SIR EDWARD BURNE-JONES, G. F. WATTS, R.A., D. G. ROSSETTI A large Collection of Autotypes of Works by these Masters including numerous Examples recently exhibited at the New Gallery, London. ETCHINGS BY REMBRANDT. Facsimile Copies from the Series now on exhibition in the Department of Prints and Drawings of the British Museum. Prospectus of each Issue post free. Full particulars of all Autotype Reproductions after Old and Modern Masters are given in THE AUTOTYPE FINE ART CATALOGUE. New Edition of 160 page-. With upwards of 100 Miniature Photographs of Notable Autotypes, and 23 Tint Block Illustrations. For convenience of Reference the Publications are arranged Alphabetically under Artists’ Names. Post Free, ONE SHILLING. A Visit of Inspection is invited to THE AUTOTYPE FINE ART GALLERY, 74 New Oxford Street, LONDON. --- NOW COMPLETE. IMPORTANT ART BOOK EDITED BY THE LATE MR. GLEESON WHITE, SOMETIME EDITOR OF “THE STUDIO.” THE MASTER PAINTERS OF BRITAIN. In Four Vols., 4to. Price 30s. net the Set. BINDING DESIGNED BY MR. WHITE. The work consists of a Collection of 164 fine Reproductions of Paintings selected to exemplify the History of British Art from Hogarth to the present day. Prominence is given to the modern and living Artists, and many pictures not generally accessible are here shown. A Descriptive Interleaf accompanies each Plate, and there are Four Historical Introductory Essays. The Reproductions by the Swan Co. have been described as triumphs of the process engraver’s art, and in all other respects the Publishers have endeavoured to produce the work in a fashion worthy of its great subject. The price is extremely moderate, so as to be within the reach of all. A Full Prospectus, giving List of Artists, on application. Edinburgh: T. C. & E. C. JACK. London: WHITTAKER & CO., Paternoster Sq., E.C. AD. VI --- MESSRS. BELL’S NEW BOOKS New List Post Free on Application. Small Colombier 8vo, £2 2s. net. THE PRE-RAPHAELITE PAINTERS. Their Associates and Successors. By PERCY H. BATE. With Seven Photogravure Plates and Eighty-four other Illustrations. Large post 8vo, 7s. 6d. net. SIR J. E. MILLAIS, BART., P.R.A. His Art and Influence. By A. LYS BALDRY. Illustrated with Eighty-nine Reproductions in Half-tone and two Photogravure Plates. --- Bell’s Handbooks of the GREAT MASTERS IN PAINTING AND SCULPTURE. Edited by G. C. WILLIAMSON, Litt.D. With Forty Illustrations in each Volume and a Photogravure Frontispiece. Post 8vo, ss. net. BERNARDINO LUINI. By GEORGE C. WILLIAMSON, Litt.D. [Ready. VELASQUEZ. By R. A M. STEVENSON. [October 1. Further Volumes at Monthly Intervals. LONDON: GEORGE BELL & SONS, YORK ST., COVENT GARDEN.
Chapman & Hall's Books on Art. HARBUTT'S PLASTIC METHOD, and the Use of Plasticine in the Arts of Writing, Drawing, and Modelling in Educational Work. By WILLIAM HARBUTT. With 56 Illustrations. Crown 4to. 4s. ELEMENTARY DESIGN. Being a Theoretical and Practical Introduction in the Art of Decoration. By RICHARD G. HATTON, Head Master, Art School, Durham College of Science, Newcastle-on-Tyne. With 110 Illustrations. Second Edition. Crown 8vo, 2s. 6d. FIGURE DRAWING AND COMPOSITION. Being a number of Hints for the Student and Designer upon the Treatment of the Human Figure. By RICHARD G. HATTON, Head Master, Art School, Durham College of Science, Newcastle-on-Tyne. With 500 Diagrams. Crown 8vo, 9s. DECORATIVE DESIGN. An Elementary Text-Book of Principles and Practice. By FRANK G. JACKSON, Lecturer on Principles of Ornament and Teacher of Technical Art Processes in the Birmingham School of Art. Fully Illustrated. Third Edition. Large Crown 8vo, 7s. 6d. THE THEORY AND PRACTICE OF DESIGN. An Advanced Text-Book on Decorative Art. Being a sequel to the Author's "Lessons on Decorative Design." By FRANK G. JACKSON, Lecturer on Principles of Ornament and Teacher of Technical Art Processes in the Birmingham School of Art. With 700 Illustration. Large crown 8vo, 9s. STUDIES IN PLANT FORM AND DESIGN. W. MIDGLEY and A. E. V. LILLEY. With numerous Illustrations. Second Edition. Demy 8vo, 4s. WOOD-CARVING. By JOS. PHILLIPS. A carefully Graduated and Educational Course of Wood-Carving, specially adapted for Schools and Technical Classes. With 13 Illustrations, 3s. 6d. 15 Full-sized Shaded Working Drawings, 5s. TEN LECTURES ON ART. By E. J. POYNTER, R.A., formerly Director of Art, Science and Art Department. Fourth Edition. Large crown 8vo, 9s. SCIOGRAPHY, OR PARALLEL AND RADIAL PROJECTION OF SHADOWS. Being a Course of Exercises for the use of Students in Architectural and Engineering Drawing, and for Candidates preparing for the Examinations in this subject and in Third Grade Perspective. By R. PRATT, Head Master, School of Science and Art, Barrow-in-Furness. With numerous Plates. Oblong 4to, 7s. 6d. WOOD-CARVING IN THEORY AND PRACTICE, as applied to Home Arts, with Notes on Design, having special application to carved wood in different styles. By F. L. SCHAUERMANN, Instructor of Wood-Carving, Modelling, and Repoussé Work, School of Art, Richmond. With 124 Illustrations. Second Edition. Imperial 8vo, 5s. ELEMENTARY ART TEACHING. An Educational and Technical Guide for Teachers and Learners, including Infant School work; The Work of the Standards; Freehand; Geometry; Model Drawing; Nature Drawing; Colours; Light and Shade; Modelling and Design. By E. R. TAYLOR, Head Master of the Birmingham Municipal School of Art. With over 600 Diagrams and Illustrations. Second Edition. Imperial 8vo, 6s. ELEMENTARY PRINCIPLES OF ORNAMENT. By JAMES WARD, Head Master of the Macclesfield School of Art. Fully Illustrated. 8vo, 5s. HISTORIC ORNAMENT. A Treatise on Decorative Art and Architectural Ornament. By JAMES WARD. VOLUME I.—Prehistoric Art; Ancient Art and Architecture; Eastern, Early Christian, Byzantine, Saracenic, Romanesque, Gothic, and Renaissance Architecture and Ornament. With 436 Illustrations. Demy 8vo, 7s. 6d. VOLUME II.—Pottery, Enamels, Ivories, Metal-Work, Furniture, Textile Fabrics, Mosaics, Glass, and Book Decoration. With 317 Illustrations. Demy 8vo, 7s. 6d. THE PRINCIPLES OF ORNAMENT. By JAMES WARD, Head Master of the Macclesfield School of Art. Edited by GEORGE ARCHISON, A.R.A., Professor of Architecture at the Royal Academy of Arts. Fully Illustrated. Crown 8vo, 7s. 6d. Although there are many excellent text-books on Ornament, there are none that exclusively treat of the theory or what is known as the "principles of ornament." To meet this want, which was seriously felt by many of the principal Art Masters in England, this volume has been produced. THE CHARACTERISTICS OF STYLES. An Introduction to the Study of the History of Ornamental Art. By R. N. WORNUM. New Edition. Fully Illustrated. Royal 8vo, 8s. PHOTOGRAPHIC REPRESENTATIONS OF PLASTER CASTS. Two sets, containing twelve examples in each. Price 8s. net per set. "RENAISSANCE" DRAWING COPIES. Three books, 4d. each; on cards, three packets, 8d. per packet. THE ANIMAL IN DECORATION. By M. P. VERKNUIL. Introduction by M. E. GRASSET. In ten parts, each containing 6 Plates, price 8s. net per part. PLANTS AND THEIR APPLICATION TO ORNAMENT. Edited by EUGENE GRASSET. In twelve parts, price 8s. net per part. A Second Series of the above, in twelve parts, is now being published, each containing 6 Coloured Plates. Price per part, 8s. net. CHAPMAN & HALL, Ltd., LONDON. VOL. II. NOW READY THE ANGLO-SAXON REVIEW & Quarterly Miscellany EDITED BY LADY RANDOLPH SPENCER CHURCHILL Small folio, bound in Leather. Price 21s. net CONTENTS OF VOLUME II On the Binding CYRIL DAVENPORT, F.S.A. A Miniature Moloch ELLEN THORNEYCROFT FOWLER The Ettrick Shepherd Sir HUGH GILZEAN-REID Myths of the Magnet SILVANUS P. THOMPSON, F.R.S. Selections from the Letters of Georgiana, Duchess of Devonshire Edited by THE DUCHESSE OF DEVONSHIRE A Poet's Prayer STEPHEN PHILLIPS Some Realities of the "Pilgrim's Progress" JAMES F. FASHAM La Bruyère THE EARL OF CREWE On Cameos, with Special Reference to the Marlborough Gems CYRIL DAVENPORT, F.S.A. The Oriental Character J. L. GORST A Garden and a Farm in North Italy ALETHAEA WIEL Ridet Olympus WILLIAM J. LOCKE Natural Selection in Literature W. BROOK ADAMS Angling Days F. B. MONEY COUTTS Sir Henry Irving L. F. AUSTIN A Journey through Abyssinia LORD LOVAT The Case of Dreyfus—A J. CORNELY Judicial Error Impressions and Opinions Notes on the Portraits LIONEL CUST, F.S.A. ILLUSTRATIONS Queen Elizabeth FEDERIGO ZUCCARO The Ettrick Shepherd From an Unpublished Sketch George Spencer, Fourth Duke Sir JOSHUA REYNOLDS of Marlborough; and George, Marquess of Blandford Sardonyx Cameo (one of the Marlborough Gems) Dorothy Sidney, Countess of VAN DYCK Sunderland Sir Henry Irving GORDON CRAIG William "The Silent" ANTONIO MORO The Pall Mall Gazette says: "We heartily congratulate Lady Randolph Churchill on her magnificent new quarterly. Her contributions include some of the best known of contemporary names alike in literature and in politics, and the splendid setting given to their work stamps the new publication as a thing apart." The Daily Telegraph says: "After the deluge of cheap books . . . one turns with a sharp sense of contrast to The Anglo-Saxon Review. The first number will amply reward the curiosity of these who have been wondering whether this much talked of publication would justify all the preliminary gossip to which it has given rise. It is a most beautiful book. A model of good printing and binding, and the illustrations are alike excellent." JOHN LANE, Publisher, London and New York AD. VII
MR. WILLIAM HEINEMANN'S ART PUBLICATIONS. RUBENS. HIS LIFE, WORK, AND TIME. By EMILE MICHEL. With 40 Coloured Plates, 40 Photogravures, and 272 Text Illustrations. Two Vols. imp. 8vo, £2 2s. net. By the same Author. REMBRANDT. HIS LIFE, WORK, AND TIME. With 326 Illustrations. Second Edition considerably enlarged. One Vol., gilt top, or 2 vols., uncut, imp. 8vo, £2 2s. net. There remain a few copies of the Edition de Luxe, containing a duplicate set of Photogravure Plates in separate Portfolio. Price £12 12s. net. Mr. Nicholson's Works. TWELVE PORTRAITS. By WILLIAM NICHOLSON. Her Majesty the Queen, H.R.H. the Prince of Wales, Sir Henry Irving, Mr. Justice Hawkins, the Archbishop of Canterbury, W.E. Gladstone, Madame Sarah Bernhardt, Lord Roberts, Mr. Whistler, Mr. Rudyard Kipling, Mr. Cecil Rhodes, and Prince Bismarck. Each Portrait is Lithographed in Colours, and Mounted on Cardboard, 15 in. by 16 1/2 in. In Portfolio, 21s. net. A few sets of the Plates have been taken from the Original Woodblocks and Hand-coloured by the Artist. Price £2s. THE SQUARE BOOK OF ANIMALS. With Rhymes by ARTHUR WAUGH. In Two Editions: (1) The Popular Edition, Lithographed in Colours on Cartridge Paper. 4to boards, 5s. (2) A Limited Edition, on Japanese Vellum, 12s. 6d. net. LONDON TYPES. Twelve Coloured Plates, each illustrating a type. With Quatorzains by W.E. HENLEY. 4to, boards. Lithographed on Cartridge Paper. Price 5s. A few sets of the Plates, printed from the Original Woodblocks, and Hand-coloured by the Artist, in Portfolio. Price £2s net. AN ALMANAC OF TWELVE SPORTS Twelve Coloured Plates, each illustrating a sport for the month. With accompanying Rhymes by RUDYARD KIPLING. 4to, boards. Lithographed on Cartridge Paper. Price 2s. 6d. A few sets of the Plates, printed from the Original Woodblocks and Hand-coloured by the Artist, in Portfolio. Price £12 net. AN ALPHABET. Twenty-six Coloured Plates, each illustrating a letter of the alphabet. The Popular Edition. 4to, boards. Lithographed on Cartridge Paper. Price 5s. The Library Edition (limited). Lithographed in Colours on Dutch Hand-made Paper, mounted on brown paper and bound in cloth, Gilt Edges. Price 12s. 6d. net. A few sets of the Plates, printed from the Original Woodblocks and Hand-coloured by the Artist, in Portfolio. Price £2s net. MEISSONIER. HIS LIFE AND HIS ART. By VALLERY C.O. GRÉARD, de l'Académie Française. Translated from the French by Lady MARY LOVD and FLORENCE SIMMONDS. With 38 full-page Plates, 20 in Photogravure and 18 in Colour, and 200 Text Illustrations. Imperial 8vo, £1 16s. net. FASHION IN PARIS. The various Phases of Feminine Taste and Esthetics from 1797 to 1897. By OCTAVE UZANNE. From the French by Lady MARY LOVD. With 100 Hand-coloured Plates and 250 Text Illustrations by FRANÇOIS COURBOIN. In One Volume, imperial 8vo. Price 36s. BRITISH CONTEMPORARY ARTISTS. Seven Critical Studies of the Works of Watts, Burne-Jones, Millais, Leighton, Poyneter, Orchardson, and Alma-Tadema. By COSMO MONKHOUSE. Profusely Illustrated. One Vol. 8vo, £1 1s. net. GAINSBOROUGH. AND HIS PLACE IN ENGLISH ART. By Sir WALTER ARMSTRONG, Director of the National Gallery, Ireland. With 62 Photogravures from Portraits specially taken for this Edition, and printed on the finest French Plate Paper, and 10 Lithographs in Colours. A reprint of 250 copies only. One Volume, large imperial 4to, gilt top, £5 5s. net. By the Brothers Rhead. THE LIFE AND DEATH OF MR. BADMAN. Presented to the World in a Familiar Dialogue between Mr. Wiseman and Mr. Attentive. By JOHN BUNYAN, Author of "The Pilgrim's Progress." With 12 Full-page Pictures and 25 Decorative Designs by GEORGE WOLLISCROFT RHEAD & LOUIS RHEAD, designed to portray the Deadly Sins of the Ungodly Mr. Badman s Journey from this World to Hell. One Vol. 4to, on imitation Hand-made Paper, £1 1s. net. Also a limited Edition of 100 copies for Great Britain on Dutch Hand-made Paper, £2 2s. net. MASTERPIECES OF GREEK SCULPTURE. A Series of Essays on the History of Art. By ADOLF FÜRWANGLER. Authorised Translation. Edited by EUGENIE SELLERS. With 19 full-page and 200 text Illustrations. Imperial 8vo, £3 3s. net. Also an Edition de Luxe, limited to 50 copies, on Japanese Vellum. Two Vols., £12 12s. net. LEONARDO DA VINCI. THE ARTIST, THE PHILOSOPHER, THE SCHOLAR. From the French of EUGÈNE MÜNTZ. With 20 Photogravures, 24 Coloured Plates, 2 Plates in Two Blacks, and 252 Text Illustrations. Two Vols. imp. 8vo, £2 2s. net. ANTONIO ALLEGRI DA CORREGGIO: HIS LIFE, HIS FRIENDS, AND HIS TIME. By CORRADO RICCI, Director of the Royal Gallery, Pa.ma. Translated by FLORENCE SIMMONDS. With 16 Photogravure Plates, 21 full-page Plates in Tint, and 190 Illustrations in the Text. Imperial 8vo, £2 2s. net. Also a special edition printed on Japanese Vellum, limited to 100 copies, with Duplicate Plates on India Paper. Price £12 12s. net. A HISTORY OF DANCING: FROM THE EARLIEST AGES TO OUR OWN TIMES. From the French of GASTON VUILLIER. With 24 Plates in Photogravure and 409 Illustrations in the Text. In One Volume, 4to. Price, cloth, 36s. net, or Vellum, gilt top, 50s. net. Also 35 copies printed on Japanese Vellum (containing 3 additional Plates), with a Duplicate Set of the Plates on India Paper for Framing. Each copy numbered and signed, price £12 12s. net. Mr. Heinemann's Illustrated Autumn Announcement List and Prospectuses of the above Works will be sent post free. London: William Heinemann, 21 Bedford Street, W.C. Ad. VIII
NEW ILLUSTRATED BOOKS THE NATURAL HISTORY OF SELBORNE. By GILBERT WHITE. Edited by GRANT ALLEN. With upwards of 200 Illustrations by EDMUND H. NEW. Containing Photogravure Portraits of Thomas Pennant and Daines Barrington (White's Fellow Naturalists), White's "Observations on Nature," and Poems; and some hitherto unpublished Notes by SAMUEL TAYLOR COLE-RIDGE. Uniform with "Walton's Angler." Fcap. 4to. 568 pages, bound in buckram. 21s. net. New Illustrated Edition. THE GOLDEN AGE. By KENNETH GRAHAME, Author of "Dream Days," "Pagan Papers," &c. With 19 full-page Illustrations and numerous Ornaments, and a Cover Design by MAXFIELD PARRISH. Pott 4to. 6s. net. OUTSIDE THE GARDEN. By HELEN MILMAN (Mrs. CALDWELL CROFTON). With 10 full-page and 25 smaller Illustrations, and a Cover Design by EDMUND H. NEW, uniform with "In the Garden of Peace," by the same Author and Artist. Crown 8vo. 5s. net. POEMS. By MATTHEW ARNOLD. With an Introduction by ARTHUR CHRISTOPHER BENSON, and upwards of 70 Illustrations and a Cover Design by HENRY OSPOVAT. Crown 8vo. Bound in buckram, gilt top. 6s. net. THE EDUCATION OF MR. PIPP, about 80 full-page Cartoons, 40 of which are hitherto unpublished, uniform with "Sketches and Cartoons," "Drawings," &c. By C. DANA GIBSON. Oblong folio, 12 in. by 18 in. 20s. SHAKESPEARE'S SONNETS. With 14 Illustrations and Cover Design by HENRY OSPOVAT. Sq. 16mo. 3s. 6d. net. THE TWO FIRST VOLUMES OF "THE FLOWERS OF PARNASSUS": a Series of Famous Poems, Illustrated. GRAY'S ELEGY, AND ODE ON A DISTANT PROSPECT OF ETON COLLEGE. With 10 Drawings by J. T. FRIEDENSON. Demy 16mo. Cloth, gilt top. 1s. net. MARPESSA. By STEPHEN PHILLIPS. With about 10 Drawings by OLIVER ONIONS. Demy 16mo. Cloth, gilt top, 1s. net. FOR THE NURSERY GULLIVER'S TRAVELS. With upwards of 100 Illustrations and a Cover Design by HERBERT COLE. Large crown 8vo, 376 pages, coloured edges. 6s. PIERRETTE: Fairy Stories. By HENRY DE VERE STACPOOLE. With 20 full-page Illustrations and Cover Design by CHARLES ROBINSON. Crown 8vo, cloth, gilt top. 6s. BLUE BEARD'S PICTURE BOOK. Containing Blue Beard, The Sleeping Beauty, and Baby's Own Alphabet. Complete with end papers and covers, together with collective titles, end papers, decorative cloth cover and newly written preface by WALTER CRANE. In Parts, 1s. each. Cloth, price 4s. 6d. JACK OF ALL TRADES: A BOOK OF NONSENSE VERSES. By J. J. BELL. With Illustrations and Cover by CHARLES ROBINSON. Uniform with "The New Noah's Ark." Fcap. 4to. 3s. 6d. A HUNDRED FABLES OF LA FONTAINE. With 100 full-page Illustrations, Title Page, Frontispiece, and Cover Design by PERCY J. BILLINGHURST, uniform with "A Hundred Fables of Æsop." Fcap. 4to. 6s. THE OTHER SIDE OF THE SUN: Fairy Tales. By EVELYN SHARP. With 8 full-page coloured Illustrations and a Cover Design by NELLIE SYRETT. Uniform with "All the Way to Fairy Land," "Wymps." Fcap. 4to. 6s. THE SUITORS OF APRILLE: a Fairy Tale. By NORMAN GARSTIN. With 20 full page Illustrations and a Cover Design by CHARLES ROBINSON. Cloth, crown 8vo. Gilt top. 4s. 6d. A CHILD'S PRIMER OF NATURAL HISTORY. By OLIVER HERFORD. With 48 Illustrations by the Author. 4s. 6d. NEW ILLUSTRATED CATALOGUE POST FREE ON APPLICATION JOHN LANE, Publisher, Vigo St., London, W. AD. IX
This issue of The Studio features articles on the work of Jean Jacques Henner, leaves from the sketch-book of Frank L. Emanuel, and a collection of art by E. A. Waterlow. It also includes a section on British Decorative Art in 1899 and the Arts and Crafts Exhibition, along with studio-talk from various correspondents and reviews of recent publications. The magazine announces its international prize competitions with revised rules and details for upcoming classes.