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SUPPLEMENTAL PLATES BY FORAIN, NORMAN GARSTIN AND G. SEGANTINI THE · STUDIO An Illustrated Magazine of Fine & Applied Art AUGUST 16 '97 VOL. 11 No. 53 5 Henrietta Street Covent Garden LONDON W.C Monthly $\frac{S}{1/-}$
First pages of the volume, freely accessible.
SUPPLEMENTAL PLATES BY FORAIN, NORMAN GARSTIN AND G. SEGANTINI THE · STUDIO An Illustrated Magazine of Fine & Applied Art AUGUST 16 '97 VOL. 11 No. 53 5 Henrietta Street Covent Garden LONDON W.C Monthly $\frac{S}{1/-}$
THE STUDIO. EDITED BY CHARLES HOLME. Contents, August 16th, 1897. SUPPLEMENTS:—TINTED PLATE after “L’Amore alla Fonte Della Vita,” by G. SEGANTINI; A SKETCH IN COLOURS entitled “The Shepherdess,” by G. SEGANTINI; A REPRODUCTION IN COLOURS OF A SKETCH entitled “View near Tangier,” by NORMAN GARSTIN; and a double-page DRAWING entitled “The Agitator,” by FORAIN. THE WORK OF G. SEGANTINI. By BURNLEY BIBB. Thirteen Illustrations PAGE 145 THE INDUSTRIAL ARTS OF AMERICA; THE TIFFANY GLASS AND DECORATIVE CO. By CECILIA WARREN. Seven Illustrations 156 ON GARDENING: WITH DESCRIPTIONS OF SOME FORMAL GARDENS IN SCOTLAND. By J. J. JOASS. Eleven Illustrations . 165 TANGIER AS A SKETCHING-GROUND. By NORMAN GARSTIN. Five Illustrations ...
THE ART OF 1897 A handsomely-bound volume, comprising the three extra numbers of "The Studio," viz.: Art at THE ROYAL ACADEMY Art at THE NEW GALLERY Art at THE PARIS SALONS will be published early next month. Price 6s. Cases for binding will be sold separately. Price 2s. each. BESSELL'S MEDIUM. Please read this BESSELL'S MEDIUM is invaluable for Painting upon Satin, Silk, and all Textile Fabrics, Preventing the Cracking and Peeling off of the Colour. It is equally useful as a Medium for General Water-Colour Painting upon Whatman and other Papers, Terra Cotta, or any other article on which it is intended to work in Water Colour; it gives great strength and depth to shadows, without the prejudicial glaze so frequently found with other mediums. FULL DIRECTIONS ON EACH BOTTLE. To be had of all Artists' Colourmen, or of the Manufacturers, FROST AND REED, 8 Clare Street, Bristol, and 47 Queen's Road, Clifton. Price 1s. 6d. per Bottle, post free. Wholesale: WINSOR & NEWTON, Ltd., 38 Rathbone Place, W. London: CHARLES ROBERSON & CO., 99 Long Acres, W.C. Agents: GEO. ROWNEY & CO., 10 and 11 Percy Street, W. This Medium has been before the public for fifteen years, and its constantly increasing sale testifies strongly as to its usefulness. PERRY & CO. Electric Light Fittings REPRODUCTIONS OF THE MAGNIFICENT DESIGNS OF THE LOUIS XIV., XV., AND XVI. PERIODS. Grand Candelabra and Lampada of the Italian Renaissance. CATALOGUES. 17 GRAFTON ST., BOND ST., LONDON, W. ORIGINAL MAKERS OF ARTISTIC WALL-PAPERS FALL FROM ARSENIC W"WOOLLAMS & CO. SOLE ADDRESS 110 HIGH STREET NEAR MANCHESTER SQ. LONDON W. OF ALL DECORATORS MOSAIC Decorative or Figure Panels, Posters, Tiles, and Friezes, designed and executed in Glass Mosaic, or Artists' and Architects' rough Sketches enlarged and carried out. Furniture specially designed and made for the application of Mosaic — viz., Over-mantels, Fitments, Delft-racks, &c. Sample Panels made for Architects to submit to Clients. The making of any Colour or Tint of Glass required personally superintended. Two Exhibits at the Arts and Crafts Exhibition, New Gallery, 1896. EXAMPLES OF WORK CAN BE SEEN Outside "Slaters," 212 Piccadilly (Two Bacchanalian Figures, 8 ft. × 8 ft. each); Outside 55, 57, and 59 High Street, Kensington (300 ft. of Decorative Frieze). In Basement, "Slaters," Ludgate Circus (Six Panels of Birds, 6 ft. × 3 ft. each). In Entrance Hall, De Vere Hotel, Kensington (Three 3 ft. × 6 ft., and one 10 ft. × 6 ft. panels, Eastern Figure Subjects). G. BRIDGE BERWICK HOUSE, 139 OXFORD ST., W. AD. I
THE STUDIO INTERNATIONAL PRIZE COMPETITIONS REVISED RULES (1) All subscribers to THE STUDIO are eligible to compete. (2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment combined with workable detail and arrangement will be the objects considered. (3) Drawings for competition must be legibly signed with pseudonym only. The form page AD. XVI. with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards are made, any inquiry should be forwarded in a separate letter. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. (5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term "sufficient postage" has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated. (6) All designs (unless specially excepted in certain competitions) must be sent rolled, not packed flat. Competitors are advised to forward their drawings within cardboard cylinders (to be obtained of most stationers) or upon wooden rollers, as by this means the drawings are not liable to damage in transit, and the trouble of repacking is greatly reduced. (7) All designs and correspondence thereon to be addressed THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A xix," "B xii," "C xi," &c., on the outside of the package, or letter referring to it. (8) An infringement of any of the above Rules will disqualify a competitor. CLASS A.—INDUSTRIAL DESIGNS. A. v. DESIGN FOR CARVED WOOD BELLOWS. A. vi. DESIGN FOR IRONWORK BRACKET. A. vii. DESIGN FOR A SILVER CUP. The Cup should be suitable for presentation as a prize for athletic sports. Drawings to be made full size of Cup, which must not exceed twelve inches in height. The designs should depend for their excellence rather upon the shape than upon the decoration of the Cup. Drawings may be made in either pen and ink, or monochrome wash. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings to be received at the London Office of THE STUDIO by November 1. CLASS B.—DRAWINGS FOR BOOK ILLUSTRATION, ETC. B. v. DESIGN FOR AN ORNAMENTAL CHAPTER HEADING. B. vi. DESIGN FOR AN ORNAMENTAL "TAILPIECE." B. vii. DESIGN FOR AN EMBROIDERED BOOK-COVER. The Design to be executed in watercolours upon drawing paper the full size of the cover. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Any Design sent in for this Competition which is considered of sufficient interest, will be reproduced in colours in facsimile of the original drawing. Drawings to be received at the London Office of THE STUDIO by November 1. CLASS C.—SKETCHES FROM NATURE. C. v. A PICTURESQUE COTTAGE. C. vi. SKETCH OF A STREET HAWKER, OR ITINERANT MUSICIAN. C. vii. STUDY OF FUNGI. A Group of Fungi to be drawn from Nature, in pen and ink upon white cardboard. The Drawings must not exceed in size a page of THE STUDIO. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Drawings, packed flat, to be received at the London Office of THE STUDIO by November 1. CLASS D.—PHOTOGRAPHS FROM NATURE. D. i. SEASCAPE. All Photographs should be sent in mounted upon firm card, without margin, FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. The right of reproducing any Photograph sent in is reserved. Competitors who wish their Prints returned must enclose sufficient stamps to defray postage. Photographs to be received at the London Office of THE STUDIO by November 1. Parcels containing Drawings should be clearly marked outside with the number of the Competition for which the designs are intended. The attention of Competitors is particularly directed to Rules 2, 3, and 8. A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION. Black and White Drawing for Reproduction. Summer Sketching Class. GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. {The Studio is five minutes walk from Vauxhall, and five minutes' tram from Victoria Station.} A19. II
THE MIYAKODORI, 196 BROMPTON ROAD, S.W. (BY SOUTH KENSINGTON MUSEUM). PERMANENT EXHIBITION OF JAPANESE COLOUR PRINTS SHOW-ROOM FIRST FLOOR ADMISSION BY VISITING CARD. FROM JANUARY TO MARCH 1897. Collection of Landscapes by Hiroshigé (1st); and long narrow prints (Hashirakakei) by Harunobu, Koriusai, Kiyonaga, Shunsho, Utamaro, Yeishi, Yeisho, Shuncho, Toyohiru, Toyokuni (1st), Nishikawa-Toyonobu, &c. AFTER MARCH A COLLECTION OF SURIMONO (NEW YEAR CARDS). Always in Stock the largest and best selection of genuine old Colour Prints in England. Experts’ opinion on Prints and other Works of Art and Trans- lation of Signatures free to customers. Goods bought or sold on Commission. Every description of Old Japanese Curios, Choice Bronzes for the Japanese Flower Decoration. Terms for Instruction in the above on Application. --- A.SANDERSON & SONS MANUFACTURERS OF HIGHEST CLASS WALL PAPERS DESIGNS SHOULD BE SUBMITTED AT CHISWICK OR BY APPOINTMENT AT 52 BERNERS ST. WORKS CHISWICK NEAREST RY.STATION, TURNHAM GREEN --- Longden & Co. London Office 447 Oxford Street W. Works Phoenix Foundry Sheffield Makers of Grates Fenders Fireirons Wrought-Iron Work Ornamental Brass and Bronze Work AD. III
EXHIBITIONS NOW OPEN Brighton Water Colour. (Bourlet & Sons.) Cardiff Exhibition. (Dicksee & Co.) York Art Gallery. (Bourlet & Sons.) Copenhagen Intern't'nal Exhibition. (Dicksee & Co.) Dresden International Exhibition. (Dicksee & Co.) Munich International Exhibition. (Dicksee & Co.) Stockholm International Exhibition. (Dicksee & Co.) Venice International Exhibition. (Dicksee & Co.) Brussels International Exhibition. (Dicksee & Co.) Berlin International Exhibition. (Dicksee & Co.) Bellman, Ivey & Carter's Sculpture Galleries, 157A New Bond Street, W. Exhibition of Embroideries, Jon. Harris & Sons, Ltd., 25 Old Bond Street, W. Danish Ceramic Art, Danish House, 294 Regent Street, W. FORTHCOMING Manchester City Art Gallery, Autumn Exhibi- tion. (Opens September 1. Dicksee & Co.) Birmingham Royal Society of Artists. (Opens in September. Bourlet & Sons.) Liverpool Walker Art Gallery. (Opens August 31. Dicksee & Co.) Dudley. (Receive last week in August. Bourlet & Sons.) Derby Art Gallery. (Last receiving date September 12. Bourlet & Sons.) Worcester Corporation Art Gallery. (Last receiv- ing date August 22. Bourlet & Sons.) Newcastle-on-Tyne. (Receive early in September.) Sheffield Society of Artists. Open Exhibition. (Receiving dates early in September. Bourlet & Sons.) Brighton Autumn. (Receiving dates early in October. Bourlet & Sons.) Carnegie Art Galleries, Pittsburg. (Receiving dates early in September. Dicksee & Co.) DICKSEE and Co., 7 RYDER STREET, ST. JAMES'S, LONDON, S.W. Fine Art Agents, Packers & Conveyancers of Works of Art. OFFICIAL AGENTS (BY APPOINTMENT) FOR BRITISH COMMISSION, Brussels International Exhibition, 1897 LIVERPOOL, Walker Art Gallery. MANCHESTER, City Art Gallery. MANCHESTER, Queen's Park Museum BRADFORD, Art Gallery and Museum. LEEDS, City Art Gallery. BATH and West and Southern Counties Exhibition. DRESDEN, International Exhibition, 1897. DUDLEY Gallery, Photographic Salon. BERLIN, International Exhibition, 1897. BRUSSELS, Société des Beaux-Arts. COPENHAGEN, International Art Exhibition, 1897. FLORENCE, International Exhibition, 1896-7. MELBOURNE, Jubilee Exhibition. MUNICH, Annual International Exhibition. PITTSBURG, U.S.A., Carnegie Art Galleries. PRAGUE, International Exhibition. ST. LOUIS, U.S.A., Exposition. STOCKHOLM, International Art Exhibition, 1897. VENICE, International Exhibition, 1897. Messrs. DICKSEE & Co. deliver works at the various London Exhibitions, and the Old and New Salons, Paris, and obtain and repack or deliver them at the close of such Exhibitions, and will forward terms on application. Telephone 5992. Telegraphic Address: "Dicksee, London." TO HER MAJESTY. THE SCULPTURE GALLERIES. ARTISTIC PRESENTS. SMALL BRONZES AND OBJETS D'ART. Nothing can be more suitable for a well-selected present than a genuine Work of Art in Marble or Bronze. In reading the lists of presents at most fashionable Marriages, one is struck by the quantity of Silver and Jewellery given, which in most cases is more than the recipients have any need of or use for. The majority of these presents suffer by comparison with others of the same kind given by those to whom money is no object, whereas a charming little Statuette or Bust is sure to attract universal notice and admiration, without danger of being duplicated. MARBLEs AND BRONZES BY EMINENT SCULPTORS, BELLMAN, IVEY & CARTER, THE SCULPTURE GALLERIES NEW BOND ST., LONDON, W. AD. IV
James Bourlet & Sons, 17 & 18 NASSAU STREET, 11 & 12 UNION MEWS, LONDON, W. Established 50 Years. FRAME MAKERS TO HER MAJESTY THE QUEEN, H.R.H. PRINCE OF WALES, HIS GRACE THE ARCHBISHOP OF CANTERBURY. CARYERS & GILDERS. Every Description of Picture Frames Made. Looking-Glasses Supplied. Old Frames Re-gilt Equal to New. Drawings Mounted. PICTURES CAREFULLY CLEANED, LINED AND RESTORED. PRINTS CLEANED AND REMOUNTED. Highest References given. Telegraphic Address: "TITIAN, LONDON." WALTER J. PEARCE, LIMITED ARTISTS IN STAINED GLASS, GLASS MOSAICS; & LEADED GLAZING, 14, ALBERT STREET, MANCHESTER. THE AEROGRAPH The Improved Air Brush for Distributing Liquid Colours. It saves time and produces beautiful and artistic results. Not a machine,—not a process. An artist's tool and a new and beautiful art. Send for Circulars to THE AEROGRAPH CO.. 42 Memorial Hall, FARRINGDON STREET, LONDON, E.C. THE ROYAL COPENHAGEN PORCELAIN Danish Ceramic Art Vases Figures Plaques PARIS, 1889, GRAND PRIX CHICAGO, 1893, HIGHEST AWARD By Appointment to B.M. the King of Denmark By Appointment to B.R.D. the Princes of Wales THE POTTERY GAZETTE writes: "To understand the glorification of which pure porcelain as a material is capable, one has only to examine the Royal Copenhagen Ware, consisting exclusively of firm hard porcelain. The ornamental part is simply a collection of triumphs. The ware is dazzling white, the glaze perfectly tender and clear, the forms are simple to severity, and the colours delicate and sweet. The whole of the decoration is produced at the Grand feu. The charm of this ware is its perfect simplicity and artistic truth." Danish House, 294 Regent Street, London, W. AD. V
Educational Mr. HENRY BLACKBURN'S STUDIO Is Open five days a week for the Study and Practice of DRAWING FOR REPRODUCTION. PRIVATE INSTRUCTION AND BY CORRESPONDENCE. "The course, commencing (when necessary) with drawing from the cast, life, &c., and ending by seeing 'students' own work reproduced in metal and printed at the type press."—EDUCATIONAL REVIEW. 123 Victoria Street, Westminster (near Army and Navy Stores). SCHOOL OF ANIMAL PAINTING. Principal—Mr. W. FRANK CALDERON. THE BAKER STREET STUDIO will be closed from July 10th until October 4th. A CLASS FOR OUTDOOR WORK will be held at Midhurst, Sussex, from July 19th until September 11th. For all particulars apply to Mr. W. FRANK CALDERON, SANDROCK, MIDHURST. LAMBETH SCHOOL OF ART, St. Oswald's Place, Upper Kennington Lane, S.E. LIFE SCHOOL. DAY AND EVENING CLASSES. MR. THOMAS McKEGGIE, Head Master. Life Classes for Women. Head . Mon. Wed. & Friday Costume Model Mon. Wed. & Friday Full Length Figure Tuesday & Thursday Figure Composition, Book Decoration and Illustration, "Black and White" Drawing for Reproduction, Landscape, Still Life, and Flower Painting, and all the usual Preparatory Classes. Junior and Senior Sketch Clubs. : Life Classes for Men. Head & Costume Model Tuesday & Thursday Full Length Figure Mon. Wed. & Friday Special Figure Class . Saturday NEWLYN & PENZANCE ART STUDENTS' SOCIETY. Study from the Life and Landscape. DIRECTOR—NORMAN GARSTIN. For Particulars, apply THE SECRETARY, Miss E. Borlase, The Coombe, Penzance. The St. Ives School of Art Under the Direction of Messrs. LOUIS GRIER (Gold Medallist, Paris Salon) J. NOBLE BARLOW, R.B.A. SUMMER TERM from 1st MAY. Instruction Is given in Landscape, Marine, Figure, and Still-Life, both in Oil and Water Colour from Nature. FOR PARTICULARS, ADDRESS THE SECRETARY, THE FOC'SLE, ST. IVES, CORNWALL. THE YELLOW DOOR STUDIO Beckenham S.E. Half an hour from Charing X and Victoria AD. VI THE "SPERLOVE" SCHOOL OF MODERN LANDSCAPE ART The process of painting from the "Sketch" to the "Finished" Picture - Special opportunities to Students who desire to take up Landscape ART professionally OUT-DOOR Classes BLACK & WHITE for illustration [See prospectus]
Educational A CORNISH SCHOOL OF LANDSCAPE AND SEA PAINTING. Intended chiefly for those adopting Painting as a Profession. UNDER THE DIRECTION OF MR. JULIUS OLSSON. The Work will be carried on all the year round, with the exception of the months of May and June. THE SUMMER TERM COMMENCES ON THE FIRST OF JULY. For Particulars, address JULIUS OLSSON, ST. IVES, CORNWALL. --- INSTRUCTION GIVEN INPainting and ILLUSTRATINGin Black-and-White and Colour, for Press Reproduction, by Mr. ROBERT SAUBER. TUITION INMINIATURE PAINTINGBy Mr. ALYN WILLIAMS.Models in Old and Modern CostumesFor Prospectus apply the Secretary, at School Address:1A PHILLIMORE GARDENS, HIGH ST., KENSINGTON. --- School of Drawing & Painting 7 Holland Park Road, Kensington, W. UNDER THE DIRECTION OFMessrs. GIFFARD H. LENFESTEY & H.P. CLIFFORD(National Gold, Silver, and Bronze Medallists). Classes for Ladies only every week-day except Monday and Wednesday. Nude Model poses from 10 A.M. to 1 P.M., Costume Model from 2 to 5 P.M. daily. Classes in Still Life and courses in Anatomy, Perspective, &c. Private lessons by arrangement. WINTER TERM COMMENCES TUESDAY, OCTOBER 5, 1897.Further information may be obtained by letter addressed to the school:7 HOLLAND PARK ROAD, KENSINGTON, W. --- The South-West London Polytechnic Art School, MANRESA ROAD, CHELSEA, S.W. Day and Evening Life Classes, Practical Work in all Branches of Design and Decoration, in Wood Carving, Modelling, Embroidery, Embossed Leatherwork, Black and White. FULL PROSPECTUS FREE UPON APPLICATION TO THE SECRETARY. --- The Richmond School of Landscape Painting Carrington Lodge, 33 Sheen Road, RICHMOND . . . . . . . For Particulars address Mr. R. HUGHES Conducted by Mr. C. E. JOHNSON, R.I., and Mr. R. HUGHES Sketching in Richmond Park* and by the River Thames will be continued during August and September. --- Camden School of Art and Science Corporation, 4 DALMENY AVENUE, HOLLOWAY, N. Head Master: Mr. FRANCIS BLACK, R.B.A., assisted by specially qualified Masters. All kinds of DRAWING, PAINTING, DESIGN and MODELLING. Special Technical Classes in Applied Art.—Wood Carving, Etching, Book Illustration, Surface Decoration (Panels, Paper Staining, etc.), Fresco, Gesso, Sgraffito, Tapestry Painting, Embroidery, Art Needlework, Poker Work. Life.—EVENING: Monday, Tuesday, Wednesday, Thursday, and Friday, 7 to 9.30. DAY: Tuesday, Wednesday, Thursday, Friday, and Saturday, 10 to 1 and 2 to 4, for Costume, for Special Drapery Studies, for Modelling, for Book Illustration, and for Design purposes. £1000 worth of Scholarships in hand. The Highest number and total value awarded by the Technical Education Board to any Art Institution this year, won by the Camden School of Art. In the National Competition.—5 Silver Medals, 9 Bronze Medals, and 23 Queen’s Prizes place this School first in London for Quality of Work. These National Awards cover the wide area expressed as Drawing, Painting, Design and Modelling. All Applications should be made to the Hon SEC., ALFRED J. JOHNSON, Esq., School Address. AD. VII
Educational PHOTOGRAPHING for ARTISTS and DESIGNERS. Pictures, Drawings, Statuary, and all other Works of Art Photographed at Studios, Galleries, &c., for Reproduction and Reference. Sitters and Models Photographed for Artists’ Guides. WILLIAM E. GRAY, 92 Queen’s Road, Bayswater, W. ARTISTIC POSTERS, JAPANESE PRINTS, EDWARD BELLA, 25 SOHO SQUARE, W. Removed from 113 Charing Cross Road, W.C. Embossed Leather Architects’ and Furnishers’ Designs wrought out. Decorative Panels in Amateurs supplied with the latest in Designs, Tools, and Leathers. Articles made up neatly and artistically. Boxes of Tools and Complete Outfits. J. HAMMER HUTCHINGS, DESIGNER AND CRAFTSMAN IN LEATHER St. Peter’s Churchyard, CHESTER. THE POCKET DIMINISHING GLASS Is for the use of Artists, that they may be enabled to estimate the changes produced in a Drawing when reduced in size. It is indispensable to all who are employed in the Illustration of Books and Magazines. Its price is EIGHT SHILLINGS AND SIXPENCE, and it may be obtained direct from the Makers, who also supply CLAUDE LORRAINE Glasses and CAMERA LUCIDAS, SEE “STUDIO,” VOL. II., PAGE 182. CARPENTER & WESTLEY, OPTICIANS, 24 REGENT ST., LONDON, S.W. Della Robbia Pottery LIMITED. Works: 2 PRICE ST., BIRKENHEAD. London Show Room: W. T. BENNET, 231 OXFORD STREET. All kinds of Pottery in Majolica and Scraffiato Treatment for Use and Domestic Decoration. Large Plaques and Vases, Dessert and Tea Services, Jam and Tobacco Pots, Water and Milk Jugs. Architectural Dep.—Fountains, Benitiés, Sundials for Quaint Designs, Window Garden Tilings. Panels for application, all sizes. Manager: HAROLD RATHBONE. JUST PUBLISHED. THE CLASSICAL PICTURE GALLERY. Reproductions of Classical Pictures from the Public and Private Galleries of Europe. Published Monthly. Containing 12 Plates each. 4to, each part, 1s.; or Annual Subscription, post free, 15s. THE CLASSICAL SCULPTURE GALLERY. Reproductions of Classical Sculptures from the Public and Private Collections of Europe. Published Monthly. Containing 12 Plates each. 4to, each part, 1s. Annual Subscription, post free, 15s. THE PRINT GALLERY. Reproductions of the Masterpieces of Engraving from the end of the Fifteenth to the beginning of the Nineteenth Century. WITH BIOGRAPHICAL AND EXPLANATORY NOTICES. Published Monthly. Containing 8 Plates each. Folio, each part, 1s; or Annual Subscription, post free, 15s. LONDON: H. GREVEL & CO., 83 KING STREET, COVENT GARDEN. The Goldsmiths’ Institute, School of Art, New Cross, S.E. Head of Section: FREDERICK MARRIOTT, Assisted by J. T. DALLADAY, S. G. ENDERBY, A. DRURY, W. A. FENN, G. C. JACKSON, A. WAITE, Miss F. I. MORLEY, and Miss H. M. PEMBERTON. DRAWING AND PAINTING, LIFE (NUDE AND DRAPED FIGURE), MODELLING (DESIGN, ANTIQUE AND LIFE), DESIGN, BOOK ILLUSTRATION, SPECIAL LECTURES ON DESIGN, ART NEEDLEWORK, REPOUSBE WORK, WOOD-CARVING. The School is open each day and evening (Saturday evening excepted). DAY LIFE CLASSES FOR MEN NOW ADDED, UNDER S. G. ENDERBY. The following Table indicates the advance made by the School since the opening of the Institute in 1891:— ART NATIONAL COMPETITION AWARDS. 1892. --- Medal --- ... --- Other Prizes --- ... --- Total --- 1893. --- Medals --- ... --- ” --- ... --- ” --- 1894. --- ” --- ... --- ” --- ... --- ” --- 1895. --- ” --- ... --- ” --- ... --- ” --- 1896. --- ” --- ... --- ” --- ... --- ” --- STUDENTS CAN JOIN AT ANY TIME. Mr. MARRIOTT, the Head of the Section, or Mr. REDMAYNE, the Secretary of the Institute, may be seen by appointment if desired, on alternate Friday Evenings between 8 and 9.30. Fees and particulars on application to the Secretary, THE GOLDSMITHS’ INSTITUTE, NEW CROSS, S.E. AD. VIII For the third successive year the Students have obtained the largest number of Prizes in the Art National Competition awarded to any London School of Art (the Government Schools at South Kensington only excepted). Fourteen Students qualify this year for Government Art Free Studentships. Five London County Council Art Scholarships. Two Exhibitions. THE NEW SESSION COMMENCES MONDAY, SEPTEMBER 27th.
THE “AUTOLYCUS” COLOUR BOX PATENT 2495 (1894) OBTAINED AT ALL DEALERS SOLE MAKERS REEVES & SONS, LIMITED > “The most practical sketching appliance we have seen” J. MACWHIRTER, R.A., writes: “It is admirable . . . It is wonderfully light and easy to carry considering all that it contains. It would be useful on all occasions, but especially, I should think, in streets or market places. My daughter has also worked with it and likes it.” HERBERT A. OLIVIER writes: “I have run after animals with it, and walked miles with it slung over my shoulders without in any way feeling it too heavy as, so far as weight goes, it would be impossible to find a box made to hold two panels 14 × 10 in., with all the advantages of an ‘easel,’ and lighter.” IN TWO SIZES . . . 14 × 10 and 12 × 9 WRITE OR CALL FOR PARTICULARS REEVES & SONS, LIMITED, 113 Cheapside AND ALL AGENTS AD. IX

This issue of The Studio features articles on the work of G. Segantini, the industrial arts of America with a focus on Tiffany Glass, and formal gardens in Scotland. It also includes a section on Tangier as a sketching ground. The magazine contains various supplements, including tinted plates and reproductions of sketches by artists like Forain and Norman Garstin.