Extrait

Premières pages de l'ouvrage, en accès libre.

Page 1

THE STUDIO CONTENTS - The Art of Furnishing by Robert Lutyens - American Primitives by Holger Cahill - Picasso and Modern Painting by William Gaunt - The Legacy of Egypt by Gerald Crow - The Architecture of the New Delhi - 2 Italian Luxury Liners - Breslau Kunstakademie by Adolf Behne - Georgia O’Keeffe in Taos --- JUNE 1931 2s. NET

Page 2

The Studio Painting Series IN this new series of colour reproductions THE STUDIO presents a number of volumes, each devoted to one aspect of the painter’s art, providing a series of works of technical value to the student and teacher, and at the same time bringing together a collection of beautiful and fascinating illustrations of representative works by famous artists. The volumes are equally attractive to everyone who appreciates beauty in art. VOL. I. FIGURE STUDIES Paintings by A. E. COOPER, W. RUSSELL FLINT, R.A., MARK GERTLER, W. G. DE GLEHN, A.R.A., HARRY MORLEY, CHARLES SHANNON, R.A., HAROLD SPEED and ANDERS ZORN. VOL. II. LANDSCAPE Paintings by ARNESBY BROWN, R.A., SIR GEORGE CLAUSEN, R.A., STANHOPE A. FORBES, R.A., GEORGE HENRY, R.A., LAURA KNIGHT, A.R.A., SIR DAVID MURRAY, R.A., A. J. MUNNINGS, R.A., and ALGERNON TALMAGE, R.A. VOL. III. CHILDREN Paintings by R. GEMMELL HUTCHISON, LAURA KNIGHT, A.R.A., LORD LEIGHTON, P.R.A., SIR E. J. POYNTER, P.R.A., DOROTHEA SHARP, H. TUKE, R.A., and FREDERIC WHITING. VOL. IV. SHIPS AND THE SEA Paintings by MAXWELL ARMFIELD, ARTHUR J. W. BURGESS, FRANK BRANGWYN, R.A., C. N. HEMY, R.A., JULIUS OLSSON, R.A., and TERRICK WILLIAMS, A.R.A. 5s. net per volume Medium quarto - $11\frac{1}{2} \times 9$ ins. Handsome gilt-paper board binding, with colour plate. 8 beautiful mounted colour plates in each volume Each volume contains an introduction, notes on each artist and a full description of each plate. Illustrated Prospectuses on request. THE STUDIO LTD., 44, LEICESTER SQ., LONDON, W.C.2

Page 3

PUBLISHERS BY APPOINTMENT TO HIS MAJESTY THE KING ESTABLISHED 1760 P. & D. COLNAGHI & CO. THE PLAZA, NIGHT: GUADALUPE SPAIN DRAWINGS BY MUIRHEAD BONE (Second Series) EXHIBITION NOW OPEN Paintings, Drawings and Prints by Old and Modern Masters VALUATIONS, RESTORATION, FRAMING, MOUNTING COLLECTIONS BOUGHT ‘en bloc’ 144, 145, 146 NEW BOND ST., LONDON, W.1 Telegrams: COLNAGHI, WESDO, LONDON Telephone: MAYFAIR 6356 (3 lines) AD. I

Page 4

THE STUDIO EDITED BY GEOFFREY HOLME NO. 459 Contents for June 1931 - The Art of Furnishing: A survey of modern styles, by Robert Lutyens page 383 - The Legacy of Egypt, by Gerald Crow 400 - Picasso and the Cul-de-Sac of Modern Painting, by William Gaunt 403 - American Primitives: A prelude to American Painting, by Holger Cahill 417 - The Architecture of the New Delhi, by William Gaunt 427 - Italian Luxury Liners: Timavo and Duchess of Aosta, by N. G. Fiumi 433 - The Paintings of Georgia O’Keeffe in Taos 433 - The Breslau Kunstakademie, by Adolf Behne 443 - Events in the Art World 451 Supplements in Colour - Interior, by Messrs. Symonds and Lutyens Frontispiece - Pierrot. Gouache, by Pablo Picasso 413 - Mary Queen of Scots. French School, Early 16th Century 425 - Landscape, Meudon. Woodcut, by Kiyoshi Hasegawa 441 - Portrait of a Young Girl, by Oscar Moll 447 - She was the Belle of the Ball, by W. R. Sickert 453 (Contents of all issues of Atelier, and of The Studio from April, 1931, may be located through the ART INDEX) --- IMPORTANT NOTICE *** Commencing with the current volume (Vol. 101), THE INDEX TO THE STUDIO will no longer be supplied separately, but will be incorporated in the issue next succeeding the close of the volume concerned. For example, the index to Vol. 101 (January to June, 1931) will appear in the July issue. This alteration is being made in response to widespread requests and to conform to generally accepted practice at the present day. The cost of binding cases for Vol. 101 and subsequent volumes will be 2s. 6d. VOL. 101, ETC. Binding Cases - - 2s. 6d. net EARLIER VOLUMES Binding Cases, with Index 3s. 6d. net Index only - - 1s. 0d. net --- INFORMATION Valuable originals are usually insured while in custody of The Studio, but it must be understood that all material is sent, and received, at owner’s risk. Contributors should submit photographs, for first consideration, rather than originals. All material should bear full name and address, and be accompanied by return postage. Personal Enquiries should be accompanied by a stamped and addressed envelope. The Editor can only be seen by appointment. AGENTS AND SUBSCRIPTIONS Home, 2s. per copy; 23s. per annum, post free. Bound Volume 15s. Overseas. British Dominions, India, Countries in Postal Union, 30s. post free. Canada (The Musson Book Co., 225 Jarvis St., Toronto), 26s. France (Librairie D’Art Louis Reynaud, 18 Rue de la Bucherie, Paris 5), frs. 170 post free. Italy (Galleria Pesaro, Via Manzoni 12a, Milan), L. 168. U.S.A. (Published under the title “Atelier,” $7.50 post free, by William Edwin Rudge, Publisher, 475 Fifth Ave., New York, the sole associate Publisher in the U.S., to whom orders from U.S. readers should be sent for all Studio Publications.) ADVERTISEMENTS Rates for undisplayed advertisements—7s. 6d. for 32 words. 1s. for each eight or less beyond. Replies to Box Numbers 1s. extra. For displayed advertisement rates apply to the Advertisement Dept., 44 Leicester Square. Copy by 1st of month prior to publication. No responsibility accepted for loss or damage of material sent in response to advertisements. --- PUBLISHED BY THE STUDIO LIMITED, 44 LEICESTER SQUARE Telephone: Gerrard 3267-8 LONDON, W.C.2 Telegrams: Rhombic, London

Page 5

ARTHUR TOOTH & SONS CONTEMPORARY FRENCH AND ENGLISH PAINTINGS --- 155 NEW BOND STREET, W.1 AD 111

Page 6

JUNE EXHIBITIONS ALBANY GALLERY, 17 Sackville Street, W.1. Drawings and Oil Paintings by Olive Snell. BARBIZON HOUSE, 9 Henrietta Street, Cavendish Square, W.1. Summer Exhibition of Paintings and Drawings by D. Y. Cameron, Clausen, Steer, Sickert, Russell Flint, Bertram Nicholls and others. BRITISH MUSEUM, Great Russell Street, W.C.1. Permanent Exhibition, Special Exhibition of Cotton Manuscripts. 10–6 (Sundays 2–6). CHISWICK HOUSE GALLERY, The Mansion, Chiswick Park, W.4. Westminster “and other pictures” by J. W. T. Vinall, A.R.C.A., N.S.A., S.R.S.A. Open Thursdays, Saturdays and Sundays only from 2–6. P. & D. COLNAGHI & CO., 144-146 New Bond Street, W.1. Exhibition of Drawings by Muirhead Bone. Now open. FINE ART SOCIETY, 148 New Bond Street, W.1. (1) Paintings by Herbert Gurschner. (2) Paintings and Water-colours by Leading Artists. FOYLE ART GALLERY, Trefoile House, Manette Street, Charing Cross Road, W.1. Contemporary Art. Catalogue free. GIEVES ART GALLERY, 22 Old Bond Street, W.1. Gstaad—The Village in the Valley, by William S. Horton (closes 12th). Sculptures and Pictures by M. Jules Van Biesbroeck and Joan Dummett (closes 26th). 10–5.30 (Saturdays 10–1). 1s. (including tax and catalogue). IMPERIAL GALLERY OF ART, Imperial Institute (East Entrance), S.W.7. Contemporary British Art (closes 27th). 10–5. IMPERIAL WAR MUSEUM, South Kensington, S.W.7. Paintings, Drawings and Sculpture by Contemporary Artists. 10–6 (Sundays 2.30–6). LEFEVRE GALLERIES, 1a King Street, St. James’s, S.W.1. Exhibition of Paintings by Picasso, during June. Paintings by British and French Modern Masters always on view. LEGER GALLERIES, 13 Old Bond Street, W.1. Exhibition of Italian and Australian Landscapes by Norman Lloyd. May 21st—June 6th. LEICESTER GALLERIES, Leicester Square, W.C.2. (1) Paul Gauguin—Paintings, Water-colours, Woodcuts, etc. (2) Camille Pissarro—Gouaches, Pastels and Drawings (opens 11th). 1s. NATIONAL GALLERY, Trafalgar Square, W.C.2. Old Masters. 10–6 (Sundays 2–6). Thursdays and Fridays 6d.; other days free. Special Exhibition: Dutch Pictures and new Acquisitions (Room 28). NATIONAL PORTRAIT GALLERY, St. Martin’s Place, Trafalgar Square, W.C.2. British Celebrities of the Past. 10–6 (Thursdays and Fridays, 10–5; Sundays 2.30–5.30). Thursdays and Fridays 6d.; other days free. NEW BURLINGTON GALLERIES, Burlington Gardens, W.1. Modern Pictorial Advertising by Shell (opens 17th). PATERSON’S GALLERY, 22 Old Bond Street, W.1. 17th and 18th Century Japanese Screens and Pottery. R.B.A. GALLERIES, Suffolk Street, Pall Mall, S.W.1. R.B.A. Art Club. REDFERN GALLERY, 27 Old Bond Street, W.1. Contemporary Water-colours and Drawings—Paul Nash, Ethel Walker, Eric Gill, Dunlop, Duncan Grant, Epstein, etc. ROWLEY GALLERY OF DECORATIVE ART, 140-2 Church Street, Kensington, W.8. Modern Furniture, Decorative Mirrors, Inlaid Wood Panels, Frames, Fitments for Electric Light, Fabrics, Pottery, etc. 9–6.30. ROYAL INSTITUTE GALLERIES, 195 Piccadilly, W.1. National Society of Painters, Sculptors, Engravers and Potters—2nd Annual Exhibition (opens 8th). 10–5. 1s. ROYAL PHOTOGRAPHIC SOCIETY, 35 Russell Square, W.C.1. (1) The Pictorial Group. (2) Prints by Arthur F. Kales. R.W.S. GALLERIES, 5a Pall Mall East, S.W.1. Evelyn Cheston Memorial Exhibition. 10–6 (Saturdays 10–4.30). TATE GALLERY, Millbank, S.W.1. British and Foreign Modern Paintings. Special Exhibition of works by Camille Pissarro. 10–6 (Sundays 2–6). Tuesdays and Wednesdays, 6d.; other days free. TOOTH’S GALLERY, 155 New Bond Street, W.1. Exhibition of 18th Century French Masters. TWENTY-ONE GALLERY, 15 Mill Street, Conduit Street, W.1. 21st Exhibition of Lithographs by Members of The Senefelder Club. VICTORIA AND ALBERT MUSEUM, South Kensington, S.W.7. Permanent Exhibition. Special Exhibitions: Important New Acquisitions in Central Court. Illuminated Addresses arranged by Society of Scribes and Illuminators in the Engraving Galleries (closes 21st). Lettering in the Various Crafts in Rooms 16a and 16b. 10–6 (Thursdays and Saturdays, 10–10; Sundays 2.30–6). WALKER’S GALLERIES, 118 New Bond Street, W.1. (1) Paintings by Count Michael Torby (closes 13th). (2) Flowers, Landscapes, Gardens—Water-colours by Frank Galsworthy (11th–24th). (3) Connemara, etc.—Sketches by Letitia M. Hamilton (11th–24th). (4) Burmah, Panang, Siam, etc.—Water-colours by A. R. Stradling (16th–29th). (5) Early English Water-colours—27th Annual Exhibition (opens 29th). WALLACE COLLECTION, Manchester Square, W.1. Permanent Exhibition of Paintings, Sculpture, Furniture and Armour. 10–5 (Sundays 2–5). Tuesdays and Fridays, 6d.; other days free. ZWEMMER GALLERY, 26 Litchfield Street, Charing Cross Road, W.C.2. Permanent Exhibition of Coloured Reproductions after Modern and Old Masters. All Galleries open 10–6, Sats. 10–1, and admission free, unless otherwise stated. Applications for entries on this page should be addressed to ART EXHIBITIONS BUREAU, 3-5 Burlington Gardens, W.1.

Page 7

POSADA IN TOLEDO NEW DRY POINT BY JOSE PEDRO GIL EDITION OF 40 PROOFS PRICE - - - £3 :: GALERIES ALEXIS :: Rue Bonaparte 40 .. PARIS J. LEGER & SON LONDON : BRUSSELS : NEW YORK CHICAGO: PARIS. "THE GREEN WATERCART" Size 16 x 13 ins. by NORMAN LLOYD Included in his present Exhibition of Landscapes May 21st — June 6th Old & Modern Masters 13 Old Bond St., W.1 Telephone: Regent 2679 WOODEN BRIDGE, SOTTOCASTELLO (6½ x 4¾) New Line Engraving by ROBERT AUSTIN, R.E. Published by THE TWENTY-ONE GALLERY 15 MILL STREET, LONDON, W.1 Telephone: Regent 5555 VENETIAN NIGHT Etching Size 10⅛ in. x 16⅞ in. James McBey FINE ETCHINGS by LEADING MODERN ARTISTS including Austin, Bauer, Benson, Blampied, Bone, Brangwyn, Briscoe, Brockhurst, Cain, Cameron, Flint, Griggs, Heintzelman, John, Litten, Lumsden, McBey, Rushbury, Warlow, Whistler, Zorn, etc. Our Catalogues post free to you on request J. B. BENNETT & SONS, LTD. 156 Buchanan Street, GLASGOW Telegrams and Cables: "BENFINART, GLASGOW" AD. V

Page 8

THE LEICESTER GALLERIES LEICESTER SQUARE EXHIBITIONS THE DURRIO COLLECTION of PAINTINGS, WATER-COLOURS AND WOODCUTS, ETC., by PAUL GAUGUIN On June 11th there will be shown A REPRESENTATIVE COLLECTION of GOUACHES, PASTELS and DRAWINGS by CAMILLE PISSARRO Open 10 till 6 Saturdays 10 till 1 Admission 1s. 2d. (including tax) --- THE COOLING GALLERIES 92 New Bond Street, London, W.1 OLD AND MODERN PICTURES The Above Gallery Available for Exhibitions --- THE EVELYN CHESTON 1875—1929 MEMORIAL EXHIBITION May 29 — June 20 R.W.S. GALLERY 5a PALL MALL EAST Free daily 10—6 “Evelyn Cheston” Member, New English Art Club, 1908-1929 A Memoir by CHARLES CHESTON, A.R.W.S. With 48 full-page collotype reproductions Royal quarto. 30s. net. A de luxe Edition on hand-made paper of 100 signed and numbered copies—3 gns. net. Postage on each edition 11d. extra. FABER & FABER LTD. 24 RUSSELL SQUARE, LONDON, W.C.1 --- EXHIBITION of SILVER PLATE The University and Colleges of Cambridge are LENDING SILVER PLATE, dating from the XIVth to the XIXth centuries, to be SHOWN in the NEW COURTAULD GALLERIES of the FITZWILLIAM MUSEUM CAMBRIDGE from Saturday, JUNE 6—Sunday, JULY 5, 1931 OPEN WEEKDAYS 10—5 SUNDAYS 2—5 PROFIT IN AID OF ADDENBROOKE’S HOSPITAL AD. VI

Page 9

INTERIEURS MODERNES ATHELIA ROBERT BLOCK DIRECTEUR ARTISTIQUE AUX TROIS QUARTIERS 20, RUE DUPHOT - PARIS AD. VII

Page 10

English Editor ASHLEY DUKES Editor EDITH J. R. ISAACS Project for a Theatre—Norman Bel Geddes THEATRE ARTS MONTHLY The International Magazine of the Theatre - THE ARTIST, ARCHITECT search its pages for material for a record of all that is dramatic in the arts, for a novel handling of a subject, for a new idea on theatre planning, for pictures of the latest developments in construction throughout the world. - THE PLAYWRIGHT and THE STUDENT rely on it as the only current survey of the world theatre—drama—acting—stagecraft. - THE ACTOR, THE DANCER, THE STAGE ARTIST find it an indispensable source of information—it is the standard record of the best work now being done in Europe and America. - THE TEACHER and THE AMATEUR PRODUCER look to it for inspiration—as a stimulus and an avenue to fresh points of view. - THE MAN WITH NEW IDEAS about the theatre recognises it as the best channel for their expression—its pages are open to discussion of all theatrical problems. - THE PLAYGOER needs it for the reviews of current plays—the arresting and beautiful illustrations. Some Representative Articles in 1930-31 Issues : I LOOK AT THE THEATRE. Symposium by J. B. Priestley, John Middleton Murry, C. R. W. Nevinson, Compton Mackenzie, Naomi Mitchison, Paul Nash, Humbert Wolfe and Martin Armstrong AMERICAN PLAY STUFF by Carl Carmer MAKE-UP by Tamara Daykarkhanova MUSIC IN SOVIET RUSSIA by Nikolai Sokoloff MEI LAN-FANG by Stark Young THE IRISH SCENE by Ashley Dukes MODERN GERMAN DANCE by Schlee PLAYWRITING AS A PROFESSION by Edouard Bourdet THE MARIONETTE CONGRESS by Meyer Levin THE FINE ART OF BULLFIGHTING by Charles Bayly SIX THEATRE PROJECTS by Norman Bel Geddes Drawings and Designs by : Norman Bel Geddes, Robert Edmond Jones, Joseph Urban, Alice Bernstein, Rockwell Kent, Jo Mielziner, Janis Muncis, Lee Simonson, Albert Talhoff, Wharton Esherick, Votja Sucharda, Emil Pirchan, Terence Gray, Oscar Schlemmer. THEATRE ARTS MONTHLY, 99 Regent Street. London, W.1 Subscription Rates: 1 year 23/- ($5.50) 2 years 34/- ($8.00) Theatre Arts Monthly99 Regent Street, London, W.1 --- Please send me, free of charge, specimen pages of THEATRE ARTS MONTHLY --- Name............................................................................... --- Address........................................................................... ---

Page 11

Whatever the BRITISH MUSEUM and the METROPOLITAN the LOUVRE and the UFFIZI the PRADO, the EREMITAGE and the KAISER-FRIEDRICH-MUSEUM whatever treasures of art the less known small galleries and private collections contain, all of them are brought into your home by the Propyläen-Kunstgeschichte (Propylæn History of Art), the “museum in the library”, which in addition contains reproductions of the most noteworthy buildings and monuments in all parts of the world, and of the finest products of all the arts and crafts. Its 16 volumes represent the entire range of the artistic production of all times and nations, from the primitive drawings of cave-dwellers to Picasso. Each volume includes from 400 to 500 illustrations (mostly full-page), making about 9000 illustrations for the complete work. Each volume covers a full period of art and is obtainable separately. Each volume begins with about 100 pages of introductory text from the pens of the most famous German scholars of art (Wilhelm v. Bode, Max J. Friedländer, etc.); but, to quote the Observer, “there are five pages of illustrations to every page of text, so that those who cannot read German, are not debarred from instructed enjoyment.” A volume of the Propyläen-Kunstgeschichte is the most beautiful present you can give to yourself and to others, a book to which the reader will revert again and again in order to wander through a world of beauty. Moreover, such a volume is comparatively inexpensive, for, to quote the Kunstwart, “considering the price of about RM 50 (£2.10/0) per volume each illustration costs only 10 pfennigs (1¹⁄₄d.), the result being in every way a really cheap collection”. Should you not yet know the Propyläen-Kunstgeschichte and should your bookseller be unable, for the moment, to show you a specimen copy, kindly write to the PROPYLÄEN-VERLAG BERLIN SW 68, GERMANY AD. IX