Extrait
Premières pages de l'ouvrage, en accès libre.
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REVUE MENSUELLE
AVEC TRADUCTION FRANÇAISE
THE·STUDIO
An Illustrated Magazine
of Fine & Applied Art
NOV. 14, 1908
VOL. 45
No. 188
44 Leicester Square
LONDON·W.C
Monthly
BUREAU DU STUDIO
PARIS
LIBRAIRIE OLLENDORFF
50 CHAUSSEE D'ANTIN
PRIX: 1 FRANC 60c NET
Page 2
THE STUDIO.
EDITED AND PUBLISHED BY CHARLES HOLME.
Contents, November 14, 1908.
SUPPLEMENTS:—TINTED REPRODUCTIONS OF TWO ETCHINGS BY AUGUSTE LEPERE, ENTITLED RESPECTIVELY "LA SEINE À L'EMBOUCHURE DU CANAL ST. MARTIN," AND "À AMSTERDAM"; A REPRODUCTION OF A WOOD-ENGRAVING BY AUGUSTE LEPERE, ENTITLED "FIN DE JOURNÉE"; COLOURED REPRODUCTIONS OF FIVE WATER-COLOUR DRAWINGS BY EDMUND DULAC, ENTITLED RESPECTIVELY "THE DREAM VENDOR"; "THE MASQUERADERS"; "OPEN SESAME I" (DOUBLE-PAGE); "MADAME S'EST PIQUÉ LE DOIGT"; AND "FATHER TIME."
AUGUSTE LEPERE: PAINTER AND ENGRAVER. By HENRI FRANTZ. Eleven Illustrations ...
Page 3
BY APPOINTMENT
TO HIS MAJESTY THE KING.
GEO. ROWNEY & CO.
Have been awarded at the FRANCO-BRITISH EXHIBITION
THE DIPLOMA OF HONOUR and THE GOLD MEDAL
GEO. ROWNEY & CO. are the only British Makers to whom awards have been given for ARTIST'S COLOURS and DRAWING PENCILS.
61 Brompton Road, S.W., A few doors from Knightsbridge Tube Station 10 & 11 Percy Street, London, W., and 27 Rue des Bons Enfants, Paris.
TRIER'S PALETTE BOX [PATENT].
FOR SKETCHING IN OIL COLOUR, IS THE LIGHTEST OF ALL SIMILAR APPLIANCES, IT REALLY GOES INTO AN ORDINARY POCKET, IT IS PRACTICALLY DUST PROOF AND CONTAINS THREE PANELS WHICH MAY BE CARRIED WET.
No. 1, WITH PANELS 8½ × 5 ... 10/6
No. 2, WITH PANELS 8½ × 6 ... 12/6
SOLE MANUFACTURERS— REEVES & SONS, LTD., DALSTON, LONDON.
AD. I
Page 4
RULES OF “THE STUDIO” INTERNATIONAL PRIZE COMPETITIONS.
(1) All purchasers of THE STUDIO are eligible to compete.
(2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges.
(3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made.
(4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like.
(5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Competitors resident abroad should send Postage Coupons, but stamps will be accepted.
(6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise.
(7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated.
(8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked “Prize Competitions,” with the number of the Competition on the outside of the package or letter referring to it.
(9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder.
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Closes
CLASS A. DECORATIVE ART.
Dec. I (NEW SERIES) A I. DESIGN FOR A CIGARETTE BOX IN SILVER OR OTHER METAL.
Jan. I A II. DESIGN FOR KODAK CATALOGUE COVER OR POSTER.
Feb. I A III. DESIGN FOR AN EMBROIDERED CUSHION SQUARE.
(Particulars of the above appeared in the August, September and October Numbers respectively.)
Mar. I A IV. DESIGN FOR A ROSE-WATER DISH IN REFOUSSE METAL.
All details of this design are left to the competitor’s discretion. The drawings may be in any convenient medium and should be approximately of actual size.
FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas.
Drawings, packed flat, to reach the London office of THE STUDIO by March 1, 1909.
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CLASS B. PICTORIAL ART.
Dec. I (NEW SERIES) B I. PEN-AND-INK SKETCH OF AN OLD BUILDING.
Jan. I B II. DESIGN FOR THE TITLE PAGE OF A BOOK.
Feb. I B III. PEN AND INK BOOK ILLUSTRATION TO “ALICE IN WONDERLAND.”
(Particulars of the above appeared in the August, September and October Numbers respectively.)
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B IV. A DECORATED PAGE OF LETTERING.$^{1}$
The lettering to consist of the following passage from Chaucer’s “Remedy Against Ire”:—“Pacience is a vertu that suffreth swetely every mannes goodnesse, and is nat wrooth for noon harm that is doon to him. The philosophre seith, that ‘pacience is thilke vertu that suffreth debonairely all the outrages of adversitie and every wikked word.’ This vertu maketh a man lyk to God, and maketh him Goddes owene dere child, as seith Crist, This vertu disconfiteh thyn enemy. And therfore seith the wyse man, ‘if thou wilt venquisse thyn enemy, lern to suffer.’”
The space occupied by this lettering and any necessary decoration must not exceed twelve by nine inches, and if smaller must be in the same proportion. Not more than two colours (if any) to be used in addition to black.
In awarding the prizes regard will be had to the general effect of the page as a whole.
FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea.
Drawings, packed flat, to reach the London office of THE STUDIO by March 1, 1909.
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CLASS C. PHOTOGRAPHS FROM NATURE.
(New Series) C I. A FIGURE SUBJECT (ONE OR MORE FIGURES) TAKEN IN A GARDEN.
C II. LANDSCAPE WITH HOAR FROST.
C III. A MOONLIGHT SCENE.
All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Photographs to be received at the London office of THE STUDIO by Jan. 1, 1909, for C I., Feb. 1, 1909, for C II., and March 1, for C III.
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COMPETITION COUPON.
To be cut off and forwarded in accordance with Rule 3.
Nov. 14, 1908.—This form can be used for any or all of the Competitions announced for the first time in this issue. Competitors may send in more than one drawing, photograph, etc., but the number sent should be noted on this Coupon.
Competition No. :
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Pseudonym
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Stamps enclosed:
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Full Name and Address
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AD. II
Closes Mar. I.
Jan. I
Feb. I
Mar. I
Page 5
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REGENT ST. LONDON.W.
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CITY ADDRESS 287-291 OLD ST E.C.
A SANDERSON SONS BRANCH OF THE WALL PAPER MANUFACTORY LTD CHISWICK
DESIGNS FOR WALL PAPERS FRIEZES ETC SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK
The Finest in existence.
A. W. FABER'S "CASTELL" Pencils.
16 Degrees. 6B to 8H.
Unequalled for Purity, Smoothness, Durability or Grading.
A. W. FABER'S "CASTELL" Copying Pencil.
4d. each. Obtainable of all Stationers. Sample on application from A. W. FABER,
149, Queen Victoria St., London, E.C.
MANUFACTORY ESTABLISHED 1731.
"CASSELL" REGISTERED TRADE-MARK.
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WOVEN WALL-COVERINGS IN FIFTY DIFFERENT SHADES
AD. III
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ART EXHIBITIONS—BRITISH & FOREIGN.
LONDON.—Institute of Oil Painters. 195 Piccadilly, W. Closes Dec. 15.
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KING’S LYNN.—Municipal Art Gallery. Autumn Exhibition. Open Nov. 18 to Dec. 5.
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” Old Bond Street Galleries. Messrs. Agnew’s Annual Exhibition of Old Masters, on behalf of the Artists’ General Benevolent Institution. Now open.
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LEEDS.—Yorkshire Union of Artists. Closes Jan. 2.
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” Royal Society of British Artists. Suffolk Street Galleries. Closes Jan. 16.
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LEICESTER.—Society of Artists (Members only). Closes Dec. 5.
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” Royal Society of Painters in Water-Colours. 5A, Pall Mall East, S.W. Winter Exhib. closes Dec. 19.
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LIVERPOOL.—Walker Art Gallery. Autumn Exhibition. Closes Jan. 2.
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” Society of Portrait Painters. New Gallery, Regent Street. Open till Dec. 29.
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MANCHESTER.—City Art Gallery. 26th Autumn Exhibition. Closes end of Nov.
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” Society of 25 Painters. Goupil Gallery, 5, Regent Street, S.W. Now open.
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NEWCASTLE-ON-TYNE.—Laing Art Gallery. Works by Scottish Artists. Nov. to Feb.
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” Goupil Gallery Salon. 5 Regent Street, S.W. Now open.
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OXFORD.—Art Society. Annual Exhibition. Closes Nov. 28.
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WORCESTER.—Victoria Institute. 13th Annual Exhibition. Closes Dec. 31.
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ABERDEEN.—Artists’ Society Exhib. Closes Jan. 10.
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NANTES.—Société des Artistes Bretons. 13th Exhibition. Closes Nov. 22.
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BIRMINGHAM.—Royal Society of Artists. Closes Jan. 9.
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ROME.—79th International Art Exhibition of the City of Rome. Via Nazionale. Feb. to June, 1909. Application to be made before Dec. 15. Rec. days, Jan. 1-10.
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BRIGHTON.—Public Gallery. Autumn Exhibition. Closes Dec. 31.
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VENICE.—8th International Art Exhibition. April 22 to Oct. 30, 1909. Notification before Jan 1. Rec. days, March 10 to 25.
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DERBY.—Corporation Art Gallery. Autumn Exhib. Closes Jan.
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VIENNA.—Genossenschaft der bildenden Künstler Wiens. Autumn Exh. Nov. 15 to Dec. 26. Water-Colour Exhibition, Jan. to Feb. Rec. day, Dec. 25.
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DUDLEY.—Borough Art Gallery. Annual Exhibition. Closes Dec. 31.
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” Vereinigung bildender Künstler Oesterreichs (“Secession”). Autumn Exh. Nov.—Dec.
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HOVE.—Royal Amateur Art Society (Sussex Branch). 1, Grand Avenue. Rec. day, Nov. 28. Opens Dec. 4.
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” Kunstlerbund Hagen. Christmas Exh. During December.
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” Sussex Women’s Art Club. Hove Art Gallery. 114a, Western Road. Opens Nov. 23.
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CAN YOU SKETCH?
Would you like to draw for the Press?
The PRESS ART SCHOOL gives a thorough course of INSTRUCTION by CORRESPONDENCE In all Branches of MAGAZINE AND NEWSPAPER ILLUSTRATION.
Through the agency of this School, students are obtaining Press introductions, and publication of their drawings in such World-famed periodicals as Pearson’s Magazine, The Sketch, The Taller, etc., etc.
There are always excellent openings for clever drawings. We teach you to produce SALEABLE, BLACK, AND WHITE WORK.
Send for Illustrated Prospectus to Secretary, 128 Drakefell Road, New Cross, S.E.
DRAW FOR THE PRESS!
(Designed by a Pupil of The Press Art School.)
AD. IV
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Can you Sketch?
Let us show you how to make your Art profitable. If you want to work for the Press, send your drawings to-day, for free opinion, to the PRESS ART SCHOOL, who will help you to produce saleable work, and give you Press introductions.
Note particularly the adjoining announcement.
DRAW FOR THE PRESS
Page 7
A KODAK fulfils all the requirements of the Ideal Christmas Gift.
It is distinctive, it is useful; it is certain to please; it has a sustained interest for the recipient.
Prices from 5/-
Complete Outfits from 13/-
KODAKS for CHRISTMAS
KODAK PHOTOGRAPHY affords an endless round of pleasure, and is a pastime that appeals to young and old alike. It is photography simplified. Perfect pictures can be made from the outset even by a child, and no darkroom is required at any stage. The Kodak Book, beautifully illustrated, post free.
OBTAINABLE OF ANY DEALER.
KODAK, Ltd., 57-61, Clerkenwell Rd., London, E.C.
96, Bold St., Liverpool; 72-74, Buchanan St., Glasgow; 59, Brompton Rd., S.W.; 60, Cheapside, E.C.;
115, Oxford St., W.; 171-173, Regent St., W.; 40, Strand, London, W.C.
THE DANISH GALLERIES
Tete-a-tete Coffee Service. "The Mistletoe." Price 15/6.
The Aluminia Fayances are peculiar for their rich colouring and bright decorative effects. They are hand-painted, of artistic design, and of refined quality.
2 OLD BOND STREET, LONDON, W.
AD. V
Page 8
SELECTIONS FROM THE AUTOTYPE COMPANY'S PUBLICATIONS.
(PERMANENT MONOCHROME CARBON.)
THE OLD MASTERS.
From the Principal National Collections, including the National Gallery, London; the Louvre, Dresden, Florence, etc., etc.
MODERN ART.
A Numerous Collection of Reproductions from the Royal Academy, the Tate Gallery, the Walker Art Gallery, the Luxembourg, etc.
GAMBIER BOLTON'S CELEBRATED ANIMAL STUDIES FROM LIFE; ALSO BIRDS, REPTILES, etc.
The exclusive copyright of the Autotype Company. Many hundreds of subjects, size about 12 in. by 10 in., 3/6 each.
REID'S STUDIES OF CATTLE, SHEEP, etc., FROM NATURE.
A large selection of these attractive artistic reproductions in various sizes, printed in Permanent Carbon.
ETCHINGS AND DRAWINGS.
By REMBRANDT, HOLBEIN, DÜRER, MERYON, etc.
Prospectus of above issues will be sent free on application.
Full particulars of all the Company's publications are given in THE AUTOTYPE FINE ART CATALOGUE.
ENLARGED EDITION, with hundreds of Miniature Photographs and Tint-Blocks of Notable Autotypes. For convenience of reference the publications are arranged alphabetically under Artists' Names.
Post Free, ONE SHILLING.
A Visit of Inspection is invited to THE AUTOTYPE FINE ART GALLERY, 74, NEW OXFORD STREET, LONDON, W.C.
MESSRS. BELL'S BOOKS.
SANDRO BOTTICELLI,
By HERBERT P. HORNE.
Crown folio. Printed at the Chiswick Press, on Arnold's hand-made paper. With an Appendix of Original Documents, many of which have never been printed before, and 43 Photogravure Plates of pictures specially photographed, many for the first time. Price £10 10s. net.
(A supplementary volume is in preparation).
Mr. Roger E. Fry, in the "BURLINGTON MAGAZINE," says:
"It is hardly too much to say that since the study of Renaissance art began to assume systematic form in the early nineteenth century until the present day, nothing has been produced quite comparable to Mr. Horne's new work. . . . It is unlikely indeed that very much more will ever be known about Botticelli than is here set down; for many years to come those who enquire what it is we know about this painter of Florence will have to refer to this book, which alike in the thoroughness of its scholarship and the gravity of its style has the air of a classic."
Write for Prospectus, with specimen plate and page.
A NEW BOOK ON SHEFFIELD PLATE.
JUST PUBLISHED.
SHEFFIELD PLATE,
ITS HISTORY, MANUFACTURE, and ART.
By HENRY NEWTON VEITCH.
Imperial 8vo. With 75 Plates and other Illustrations. 25s. net.
A detailed Prospectus will be sent on application.
LONDON: George Bell & Sons, York House, Portugal St., W.C.
AD. VI
Page 9
From Mr. HEINEMANN'S LIST.
THE LIFE OF JAMES McNEILL WHISTLER.
By E. R. & J. PENNELL.
Profusely Illustrated in Photogravure and Half-tone.
Two vols. Crown 4to, 36s. net. Also an Edition de Luxe, limited to 150 numbered copies, on Japanese Vellum, £5 5s. net, of which only a few copies remain.
"As an artist I wish I could handle this review of a magnificent effort in my own medium. I wish I could paint a review. Words appear thin and colourless in which to express all I feel of a biography that, so far as I know, has hardly been surpassed since Boswell wrote the Life of Johnson. Whistler influenced modern art more than any other man has ever done, and this book is his Bible, his Gospel. I cannot imagine anyone seriously interested in the art of the day being without this volume, while every lover of Whistler simply must possess himself of a copy, never mind at what cost."—MR. MORTIMER MENFES in the Daily Mail.
MODERN ART.
A Comparative Study of the Formative Arts. Being a Contribution to a New System of Aesthetics.
By JULIUS MEIER-GRAEFE.
With about 300 Illustrations.
Two vols. Demy 8vo. £2 2s.
"One of the most stimulating and delightful books on art criticism that has appeared for a very long time. Not the least brilliant portion of the book is the prefatory retrospective survey of European art. Every page bristles with controversial maxims, daring dogmas, and epigrams—sometimes profound and always very amusing."—Morning Post.
TUNIS AND KAIROUAN, CARTHAGE, &c.
Described and Illustrated with 48 Plates in Colour.
By GRAHAM PETRIE, R.I.
Demy 8vo. 16s. net. Also an Edition de Luxe on hand-made paper, with Illustrations mounted, limited to 100 numbered and signed copies, price £2 12s. 6d. net.
To those who have already explored Tunisia this book will bring back delightful memories, while to those less fortunate it may be, perchance, a happy foretaste of future holidays in a land of sunshine and romance, removed but by a three days' journey from our own grey shores.
MR. RACKHAM'S NEW PICTURES.
A MIDSUMMER NIGHT'S DREAM.
By WILLIAM SHAKESPE.RE.
With 40 Plates in Colour and numerous Text Illustrations
By ARTHUR RACKHAM, R.W.S.
Crown 4to. 15s. net.
"The majority are delicious, and the more fantastic the theme the better the artist succeeds. He has a genius for elves, and draws fairies as if he habitually saw them. Never was Puck so daintily realised, never were attendant sprites so sprite-like, and never was Titania so clothed in the beauty of a Midsummer night."—The Times.
Reduced Reproduction of a Coloured Illustration in "A Midsummer Night's Dream."
Prospectus of these Works, Mr. Heinemann's Illustrated List of Books for Presentation, and Mr. Heinemann's Autumn Announcement List, Post Free.
LONDON: Mr. HEINEMANN, 21 Bedford Street, W.C.
AD. VII
Page 10
Winter Number of “The Studio” (1908-9), Ready shortly.
The Gardens of England
In the Midland and Eastern Counties.
The Special Winter Number of “The Studio” will form a companion volume to the Winter Number of 1907-8, which was devoted to gardens in the Southern and Western Counties. The forthcoming number will, however, prove even more attractive, for the reason that the Midland and Eastern Counties contain some of the finest and most interesting gardens in the kingdom. In selecting the illustrations especial attention has been given to features and details which will prove of the utmost value to those who are designing or re-arranging gardens of more modest dimensions. There will be about 130 illustrations selected from some hundreds of photographs taken exclusively for this volume, and presented in the most artistic and attractive form. In addition there will be several plates in colour after water-colours by George S. Elgood, R.I., E. Arthur Rowe, Ernest A. Chadwick, and E. H. Adie. The letterpress will be written by A. Lys Baldry. Prices in wrappers 5s. net; in handsome cloth binding 7s. 6d. net (Postage extra, inland 6d.; abroad 1s. 6d. to 2s.). Obtainable at all booksellers and newsagents, or direct from the offices of “The Studio,” 44, Leicester Square, London, W.C.
AD. VIII
Page 11
Mr. MURRAY'S NEW BOOKS.
A HISTORY OF BRITISH WATER-COLOUR PAINTING.
With a Chronological List of the Painters, with Dates of Birth and Death and brief accounts of their Lives, etc.
By H. M. CUNDALL, I.S.O., F.S.A. With more than 50 Coloured Illustrations. 4to. 21s. net.
THE SHORES OF THE ADRIATIC. The Austrian Side.
An Architectural and Archaeological Pilgrimage. By F. HAMILTON JACKSON, R.B.A. With numerous Illustrations from Photographs; Drawings by the AUTHOR, and a Map. Medium 8vo. 21s. net.
This volume is complementary to the Author's "The Shores of the Adriatic: The Italian Side," and will be uniform with it and as profusely illustrated. The drawings and photographs illustrate the costume of the people, picturesque landscape subjects, architectural details, &c., and special attention is given to the ecclesiastical goldsmith's work. The Author has had special facilities afforded him by the kindness of the Austrian Government, and the plans of buildings given are mainly from clichés lent by the Central Commission for the preservation of buildings. The picturesqueness of the country and the great interest of the buildings to be seen along these coasts need no advertisement, and the customs of the people still retain a good deal of their mediaeval character, though much has faded or is rapidly fading.
THE ITALIAN SIDE: Already published. Medium 8vo. 21s. net.
INDIAN SCULPTURE AND PAINTING.
Illustrated by Typical Masterpieces. With an Explanation of their Motives and Ideals by E. B. HAVELL, A.R.C.A., Principal of the School of Art and Keeper of the Government Art Gallery, Calcutta. With Coloured and Monochrome Illustrations. Royal 8vo. £3 3s. net.
In this book Mr. Havell gives the results of many years study o. Indian Fine Art, tor which he has had exceptional opportunities as Principal of the Government School of Art, and Keeper of the Art Gallery in Calcutta. He deals with the subject from the artistic, not from the archaeological standpoint. Mr. Murray believes that this book will rank as a standard authority on Indian Fine Art, and take the same place in this subject as Ferguson's History (of which he is about to publish a revised Edition) does in Architecture.
GREEK DRESS. A Study of the costumes worn in ancient Greece from Pre-Hellenic Times to the Hellenistic Age. By ETHEL B. ABRAHAMS, M.A. With Diagrams and Illustrations. Demy 8vo. 9s. net.
A CENTURY OF ARCHAEOLOGICAL DISCOVERIES. By Professor A. MICHAELIS, of Strasburg. Translated into English by Miss BETTINA KAHNWEILER. With a Preface by Professor PERCY GARDNER, of Oxford. With Numerous Illustrations. Demy 8vo. 12s. net.
JOHN MURRAY, ALBEMARLE STREET, W.
Sir Hubert Von Herkomer AND PUBLIC OPINION
A Weekly Review of Current Thought.
Sir Hubert Herkomer, the distinguished artist, writing from Bushey to the Editor of "Public Opinion," says, on February 14th, 1908—
Dear Sir.—It gives me great pleasure, to tell you how your paper, PUBLIC OPINION answers a purpose in my life. Although I read a great deal, I find it impossible to keep abreast of the trend of higher thought that is going on around me, which can only be gathered from various articles and letters in newspapers, and articles in magazines. But your paper gives me the assurance that I miss nothing which would be of use to me in the train of thought upon which I may just be engaged, and seldom does a weekly issue of PUBLIC OPINION appear from which I cannot call some useful suggestion. As a lecturer on art, I need all the suggestions on life that I can get into my hands, for I treat art in all its phases popularly. From PUBLIC OPINION I get to know certain modern authors with whose methods of thinking I am in sympathy, and those I follow up further. Your paper does me the service to point to them.
Your selection of current thought is worthy of all praise, for it gives one the wholesome feeling that the world is after all, not going to the devil, but contains thinkers and good men and women.
I wish you, with all my heart, continuous success with your paper.
Yours very truly,
(Signed) HUBERT VON HERKOMER.
Every Friday. Twopence.
EDITED BY PERCY L. PARKER.
The Purpose of PUBLIC OPINION is to provide information by means of a weekly review of current thought and activity as they are expressed in the world's newspapers, magazines and books, and to put on record the ideas and activities which make for religious, political, and social progress.
PUBLIC OPINION can be obtained from any Newsagent or Bookstall, or will be sent Post Free for one year to any address in the United Kingdom for ros. rod.; and to any place abroad for 13s. per annum. Orders should be addressed to:
PUBLIC OPINION, 31 & 32 Temple House, Tallis St.,
LONDON, E.C.
Specimens free on application.
NOW READY.
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WYLLIE'S Sketch Book
By W. L. WYLLIE, R.A.,
With an Introduction
By EDWIN BALE, R.I.,
With 24 Facsimile Paintings in colours, 5/=
Mr. W. L. WYLLIE has here collected some of his wonderful colour sketches—rapid impressions of moving waters, ships and boats, which reveal not only the master draughtsmanship, but the extraordinary facility of the artist.
"Quite apart from any academic purpose the little book has merit and interest for anyone who has an eye to the picturesque incidents of a life at sea. . . . Mr. Bale's discriminating notes all tend to make the volume helpful."
—Pall Mall Gazette.
AD. IX