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Premières pages de l'ouvrage, en accès libre.

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REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE·STUDIO An Illustrated Magazine of Fine & Applied Art MAR. 14, 1908 VOL. 43 No. 180 44 Leicester Square LONDON·W·C Monthly BUREAU DU STUDIO PARIS LIBRAIRIE OLLENDORFF 50 CHAUSSEE D’ANTIN PRIX: 1 FRANC 60¢ NET

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THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, March 14, 1908. SUPPLEMENTS:—A COLOURED REPRODUCTION OF AN OIL PAINTING BY CLAUDE MONET, ENTITLED "FALAISES À ETRETAT (1885)"; TINTED REPRODUCTION OF FOUR OIL PAINTINGS BY CLAUDE MONET, ENTITLED "PONT DE LONDRES" (WATERLOO BRIDGE); "L'ÉGLISE À VETHEUIL"; "ARGENTEUIL"; AND "CATHÉDRALE DE ROUEN, LE PORTAIL VU DE FACE"; A COLOURED REPRODUCTION OF A SKETCH FOR A HOUSE AT CHAILEY, SUSSEX, M. H. BAILLIE SCOTT, ARCHITECT; A COLOURED REPRODUCTION OF A WATER-COLOUR SKETCH BY HENRY BODDINGTON, ENTITLED "L'ENCLOS DE NOTRE DAME, ST. OMER"; AND A COLOURED REPRODUCTION OF A WATER-COLOUR DRAWING BY A. DE RIQUER, ENTITLED "APEL À L'OISEAU." CLAUDE MONET, HIS CAREER AND WORK. By ARSENE ALEXANDRE. Fourteen Illustrations ...

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AWARDED GOLD MEDAL, PARIS EXHIBITION, 1900. ESTABLISHED 1789. BY APPOINTMENT TO HIS MAJESTY THE KING. GEO. ROWNEY & CO., Manufacturers of Drawing Pencils and Artists' Materials of the Finest Quality. The ARTISTS' ALMANACK for 1908 is now ready. Bound in cloth, gilt edges, with pencil, price 6d. In paper covers free on application. 61 Brompton Road, S.W., A few doors from Knightsbridge Tube Station. 10 & 11 Percy Street, London, W., and 27 Rue des Bons Enfants, Paris. REEVES' ARTISTS' COLOURS ARE MANUFACTURED PRIMARILY FOR ARTISTS, NOT AMATEURS; THE PROCESSES ARE SUPERVISED BY CHEMISTS SPECIALLY TRAINED IN THE PREPARATION OF ARTISTS' COLOURS. REEVES' COLOURS ARE TESTED AND REPORTED UPON BY ARTISTS, AND THIS IS PROBABLY THE REASON OF THEIR PRESENT-DAY PERFECTION AND THE INCREASED HOLD THEY HAVE OBTAINED OF LATE YEARS ON THE LEADING STUDIOS. REEVES' COLOURS ARE SUPERIOR TO THOSE MADE PRINCIPALLY FOR AMATEURS—SUPERIOR IN STRENGTH, IN TONE, IN QUALITY AND IN PERMANENCE. AD. I

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RULES OF ‘THE STUDIO’ INTERNATIONAL PRIZE COMPETITIONS. (1) All purchasers of THE STUDIO are eligible to compete. (2) Designs and Compositions must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings, &c., submitted for competition must be legibly signed with pseudonym only, and must be accompanied by the Coupon given below, duly filled in and signed. Such coupon must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. This envelope will not be opened until after the awards have been made. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes if the rules of the Competition have not been complied with, or if in the opinion of the judges the drawings, &c., are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO, or any Extra Number of it, at such a time as he thinks fit, any of the drawings, designs, photographs and other works submitted. Subject to this, the copyright in such drawings, &c., belongs (unless otherwise stated or implied in the announcement) to the competitors sending them, and they are free to dispose of them as they like. (5) All Drawings, &c., including those to which prizes have been awarded (unless otherwise stated), will be returned to Competitors at their own risk as soon as possible after publication of the awards, provided sufficient stamps are sent in the envelope containing the coupon to cover postage or carriage and packing—the minimum in all cases being sixpence. Colonial and foreign stamps will be accepted. (6) All drawings, prints, &c., must be claimed within one month after the publication of the awards (except those sent from remote countries, for which a period of four months will be allowed), failing which they may be disposed of as the Proprietor of THE STUDIO thinks fit. He will under no circumstances hold himself responsible for the loss or damage of any drawings, photographs, &c., in whatever way such loss or damage may arise. (7) All drawings, &c., must be sent in packed flat, except where otherwise expressly stated. (8) All designs, drawings, prints, &c., and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked “Prize Competitions,” with the number of the Competition on the outside of the package or letter referring to it. (9) An infringement of any of the above Rules will disqualify a Competitor, and the decision of the Editor shall be final on all questions arising thereunder. --- CLASS A. DECORATIVE ART. Closes Apr. 1 A LVIII. DESIGN FOR A WEATHER VANE IN WROUGHT IRON. May 1 A LIX. DESIGN FOR A CARVED OAK PULPIT. June 1 A LX. DESIGN FOR A GARDEN TERRACE FOR A COUNTRY HOUSE. (Particulars of the above appeared in the December, January and February Numbers respectively.) July 1 A LXI. DESIGN FOR AN EMBROIDERED ALTAR CLOTH. Drawings to be in colour and to show the complete design on a reduced scale. FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas. Drawings, packed flat or rolled in tube, to reach the London office of THE STUDIO by July 1, 1908. --- CLASS B. PICTORIAL ART. Apr. 1 B XLIII. WATER-COLOUR DRAWING OF A FIGURE SUBJECT. May 1 B XLIV. BLACK-AND-WHITE ILLUSTRATION TO “THE ARABIAN NIGHTS.” June 1 B XLV. PEN-AND-INK ILLUSTRATION TO A NURSERY RHYME. (Particulars of the above appeared in the December, January and February Numbers respectively.) --- B XLVI. WATER-COLOUR STUDY OF STILL LIFE. Drawings to be on stiff boards approximately 12 inches by 9 inches. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to reach the London office of THE STUDIO by July 1, 1908. --- CLASS C. PHOTOGRAPHS FROM NATURE. C XLIII. CHILDREN AT PLAY. Apr. 1 C XLIV. A PICTURESQUE OLD COTTAGE. May 1 C XLV. A STREET SCENE. June 1 C XLVI. A MOTOR CAR IN MOTION ON A DUSTY ROAD. July 1 All photographs should be sent in mounted upon firm cards, with a margin not exceeding half-an-inch in depth. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Photographs to be received at the London office of THE STUDIO by April 1 for C XLIII, May 1 for C XLIV, June 1 for C XLV, and July 1 for C XLVI. --- COMPETITION COUPON. To be cut off and forwarded in accordance with Rule 3. March 14, 1908.—This form can be used for any or all of the Competitions announced for the first time in this issue. Competitors may send in more than one drawing, photograph, etc., but the number sent should be noted on this Coupon. Competition No.: Pseudonym _______________________________ Stamps enclosed: Full Name and Address _______________________________ AD. II Closes July 1

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DRYAD FURNITURE DRYAD FURNITURE is not wicker and is quite different from ordinary squeaky furniture in material, beauty, restfulness, and strength. DRYAD CANE CHAIRS are designed primarily for comfort, and carefully shaped for this end with cane so woven that cushion are unnecessary. They are made of unbleached pulp cane strengthened with ash, and none but the best workmanship is employed. Their distinctive yet reticent design and colour harmonise well with any good furniture or surroundings, and they are suitable for the garden or drawing-room, billiard-room or study. DRYAD FURNITURE IS THE PIONEER OF ARTISTIC CANE FURNITURE IN ENGLAND. ILLUSTRATED CATALOGUE FREE FROM MAKER. H. H. PEACH, S Dept., GREAT CENTRAL ST., LEICESTER. --- A SANDERSON & SONS BRANCH OF THE WALLPAPER MANUFACTURERS LTD CHISWICK DESIGNS FOR WALL PAPERS FRIEZES ETC SHOULD BE POSTED TO OR SUBMITTED AT CHISWICK --- "Pelican" Colours. These Celebrated Artists' Water-Colours blend most perfectly when mixed, may be most evenly applied for washes without showing the slightest trace of Granulation, and have and retain unequalled Brilliance and Colouring. Their increasing popularity in the HOME and COLONIAL MARKETS Proves that they are appreciated as possessing the above good qualities to a more marked degree than other brands. Artists, Students, &c., are requested to write for Colour Card with actual tints, or descriptive Price List, to GUNTHER WAGNER Sole Manufacturer. 80 MILTON STREET LONDON E.C. --- FAB-RI-KO-N WOVEN WALL-COVERINGS IN FIFTY DIFFERENT SHADES PAN AD. III

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ART EXHIBITIONS—BRITISH & FOREIGN. LONDON.—Royal Academy. Burlington House, W. Summer Exhibition. Rec. days (non-members): Water-Colours, Miniatures, Architecture and other works under glass, Mar. 27; Oil Paintings, Mar. 28 and 30; Sculpture, Mar 31. Opens May 4. New Gallery. Regent St., W. “Fair Women” Exhibition. Closes end of March. New Gallery. Summer Exhibition; Rec. day, Mar. 18. Opens end of April. Royal Institute of Painters in Water-Colours, 195, Piccadilly, W. Annual Exhibition. Opens Mar. 23. Royal Society of British Artists. Suffolk St., Pall Mall. Spring Exhibition. Rec. day, Mar. 30. Opens April 13. Royal Society of Painters in Water-Colours, 5A, Pall Mall East. Spring Exhibition. Opens in April. Royal Society of Painter-Etchers and Engravers, 5A, Pall Mall East. Annual Exhibition; open now. Closes Mar. 28. Messrs. Agnew’s Exhibition of Water-Colour Drawings, 43 Old Bond St. Open now. Ridley Art Club. New Gallery. April 4–11. Rec. day, April 1. BIRMINGHAM.—Royal Society of Artists. Spring Exhibition. Open April 6 to June 13. BRIGHTON.—Corporation Galleries. Exhibition of Pictures and Sculpture by Modern British and Foreign Artists. Opens Mar. 31. DUBLIN.—Royal Hibernian Academy. Now open. DUNDEE.—Art Society. End of Mar. to end of May. EDINBURGH.—Royal Scottish Academy. Annual Exhibition. Open till end of May. Scottish National Exhibition. May–Oct. Women’s Section, Arts and Crafts. Exhibits received during April. Organizing Secretary, 45 York Place, Edinburgh. GLASGOW.—Royal Institute of the Fine Arts. Annual Exhibition. Open till May 30. LEEDS.—City Art Gallery. Spring Exhibition. Now open. LIVERPOOL.—Decorative Art and Handicraft Exhibition in June and July. H. Bloomfield Bare, Secretary, Red House, 142A Islington, Liverpool. BERLIN.—Grosse Berliner Kunst-Ausstellung. May–Sept. Secession. April 20 to Aug. 2c. DARMSTADT.—Hessian National Exhibition of Fine and Applied Art. May 23 to end of Oct. MUNICH.—Ausstellung München, 1908. Applied Art, Handicrafts, etc. May to Oct. PARIS.—Salon des Artistes Français (Old Salon). May 1 to June 30. Rec. days: Statuettes and Busts, April 1, 2; Engravings, etc., April 2, 3; Architecture, April 3, 4; Sculpture and Decorations, April 13, 14. PRAGUE.—Kunstverein für Bohmen. Jubilee Exhibition of Bohemian Art, 1848–1908. VIENNA.—Künstlerhaus. Jubilee Exhibition. Secession. Spring Exhibition. Hagenbund. Polish Art. Jubilee Exhibition opens end of March. CAN YOU SKETCH? Would you like to draw for the Press? The PRESS ART SCHOOL gives a thorough course of INSTRUCTION by CORRESPONDENCE In all Branches of MAGAZINE AND NEWSPAPER ILLUSTRATION Through the agency of this School, students are obtaining Press introductions, and publication of their drawings in such World-famed periodicals as Pearson’s Magazine, The Sketch, The Taller, etc. etc. There are always excellent openings for clever drawings. We teach you to produce SALEABLE BLACK AND WHITE WORK. Send for Illustrated Prospectus to Secretary. 128 Drakefell Road, New Cross, S.E. DRAW FOR THE PRESS! (Designed by a Pupil of The Press Art School.) AD. IV THE "RATIONAL" FIREPLACE Owing to the advancing cost of fuel a 'Rational Fireplace' is now of more value than ever." Write for illustrated catalogue of other designs, and to fit existing mantelpieces. Thousands are now in use all over the world. JOSHUA W. TAYLOR, Ltd. Works and Show Room: BRADFORD STREET, BOLTON. London Office and Show Room: 135 VICTORIA STREET, S.W.

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KODAKS SIMPLICITY is the keynote of Kodak photography—that explains why nearly everyone who uses a camera prefers to use a Kodak: indeed you must have a Kodak if you wish to be independent of the darkroom from start to finish, because no other system adds to daylight loading and unloading the certainty, simplicity and comfort of Kodak daylight development. The simplicity of the Kodak method is set forth in the beautifully illustrated KODAK BOOK, which will be sent free to anybody naming this magazine. Kodak, Ltd. 57/61, Cheltenwell Road, London, E.C. Bruxelles, 96 Boldstreet, Liverpool; 72,74, Buchanin street, Glasgow; 59, Brompton-road, S.W.; 60, Cheapside, E.C.; 113, Oxford-street, W.; 171-173, Regent-street, W.; 40, Strand, London, W.C. KODAKS CAN BE OBTAINED OF ALL THE BEST PHOTOGRAPHIC DEALERS. --- The ROYAL COPENHAGEN PORCELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. The specialty of the works is painting under glaze on the “bisque.” The painted porcelain is fired at a very high temperature, which limits the number of colours applicable to a very small one, this however being considered rather an advantage as to the artistic value of the ware. Many pieces are “unique,” only one piece being made and signed by the artists, and such decorations never duplicated. 2 OLD BOND STREET, LONDON, W. AD. V

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SELECTIONS FROM THE AUTOTYPE COMPANY'S PUBLICATIONS (PERMANENT MONOCHROME CARBON). THE OLD MASTERS. From the Principal National Collections, including the National Gallery, London; the Louvre, Dresden, Florence, etc. MODERN ART. A Numerous Collection of Reproductions from the Royal Academy, the Tate Gallery, the Walker Art Gallery, the Luxembourg, etc. GAMBIER BOLTON'S CELEBRATED ANIMAL STUDIES FROM LIFE; ALSO BIRDS, REPTILES, etc. The exclusive copyright of the Autotype Company. Many hundreds of subjects, size about 18 ins. by 10 in., 3/6 each. REID'S STUDIES OF CATTLE, SHEEP, etc., FROM NATURE. A large selection of these attractive artistic reproductions in various sizes, printed in Permanent Carbon. ETCHINGS AND DRAWINGS. By REMBRANDT, HOLBEIN, DÜRER, MERYON, &c. Prospectuses of above issues will be sent free on application. Full particulars of all the Company's publications are given in THE AUTOTYPE FINE-ART CATALOGUE, ENLARGED EDITION, with Hundreds of Miniature Photographs and Tint-Blocks of Notable Autotypes. For convenience of reference the publications are arranged alphabetically under Artists' Names. Post Free. ONE SHILLING. A Visit of Inspection is invited to THE AUTOTYPE FINE ART GALLERY, 74 NEW OXFORD STREET, LONDON, W.C. LECHERTIER BARBE, LTD., Artists' Colourmen (Late Regent Street, W.), 95 JERMYN ST., S.W. (Facing St. James's Church). SOLE MAKERS of PAPIER-MACHE LAY - FIGURES. A new branch:— Chrysalide and Wolfite. Prospectus free on application. HIGH-CLASS MINIATURE FRAMES PLAIN and FANCY or in HAND-BEATEN COPPER, SILVER, GOLD, etc.: Any size: Oval Circle, or Square. ARTISTS' DESIGNS CARRIED OUT :: WRITE FOR LISTS OF GENERAL MINIATURE FRAMES. ART PHOTO. SUPPLY CO., STEEL HOUSE LANE, BIRMINGHAM. DESIGNERS & CRAFTSMEN. ESTAB. 1898. AD. VI NOW READY. Crown 8vo. 6s. net. DECORATIVE HERALDRY. A Practical Handbook of its Artistic Treatment. By G. W. EVE. New and Revised Cheaper Edition, with about 200 Illustrations. "This volume is worthy of a place in the library of all artists who devote some attention to the applied arts... Commencing his work with a primer, in which the essential rules are laid down and the terms explained, he devotes several chapters to its application in past times to the many purposes of decoration—to monumental brasses, to wood and stone carving, and other forms of architectural ornament. The book abounds in good illustrations, selected with much judgment and discrimination."—Studio. Write for an Illustrated Prospectus, and for Messrs. Bell's Catalogue of Books for Artists and Art Workers. LONDON: GEORGE BELL & SONS, YORK HOUSE, PORTUGAL ST., W.C.

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Art in the Garden. The accompanying drawing embraces a number of the specialities in garden ornamentation designed and manufactured at the Pyghtle Works, including GARDEN SEATS SUNDIALS TUSCAN WARE LEAD AND STONE FIGURES PALM BOXES and TREILLAGE ILLUSTRATED HANDBOOK on Garden Furniture sent FREE on Application. JOHN P. WHITE, The Pyghtle Works, Bedford, and 134 NEW BOND ST., W. --- OYEZ OYEZ JOHN LINE & SONS LTD make GOOD WALLPAPERS to suit all fancies and all purses 213-214-215 Tottenham Court Road W. John Dunn & Son Edinburgh & Newcastle incorporated with J.L.S. Ltd --- J.S.HENRY, LTD FURNITURE DECORATION WOODEN ELECTRIC LIGHT FITTINGS 287—291 OLD STREET, LONDON, E.C. 22, ST. JAMES’ ST. PALL MALL, S.W. A.D. VII

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LIST OF SPECIAL NUMBERS AND OTHER PUBLICATIONS ISSUED BY "THE STUDIO" 1894 "Christmas Cards and their Designers" ... ... ... Bound 2/6 1896 "Work of R. L. Stevenson" ... ... ... 1/- 1897 "Children's Books" ... ... ... 1/- 1898 "Modern Book Plates" ... ... ... (Out of print) 1899 "Beauty's Awakening" ... ... ... 2/6 "Modern Bookbindings" ... ... ... (Out of print) 1900 "Modern British Water-Colour Drawings" ... ... (Out of print) 42/-* "Modern Pen Drawings" ... ... ... (Out of print) 21/-* 1901 "Modern British Domestic Architecture" ... ... (Out of print) 12/6* "Modern Jewellery and Fans" ... ... ... 5/- 1902 "Modern Etching and Engraving" ... ... (Out of print) 15/-* "Corot and Millet" ... ... ... (Out of print) 15/-* 1903 "Masters of English Landscape Painting" ... ... (Out of print) 15/-* "The Genius of J. M. W. Turner" ... ... (Out of print) 21/-* 1904 "The Royal Academy from Reynolds to Millais" ... 5/- paper; 7/6 cloth "Daumier and Gavarni" ... ... ... 5/- paper; 7/6 cloth 1905 "The Old Water-Colour Society" ... ... (Out of print) 12/6* "Art in Photography" ... ... ... (Out of print) 10/6* "Nash's Mansions of England in the Olden Time" ... (Out of print) 10/6* 1906 "The Royal Institute of Painters in Water-Colour" ... (Out of print) 10/6* "Art-Revival in Austria" ... ... ... 5/- paper; 7/6 cloth "Old English Country Cottages" ... ... ... (Out of print) 12/6* 1907 "The Royal Scottish Academy" ... ... ... 5/- paper; 7/6 cloth "The Brothers Maris" ... ... ... 5/- paper; 7/6 cloth "The Gardens of England" ... ... ... 5/- paper; 7/6 cloth 1906 "The Year-Book of Decorative Art" ... ... ... 5/- paper; 7/6 cloth 1907 " " ... ... ... (Out of print) 15/-* 1908 " " ... ... ... 5/- paper; 7/6 cloth "Art in 1897," 3 Parts, 2 at 1/-, 1 at 1/6; bound complete, 6/- "Art in 1898," 3 Parts at 1/- each; bound complete, 5/- "English Water-Colours," pub. in 8 Parts; parts 4 and 5 out of print, the rest 5/- each.* "Representative Art of our Time," 8 Parts; Parts 2 and 4 out of print; the rest 2/6 each;* also complete, bound in Brown Buckram, gilt top, 31/6 "Whistler Portfolio" out of print. Holme, C. "Instruction in Woodcarving according to the Japanese Method" out of Baldry, A. L. "Picture Titles for Painters and Photographers," 3/6 [print Fisher, Alex. "The Art of Enamelling on Metal," 2/6 * As in most of these cases copies can only be procured to order, the prices quoted (which are for copies in paper wrapper) are liable to be increased. ALL PRICES QUOTED ABOVE ARE STRICTLY NETT AND DO NOT INCLUDE POSTAGE. OFFICES OF "THE STUDIO," 44 LEICESTER SQ., LONDON. AD. VIII

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THE SUN BLEACHES "Old Bleach" Linens THE illustration shows a group of "Old Bleach" Linen Towels, so celebrated for their beauty and life-lasting qualities. They are so soft and lustrous as to resemble silk. The range of "Old Bleach" Towels rises from plain homely huckback to the costly Towels used by Royalty, but no matter what the price they are all genuine "Old Bleach," which is the highest mark of preparation in Linen. "Old Bleach" Damask Towels, Table Linens, and soft Baby Towels, Hucks, Diapers, Pillow-cases, Tovellings, Aprons, etc., are stocked by all first-class Drapers. Purchasers are requested to see the "Old Bleach" Trade Mark stamped on every article and yard of piece goods, without which none are genuine. All interested in this beautiful and durable Linen should write for the new "Old Bleach" Booklet, illustrated throughout by photographic reproductions of their artistic designs. Sent post free from THE "OLD BLEACH" LINEN CO., Ltd., Randalstown, Ireland. Waterman's Ideal Fountain Pen READY FOR SERVICE. The strength of a fleet lies in the efficiency of the vessels ready for action. Battles are won by the ships in the fighting line, not by units in the dry-dock. As in fighting, so in writing; the ability to cope with the exacting claims of correspondence depends not on the numerous pens you may have at the repairers, but on the efficiency of the pen you have in your hand. Waterman's Ideal is the simplest and most efficient fountain pen made, and it is always in the fighting line, ready for instant and effective service in the interests of its owner. Price—10 6 15s., 17 6 21s., and upwards. In Silver and gold or Precarnation. Of Stationers, Jewelers, &c. Booklet, post free, from L. & C. HARDTMU'II, 12 Golden Lane, London, E.C. (New York - 173 Broadway.) WALTER J. PEARCE LTD. 41 GARTSIDE ST. MANCHESTER. AD. IX