Premières pages de l'ouvrage, en accès libre.
REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE STUDIO An Illustrated Magazine of Fine & Applied Art SEPT. 15, 1903 VOL. 29 No. 126 44 Leicester Square LONDON Monthly $1\frac{5}{8}$ BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF 50 CHAUSSÉE D’ANTIN PRIX : 1 FRANC $50^{\text{c}}$ NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, September 15, 1903. SUPPLEMENTS:—PHOTOGRAPURE REPRODUCTION OF MORTIMER MENPES' ETCHED PORTRAITS OF J. MCNILL WHISTLER; A REPRODUCTION IN CHROMO-LITHOGRAPHY OF A PORTRAIT STUDY IN PASTEL BY JAMES MCNEILL WHISTLER; A TINTED REPRODUCTION OF A STUDY IN CHALK BY JAMES MCNEILL WHISTLER; A REPRODUCTION IN COLOURS OF A PASTEL DRAWING "ON A VENETIAN CANAL" BY JAMES MCNEILL WHISTLER; A REPRODUCTION IN COLOURS OF "A LITTLE SEA-PIECE" FROM THE WATER-COLOUR DRAWING BY JAMES MCNEILL WHISTLER; A REPRODUCTION IN COLOURS OF "SPANISH DANCERS" FROM THE COLOURED ETCHING BY ALLAN OSTERLIND; AND A TINTED REPRODUCTION OF A DRAWING BY PHIL MAY. JAMES MCNEILL WHISTLER: HIS ART AND INFLUENCE. By A. L. BALDRY. Nine Illustrations . . . 237 REMINISCENCES OF WHISTLER. By MORTIMER MENPES. Recorded by Dorothy Menpes. Eight Illustrations . . . 245 THE NATIONAL COMPETITION OF SCHOOLS OF ART, 1903. By ESTHER WOOD. Fifty-one Illustrations . . . 257 ALLAN OSTERLIND'S ETCHINGS IN COLOURS. By HENRI FRANTZ. Five Illustrations . . . 274 THE LIFE AND WORK OF THE LATE PHIL MAY. Seven Illustrations . . . 280 STUDIO-TALK (From our own Correspondents):— LONDON. Twelve Illus. . . 287 | DRESDEN One Illus. . . 296 BIRMINGHAM. Three Illus. . . 291 | ROME. Two Illus. . . 299 LIVERPOOL. One Illus. . . 292 | PARIS. One Illus. . . 300 CARDIFF. Three Illus. . . 292 | MUNICH . . . 301 GLASGOW. Six Illus. . . 292 REVIEWS . . . 303 AWARDS IN "THE STUDIO" PRIZE COMPETITIONS Twelve Illustrations . . . 307 THE LAY FIGURE . . . 312 The Annual Subscription of "THE STUDIO" is 12s. net.; Post free, 16s. for Great Britain, 18s. for Abroad. Any difficulty in obtaining "The Studio" should at once be reported to the Publisher, 44 Leicester Square, London, W.C. THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. NINE GOLD MEDALS JEFFREY & Co's ARTISTIC WALL PAPERS. WEST END SHOW ROOMS THE WALL-PAPER GALLERY 31-MORTIMER-ST. REGENT STREET-W. FACTORY 64 ESSEX-R2 & OFFICES ISLINGTON N. THEIR LATEST WALL PAPERS NOW ON EXHIBITION Are to be obtained of all Decorators and Wall Paper Merchants. Telephone No. 134 Dalston. REPLACE MAKERS TO H.M. THE KING THE TALE TRIPACO Teale & Somers 28 Berners St. W. Works at Leeds. Reserved for William Morris & Company, of "Ruskin House," Fulham Rd., South Kensington, London, for Lead Glazing and Metal Casements.
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ARTISTS' PRICES, NET. ANTWERP BLUE IVORY BLACK BURNT SIENNA McGUILP BURNT UMBER LIGHT RED CHROME No. 1 (LEMON) PRUSSIAN BLUE CHROME No. 2 (YELLOW) RAW SIENNA CHROME No. 3 (ORANGE) RAW UMBER EMERALD GREEN TERRA VERT FLAKE WHITE TRANSPARENT GOLD OCHRE INDIAN RED VANDYKE BROWN INDIGO YELLOW OCHRE Studio, 9d. each; Half-Studio, 6d. each. CHROME No. 4 (ORANGE DEEP) NAPLES YELLOW No. 1 Studio, 1/- each; Half-Studio, 8d. CRIMSON LAKE PERMANENT BLUE FRENCH ULTRAMARINE Studio, 1/6 each; Half-Studio, 11d. CRIMSON ALIZARIN SCARLET VERMILION MADDER BROWN VERMILION Studio, 2/- each; Half-Studio, 1/2. COBALT ROSE MADDER INDIAN YELLOW VIRIDIAN or VERONESE LEMON YELLOW GREEN Studio, 4/6 each; Half-Studio, 2/6. CADMIUM, PALE, YELLOW OR ORANGE Studio, 6/6 each; Half-Studio, 3/6. The "Half-Studio" size will be found most convenient for sketching. THE "STUDIO SIZE" Manufactured by GEORGE ROWNEY & CO., 64, Oxford Street, W. And may be obtained from the Principal Dealers in Artists' Materials throughout the Kingdom. REEVES' WATER-COLOUR SKETCHING OUTFIT NO. 2. A Water-Colour Hand Easel, to which is attached a Japanned Colour-Box containing 12 Half-pans of Colours, folds into a Waterproof Bag, with 6 Whatman Tablets, Japanned Water-bottle and Cup, Japanned Brush-case containing Sable Brushes, Wash-Brush, Pencil and Rubber. Complete, 30s. REEVES & SONS, Ltd. Of all Reeves' Depots. Old Bleach Towels STOCKED BY ALL FIRST CLASS DRAPERS BOOKLET ON CARE OF LINEN GRATIS The Old-Fashioned Grass Bleaching Process practised at the 'Old Bleach' Works, without the use of starch or injurious chemicals is wholly accountable for their silky softness and extraordinary wearing power. The 'Old Bleach' Linen Co., Ltd., Randalstown, Ireland. A.D. I
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. REVISED RULES. (1) All subscribers to THE STUDIO are eligible to compete. (2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings for competition must be legibly signed with pseudonym only. The Coupon given on p. xvi., with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition, or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. All prize designs become the property of the Proprietor of THE STUDIO, unless otherwise specified. (5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term “sufficient postage” has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated. (6) All designs must be sent in packed flat, unless specially excepted in certain competitions. (7) All designs and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked “Prize Competitions,” with the number of the Competition, “A XLVI,” “B XXXVII,” “C XXXV,” &c., on the outside of the package or letter referring to it. (8) An infringement of any of the above Rules will disqualify a Competitor. --- CLASS A. DECORATIVE ART. Closes Oct. 1 A XLVI. DESIGN FOR A SILVER INKSTAND. (Particulars appeared in the July Number). Closes Nov. 1 A XLVII. DESIGN FOR A PAINTED DECORATION OF A PORCELAIN JUG. (Particulars appeared in the August Number.) Closes Jan. 1 A XLVIII. DESIGN FOR A SET OF FIRE-IRONS. Drawings, which must not exceed in size a page of THE STUDIO, may be made in pen-and-ink or in monochrome wash. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by January 1, 1904. --- CLASS B. DRAWINGS IN BLACK-AND-WHITE. Closes Oct. 1 B XXXVII. ILLUSTRATION FOR “IN MEMORIAM.” (Particulars appeared in the July Number.) Closes Nov. 1 B XXXVIII. DESIGN FOR A BOOKPLATE (EX LIBRIS). (Particulars appeared in the August Number.) Closes Jan. 1 B XXXIX. DESIGN FOR A BOOK-COVER. The design required is for the cover of a Special Number of THE STUDIO. The design to be made in line, for reproduction in gold on cloth. The title of any already published Special Number may be used, but the lettering should not be inalienable from the design, which may be required for several different Special Numbers with varying titles. In the event of a design sent in for this competition being actually used for the cover of one of the Special Numbers, an additional fee of two guineas will be paid to the designer. FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by January 1, 1904. --- CLASS C. PHOTOGRAPHS FROM NATURE. C XXXV. A PICTURESQUE GARDEN. C XXXVI. SEASCAPE. C XXXVII. A GROUP OF OBJETS D’ART. All photographs should be sent in mounted upon firm cards, without margin. FIRST PRIZE: One Guinea; SECOND PRIZE, Half-a-Guinea. Photographs to be received at the London office of THE STUDIO, 44 Leicester Square, W.C., by October 1 for C XXXV, November 1 for C XXXVI, and January 1 for C XXXVII. --- AT THE REQUEST OF MANY READERS OF “THE STUDIO” IN FAR-OFF COUNTRIES, THE TIME FOR SENDING IN DESIGNS AND PHOTOGRAPHS FOR THE VARIOUS COMPETITIONS HAS BEEN CONSIDERABLY EXTENDED. --- GEORGE WRAGGE --- Ltd.,SALFORD, Manchester. --- LONDON SHOWROOM:211 Shaftesbury Avenue, W.C. --- The Crafts. Stained and Leaded Glass, Gesso, Glass Mosaics, Plaster, Decorations, Furniture. --- Wardry Works. Metal Work for Interior and Exterior Decoration, Lead Work, Memorial Tablets, Repoussé, Cavements and Sashes. --- AD. II --- Closes Oct. 1 Closes Nov. 1 Closes Jan. 1
HOOKHAMS WORLD FAMED PATENT PIANO WIRE PICTURE LINE TO BE HAD OF ALL IRONMONGERS. TRADE MARK 100 LBS TRADE MARK 100 LBS PLATE 25p COLLECTORS OF VALUABLE PICTURES WILL NO LONGER RESISTE UNTIL THEY LEARN THAT OVER A MILLION ARE RING UPON THIS LINE EVERY YEAR. N° 5 6 7 8 9 10 11 FOR PICTURES WEIGHING UP TO 20 30 40 60 80 100 300 lbs lbs lbs lbs lbs lbs lbs $6 $ 5 $ 5 $ 5 $ 5 $ 5 $ 5 $ 5 PER HUNDRED FEET RABIDLY ADJUSTED. SOLE AGENTS TONKS 1s PRACTICALLY INVISIBLE. --- THE WALLPAPER MANUFACTURERS LTD A. SANDERSON & SONS BRANCH. WORKS:- CHISWICK. Nearest Railway Stn TURNHAM GREEN. DESIGNS FOR WALL-PAPERS should be POSTED TO OR SUBMITTED AT CHISWICK. --- Longden & Co. London Office 447 Oxford Street W. Works Phoenix Foundry Sheffield Makers of Grates Fenders Fireirons Wrought-Iron Work Ornamental Brass and Bronze Work AD. III
EXHIBITIONS FORTHCOMING. - Royal Society of British Artists. Members. (First week in October.) - Liverpool Corporation. (O.D. Sept. 7.) - Royal Birmingham Society of Artists. (O.D. Sept. 10.) - Royal Society of Painters in Water-Colours. Winter Exhibition. (R.D. Nov. 16.) - International Society of Sculptors, Painters and Gravers. (R.D. London, Dec. 17 to 24, 1903; O.D. second week in January, 1904.) - New English Art Club. (R.D. Nov. 2.) - Salons de Bruxelles. (Sept.) - Dresden Art Exhibition. (Oct. 1.) - Vienna Kunstlerhaus. Winter Exhibition. (Nov.) - Vienna Impressionists. (Nov.) - Worcester Corporation. - Dudley Corporation. - Manchester Corporation. (Sept.) - Derby Corporation. (R.D. third week in September.) - Society of Portrait Painters. Members. (R.D. Oct. 30.) (R.D. Receiving Date. O.D. Opening Date.) IMPORTANT NOTE:—In order that the above Monthly List of Exhibitions may be rendered a reliable source of information for Artists and others, the Advertisement Manager will be obliged if Secretaries will give him early notification of forthcoming events, together with the Receiving and Opening Dates, and, when possible, the dates of Closing. These should reach this office not later than the last day of the month prior to insertion, addressed to the Advertising Manager. --- MODERN PAINTERS OF THE DUTCH SCHOOL 14 GRAFTON STREET BOND STREET, W. Now on View A Collection of Oil Paintings and Water Colours by MARIS • MAUVE • ISRAELS WEISSENBRUCH • DE BOCK BOSBOOM, GABRIEL, BREITNER, MESDAG • AND OTHERS THE HOLLAND FINE ART GALLERY C. M. VAN GOGH W. J. VAN HOYTEMA --- WINSOR & NEWTON'S FINELY PREPARED OIL COLOURS In Collapsible Tubes, @ Revised list of Oil Colours will be sent post free on application. “SMALL STUDIO” Tube. For the convenience of Artists using large quantities of Colour, all Messrs. Winsor and Newton’s Oil Colours are supplied in “SMALL STUDIO” and “STUDIO” Tubes, containing respectively “FOUR TIMES” and “SIX TIMES” as much as an ordinary two-inch Tube, at considerably reduced prices. WINSOR & NEWTON, LTD., Sole Agents for St. Britain, the British Colonies & the United States of America for RAFFAELLI’S SOLID OIL-COLOURS. Rathbone Place, London, W. AD. IV --- THE BOSTEL FIRE A PATENT SUNK OR RAISED FIRE. WHEN THE FIRE IS RAISED air is drawn through the fuel and it quickly becomes incandescent and smokeless. WHEN THE FIRE IS LOWERED air does not pass through the fuel and combustion is very slow. HEATS THE ROOM, NO T . . . THE CHIMNEY LESS COAL. MORE HEAT. QUICK LIGHTING. SLOW BURNING. SIMPLE ACTION. The illustration shows the fire being raised. Write for further description. Coalbrookdale Co., Ltd., 141, Queen Victoria St., London, E.C.
EVERY ARTICLE ILLUSTRATED THROUGHOUT HAMP TONS SERIES OF 20 CATALOGUES IS MARKED IN PLAIN FIGURES At the Minimum Price for Cash, thus enabling purchasers to see that for the Furnishing of Houses throughout in the most Tasteful Manner at the Least Expense Hamptons' productions afford value for money that cannot be Excelled. Any one or more of these Catalogues will be sent free on receipt of the necessary particulars of the applicant's requirements. HAMPTONS' "LYTHGOE" CHIMNEYPIECE IN FUMED OAK. 3 ft. 9 in. wide by 6 ft. 3 in. high, wood opening 30 m. wide by $3\frac{1}{2}$ in. high. £6 18s. 6d. HAMPTONS' "BADMINTON" LARGE WINGED EASY CHAIR. Stuffed all-hair and covered in Morocco. £6 15s. Hamptons pay carriage to any Railway Station in the United Kingdom on all purchases over 20s. HAMPTON & SONS LTD Pall Mall East, London, S.W. The ROYAL COPENHAGEN PORCELAIN BY SPECIAL APPOINTMENT TO HER MAJESTY QUEEN ALEXANDRA. 2 Old Bond Street, W. AD V
The AUTOTYPE COMPANY 74, New Oxford Street, London, W.C. Permanent Photographic Copies of Famous Works of Art by the Autotype (Carbon) Process. PICTURES FOR PRESENTS AND HOME DECORATION. "We cannot all possess real Rembrandts and Watteaus and Corots, but we can buy good reproductions. And for good reproductions there is nobody better than the Autotype Company, or half so good. We spent a pleasant hour the other morning in their Galleries, and we were surprised at the success of their process, which more than any other obtains the actual 'values' of the original paintings. Many of these are even improved by the process. For the faulty colouring of some of the greatest artists no longer offends in a monochrome print; the looseness or coarseness of treatment often vanishes when the picture is, to all intents and purposes, reduced in size. If any of your friends love good pictures, you cannot do better than to present them with a few Autotype reproductions from their favourite masters."—The Outlook, December 2, 1899. THE AUTOTYPE FINE ART CATALOGUE. Now ready. NEW EDITION. With upwards of 150 Miniature Photographs of Notable Autotypes, and 23 Tint-block Illustrations. For convenience of reference, the Publications are arranged alphabetically under Artists' Names. Post Free, ONE SHILLING. Messrs. BELL'S NEW BOOKS NEW LIST POST FREE ON APPLICATION. Ready shortly, small 4to, 10s. 6d. net. The Art of James McNeill Whistler BY T. R. Way and G. R. Dennis. With about 50 illustrations in colour and monochrome representing all branches of the master's work, including oil and water-colour paintings, pastels, etchings and lithographs. Crown 8vo., 6s. net. THE ART OF THE VATICAN: a Brief History of the Palace and an Account of the Principal Art Treasures within its walls. By Mary Knight Potter. With 41 Illustrations and a Plan. NEW ILLUSTRATED EDITION Vol. i. Now Ready. BRYAN'S DICTIONARY OF PAINTERS AND ENGRAVERS. Edited by G. C. Williamson, Litt. D. In 5 vols., cloth 21s. net each or Half Morocco 31s. 6d. net each. (To be published at intervals of 3 months.) In this new edition upwards of 500 new biographies will be added of painters of all nations who have died since the issue of the last edition in 1884-9. Many of the old biographies will also be re-written, and upwards of 3,000 corrections and alterations in dates, names, attributions, etc., rendered necessary by the researches of the last twenty years, will be introduced. There will also be about 450 Illustrations including 40 photogravure plates. LONDON: GRORGE BELL & SONS, York St., Covent Garden. AD VI SCOTT CUTHBERTSON COTTERELL BROS & Co ART WALLPAPER WORKS ~~~ WHITELANDS CHELSEA LONDON - S.W. NEW SELECTING ROOMS - 13 KINGS RD SLOANE SQ- 14 PRIZE MEDALS
Fifth Edition, Revised and much Enlarged. A Handsome 4to Volume, Cloth Gilt. Price 12.6. BUNGALOWS & Country Residences. A Series of Designs and Examples of Executed Works. By R. A. BRIGGS, Architect, Fellow of the Royal Institute of British Architects. Containing 47 photo-lithographic plates of exterior and interior views and plans, with descriptive text, and notes of the cost of each house. In this Edition it has been sought to give as much variety as possible, not only in the designs themselves, but also in the cost of the actual buildings (which ranges from £50 to £3,000), and the whole of the estimates have been carefully revised. The St. James's Gazette.—"The views given embrace such a variety of style, and such charm of treatment, that he would be hard to please who could not find among them a design of a cottage or bungalow to suit both his pocket and his aesthetic tastes." B. T. BATSFORD, 94 High Holborn, LONDON. Bernard Cuzner, Designer and Craftsman in Metals. ARTISTIC JEWELLERY, SILVERWARE, & ENAMEL, & REPOUSSE WORK, etc., etc. A selection of Photos of inexpensive articles suitable for Presents submitted on application; also designs and estimates for special work. BOURNVILLE. Near Birmingham. SILVER BROOCH, SET WITH TWO OBSIDIES. 8/4. GOLD BROOCH, SET WITH AMAZON STONE. 12/6. B. T. BATSFORD'S PUBLICATIONS FOR DESIGNERS, CRAFTSMEN, &c. Just Ready. Folio (17½ ins. by 13 ins.) in portfolio, price 20s. net. STUDIES IN PLANT FORM, By G. WOOLLISCHROFT RHEAD, R.E., A.R.C.A. Containing 25 photo-lithographic plates, reproduced in black-and-white from the author's drawings, illustrating upwards of 60 varieties of Plants, together with over 80 illustrations of Detail. The whole intended to demonstrate the method of deriving ornamental suggestion from natural growth. Mr. Walter Crane writes:—"I think your 'Studies in Plant Form' are well selected, and powerfully drawn, and give the characteristics of growth and structure very definitely, and in a way likely to be useful to students and designers." The Art Journal says:—"Mr. Rhead's broad and manly draughtsmanship ought of itself to commend his studies to the 'students, designers, and craftsmen' to whom he dedicates them. Drawings more trustworthy have not been published in our day, nor yet studies upon which they could so surely rely for information." In stout wrapper envelope. 2s. 6d. net. AN ALPHABET OF ROMAN CAPITALS, together with three sets of lower-case letters, selected and enlarged from the finest examples and periods. Prepared for the use of Schools. By G. Woollischroft Rhead. Each letter 7 in. square, with descriptive text, printed on strong drawing paper. Professor W. B. Leathby writes:—"I am very glad that your specimen Alphabets have been published. Some definite examples to which one could point have been badly wanted. I hope every Art School in the country will soon be provided with a copy." Ready Shortly.—An Entirely New Book by Mr. Day. PATTERN DESIGN: A BOOK FOR STUDENTS, TREATING IN A PRACTICAL WAY OF THE ANATOMY, PLANNING, AND EVOLUTION OF REPEATED ORNAMENT. By LEWIS F. DAY. 280 pages, with about 300 Illustrations. Detailed Catalogue and Lists sent free on application. B. T. BATSFORD, 94 High Holborn, LONDON. LEWIS F. DAY'S TEXT-BOOKS. Crown 8vo, art linen, price 3s. 6d. net. ALPHABETS OLD AND NEW. Containing 180 complete Alphabets, together with 30 series of Numerals, etc. "Everyone who employs practical lettering will be grateful for this book."—THE ART JOURNAL. Crown 8vo, art linen, price 5s. net. LETTERING IN ORNAMENT. An inquiry into the decorative use of Lettering, past, present and possible. With 200 Full-page and smaller Illustrations from drawings and photographs. Crown 8vo, cloth gilt, price 12s. 6d. NATURE IN ORNAMENT. An inquiry into the natural element in Design and a survey of the ornamental treatment of natural forms. Third Edition, enlarged, containing 450 Illustrations of Design and Treatment in Ornament. Large 8vo, art linen, gilt, price 2ts. net. WINDOWS. A book about stained and painted Glass. Second Edition, revised, containing 20 Full page Plates, and upwards of 200 Illustrations in the Text, all of Historical Examples. Demy 8vo, cloth gilt, price 12s. 6d. A HANDBOOK OF ORNAMENT. Containing 3000 illustrations of the elements and application of Decoration to objects. By F. S. Meyer. "The rival it as a book of reference one must fill a bookcase."—THE STUDIO. Royal 8vo, art linen gilt, price 5s. net. A MANUAL OF HISTORIC ORNAMENT Being an account of the evolution, tradition and development of architecture and the applied arts. By Richard Glazier, Head Master of the Manchester School of Art. With 500 Illustrations. Crown 8vo, art linen, price 2s. 6d. net. DECORATIVE BRUSH WORK AND ELEMENTARY DESIGN. By Henry Cadness, Second Master Municipal School of Art Manchester. Containing 192 pages, with 400 examples of designs. AD. VII BAILLIERE, TINDALL & COX'S ART BOOKS. Baillière's Movable Model of the Horse. Can be moved into every possible position. Length 1 ft. 6 ins. stiff cardboard Coloured. Price 1s. 6d. net. Colenso's Artistic Poses. Being 12 plates (4 plain and 8 coloured), showing the surface muscles. Size 3 ft. by 4 ft., printed on untearable linen paper. Price 25s. net. Carriage 1s. extra. Sparks' Manual of Artistic Anatomy. New edition, with additional plates of the bones, muscles, &c. Approved by the Science and Art Department. Price 7s. 6d. Armstead's Artistic Anatomy of the Horse. The various anatomical structures which can be distinguished during life through the skin, drawn and described. Text with 20 original plates, size 10 ins. by 11½ ins., buckram gilt. Price 10s. 6d. net, or hand-coloured, 4s. 6d. net extra. Muckley's Manual of Artistic Anatomy. New edition, with newly-drawn plates of the Muscles, &c. Price 5s. 6d. Muckley's Handbook on the Character, Nature, and Use of Colours. Their permanent or fugitive qualities, vehicles, &c. Fourth edition. Price 4s. Colenso's Landmarks in Artistic Anatomy. With text and 6 original plates (plain and coloured). Quarto. Price 3s. 6d. net. Dennis's Perspective, Freehand, Ornamental, and other Drawings for Students. Illustrated Art Catalogue on application. BAILLIÈRE, TINDALL & COX, 8, Henrietta Street, Covent Garden.
JEWELS BY ARTISTS OF THE MODERN SCHOOL NECK CHAIN AND PENDANT with triangular slab of Matrix Turquoise in centre and 3 real Pearl Drops. Cleanly mounted in solid 15 carat Gold PENDANTS of original conception with beautifully marked Matrix Turquoises in centre, and baroque shaped Pearl drops The Matrix Turquoise with its pretty colour effect of azure-blue relieved by the grey or black veins of the bed-rock gives admirable scope for artistic treatment and has become very fashionable QUANT DESIGN of BROOCH with MATRIX EMERALD OR TURQUOISE and baroque shaped Pearl drop, mounted in solid 15 carat Gold BROOCH Smartly mounted in 15 carat Gold, set with two fine Persian Turquoises and four Pearls Modern design of a Locket, with Matrix Opal in centre, and neatly mounted in 15 carat Gold BROOCH Very quaint design well modelled in solid Silver and Gold with the bowl shaped centre portion treated in Rainbow Coloured flat Enamel, and set with two fine Opals --- Obtainable through high-class Jewellers These Designs are the Property of and made up by MURRLE, BENNETT & Co. 13 CHARTERHOUSE STREET, LONDON, E.C. AD. VIII
HEAL & SON'S NEW ILLUSTRATED BOOKLET - QUEEN ANNE & EARLY - GEORGIAN MAHOGANY - BEING REPRODUCTIONS - & ADAPTATIONS OF THE - BEDROOM FVRNITVRE OF - THE EIGHTEENTH CENTVRY A Copy of above Booklet, containing Photographs, prices, and all particulars, is sent, Post Free, on application to 195, etc., TOTTENHAM COURT ROAD, W. AD. 1X
This issue of "The Studio" features articles on James McNeill Whistler, including his art and influence, and personal reminiscences. It also covers the National Competition of Schools of Art from 1903, and showcases the etchings of Allan Osterlind and the work of the late Phil May. The publication includes studio-talk from various correspondents and reviews of art-related publications.