Premières pages de l'ouvrage, en accès libre.
REVUE MENSUELLE AVEC TRADUCTION FRANÇAISE THE · STUDIO An Illustrated Magazine of Fine & Applied Art MAY 15, 1903 VOL. 28 No. 122 44 Leicester Square LONDON Monthly $1\frac{5}{1}$ BUREAU DU STUDIO PARIS: LIBRAIRIE OLLENDORFF 5e CHAUSSEE D’ANTIN PRIX : 1 FRANC 50c NET
THE STUDIO. EDITED AND PUBLISHED BY CHARLES HOLME. Contents, May 15, 1903. SUPPLEMENTS:—A REPRODUCTION IN PHOTOGRAPHURE OF A LANDSCAPE BY GIOVANNI COSTA; A REPRODUCTION IN COLOURS OF THE THREE-COLOUR PRINT BY J. O. LE BLON ENTITLED “NARCISSUS”; A REPRODUCTION IN COLOURS OF THE PAINTING ENTITLED “NEEDLEWORK” BY J. YOUNG HUNTER; A REPRODUCTION IN COLOURS OF THE PAINTING ENTITLED “MIDSUMMER NOON” BY MARY Y. HUNTER; A REPRODUCTION IN COLOURS OF TWO EMBROIDERED PANELS DESIGNED BY M. H. BAILLIE SCOTT AND EXECUTED BY MRS. BAILLIE SCOTT; A REPRODUCTION OF THE DRAWING ENTITLED “IN SEGOVIA, SPAIN” BY JOSEPH PENNELL; A REPRODUCTION IN COLOURS OF A DRAWING ENTITLED “THE ROSE” BY MISS H. PAXTON BROWN. PAGE THE ART OF THE LATE GIOVANNI COSTA. By OLIVIA ROSSETTI AGRESTI. Fifteen Illustrations . . . 237 DOMESTIC ARCHITECTURE AT THE ARTS AND CRAFTS EXHIBITION. Twenty-one Illustrations . . . 249 JAKOB CHRISTOFFEL LE BLON AND HIS THREE-COLOUR PRINTS. By DR. HANS W. SINGER. Nine Illustrations . . . 261 THE WORK OF MR. AND MRS. J. YOUNG HUNTER. By A. L. BALDRY. Ten Illustrations . . . 271 SOME EXPERIMENTS IN EMBROIDERY. By M. H. BAILLIE SCOTT. Six Illustrations . . . 279 STUDIO-TALK (From our own Correspondents):— LONDON. Four Illus. --- DÜSSELDORF. Four Illus. --- Glasgow. Six Illus. --- DRESDEN. Two Illus. --- DUBLIN . . . --- PARIS. Two Illus. --- LIVERPOOL . . . --- VIENNA. Three Illus. --- REVIEWS . . . 301 AWARDS IN “THE STUDIO” PRIZE COMPETITIONS Twelve Illustrations . . . 305 THE LAY FIGURE: SUBJECT IN ART . . . 312 The Annual Subscription of “THE STUDIO” is 12s. Post free, 16s. --- SCOTT CUTHBERTSON COTTERELL BROS & Co ART WALLPAPER WORKS WHITELANDS CHELSEA LONDON - 3.W. NEW SELECTING ROOMS - 13 KINGS RD SLOANE SQ. 14 PRIZE MEDALS --- THE HIGHEST AWARDS AT ALL INTERNATIONAL EXHIBITIONS. NINE GOLD MEDALS EFFREY & CO ARTISTIC WALL PAPERS. WEST-END SHOW ROOMS THE WALL-PAPER GALLERY 31-MORTIMER-ST REGENT STREET-W. FACTORY 64-ESSEX-RP & OFFICES ISLING K. THEIR LATEST WALL PAPERS NOW ON EXHIBITION Are to be obtained of all Decorators and Wall Paper Merchants. Telephone No. 124 Dalsion. --- Walter Pearce --- J. • --- 41 GART SIDE ST10 NEWMAN STAINED --- MancST OXFORD R GLASS: --- heller.LONDON.W. LEADED --- LIGHTS:MAGICAL DECORA ROOM --- VITREA PERM TION AS FRIEZE --- UDE-AMENT GRILL-TROCA --- -DEROWhat others --- REST:we do allemp --- LONDONto-day --- E.P.C.
ROWNEY'S ARTISTS' OIL COLOURS IN LARGE TUBES. ARTISTS' PRICES, NET. ANTWERP BLUE --- IVORY BLACK --- BURNT SIENNA --- M-GUILP --- BURNT UMBER --- LIGHT RED --- CHROME No. 1 (LEMON) --- PRUSSIAN BLUE --- CHROME No. 2 (YELLOW) --- RAW SIENNA --- CHROME No. 3. (ORANGE) --- RAW UMBER --- EMERALD GREEN --- TERRA VERT --- FLAKE WHITE --- TRANSPARENT GOLD OCHRE --- INDIAN RED --- VANDYKE BROWN --- INDIGO --- YELLOW OCHRE --- Studio, 9d. each ; Half-Studio, 6d. each. --- CHROME No.4(ORANGE DEEP) --- NAPLES YELLOW No. 1 --- Studio, 1/- each ; Half-Studio, 8d. --- CRIMSON LAKE --- PERMANENT BLUE --- FRENCH ULTRAMARINE --- Studio, 1/6 each ; Half-Studio, 11d. --- CRIMSON ALIZARIN --- SCARLET VERMILION --- MADDER BROWN --- VERMILION --- Studio, 2/- each ; Half-Studio, 1/2. --- COBALT --- ROSE MADDER --- INDIAN YELLOW --- VIRIDIAN or VERONESE --- LEMON YELLOW --- GREEN --- Studio, 4/6 each ; Half-Studio, 2/6. --- CADMIUM, PALE, YELLOW OR ORANGE --- Studio, 6/6 each ; Half-Studio, 3/6. --- The “Half-Studio” size will be found most convenient for sketching. Manufactured by GEORGE ROWNEY & CO., 64, Oxford Street, W. And may be obtained from the Principal Dealers in Artists’ Materials throughout the Kingdom. --- SOLID OIL-COLOURS (RAFFAËLLI’S) CAN NOW BE OBTAINED FROM ALL REEVES’ BRANCHES AT SIXPENCE EACH NETT. They can be tested at 53 MOORGATE STREET, E.C. 29 LUDGATE HILL, E.C. 13 CHARING CROSS ROAD, W.O. 161 HIGH STREET, KENSINGTON. 8 EXHIBITION ROAD, S.W. 14 CIRCUS ROAD, ST. JOHN’S WOOD. REEVES & SONS, LIMD. Established 135 Years. --- TYNECASTLE DESORATION IN RELIEF OF WALLS CEILINGS PICTURE BACKGROUNDS SHIP SALOONS ETC. OLD PLASTER EFFECTS. CORKS TYNECASTLE EDINBURGH SHOW: ROOMS LONDON 14 RATHBONE PLACE W. MANCHESTER 39 DEANS GATE ARCADE. AD. I
'THE STUDIO' INTERNATIONAL PRIZE COMPETITIONS. REVISED RULES. (1) All subscribers to THE STUDIO are eligible to compete. (2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges. (3) Drawings for competition must be legibly signed with pseudonym only. The Coupon given on p. xviii., with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition, or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. All prize designs become the property of the Proprietor of THE STUDIO, unless otherwise specified. (5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term “sufficient postage” has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated. (6) All designs must be sent in packed flat, unless specially excepted in certain competitions. (7) All designs and correspondence thereon to be addressed THE STUDIO, 44 Leicester Square, London, W.C., and marked “Prize Competitions,” with the number of the Competition, “A XLII,” “B XXX,” “C XXXI,” &c., on the outside of the package or letter referring to it. (8) An infringement of any of the above Rules will disqualify a Competitor. --- CLASS A. DECORATIVE ART. Closes June 1 A XLII. DESIGN FOR A PEWTER HOT-WATER JUG OR CAN. (Particulars appeared in the March Number.) Closes July 1 A XLIII. DESIGN FOR A MEMORIAL TABLET. (Particulars appeared in the April Number.) Closes Aug. 1 A XLIV. DESIGN FOR A SMALL CLOCK CASE. The design required is for a small clock case not exceeding twelve inches in height. The design, which must be made full size, should be suitable for carrying out in metal or in wood, or in both combined. FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by August 1. --- CLASS B. DRAWINGS IN BLACK-AND-WHITE. Closes June 1 B XXX. DESIGN FOR A MENU CARD. (Particulars appeared in the March Number.) Closes July 1 B XXXII. DESIGN FOR A SHOWCARD. (Particulars appeared in the April Number.) --- B XXXIII. DESIGN FOR A SEAL. Closes Aug. 1 The design required is of an engraved seal for impressing the wax which closes a letter or parcel. The only wording to appear on it is “THE STUDIO Office.” FIRST PRIZE: Two Guineas; SECOND PRIZE: One Guinea. Drawings, packed flat, to be received at the London office of THE STUDIO by August 1. --- CLASS C. PHOTOGRAPHS FROM NATURE. Closes June 1 C XXXI. STUDY OF A FLOWERING SHRUB. Closes July 1 C XXXII. A VILLAGE CHURCH. Closes Aug. 1 C XXXIII. A SUMMER LANDSCAPE. All photographs should be sent in mounted upon firm cards, without margin. FIRST PRIZE: One Guinea; SECOND PRIZE, Half-a-Guinea. Photographs to be received at the London office of THE STUDIO, 44 Leicester Square, W.C., by June 1 for C XXXI, July 1 for C XXXII, and August 1 for C XXXIII. --- THE "CAMBRIDGE" ARTISTS’ OIL AND WATER PURE. COLOURS. PERMANENT. A SELECTED PALETTE OF TESTED PIGMENTS. Sole Makers:— MADDERTON & CO., LTD., LOUGHTON, ESSEX. Sold by the principal dealers in Artists Materials throughout the Kingdom --- A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. Black-and-White Drawings for Reproduction. Special Class for Modelling Clay … … … … … … Summer Sketching Class at Rye. Mr. CONRAD BUHRER. {The Studio is five minutes’ walk from Vauxhall and five minutes’ tram from Victoria Station.} GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. AD. II
THE KING OF FOUNTAIN PENS THE "SWAN" THE BEST IN USE Prices Plain 10/6. 16/6. 25/- Illustrated List Free Of all Stationers 9 ———— 3½ THE BEST TO GIVE. Prices Mounted 12/6. 21/- 30/- 42/- to £20 MABLE TODD & BARD. 95 Cheapside | LONDON 95 Regent St 3 Exchange St MANCHESTER and Brentanos PARIS --- A. SANDERSON & SONS - BRANCH - +++ WORKS:-- CHISWICK. Nearest Railway Stn TURNHAM GREEN. +++ DESIGNS FOR WALL-PAPERS should be POSTED TO OR SUBMITTED AT CHISWICK. --- Longden & Co. London Office 447 Oxford Street W. Works Phoenix Foundry Sheffield *** Makers of Grates Fenders Fireirons Wrought-Iron Work *** Ornamental Brass and Bronze Work AD. III
EXHIBITIONS NOW OPEN - Royal Academy of Arts. - Royal Institute of Painters in Water-Colours. - Royal Society of British Artists. - Birmingham Royal Society of Artists. - Royal Glasgow Institute of Fine Arts. - Royal Scottish Academy. - Paisley Exhibition. - Paris Société Nouvelle de Peintres et de Sculpteurs. - Paris Soc. Nationale des Beaux Arts. - Vienna Impressionist School. - Brussels Société des Beaux Arts. - New Gallery. - Dresden. - Society of Miniature Painters. - Royal Society of Painters in Water-Colours. FORTHCOMING - Gwynedd Ladies’ Art Society. (O.D. May 25.) - Dudley Gallery Art Society. (non-mem., R.D. May 26.) R.D. denotes Receiving Day; O.D., Opening Day. IMPORTANT NOTE:—In order that the above Monthly List of Exhibitions may be rendered a reliable source of information for Artists and others, the Advertisement Manager will be obliged if Secretaries will give him early notification of forthcoming events, together with the Receiving and Opening Dates. These should reach this office not later than the last day of the month prior to insertion. --- THE HOLLAND FINE ART GALLERY 14 GRAFTON STREET BOND STREET, W. NOW ON VIEW A COLLECTION OF OIL PAINTINGS AND WATER-COLOURS BY H. W. MESDAG AND OTHERS. SOME OF THE PICTURES ARE PAINTED WITH THE RAFFAËLLI SOLID OIL-COLOURS ADMISSION 1/- INCLUDING ILLUSTRATED CATALOGUE. --- WINSOR & NEWTON’S FINELY PREPARED OIL COLOURS In Collapsible Tubes. @ Revised list of Oil Colours will be sent post free on application. “SMALL STUDIO” Tube. For the convenience of Artists using large quantities of Colour, all Messrs. Winsor and Newton’s Oil Colours are supplied in “SMALL STUDIO” and “STUDIO” Tubes, containing respectively “FOUR TIMES” and “SIX TIMES” as much as an ordinary two-inch Tube, at considerably reduced prices. WINSOR & NEWTON, LTD., Sale Agents for Gt. Britain, the British Colonies & the United States of America for RAFFAËLLI’S SOLID OIL-COLOURS. Rathbone Place, London, W. AD. IV --- HOOKHAM’S WORLD FAMED PATENT PLANO WIRE PICTURE LINE TO BE HAD OF ALL IRONMONGERS. TRADE MARK TRADE MARK 100 LBS 100 LBS COLLECTORS OF VALUABLE PICTURES WILL NO LONGER RESISTANCE UNLESS THEY LEARN THAT OVER A MILLION ARE RUN UPON THIS LINE EVERY YEAR. N° 6 7 8 9 10 11 FOR PICTURES WEIGHING UP TO 20 30 40 60 80 100 300 lbs lbs lbs lbs lbs lbs lbs 3/6 3/6 3/6 12/6 20/6 3/6 60 PER LIMITED FEET RAPIDLY ADJUSTED. SOLE AGENTS TONKS LC PRACTICALLY INVISIBLE.
EVERY ILLUSTRATION IN HAMPTONS' SERIES OF 20 CATALOGUES IS A REPRODUCTION OF A PHOTOGRAPH MADE DIRECT FROM THE ACTUAL ARTICLE. And Customers constantly remark, when personally inspecting in the Galleries the Furniture, etc., which they had provisionally selected from the Catalogues, that these books were of the greatest assistance to them in arriving at a decision as to the style that they would adopt for each room respectively, and in discovering, by comparison, the best value obtainable for each separate item. HAMPTONS' CATALOGUES illustrate the latest productions in every article required for Completely Furnishing Houses in the most tasteful manner at the least expense. Any one or more of these Books will be sent free on receipt of the necessary particulars of the applicant's requirements. HAMPTONS' "CONISTON" BUREAU, in Fumed Oak with Shaped Glass Panels in door. Drawers, fall, and cupboard fitted with locks. Handles and hinge-plates of oxidized copper. Height 5 ft. 7 $ \frac{1}{2} $ ins., width 2 ft. 8 $ \frac{1}{2} $ ins., depth 1 ft. 4 ins. £4:10:0 SENT CARRIAGE PAID TO ANY RAILWAY STATION IN THE UNITED KINGDOM. HAMPTONS' "WALTON" OAK CHAIR, in Leather, Cloth, or Tapestry - 17/6 HAMPTONS' "ROXBORO" SOLID OAK GATE-LEG TABLE. 2 ft. 6 ins. by 3 ft. 6 ins. - 29/6 3 ft. by 4 ft. 6 ins. - 45/- 3 ft. 6 ins. by 5 ft. - 55/- For an Unrivalled Variety of other Bureaux, Tables, etc., in all styles, and representing values fully as exceptional as the above, see Hamptons' Catalogue No. C 90, sent free on application. HAMPTON & SONS LTD Pall Mall East, London, S.W. The ROYAL COPENHAGEN PORCELAIN 2 Old Bond Street, W. First Floor, Gallery. AD. V
MONOCHROME COPIES BY THE Permanent Autotype Carbon Process OF PICTURES BY OLD MASTERS From the Principal Collections of note. ... NUMEROUS EXAMPLES OF Works by Modern Artists. THE AUTOTYPE FINE ART CATALOGUE. Now Ready. New Edition. With upwards of 150 Miniature Photographs of Notable Autotypes, and 23 Tint Block Illustrations. For convenience of reference the Publications are arranged alphabetically under Artists’ Names. Post free, 1s. A Visit of Inspection is invited to THE AUTOTYPE FINE ART GALLERY, 74 New Oxford Street, London, W.C. --- Messrs. BELL’S BOOKS FOR ART STUDENTS. Miniature Illustrated List Post Free on Application. UNIFORM AND CHEAPER EDITION OF MR. WALTER CRANE’S TEXT-BOOKS. Crown 8vo. Profusely Illustrated. 6s. net each. LINE AND FORM. With 157 Illustrations. THE BASES OF DESIGN. With 200 Illustrations. THE DECORATIVE ILLUSTRATIONS OF BOOKS, Old and New. With 165 Illustrations. Second Edition. Crown 8vo. Freely Illustrated. 5s. PRACTICAL DESIGNING: A Handbook on the Preparation of Working Drawings. Showing the Technical Methods employed in the Preparation of Designs for the Manufacturer, and the Limits imposed on the Artist by the Material and its Treatment. Edited by GLEESON WHITE. Third Edition. 200 Illustrations. Crown 8vo, 5s. ALPHABETS: A Manual of Lettering, with Historical, Critical, and Practical Descriptions, including Complete Alphabets of every Period, with some designed specially for this Volume, and many Reproductions of the Artistic Application of Letterings. By EDWARD F. STRANGE. “A very interesting and well-illustrated volume. . . Well adapted for the dual purpose of furnishing artists and craftsmen with accurate historical information and reference for further study, and of giving especial consideration to the technical qualities of the alphabets figured, and their suitability to various materials and uses.”—Times. Imperial 8vo, 6s. net. ANATOMICAL DIAGRAMS FOR THE USE OF ART STUDENTS. Arranged with Analytical Notes and drawn out by JAMES M. DUNLOP, A.R.C.A., Antique and Life-Class Master, and Lecturer on Artistic Anatomy in the Glasgow School of Art. With Introductory Preface by JOHN CLELAND, M.D., LL.D., F.R.S., Professor of Anatomy in the University of Glasgow. With 71 Plates, containing 150 Subjects, printed in Three Colours. LONDON: GEORGE BELL & SONS, York Street, Covent, Garden. AD. VI --- .. Prize Competition .. For Designs of a DRAWING-ROOM SUITE in Modern Style. Prizes: Fl. 200, fl. 100, fl. 60, fl. 40. Write at once for particulars to— J. A. HUIZINGA, Groningen, Holland. --- SCHOOL BOARD FOR LONDON. Peripatetic Teachers of Drawing. The Board requires from time to time additional Peripatetic Teachers of Drawing (Men and Women). These Teachers are engaged at the rate of 8s. each School session (namely; the morning or the afternoon) for a number of sessions, not exceeding five in any one week. Candidates, should, as a rule, possess the Art. Master’s Certificate, and be capable of teaching Clay Modelling and Elementary Design, and have had some experience in teaching. From the applications received a selection of suitable candidates will be made, and from time to time, as Peripatetic Teachers of Drawing are required, candidates will be engaged during the pleasure of the Board upon the foregoing terms. Applications, which must be made upon a form to be obtained at the Head Office of the Board, and accompanied by copies only, of not more than three testimonials, must reach the Clerk of the Board, Special Subjects Sub-Department, School Board for London, Victoria Embankment, W.C., not later than Friday, 22nd May, marked outside “Peripatetic Teacher of Drawing Application.” Persons applying through the post for forms of application must enclose a stamped and addressed envelope. Candidates from the country invited to attend the Committee will be allowed third-class return railway fare to the London terminus, but in the event of a candidate refusing to take up his or her appointment no travelling expenses will be allowed.
From Mr. MURRAY'S LIST. JUST OUT. THE ARTS IN EARLY ENGLAND By G. BALDWIN BROWN, M.A. Watson Gordon Professor of Fine Art in the University of Edinburgh. VOL. I.—The Life of Saxon England in its Relation to the Arts. VOL. II.—Ecclesiastical Architecture in England from the Conversion of the Saxons to the Norman Conquest. With Illustrations. Two Volumes. Royal 8vo, 32s. net. By the same Author. THE FINE ARTS. The Origin, Aims, and Condition of Artistic Work as applied to Painting, Sculpture, and Architecture. New Edition. With many new Illustrations. Crown 8vo, 6s. net. "It is a work that ought to be in the library of all distinguished students of art."—Literary World. JUST OUT. ISABELLA d'ESTE, MARCHIONESS OF MANTUA, 1474-1539. A STUDY OF THE RENAISSANCE. By JULIA CARTWRIGHT (Mrs. Ady), Author of "Beatrice d'Este," "Madame," "Sacharissa," "The Painters of Florence," etc. With Illustrations. Two Volumes. Demy 8vo, 25s. net. By the same Author. THE PAINTERS OF FLORENCE. From the Thirteenth to the Sixteenth Century. With Illustrations. Crown 8vo, 6s. net. "... A valuable guide to the art-loving traveller who goes to Florence ... a charming and instructive volume."—Glasgow Herald. JOHN MURRAY, ALBEMARLE STREET, W. BAILLIÈRE, TINDALL & COX'S SELECTED LIST OF ART BOOKS. Baillière's Movable Model of the Horse. Can be moved into every possible position. Length 1 ft. 6 ins. stiff cardboard. Coloured. Price 1s. 6d. net. Sparkes' Manual of Artistic Anatomy. New edition, with additional plates of the bones, muscles, &c. Approved by the Science and Art Department. Price 7s. 6d. Armstead's Artistic Anatomy of the Horse. The various anatomical structures which can be distinguished during life through the skin, drawn and described. Text with 20 original plates, size 10 ins. by 11 1/2 ins., buckram gilt. Price 10s. 6d. net, or hand-coloured, 4s. 6d. net extra. Fau's Anatomy of the External Forms of Man. Portfolio, containing 27 plates, with 103 engravings. Price 15s. plain, 30s. coloured. Muckley's Manual of Artistic Anatomy. New edition, with newly-drawn plates of the Muscles, &c. Price 5s. 6d. Muckley's Handbook on the Character, Nature, and Use of Colours. Their permanent or fugitive qualities, vehicles, &c. Fourth edition. Price 4s. Dennis's Perspective, Free-hand, Ornamental, and other Drawings for Students. Illustrated Art Catalogue on application. BAILLIÈRE, TINDALL & COX, 8, Henrietta Street, Covent Garden. THE "RATIONAL" FIRE-PLACE, PATENT. Works and Showrooms—BRADFORD STREET, BOLTON, LANCs. London Office and Showrooms— 5 VICTORIA STREET, WESTMINSTER, S.W. Dublin Office and Showrooms— 42 GRAFTON STREET. FOSHUA W. TAYLOR, Limited, SOLE MAKERS. Fire openings— 13 in., warms 1300 cub. ft. of air. 17 in., " 3000 " 21 in., " 4000 " THERE IS NO FIRE-CLAY THROUGH TO CRACK. THE HEARTH IS LEVEL WITH THE FLOOR. WILL BURN COAL, WOOD, OR PEAT. EASILY FIXED TO EXISTING MANTELS. Illustrated Price Lists on Application. "D 1902 "Rational" Fire-place with antique copper interior (as illustrated) and hearth tiles of any colour . . . . . . . . . £20 o o "D 1902 Mantel, in pine (as illustrated) . . . . . . . . . 12 o o AD. VII
JEWELS BY ARTISTS OF THE MODERN SCHOOL NECK CHAIN AND PENDANT with triangular slab of Matrix Turquoise in centre and 3 real Pearl Drops. Cleanly mounted in solid 15 carat Gold PENDANTS of original conception with beautifully marked Matrix Turquoises in centre, and baroque shaped Pearl drops The Matrix Turquoise with its pretty colour effect of azure-blue relieved by the grey or black veins of the bed-rock gives admirable scope for artistic treatment and has become very fashionable QUANT DESIGN of BROOCH with MATRIX EMERALD OR TURQUOISE and baroque shaped Pearl drop, mounted in solid 15 carat Gold BROOCH Smartly mounted in 15 carat Gold, set with two fine Persian Turquoises and four Pearls Modern design of a Locket, with Matrix Opal in centre, and neatly mounted in 15 carat Gold BROOCH Very quaint design well modelled in solid Silver and Gold with the bowl shaped centre portion treated in Rainbow Coloured flat Enamel, and set with two fine Opals --- Obtainable through high-class Jewellers These Designs are the Property of and made up by MURRLE, BENNETT & Co. 13 CHARTERHOUSE STREET LONDON, E.C. AD. VIII
HEAL & SON'S BEDROOM FURNITURE Several new treatments, both in Design & Materials, now to be seen AN OAK WARDROBE Inlayed with Ebony & Boxwood Chequer Work The Illustrated Booklets . . . "SIMPLE BEDROOM FURNITURE" "WOODEN BEDSTEADS" "CASEMENT FLAX" & "THREE-PLY CARPETS" are still to be had on application to HEAL & SON, 195, 196, 197 & 198 TOTTENHAM COURT R.d., LONDON, W. AD. IX
This issue of The Studio features articles on the art of Giovanni Costa, domestic architecture at the Arts and Crafts Exhibition, and the three-colour prints of Jakob Christoffel le Blon. It also includes discussions on the work of Mr. and Mrs. J. Young Hunter, experiments in embroidery, and studio-talk from various correspondents. The magazine announces its international prize competitions and revised rules for participants.