Extrait
Premières pages de l'ouvrage, en accès libre.
Page 1
THE STUDIO
An Illustrated Magazine of Fine & Applied Art
APRIL 15 '98
VOL. 13
No. 61
THREE EXTRA NUMBERS OF “THE STUDIO” DEALING WITH ART AT THE ROYAL ACADEMY, THE PARIS SALONS AND OTHER EXHIBITIONS OF 1898 WILL BE READY SHORTLY. PRICE ONE SHILLING EACH. FOR ADDITIONAL PARTICULARS SEE ADVERTISEMENT PAGE XX.
5 Henrietta Street
Covent Garden
LONDON W.C
Monthly
$ \frac{1}{2} $
Page 2
THE STUDIO.
EDITED BY CHARLES HOLME.
Contents, April 15th, 1898.
SUPPLEMENTS:—A REPRODUCTION IN COLOURS after a Water-Colour Drawing by HENRI HARPIGNIES; a STUDY OF TREES by HENRI HARPIGNIES; a REPRODUCTION IN COLOURS OF A CARTOON FOR SGRAFFITO DECORATION entitled “David,” by HEYWOOD SUMNER; and an AUTO-LITHOGRAPH IN FOUR COLOURS by ARMAND RASSENFOSSE.
HENRI HARPIGNIES. By FREDERIC LEES. Eleven Illustrations ...
Page 3
Geo. Rowney & Co.'s
Registered Sketching Case.
Reg. No. 270111
Including Colours, Brushes, & Pencil,
Without Increase of Ordinary Thickness.
THIS Case, from its great convenience and portability, is particularly adapted to the use of Artists and Amateurs desirous of having the materials at hand for a hasty Sketch without being encumbered with the weight of an ordinary box.
MADE IN THE TWO FOLLOWING SIZES:
"8vo Impl." containing a 12-leaf Whatman Block, 10 in. by 7 in., and a Pocket for Loose Sketches, Pencil, Two Sable Hair Brushes, and Twelve Colours, viz.:—Permanent Yellow, Yellow Ochre, Raw Sienna, Vermilion, Light Red, Crimson Alizarin, Burnt Sienna, Burnt Umber, Madder Brown, Prussian Blue, French Ultramarine, and Hooker's Green No. 2.
Price 15s., Fitted Complete.
"16mo Impl." containing a 12-leaf Whatman Block, 7 in. by 5 in. and a Pocket for Loose Sketches, Pencil, Two Fitch Hair Brushes, and Nine Colours, viz.:—Permanent Yellow, Yellow Ochre, Raw Sienna, Vermilion, Light Red, Crimson Alizarin, Burnt Umber, Prussian Blue and Permanent Blue. Price 10s. 6d., Fitted Complete.
A Japanned Tin Palette opens out when the Case is in Use, as shown in above Illustration.
Manufactured only by GEO. ROWNEY & CO., 64 Oxford Street, London.
To be obtained from all Stationers and Artists' Colourmen throughout the Kingdom.
Lincrusta-Walton. = = =
The Sunbury Wall Decoration.
NOVELTIES for 1898—FILLINGS and CEILINGS at 1s. per yard, 21 inches wide.
“V.A.” (VICTORIAN ADJUSTABLE) CEILINGS.—Solid—High Relief—Light—No Joints.
Lincrusta-Walton, tested and triumphant, the King of Wall Hangings, is the only Wall Decoration on the Market which is at the same time SOLID IN COLOUR, SOLID IN RELIEF, and SOLID IN VALUE.
Write for Price List, Illustrations, &c., to
FREDK. WALTON & CO., Ltd.,
Sole Patentees and Manufacturers,
2 NEWMAN STREET, OXFORD STREET, LONDON, W.
Telephone: 3769 GERRARD. Telegrams: “LINCRUSTA-WALTON, LONDON.”
AD. I
Page 4
THE STUDIO INTERNATIONAL PRIZE COMPETITIONS
REVISED RULES
(1) All subscribers to THE STUDIO are eligible to compete.
(2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment, combined with workable detail and arrangement, will be the features considered by the judges.
(3) Drawings for competition must be legibly signed with pseudonym only. The Coupon, page AD. VIII. with details fully filled in, must accompany each drawing or set of drawings, and must be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor. As this envelope will not be opened until after the awards have been made, any inquiry should be forwarded in a separate letter.
(4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition or otherwise are of insufficient merit.
He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted.
(5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage and packing. The term “sufficient postage” has been fixed at a minimum of sixpence, to cover the cost of packing, &c., unless otherwise indicated.
(6) All designs must be sent in packed flat, unless specially excepted in certain competitions.
(7) All designs and correspondence thereon to be addressed THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C., and marked “Prize Competitions,” with the number of the Competition, “A xix,” “B xii,” “C xi,” &c., on the outside of the package, or letter referring to it.
(8) An infringement of any of the above Rules will disqualify a Competitor.
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CLASS A.—INDUSTRIAL DESIGNS.
Closes May 1.
A. XIV. DESIGN FOR A POSTER.
(Particulars appeared in the February Number.)
Closes June 1.
A. XV. DESIGN FOR A MOSAIC FRIEZE.
(Particulars appeared in the March Number.)
Closes July 1.
A. XVI. DESIGN FOR A MAGAZINE COVER.
Drawings to be executed in black ink upon white cardboard. The design must be made suitable for reduction to the size of THE STUDIO Cover, and must embody the following words: “THE STUDIO Winter Number, 1898-9, London Offices: 5 Henrietta Street, Covent Garden, W.C. Price One Shilling.” The design may consist solely of judiciously spaced lettering, or of a figure composition with lettering.
FIRST PRIZE: Three Guineas; SECOND PRIZE: Two Guineas.
Drawings, packed flat, to be received at the London Office of THE STUDIO by July 1.
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CLASS B.—DRAWINGS FOR BOOK ILLUSTRATION, &C.
Closes May 1.
B. XIV. DESIGN FOR A TITLE-PAGE.
(Particulars appeared in the February Number.)
Closes May 1.
B. XV. SILHOUETTE DRAWING.
(Particulars appeared in the February Number.)
Closes May 1.
B. XVI. DESIGN FOR A FANCY BOOK-COVER.
(Particulars appeared in the February Number.)
Closes June 1.
B. XVII. ILLUSTRATION FOR “IVANHOE.”
(Particulars appeared in the March Number.)
Closes July 1.
B. XVIII. DESIGN FOR A “PICTORIAL” BOOK-PLATE.
The drawing should be made in Indian ink (no wash) upon smooth white cardboard, and must be suitable for reduction to 4 inches by $2\frac{1}{2}$ inches. The lettering should include the words “Ex Libris,” and the name of a real or imaginary owner. A pertinent motto may be added or omitted as the designer pleases. The definition “Pictorial” is a technical expression used to describe plates from which armorial bearings are absent, or present merely as secondary details.
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CLASS C.—SKETCHES FROM NATURE.
C. XIII. STUDY OF SNOWDROPS.
(Particulars appeared in the February Number.)
C. XIV. STUDY OF THE BUDDING BRANCH OF A TREE OR SHRUB.
(Particulars appeared in the March Number.)
C. XV. SKETCH OF OLD METAL WORK.
Drawings may consist of an example or group of examples of old metal work, such as lock-plates, hinges, keys, brackets, &c., to be found in churches and old houses.
To be executed in pen and ink upon white cardboard. Size not to exceed a page of THE STUDIO.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Drawings, packed flat, to be received at the London office of THE STUDIO by July 1.
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CLASS D.—PHOTOGRAPHS FROM NATURE.
D. VII. A BUDDING BRANCH OF A TREE OR SHRUB.
D. VIII. AN ARTISTIC GARDEN.
D. IX. LANDSCAPE WITH CATTLE.
All Photographs should be sent in mounted upon firm card, without margin.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
The right of reproducing any Photograph sent in is reserved.
Competitors who wish their prints returned must enclose sufficient stamps to defray postage.
Photographs to be received at the London Office of THE STUDIO by July 1.
Attention is also drawn to an Important Competition on page AD. XV.
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IMPORTANT NOTICE TO COMPETITORS.—The number of drawings, &c., received each month in connection with these Competitions being very large, the Editor wishes it to be clearly understood that while every effort will be made to forward as promptly as possible to their owners those designs with which the requisite sum for postage has been enclosed, he cannot, under any circumstances, guarantee a definite date for their return.
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A PARISIAN STUDIO IN LONDON.
GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE.
DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION.
Black and White Drawing for Reproduction. Summer Sketching Class.
GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. {The Studio is five minutes’ walk from Vauxhall, and five minutes’ tram from Victoria Station.}
AD. II
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The invention and composition of the design will be considered of equal importance to the actual working out.
FIRST PRIZE: One Guinea; SECOND PRIZE: Half-a-Guinea.
Drawings, packed flat, to be received at the London office of THE STUDIO by July 1.
Closes May 1.
Closes June 1.
Closes July 1.
Closes May 1.
Closes June 1.
Closes July 1.
Closes May 1.
Closes June 1.
Closes July 1.
Page 5
Artistic Posters
***
FRAME MAKERS & GILDERS
***
Dealers in Artists’ Materials
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A. SANDERSON & SONS
MANUFACTURERS OF HIGHEST CLASS WALL PAPERS
DESIGNS SHOULD BE SUBMITTED AT CHISWICK OR BY APPOINTMENT AT 52 BERNERS ST.
WORKS CHISWICK
NEAREST RY. STATION, TURNHAM GREEN
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Longden & Co.
London Office447 Oxford Street W.
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WorksPhoenix Foundry Sheffield
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Makers of
Grates
Fenders
Fireirons
Wrought-Iron Work
Ornamental Brass and Bronze Work
AD. III
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Page 6
EXHIBITIONS
NOW OPEN
Royal Society of British Artists.
Royal Inst. of Painters in Water Colours.
Birmingham Roy. Soc. of Artists. (Bourlet & Sons.)
Liverpool, Walker Art Gallery, Spring Exhibition. (Dicksee & Co.)
Bristol Academy of Fine Arts.
Glasgow Inst. of Fine Arts. (Bourlet & Sons.)
Bradford Spring Exhibition. (Dicksee & Co.)
Derby Spring Exhibition. (Bourlet & Sons.)
Leeds Spring Exhibition. (Dicksee & Co.)
Southampton Art Society's Exhibition.
Oldham Corporation. (Bourlet & Sons.)
Lille Exhibition. (Dicksee & Co.)
Düsseldorf Artists.
Bellman, Ivey & Carter's Sculpture Galleries,
157A New Bond Street, W.
Exhibition of Embroideries, Jon. Harris & Sons, Ltd., 25 Old Bond Street, W.
Danish Ceramic Art, Danish House, 294 Regent St. W.
FORTHCOMING
Royal Academy. (O.D. May 2.)
Home Arts and Industries Association. Royal Albert Hall, May 19 to 23.
Prague Inter. Exhib. (O.D. April 15. Dicksee & Co.)
New English Art Club.
Paris Salon, Champs de Mars. (O.D. May 1.)
Paris Salon, Champs Elysees. (O.D. May 1.)
Berlin Inter. Exhib. (O.D. April 29. Dicksee & Co.)
Bruxelles Soc. des Beaux Arts. (O.D. May 1. Dicksee & Co.)
Bath and West and Southern Counties (Cardiff). R.D. April 25-30. Bourlet & Sons.)
York City Art Gallery. (R.D. May 25-31. Bourlet.)
Brighton Water Colour. (Last R.D. May 7. Bourlet.)
R.D.—Receiving Days. O.D.—Opening Days.
DICKSEE and Co.,
7 RYDER STREET, ST. JAMES'S, LONDON, S.W.
Fine Art Agents,
Packers & Conveyancers
of Works of Art.
OFFICIAL AGENTS (BY APPOINTMENT) FOR
BRITISH COMMISSION, Brussels International Exhibition, 1897.
LIVERPOOL, Walker Art Gallery.
MANCHESTER, City Art Gallery.
MANCHESTER, Queen's Park Museum
BRADFORD, Art Gallery and Museum.
LEEDS, City Art Gallery.
DRESDEN, International Exhibition, 1897.
DUDLEY Gallery, Photographic Salon.
BERLIN, International Exhibition, 1897.
BRUSSELS, Société des Beaux-Arts.
LILLE, Exhibition, 1898.
MUNICH, Annual International Exhibition.
PITTSBURG, U.S.A., Carnegie Art Galleries.
PRAGUE, International Exhibition.
ST. LOUIS, U.S.A., Exposition.
ST. PETERSBURGH, Exhibition, 1898.
Messrs. DICKSEE & CO. deliver works at the various London Exhibitions, and the Old and New Salons, Paris, and obtain and repack or deliver them at the close of such Exhibitions, and will forward terms on application.
Telephone 3992. Telegraphic Address: "Dicksee, London."
THE SCULPTURE GALLERIES.
TO HER MAJESTY.
ARTISTIC PRESENTS
SMALL BRONZES' AND OBJETS D'ART.
Nothing can be more suitable for a well-selected present than a genuine Work of Art in Marble or Bronze. In reading the lists of presents at most fashionable Marriages, one is struck by the quantity of Silver and Jewellery given, which in most cases is more than the recipients have any need of or use for. The majority of these presents suffer by comparison with others of the same kind given by those to whom money is no object, whereas a charming little Statuette or Bust is sure to attract universal notice and admiration without danger of being duplicated.
9 inches high.
SKIRT DANCER. SILVER-BRONZE STATUETTE. Copyright. BY S. RUTH CANTON.
MARBLEs AND BRONZES BY EMINENT SCULPTORS.
BELLMAN, IVEY & CARTER, THE SCULPTURE GALLERIES.
NEW BOND ST. LONDON. W.
AD. IV
TO H.R.H. PRINCE OF WALES.
MARBLEs AND BRONZES GROUPS, BUSTS & STATUETTES.
BEING ORIGINALS AND REPRODUCTIONS OF THE LATEST ROYAL ACADEMY AND SALON WORKS.
Page 7
James Bourlet & Sons,
17 & 18 NASSAU STREET,
11 & 12 UNION MEWS, LONDON, W.
Fine Art Packers and Exhibition Agents.
ESTABLISHED 50 YEARS.
Agents for the following Exhibitions:
Royal Society of Artists, Birmingham.
Royal Pavilion, Brighton.
Corporation Art Gallery, Derby.
Corporation Art Gallery, Dudley.
Albert Institute, Dundee.
Dublin Art Club.
Arts and Crafts, Dublin.
Royal Institute of the Fine Arts, Glasgow.
Storey Institute, Lancaster.
Corporation Art Gallery, Oldham.
Mappin Art Gallery, Sheffield.
Sheffield Art Society, Sheffield.
Fine Art Exhibition, Wolverhampton.
City Art Gallery, York.
Arts and Crafts, Evesham.
Corporation Exhibition, Victoria Institute, Worcester.
Royal Academy of Arts.
Royal Society of British Artists.
The Grafton Galleries.
Lady Artists.
New English Art Club.
Southwark and Lambeth Loan Exhibition.
Arts and Crafts, London.
Slade School, University College.
Hogarth Club.
Alpine Club.
Old and New Salons, Paris.
Architectural Exhibit Square Club, Philadelphia, U.S.A.
Telegraphic Address: "TITIAN, LONDON."
Telephone No. 1871 Gerrard.
PICTURE FRAMING IN ALL ITS BRANCHES.
THE ROYAL COPENHAGEN PORCELAIN
Danish Ceramic Art
Vases Figures Plaques
PARIS, 1889, GRAND PRIX
CHICAGO, 1893, HIGHEST AWARD
By Appointment to D.M.D. the King of Denmark
By Appointment to D.R.D. the Princess of Wales
THE POTTERY GAZETTE writes: "To understand the glorification of which pure porcelain as a material is capable, one has only to examine the Royal Copenhagen Ware, consisting exclusively of firm hard porcelain. The ornamental part is simply a collection of triumphs. The ware is dazzling white, the glaze perfectly tender and clear, the forms are simple to severity, and the colours delicate and sweet. The whole of the decoration is produced at the Grand feu. The charm of this ware is its perfect simplicity and artistic truth."
Danish House, 294 Regent Street, London, W.
AD. V
Page 8
Educational
Mr. HENRY BLACKBURN’S STUDIO
Is Open five days a week for the Study and Practice of DRAWING FOR REPRODUCTION.
PRIVATE INSTRUCTION AND BY CORRESPONDENCE.
> “The course, commencing (when necessary) with drawing from the cast, life, &c., and ending by seeing ‘students’ own work reproduced in metal and printed at the type press.”—EDUCATIONAL REVIEW.
123 Victoria Street, Westminster (near Army and Navy Stores).
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SCHOOL OF ANIMAL PAINTING,
54 Baker Street, W.
Principal—W. FRANK CALDERON.
Live Models daily from 10 till 4.
Anatomy on Saturdays, 10 till 1.
Mr. CALDERON will again hold a Summer Class for Outdoor Work at Midhurst, Sussex, from the middle of July until the middle of September.
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LAMBETH SCHOOL OF ART,
St. Oswald’s Place, Upper Kennington Lane, S.E.
LIFE SCHOOL.
DAY AND EVENING CLASSES.
MR. THOMAS McKEGGIE, Head Master.
Life Classes for Women.
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Life Classes for Men.
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Head . Mon. Wed. & Friday
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Head & Costume Model
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Costume Model
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Tuesday & Thursday
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Mon. Wed. & Friday
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Full Length Figure
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Full Length Figure
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Mon. Wed. & Friday
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Tuesday & Thursday
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Special Figure Class . Saturday
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Figure Composition, Book Decoration and Illustration, “Black and White” Drawing for Reproduction, Landscape, Still Life, and Flower Painting, and all the usual Preparatory Classes. Junior and Senior Sketch Clubs. Re-opened on Monday, October 4.
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CHANGE OF STUDIOS.
5 STRATFORD STUDIOS to
13 EDWARDES SQUARE,
KENSINGTON.
During the next Term, commencing on the 18th of April, MR. COLLINGS will accompany his Pupils for Pencil Sketching (for Form, Tone, and Values, making notes only of local colour), in Cycle and Train runs to the Country, one day in each week, working with them in Colour (Oil and Water) in the Studio the remaining two days.
For those desirous of studying entirely from the Life, Draped Models will be provided during the three days in the Studio.
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The St. Ives School of Art
Under the Direction of
Mr. LOUIS GRIER (Medallist, Paris Salon)
Mr. J. NOBLE BARLOW, R.B.A.
WINTER TERM from 1st NOVEMBER.
Instruction
Is given in LANDSCAPE, MARINE, Figure, and Still-Life, both in Oil and Water Colour from Nature. Students may join at any time.
FOR PARTICULARS, ADDRESS
THE SECRETARY, THE FOC’SLE, THE ST. IVES SCHOOL OF ART, ST. IVES, CORNWALL.
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THE YELLOW DOOR
STVDIO
Beckenham S.E.
Half an hour from Charing X and Victoria
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THE “SPERLOVE” SCHOOL OF MODERN LANDSCAPE ART
The process of painting from the “Sketch” to the “Finished” Picture - Special opportunities to Students who desire to take up Landscape ART professionally
OUT-DOOR Classes — BLACK & WHITE for illustration
(See prospectus)
Special Private Lessons are given by Mr. F. SPENLOVE-SPENLOVE, R.B.A., at his LONDON STUDIO, KENT HOUSE, HOLLAND PARK, W.
AD. VI
Page 9
Educational
A Cornish School of Landscape and Sea Painting.
Intended chiefly for those adopting Painting as a Profession.
UNDER THE DIRECTION OF MR. JULIUS OLSSON.
ASSISTED BY MR. A. M. TALMAGE.
For Particulars, address JULIUS OLSSON, ST. IVES, CORNWALL.
NEWLYN & PENZANCE ART STUDENTS' SOCIETY.
Study from the Life and Landscape.
DIRECTOR—NORMAN GARSTIN.
For Particulars, apply THE SECRETARY,
Miss E. Borlase, The Coombe, Penzance.
ATELIER D'AQUARELLE,
7 Holland Park Road, Kensington, W.
WATER-COLOUR SCHOOL—INSTRUCTION IN DRAWING AND PAINTING.
Life, Still-Life, and the Usual Preparatory Classes.
UNDER THE DIRECTION OF
MR. CIFFARD H. LENFESTEY, R.B.A., & Mr. H. P. CLIFFORD, R.B.A.
(National Gold Medallists).
LANDSCAPE PAINTING
During the month of June, the Annual Outdoor Sketching Class will be held in some suitable locality within easy reach of London. Models will be posed.
Those desirous of joining should apply as soon as possible, so that further arrangements can be made.
Landscape and Figure Painting.
MR. T. SHEARD, M.A., R.B.A.,
Takes a limited number of Pupils in the above Subjects.
The Richmond School of Landscape Painting
CARRINGTON LODGE, 33 Sheen Road, Richmond, Surrey
Conducted by Mr. C. E. JOHNSON, R.I., & Mr. R. HUGHES
Students may join at any time during the term at proportionate charges.
ADDRESS, MR. R. HUGHES.
Camden School of Art and Science Corporation,
4 DALMENY AVENUE, HOLLOWAY, N.
Head Master: Mr. FRANCIS BLACK, R.B.A., assisted by specially qualified Masters.
All kinds of DRAWING, PAINTING, DESIGN and MODELLING.
Life.—EVENING: Monday, Tuesday, Wednesday, Thursday, and Friday, 7 to 9.30.
DAY: Tuesday, Wednesday, Thursday, Friday, and Saturday, 10 to 1 and 2 to 4, for Costume, for Special Drapery Studies, for Modelling, for Book Illustration, and for Design purposes.
SPECIAL TECHNICAL CLASSES IN APPLIED ART.—Etching, Book Illustration, Surface Decoration (Panels, Paper Staining, etc.), Fresco, Gesso, Sgraffito, Tapestry Painting, Embroidery Art Needlework.
For quality of work this School of Art again stands on the front line in the Metropolis, having won in the National Competition 1 Gold Medal 9 Bronze Medals, and 29 Queen's Prizes. Also a large number of Local Scholarships, Exhibitions, and Free Studentships from the Science and Art Department and the Technical Board.
All applications should be made to the Hon. Sec. R. SEYMOUR, Esq., School Address.
AD. VII
For particulars, apply, by letter or personally, on Tuesdays,
3TURNER'S STUDIOS,
GLEBE PLACE,
CHELSEA, S.W.
Visitors
Mr. W. Q. ORCHARDSON, R.A.
Mr. J. MACWHIRTER, R.A.
Mr. COLIN HUNTER, R.A.
Mr. DAVID MURRAY, A.R.A.
Sir J. LINTON, P.R.I.
Mr. THORNE WAITE, R.W.S.
And other distinguished Artists.
The Studio is open for instruction from 10 A.M. till 4 P.M., on Mondays, Wednesdays, and Thursdays.
The months of May, June, and July are devoted to Sketching direct from Nature.
Page 10
Educational
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THE SPHINX STUDIO,
20 FITZROY STREET, W.
Visitors—G. F. COOK, Esq. A. J. ELSLEY, Esq. CHARLES HOLROYD, Esq. CHARLES ROBINSON, Esq. SOLOMON J. SOLOMON, Esq., A.R.A.
Day Life Class for Ladies under Mr. HOLROYD. Afternoon Life Class for Ladies under Mr. Cook and Mr. ELSLEY. Evening Black and White Class under Mr. ROBINSON. Composition Class under Mr. SOLOMON.
Further Particulars on application to THE SECRETARY.
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Life Class,
Drawing & Painting, Lithography, Etching.
DAILY CLASSES ARE HELD AT
2, THE STUDIOS, HEREFORD SQUARE, S. KENSINGTON.
Visitor: Mr. WILL ROTHENSTEIN
(Once or twice weekly.)
Students can join at any period of the term. Further information can be obtained at the Studio from Miss BEATRICE MALCOLM.
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SKETCHING IN COLOURS DIRECT FROM NATURE.
Correspondence Lessons. Experienced Teacher.
The Blackstairs Sketching Club.
Children’s and Beginners’ Correspondence Drawing and Sketching Classes.
SKETCHES CRITICISED BY CORRESPONDENCE.
MISS HILL, URRIN’S FORT, ENNISCORTHY, IRELAND.
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A CLASS FOR THE STUDY OF
FASHION PLATE DRAWING
Magazine Illustration, and Sketching from Costume Model.
Instructor: MR. KAY WOMRATH
(Pupil of Eug. Grasset and Luc Olivier Merson.)
For Particulars apply to—
Miss Wilson, 49 Hollywood Road, South Kensington.
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Embossed Leather.
LESSONS IN LEATHERWORK AND *
LACQUERING BY CORRESPONDENCE
ARTICLES MADE UP IN THE NEATEST
* AND MOST ARTISTIC MANNER.
Designs Tools Leathers
J. HANMER HUTCHINGS, DESIGNER AND CRAFTSMAN IN LEATHER
St. Peter’s Churchyard, CHESTER.
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THE ART REPRODUCTION COMPANY, LTD.
3 & 4 PLOUGH COURT
FETTER LANE, E.C.
FOR
PHOTOMECHANICAL PROCESSES,
PHOTOGRAVURES & COPPERPLATE PRINTING.
SPECIMENS & ESTIMATES
ON APPLICATION.
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ESTABLISHED 1851.
BIRKBECK BANK.
SOUTHAMPTON BUILDINGS,
CHANCERY LANE, LONDON, W.C.
INVESTED FUNDS . . £8,000,000. Number of Accounts, 75,061.
TWO-AND-A-HALF per CENT. INTEREST allowed on DEPOSITS, repayable on demand.
TWO per CENT. on CURRENT ACCOUNTS, on the minimum monthly balances, when not drawn below £100.
STOCKS, SHARES, and ANNUITIES purchased and sold for customers.
Savings Department.—Small Deposits received, and Interest allowed monthly on each completed £1.
Telephone No. 5 HOLBORN. The BIRKBECK ALMANACK, with full particulars, post free.
Telegraphic Address: “BIRKBECK, LONDON.”
FRANCIS RAVENSCROFT, Manager.
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The Goldsmiths’ Institute School of Art
NEW CROSS, S.E.
Premier London School, Art National Competition, 1897.
Life (Costume and Figure) Design, Book Illustration, Repoussé Work, Wood Carving, Modelling, Painting, Art Needlework and Embroidery, &c.
The School is open Day and Evening. Students admitted at any date.
The lines of instruction are framed to further Commercial Design as well as purely Pictorial Art.
Fees and particulars on application to the Secretary, THE GOLDSMITHS’ INSTITUTE, NEW CROSS, S.E.
AD. VIII
Page 11
PHOTOGRAPHING for ARTISTS and DESIGNERS. $\star \star$
Pictures, Drawings, Statuary, and all other Works of Art Photographed at Studios, Galleries, &c., for Reproduction and Reference.
Sitters and Models Photographed for Artists’ Guides.
WILLIAM E. GRAY, 92 Queen’s Road, Bayswater, W.
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JON. HARRIS & SONS, Limited,
DERWENT MILLS, COCKERMOUTH, ENGLAND.
Art Embroidery Show Rooms,
25 OLD BOND STREET, LONDON, W. (Over Benson’s)
33 KING ST., MANCHESTER; 89 CORPORATION ST., BIRMINGHAM;
10 RUE POISSONNIÈRE, PARIS; and 19 CHARLOTTEN STRASSE, BERLIN.
ARTISTIC FABRICS FOR EMBROIDERY AND DECORATIVE PURPOSES.
ART LINENS IN FIFTY EXQUISITE SHADES.
PURE FLAX THREADS, LUSTROUS AND GLOSSY AS SILK.
Handmade Linens a Specialité.
New Illustrated Catalogue of Embroideries, Patterns and Prices on Application.
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L. CORNELISSEN & SON
(ARTISTS’ COLOURMEN),
SOLE AGENTS FOR THE UNITED KINGDOM FOR
DR. F. SCHOENFELD’S ARTISTS’ COLOURS.
HERR A. ACHENBACH, Dusseldorf, writes as follows:—“Now in my eighty-first year, I declare with the greatest satisfaction that I have used from the beginning of my career as an artist exclusively Schoenfeld’s Artists’ Colours, and that my pictures have neither cracked nor darkened in colour. Of this fact I was convinced when, on the occasion of my seventieth birthday, an exhibition of my earlier and present works took place. I am not aware of a better recommendation.”—Dusseldorf, Oct. 20, 1895.
PRICE LIST ON APPLICATION
Address: 22 GREAT QUEEN STREET, LONDON, W.C.
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ST. JOHN’S WOOD ART SCHOOLS,
7 ELM TREE ROAD, N.W.
CLASSES held daily for Drawing and Painting from the Antique, Still Life, Head and Figure Models.
Students prepared for Royal Academy Schools. 300 admitted since 1885. Four R.A. Gold Medals, and 80 Prizes obtained by Old Students since 1886 in the R.A. About 200 Works by Present and Past Students hung in the R.A. 1894.
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COMPETITION COUPON
This portion to be cut off and forwarded in accordance with Rule 3:
Competition No. ________________________
April 15, 1898.—This form can be used for any or all of the Competitions set in this number, but is only available for those appearing for the first time in the present issue.
Pseudonym of Competitor _________________________________________________________
Full Name and Address _________________________________________________________
AD. IX