Premières pages de l'ouvrage, en accès libre.
SUPPLEMENTS BY MAURICE GREIFFENHAGEN AND PAUL HELLEU THE · STUDIO An Illustrated Magazine of Fine & Applied Art JAN. 15 '97 VOL. 9 No. 46 5 Henrietta Street Covent Garden LONDON W.C THE GALIGNANI LIBRARY PARIS, 224, rue de Rivoli NICE, 48, quai Saint-Jean-Baptiste.
THE STUDIO. EDITED BY CHARLES HOLME. --- Contents, January 15th, 1897. SUPPLEMENTS:—AN AUTO-LITHOGRAPH, by MAURICE GREIFFENHAGEN; A DRAWING IN COLOURS, by PAUL HELLEU. MAURICE GREIFFENHAGEN AND HIS WORK. By JAMES STANLEY LITTLE. Nine Illustrations ...
ROTTmann & Co. MAKERS OF JAPANESE & ENGLISH WALL & CEILING DECORATIONS 26 GARLICK HILL, QUEEN VICTORIA STREET BEHIND MANSION HOUSE STATION, LONDON.E.C. --- CARLEHTSCHEL PHOTO ENGRAVERS 182-183 & 184 FLEET STREET LONDON E.C. AND AT WEST NORWOOD Photo Engravers Electrotypers Stereotypers Designers Foundry The Goldsmith Foundry 1 & 2 Goldsmith St. Gough Square, E.C. Branch Office 69 Market St. Manchester Telegrams “Hentschel, London” Telephones Fleet St., 65169 Goldsmith St., 65262 Head Office 182, 183, 184a Fleet St., E.C. AD. I
THE STUDIO PRIZE COMPETITIONS. (1) All students at public and private Art Schools and all bona fide amateurs are eligible as competitors. Professional artists and designers are only eligible when competing for designs of a different class from those on which they are professionally engaged. Thus, an artist employed as designer in a carpet factory might compete in a wall-paper subject, and vice versa. (2) Designs must be original and not traceable to any existing pattern. New ideas and new treatment combined with workable detail and arrangement will be the objects considered. (3) Drawings for competitions must be legibly signed with pseudonym only. The form page AD. IX. with details fully filled in, must accompany each drawing or set of drawings, and be enclosed in a sealed envelope, on the outside of which is written only the pseudonym of the competitor; as this will not be opened until after the awards are made, any query should be forwarded in a separate letter. (4) The Proprietor of THE STUDIO reserves to himself the right of withholding all or any of the prizes, provided that, in the unanimous opinion of the judges, the drawings do not fulfil the rules of the Competition or otherwise are of insufficient merit. He also reserves to himself the right to reproduce in THE STUDIO any of the designs submitted. (5) No design will be returned in any case unless accompanied by sufficient stamps for postage or carriage. The term sufficient postage has been fixed at one shilling—for the Industrial Competitions, Class A—to cover the cost of packing, &c. Designs for Classes, B, C, and D will not be returned, unless specially exempted. In such cases the amount to be enclosed for postage will be given. (6) All designs (unless specially excepted in certain competitions) must be sent rolled, not packed flat. Competitors are advised to forward their drawings within cardboard cylinders (to be obtained of most stationers) or upon wooden rollers, as by this means the drawings are not liable to damage in transit, and the trouble of repacking is greatly reduced. (7) All designs and correspondence thereon to be addressed THE STUDIO, 5 Henrietta Street, Covent Garden, London, W.C., and marked "Prize Competitions," with the number of the Competition, "A xix," "B xii," "C xi," "D ii," &c., on the outside of the package, or letter referring to it. (8) An infringement of any of the above Rules will disqualify a competitor. SERIES "A." DESIGNS FOR INDUSTRIAL PURPOSES. A XLV. DESIGN FOR STAINED GLASS. A XLVI. DESIGN FOR A POSTER. The design must be suitable for reproduction in two, three, or four colours, as a 16-sheet double crown poster, which will measure 120 inches high by 80 inches wide. The design, which must be made 12 inches high by 8 inches wide, must incorporate the following words: "Victorian Era Exhibition, Earl's Court, S.W., May to October, 1897. Director-General, Imre Kiralfy." If a figure subject is selected, preference should be given to an allegorical one. FIRST PRIZE: Five guineas. SECOND PRIZE: Three guineas. THIRD PRIZE: Two guineas. Special attention is directed to the fact that this competition closes on FEBRUARY 15, by which date all designs must be delivered at THE STUDIO Office. SERIES "B." DRAWINGS FOR REPRODUCTION BY PHOTOGRAPHIC PROCESS. B XLI. HUMOROUS FIGURE SUBJECT. B XLII. ILLUSTRATION FOR FAIRY TALE. The design to consist of a scene from any well-known fairy tale, to be drawn in black ink on white cardboard. Size of drawing at the option of the competitor. An entirely new series of competitions will be commenced in the next (February) Number. The attention of Competitors is particularly directed to Rules 2, 3 and 8. FIRST PRIZE: One guinea. SECOND PRIZE: Half a guinea. Drawings, packed flat, to be received at THE STUDIO Office by March 1. SERIES "C." DESIGNS FOR AMATEURS' WORK. C XXXVIII. DESIGN FOR CARVED WOOD BREAD-TRENCHER. C XXXIX. DESIGN FOR CARVED WOOD BREAD-KNIFE HANDLE. Drawings to be made full size. FIRST PRIZE: One guinea. SECOND PRIZE: Half a guinea. Designs, packed flat, to be received at THE STUDIO Office by March 1. SERIES "D." PHOTOGRAPHS FROM NATURE. D XXXI. STUDY OF CLOUDS. All photographs should be sent in mounted on firm card, without margin. FIRST PRIZE: One guinea. SECOND PRIZE: Half a guinea. The right of reproducing any photograph sent in is reserved. Competitors who wish their prints returned must enclose three stamps to defray postage. D XXXII. SNAPSHOT OF AN EXPRESS TRAIN. CLOSES Feb. 1. CLOSES March 1. A PARISIAN STUDIO IN LONDON. GROSVENOR LIFE SCHOOL. Principal—Mr. W. J. DONNE. DRAWING AND PAINTING FROM LIFE. FIGURE COMPOSITION. Black and White Drawing for Reproduction. Summer Sketching Class. GROSVENOR STUDIO, VAUXHALL BRIDGE, S.W. {The Studio is two minutes' walk from Vauxhall and five minutes' tram from Victoria Station.} AD. II
THE MIYAKODORI, 196 BROMPTON ROAD, S.W. (Late No. 96.) PERMANENT EXHIBITION OF JAPANESE COLOUR PRINTS, By OLD MASTERS. The Best Selection in England. Also Fine Old Bronzes, Lacquer, Ivories, Wood Carvings, &c. Ancient Art Work of Japan. Forthcoming. AN EMINENT ART PUBLICATION. The Masterpieces of the Museo del Prado at Madrid. 110 Photogravures, measuring about $14 \times 21$ inches each, directly after the Original Paintings. Published during 1897, in Ten Parts, at £6 lbs. each. 8 RAPHAELS. 15 MURILLOS. 21 TITIANS. 39 VELASQUEZS. 8 RUBENS. This Work is the companion to that superb publication, The Imperial Hermitage, St. Petersburg, which contains, according to eminent critics, the most superb reproductions, and the most faithful of the acknowledged Art Treasures in Europe. We shall be pleased to submit either Work to any intending Subscriber. Illustrated Prospectus sent post free. THE BERLIN PHOTOGRAPHIC COMPANY Fine Art Publishers, 133 NEW BOND STREET, LONDON, W. Also at BERLIN, NEW YORK, & PARIS ORIGINAL MAKERS OF ARTISTIC WALL-PAPERS FREE FROM ARSENIC W'WOLLAMS & CO. SOLE ADDRESS 110 HIGH STREET NEAR MANCHESTER SQth LONDON · W· OF ALL DECORATORS A. Sanderson & Sons MANUFACTURERS OF HIGHEST CLASS WALL PAPERS DESIGNS SHOULD BE SUBMITTED AT CHISWICK OR BY APPOINTMENT AT 52 BERNERS ST. Works: Chiswick NEAREST RY. STATION, TURNHAM GREEN AD. III
EXHIBITIONS NOW OPEN The Royal Academy. Lord Leighton's Pictures. The Fine Art Society, New Bond Street. (Leighton's Studies.) Birmingham Society of Artists. (Bourlet & Sons.) Worcester Corporation Gallery. (Bourlet & Sons.) Derby Corporation Art Gallery. (Bourlet & Sons.) Institute of Painters in Oils. Florence Fine Art Exhibition. (Dicksee & Co.) Carnegie Art Galleries. Pittsburgh, U.S.A. (Dicksee & Co.) Architectural Exhibition, T Square Club, Philadelphia, U.S.A. (Bourlet & Sons.) Jon. Harris & Sons, Ltd. Art Embroideries, 25 Old Bond Street, W. Bellman, Ivey & Carter's Sculpture Galleries, 157A New Bond Street, W. FORTHCOMING Royal Society of Painter-Etchers. Receiving date February 24th. Society of Lady Artists. (Receiving date Jan. 18th.) Dudley Gallery. (Receiving date. February 1st. Members only.) Oldham Corporation. (Receiving date January 11th. Bourlet & Sons.) Bristol Academy of Fine Arts. (Receiving date February 1st.) Royal Scottish Academy. (Receiving date Feb. 1st.) Royal Glasgow Institute. (Receiving dates January 14th and 15th. Bourlet & Sons.) Stirling Art Institute. (Opening day January 30th. Bourlet & Sons.) City Art Gallery, Leeds. (Receiving dates 20th and 21st January. Dicksee & Co.) City Art Gallery, Bradford. (Receiving dates 1st to 12th February. Dicksee & Co.) Dicksee and Co., 7 Ryder Street, ST. JAMES'S, LONDON, S.W FINE ART AGENTS, PACKERS AND CONVEYANCERS OF WORKS OF ART. OFFICIAL AGENTS (BY APPOINTMENT) FOR Liverpool, Walker Art Gallery. Manchester, City Art Gallery. Manchester, Queen's Park Museum. Bradford, Art Gallery and Museum. Leeds, City Art Gallery. Cardiff, Fine Art Industrial and Maritime Exhibition, 1896. Bath & West & Southern Counties Exhibition. Dudley Gallery, Photographic Salon. Berlin, International Exhibition. Brussels, Societe des Beaux-Arts. Copenhagen, International Art Exhibition, 1897. Florence, International Exhibition, 1896. Munich, Annual International Exhibition. Munich "Secession" Exhibition. Pittsburgh, U.S.A., Carnegie Art Galleries. Prague, International Exhibition. St. Louis, U.S.A., Exposition. Stockholm, International Art Exhibition, 1897. Venice, International Exhibition, 1897. Messrs. DICKSEE & CO., deliver works at the various London Exhibitions, and the Old and New Salons, Paris, and obtain and repack or deliver them at the close of such Exhibitions, and will forward terms on application. Telephone: 3992. Telegraphic Address: "DICKSEE, LONDON." TO HER MAJESTY. PRIZE MEDAL 1851. PRIZE MEDAL 1862. TO H.R.H. PRINCE OF WALES THE SCULPTURE GALLERIES. ARTISTIC PRESENTS. SMALL BRONZES AND OBJETS D'ART. Nothing can be more suitable for a well selected present than a genuine Work of Art in Marble or Bronze. In reading the lists of presents at most fashionable Marriages, one is struck by the quantity of Silver and Jewellery given, which in most cases is more than the recipients have any need of or use for. MARbles AND BRONZES BY EMINENT SCULPTORS, BELLMAN, IVEY & CARTER, THE SCULPTURE GALLERIES NEW BOND ST., LONDON, W. AD. IV
James Bourlet & Sons, 17 & 18 NASSAU STREET, II & 12 UNION MEWS, LONDON, W. Fine Art Packers and Exhibition Agents. ESTABLISHED 50 YEARS. Agents for the following Exhibitions: Royal Society of Artists, Birmingham. Royal Pavilion, Brighton. Corporation Art Gallery, Derby. Corporation Art Gallery, Dudley. Albert Institute, Dundee. Dublin Art Club. Arts and Crafts, Dublin. Royal Institute of the Fine Arts, Glasgow. Storey Institute, Lancaster. Corporation Art Gallery, Oldham. Mappin Art Gallery, Sheffield. Sheffield Art Society, Sheffield. Fine Art Exhibition, Wolverhampton. City Art Gallery, York. Arts and Crafts, Evesham. Corporation Exhibition, Victoria Institute, Worcester. Royal Academy of Arts. Royal Society of British Artists. The Grafton Galleries. Lady Artists. New English Art Club. Southwark and Lambeth Loan Exhibition. Arts and Crafts, London. Slade School, University College. Hogarth Club. Alpine Club. Old and New Salons, Paris. Architectural Exhib.T Square Club, Philadelphia, U.S.A. Telegraphic Address: "TITIAN, LONDON." PICTURE FRAMING IN ALL ITS BRANCHES. Della Robbia Pottery LIMITED. Works: 2 PRICE ST., BIRKENHEAD. London Show Room: W. T. BENNET, 231 OXFORD STREET. All kinds of Pottery in Majolica and Scraffiatо Treatment for Use and Domestic Decoration. Large Plaques and Vases Dessert and Tea Services, Jam and Tobacco Pots, Water and Milk Jugs. Architectural Dep.—Fountains, Benitès, Sundials for Quaint Designs, Window Garden Tilings (Panels for application, all sizes. Manager: HAROLD RATHBONE. Permanent Photographs OF THE WORKS OF Sir Edward Burne-Jones, Bart. G. F. Watts, R.A. Dante Gabriel Rossetti. Holbein, Drawings at Windsor Castle, by kind permission of her Majesty the Queen. Harry Bates, A.R.A., Homer and others Albert Moore and other artists. Can be obtained of FREDK. HOLLYER, 9 PEMBROKE SQUARE, KENSINGTON. (Illustrated Catalogue, Post free 12 stamps.) THE DELICIOUS ESSENCE OF THE VIOLET IT SELF-DISTILLED FROM THE FRAGRANT VIOLET GARDENS OF THE SUNNY RIVERA. 177 NEW BOND STREET W. THE NEW CROWN VIOLET IN GROWN STOPPERED BOTTLES ONLY. The Crown Perfumery Co BIRKBECK BANK ESTABLISHED 1851. TWO-AND A-HALF per CENT. INTEREST allowed on DEPOSITS repayable on demand. TWO per CENT. on CURRENT ACCOUNTS, on the minimum monthly balances, when not drawn below £100. SAVINGS DEPARTMENT For the encouragement of Thrift the Bank receives small sums on deposit, and allows Interest monthly on each completed £1. BIRKBECK BUILDING SOCIETY HOW TO PURCHASE A HOUSE FOR TWO GUINEAS PER MONTH The BIRKBECK ALMANACK, with full particulars, post free. BIRKBECK FREEHOLD LAND SOCIETY HOW TO PURCHASE A PLOT OF LAND FOR FIVE SHILLINGS PER MONTH. FRANCIS RAVENSCROFT, Manager. Super-royal 8vo, 21s. net. STAINED GLASS AS AN ART. By HENRY HOLIDAY. With a Coloured Reproduction of the Drawing for “The Creation,” Twenty Collotypes, and many Illustrations in the Text from Designs by Sir Edward Burne-Jones, W. B. Richmond, and the Author. MACMILLAN & CO., LTD., LONDON. AD. V
Educational Mr. HENRY BLACKBURN’S STUDIO Open five days a week for the Study and Practice of DRAWING FOR THE PRESS. PRIVATE INSTRUCTION AND BY CORRESPONDENCE Oil Painting, Water Colours, and Pastel. > “The Editor of ACADEMY NOTES takes his students from one stage of practical education to another, commencing (when necessary) with drawing from the cast, life, &c., and ending by seeing their own work reproduced in metal and printed at the type press.”—EDUCATIONAL REVIEW. 123 Victoria Street, Westminster (near Army and Navy Stores). --- SCHOOL OF ANIMAL PAINTING. Principal—Mr. W. FRANK CALDERON. Open daily from 10 to 4. Live Models, Anatomy, &c. Evening Classes, Mondays, Thursdays, 6.30 to 9.30. A SUMMER CLASS FOR OUTDOOR WORK, under Mr. CALDERON’s direction, will be held at Midhurst, Sussex, during the long vacation. For all particulars apply to Mr. W. FRANK CALDERON, SCHOOL OF ANIMAL PAINTING, 54 BAKER STREET, W. --- LAMBETH SCHOOL OF ART, St. Oswald’s Place, Upper Kennington Lane, S.E. LIFE SCHOOL. DAY AND EVENING CLASSES. MR. THOMAS McKEGGIE, Head Master. Life Classes for Women. --- Life Classes for Men. --- Head --- Mon. Wed. & Friday --- Head & Costume Model --- Tuesday & Thursday --- Costume Model --- Mon. Wed. & Friday --- Full Length Figure --- Mon. Wed. & Friday --- Full Length Figure --- Tuesday & Thursday --- Special Figure Class --- Saturday --- Figure Composition, Book Decoration and Illustration, “Black and White” Drawing for Reproduction, Landscape, Still Life, and Flower Painting, and all the usual Preparatory Classes. Junior and Senior Sketch Clubs. --- Mrs. Jopling’s School of Art. For Particulars apply to THE SECRETARY, 3 Pembroke Road, Kensington. --- Sketching from Nature. INSTRUCTION BY CORRESPONDENCE. For Particulars and Prospectus of Life School apply to Mr. BERRY F. BERRY, Berry Art Schools, 86 Fellows Rd., N.W. --- CUT AND EMBOSSED LEATHER-WORK. Lessons are given in this subject by Miss ELLEN SPARKS at her Studio, 30 TITE STREET, CHELSEA. A class is held on Thursday mornings. Private Lessons by arrangement. Terms on application. AD. VI --- ART CLASSES, Under the Direction of Mr. FRANCIS BATE SPECIAL LIFE CLASS FOR LADIES. Apply SECRETARY, Applegarth Studio, AUGUSTINE ROAD, BROOK GREEN, W. Stations: ADDISON ROAD and HAMMERSMITH, W. --- THE "SPENLOVE" SCHOOL of MODERN LANDSCAPE PAINTING. STUDIOS. "THE YELLOW DOOR". BECKENHAM. SE HALF AN HOUR FROM VICTORIA OR CHARLES X The process of landscape painting from the SKETCH to the FINISHED PICTURE. SPECIAL OPPORTUNITIES TO STUDENTS who desire to take up LANDSCAPE ART PROFESSIONALLY PRINCIPAL & DIRECTOR. - Me FRANK SPENLOVE - SPENLOVE. RBA SEE PROSPECTUS
Educational A CORNISH SCHOOL OF LANDSCAPE AND SEA PAINTING. UNDER THE DIRECTION OF MR. JULIUS OLSSON. The Work will be carried on all the year round, with the exception of the months of May and June. THE SUMMER TERM COMMENCES ON THE FIRST OF JULY. For Particulars, address JULIUS OLSSON, ST. IVES, CORNWALL. TECHNICAL ART CORRESPONDENCE COLLEGE 49 SHEPHERD'S BUSH ROAD, W. Principal: Mr. GIFFARD H. LENFESTEY, Art Master.(Gold Medallist.) POSTAL TUITION. Science and Art Department Exams. Correspondence Classes in Architecture, Historic Ornament, Principles of Ornament, Anatomy, &c., preparing for the May Examinations, 1897. Short Courses commence the first week in February. Oral Classes in Architecture and Principles of Ornament. For Prospectus and all further particulars concerning the Classes apply to the Principal. --- MESSRS. LENFESTEY & CLIFFORD (National Gold, Silver, and Bronze Medallists, Royal College of Art), hold Classes at their Studio, 7 Holland Park Road, Kensington, W., every Saturday for Instruction in DRAWING AND PAINTING. A Morning Class meets from 10 A.M. to 1 P.M. for Drawing and Painting from the Costume Model. Afternoon Classes are held for Still Life, Flower Painting, Landscape, &c., from 2 to 4 P.M. In the Evening a Model will be posed from 7 to 10 P.M. and a limited number of Gentlemen can work at a nominal fee. Private lessons by arrangement. Appointment by letter, 7 HOLLAND PARK ROAD, KENSINGTON, W. --- The Richmond School of Landscape Painting, CARRINGTON LODGE, 33 SHEEN ROAD, RICHMOND. CONDUCTED BY MR. C. E. JOHNSON, R.I., AND MR. R. HUGHES. Visitors: MR. W. O. ORCHARDSON, R.A. J. MACWHIRTER, R.A. SIR JAMES LINTON. MR. COLIN HUNTER, A.R.A. MR. DAVID MURRAY, A.R.A. For particulars, address Mr. R. HUGHES, as above. Newlyn and Penzance Art Students’ Society. STUDY FROM THE LIFE AND LANDSCAPE. Director—NORMAN GARSTIN. For Particulars, apply THE SECRETARY, Miss E. Borlase, The Coombe, Penzance. Bedford College, London, for Women, YORK PLACE, BAKER STREET, W. ART SCHOOL. VISITOR—HUBERT HERKOMER, R.A. PROFESSOR—E. BOROUGH JOHNSON, R.B.A. The Studio re-opens on FRIDAY, JANUARY 15th. Further information on application. LUCY J. RUSSELL, Honorary Secretary. SKETCHING IN COLOURS DIRECT FROM NATURE. Correspondence Lessons. Experienced Teacher. The Blackstairs Sketching Club. Children’s and Beginners’ Correspondence Drawing and Sketching Classes. CIRCULATING PORTFOLIOS. SKETCHES CRITICISED. MISS HILL, URRIN’S FORT, ENNISCORTHY, IRELAND. --- CLASSES for BOOKBINDING INSTRUCTION GIVEN BY MISS BIRKENRUTH, 89 Cromwell Rd., South Kensington. For Terms and Particulars apply at above address. MR. G. F. COOK’S SCHOOL OF ART, 103 GOWER STREET, W.C. Figure, Costume, and Animal Classes from the Life, Day and Evening. Eminent Visitors. Vacation One Week at Christmas. Entry at any time. Fees payable Monthly. Particulars on application to Secretary. AD. VII ---
THE BEST OF ALL! Have now been brought to highest perfection through the assistance of a Leading Artist. Patented in all Countries. SYNTONOS WATER-COLOURS, In Tubes. To be had in London from: Messrs. ROBERSON & CO., 99 Long Acre, W.C. Mr. PERCY YOUNG, 137 Gower Street, W.C. Sole Makers: L. AUERBACH & CO., FUERTH, Bavaria. THE POCKET DIMINISHING GLASS Is for the use of Artists, that they may be enabled to estimate the changes produced in a Drawing when reduced in size. It is indispensable to all who are employed in the Illustration of Books and Magazines. Its price is EIGHT SHILLINGS AND SIXPENCE, and it may be obtained direct from the Makers, who also supply CLAUDE LORRAINE Glasses and CAMERA LUCIDAS, CARPENTER & WESTLEY, OPTICIANS, 24 REGENT ST., LONDON, S.W. West, Newman & Co. 54 HATTON GARDEN, LONDON. Lithographic Provers and Printers Artists supplied with Litho Stones or Transfer Paper of any desired grain. Back Numbers of THE STUDIO Wanted. For clean and complete Parts of Numbers 35 and 39 of THE STUDIO, One Shilling each will be given by the Publisher. The Goldsmiths' Institute, School of Art, New Cross, S.E. Head of Section: FREDERICK MARRIOTT, Assisted by J. T. DALLADAY, S. G. ENDERBY, A. DRURY, W. A. FENN, G. C. JACKSON, A. WAITE, Miss F. I. MORLEY, and Miss H. M. PEMBERTON. DRAWING AND PAINTING, LIFE (NUDE AND DRAPED FIGURE), MODELLING (DESIGN, ANTIQUE AND LIFE), DESIGN, BOOK ILLUSTRATION, SPECIAL LECTURES ON DESIGN, ART NEEDLEWORK, REPOUSSE WORK, WOOD-CARVING The School is open each day and evening (Saturday evening excepted). DAY LIFE CLASSES FOR MEN NOW ADDED, UNDER S. G. ENDERBY. The following Table indicates the advance made by the School since the opening of the Institute in 1891: ART NATIONAL COMPETITION AWARDS. 1892 --- Medal --- Other Prizes --- Total --- 1893 --- Medals --- " --- " --- 1894 --- " --- " --- " --- 1895 --- " --- " --- " --- 1896 --- " --- " --- " --- STUDENTS CAN JOIN AT ANY TIME. THE NEW SESSION COMMENCED MONDAY, SEPTEMBER 28th. Mr. MARRIOTT the Head of the Section, or Mr. REDMAYNE, the Secretary of the Institute, may be seen by appointment if desired, on alternate Friday Evenings between 8 and 9.30. Fees and particulars on application to the Secretary, THE GOLDSMITHS' INSTITUTE, NEW CROSS, S.E. AD. VIII For the third successive year the Students have obtained the largest number of Prizes in the Art National Competition awarded to any London School of Art (the Government Schools at South Kensington only excepted). Fourteen Students qualify this year for Government Art Free Scholarships. Five London County Council Art Scholarships. Two Exhibitions.
Müller Exhibition, Birmingham. W M. H. WARD & Co., Limited, beg to announce the publication of a special Edition de Luxe of the Catalogue of the LOAN COLLECTION of the Works of W. J. MÜLLER, collected by Mr. Whitworth Wallis, F.S.A., the Director of the Corporation Art Gallery, Birmingham, and now On View there. Of the Twenty-four Illustrations specially prepared for this Edition, Seventeen are from the ORIGINAL PICTURES, and these have been photographed (isochromatically) to preserve the true Colour-values in Monochrome. The six PENCIL DRAWINGS reproduced, are strikingly representative of Müller’s masterly powers of draughtsmanship, their most minute details being faithfully preserved. The FRONTISPIECE is an admirable Portrait of Müller from a Drawing by NATHAN BRANWHITE. These Illustrations are all in “Half-tone” (Ives’ Process). The Photography, Engraving, and Printing, are entirely the Work of Wm. H. Ward & Co. The Edition is limited to 500 Copies (300 of which are already sold) at Five Shillings, Net. Orders will be executed by Post on receipt of 5s. 6d. by the Publishers. --- Wm. H. Ward & Co. Limited, Dolbein House, 119 Shaftesbur Avenue, London, W.C. --- PHOTOGRAPHIC SALON. A RECORD OF THE PHOTOGRAPHIC SALON OF 1896. In Eighteen Plates, reproduced in Photogravure by Walter L. Colls. CONTAINED IN A HANDSOME PORTFOLIO, SIZE 15 by 11 INCHES. Now Ready $\left\{ \begin{array}{l} \text{PRINTS ON BEST PLATE PAPER, £1 1s.} \\ \text{INDIA PROOFS (100 Copies only, Numbered), £2 2s.} \\ \text{JAPANESE PROOFS (50 Copies only, Numbered), £3 3s.} \end{array} \right.$ A FEW COPIES OF THE 1895 PORTFOLIO STILL FOR SALE. KEGAN PAUL, TRENCH, TRÜBNER & CO., PATERNOSTER HOUSE, CHARING CROSS ROAD, LONDON. --- ST. JOHN’S WOOD ART SCHOOLS, 7 ELM TREE ROAD, N.W. CLASSES held daily for Drawing and Painting from the Antique, Still Life, Head and Figure Models. Students prepared for Royal Academy Schools. 300 admitted since 1885. Four R.A. Gold Medals, and 80 Prizes obtained by Old Students since 1886 in the R.A. About 200 Works by Present and Past Students hung in the R.A. 1894. This portion to be cut off and forwarded in accordance with Rule 3: Competition No. --- Jan. 15, 1897.—This form can be used for any or all of the Competitions set in this number, but is only available for those in the present issue. --- Pseudonym of Competitor --- Full Name and Address --- State here, if Student, at what School; if Professional Designer or Artist, for what class of work. --- NOTICE.—In future, owing to the large number of Designs sent in, it will be impossible to return any of CLASS A (Industrial Designs) unless accompanied by One Shilling in stamps for expense of packing and return postage. The originals sent in CLASSES B and C (unless specially excepted in any particular Competition) cannot be returned in any case. This rule applies to A XII.; B 5, C 5, and all following Competitions. --- STI C.K.P.H. AST PAS T: EST I.C.K.S. AD. IX
This issue of "The Studio" magazine, dated January 15, 1897, features articles on Maurice Greiffenhagen and his work, with accompanying illustrations. It also includes details about the magazine's prize competitions for art students and amateurs, outlining the rules and categories for submissions. Advertisements for art suppliers, galleries, and educational institutions are also present.